Relevant bibliographies by topics / Period Pastiche

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Period Pastiche'

Author: Grafiati
Published: 2 July 2021
Last updated: 10 February 2022

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Journal articles on the topic "Period Pastiche"

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ÇAKIROĞLU, Elif. "APPROPRIATION IN THE POSTMODERNISM PROCESS: REVIEW OF LLUIS BARBA'S ARTWORKS IN THE CONTEXT OF INTERSEMIOTIC." TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION 11, no. 2 (2021): 490–504. http://dx.doi.org/10.7456/11102100/011.

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Appropriation can generally be explained as the reinterpretation and production of artworks by quoting them. Appropriation is associated with the postmodern period, although it was also seen in previous periods. In the postmodern period, in which the pluralist approach gained prominence, collage and montage became widespread; artists perform reproductions containing different expressions and effects, using quotes, pastiche, parody, emulation, and similar usage within the scope of intersemiotic. Artists can use the works they quote through these reproduction forms in different contexts as meani
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Wright, Matthew. "POETS AND POETRY IN LATER GREEK COMEDY." Classical Quarterly 63, no. 2 (2013): 603–22. http://dx.doi.org/10.1017/s000983881300013x.

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The comic dramatists of the fifth centuryb.c.were notable for their preoccupation with poetics – that is, their frequent references to their own poetry and that of others, their overt interest in the Athenian dramatic festivals and their adjudication, their penchant for parody and pastiche, and their habit of self-conscious reflection on the nature of good and bad poetry. I have already explored these matters at some length, in my study of the relationship between comedy and literary criticism in the period before Plato and Aristotle. This article continues the story into the fourth century an
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Blum, Beth. "The Self-Help Hermeneutic: Its Global History and Literary Future." Publications of the Modern Language Association of America 133, no. 5 (2018): 1099–117. http://dx.doi.org/10.1632/pmla.2018.133.5.1099.

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The self-improvement industry has been analyzed from a variety of disciplinary perspectives, including those of sociology, history, and religion, but its relation to literature has not received the attention it demands. Self-help is inextricable from the history and future of reading around the globe. Using Samuel Smiles's Self-Help (1859) as a case study, I unearth the overlooked role of the self-help hermeneutic, a practical reading method that collapses period, nation, and genre in the global dissemination of literary culture. I then demonstrate that the pastiche didacticism of Smiles's ear
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Shirokova, Lyudmila F. "Variations on Russian motifs in Slovak prose of the 21th century." Slavic Almanac, no. 1-2 (2020): 434–45. http://dx.doi.org/10.31168/2073-5731.2020.1-2.4.02.

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The historical and cultural ties between Slovakia and Russia have a long tradition. They manifested themselves and continue to appear both directly, in the form of various kinds of contacts, and indirectly, in different versions of their artistic understanding. Russian motifs and characters found in the Slovak prose of recent years, perform certain creative tasks that the author sets for himself. In the realistic literature of the 21st century, the Russian characters represent individual, historically and psychologically determined types that include both politicians and ordinary people. The t
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Levison, John R. "Did the Spirit Withdraw from Israel? An Evaluation of the Earliest Jewish Data." New Testament Studies 43, no. 1 (1997): 35–57. http://dx.doi.org/10.1017/s0028688500022487.

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The view that the Holy Spirit as the source of prophecy was believed by Jews during the tannaitic period to have withdrawn from Israel, to return only in the eschatological future, is built upon a pastiche of texts: Ps 74.9; 1 Macc 4.46, 9.27 and 14.41; Josephus'sAp.1.37—41;2 Apoc. Bar.85.3; Pr Azar 15; andt. Soṭa13.2—4. On the basis of such texts, E. Sjöberg referred to ‘a widespread theological conviction’ about the withdrawal of the Holy Spirit and J. Vos to ‘die verbreitete Tradition’. C. K. Barrett quoted G. F. Moore approvingly: ‘The Holy Spirit is the Spirit of prophecy … The Holy Spiri
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Whelan, Debbie. "Snippets from the north: Architects in Durban and their response to identity, common culture and resistance in the 1930s." VITRUVIO - International Journal of Architectural Technology and Sustainability 4, no. 1 (2019): 26. http://dx.doi.org/10.4995/vitruvio-ijats.2019.11774.

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<p class="Abstracttext-VITRUVIOCxSpFirst">Previously colonized by both Holland and Britain, South Africans have always borrowed; many taking aesthetic clues from memories of ‘home’. Applied seemingly irrelevantly, these ‘clues’ often border on the pastiche. Pre and post Union in 1910, the British-controlled colonies of Natal and the Cape absorbed imported architectural influences which not only introduced an Arts and Crafts layer to Victorian Gothic and Classical revivals, but introduced vital new ideas, namely Art Deco and Modernism.</p><p class="Abstracttext-VITRUVIOCxSpFirst"
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Marinova, Elena V. "Network communication and its genres as objects of artistic representation (based on Russian literature)." International Journal “Speech Genres” 31, no. 3 (2021): 216–25. http://dx.doi.org/10.18500/2311-0740-2021-3-31-216-225.

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The article analyses a new compositional peculiarity of modern fiction – the introduction of a text fragment related by its lexical and graphic features to one of the genres of network communication (chat, blog, electronic mail, etc.) into the structure of the literary works. The dialogue between characters, who communicate on the Net, becomes one of the stable text-forming means, performing various artistic tasks, including formation of the plotline, creating the image (atmosphere) of the time period, character images, reflection of “language taste of the epoch”, and so on. The reproduction o
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Wright, Barbara. "Salome: a fin de siècle legend." European Review 2, no. 3 (1994): 233–38. http://dx.doi.org/10.1017/s1062798700001137.

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The Salome legend developed as John the Baptist became the object of increased veneration. It was profoundly modified in the medieval and Renaissance periods. Well suited to Schopenhauerian misogyny and to the burgeoning interest in Freudian psychoanalysis, it became central to the fin de siècle in Western Europe. An instrument of self-reflection as well as of parody, the Salome legend has shown itself, in both the 19th and the 20th centuries, to be capable of ironic criticism and fertile pastiche, as well as of enigmatic mystery and deep psychological exploration.
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Bouziane, Mohammed. "Note sur une restauration effectuée dans une ville maghrébine: entre pastiche et authenticité." De Arte. Revista de Historia del Arte, no. 4 (February 23, 2015): 161. http://dx.doi.org/10.18002/da.v0i4.1575.

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Este artículo examina una operación de restauración efectuada en Argelia, precisamente en Mascara, en el año 2001. En efecto, el texto concierne la restauración de dos edificios que datan del decimoctavo siglo (estilo otomano). Básicamente, la reflexión trata de analizar la operación considerándola en su contexto real, en sus circunstancias excepcionales (guerra civil en Argelia, tradición arquitectónica, etc.). En este examen intentamos demostrar que lo que podría ser considerado como una falsificación en Europa, en Argelia, o en cualquier otro país islámico, puede ser considerado como una ‘r
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Kaliakatsou, Ioanna, та Aggeliki Giannikopoulou. "Η απαιτητική ανάγνωση των εικόνων στα εικονογραφημένα βιβλία του Σαραμάγκου". Preschool and Primary Education 4, № 1 (2016): 68. http://dx.doi.org/10.12681/ppej.228.

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Postmodern picturebooks have gained increasing importance in the field of theory of children’s literature, because they «Provide the most accessible examples of postmodern eclecticism: the breaking of boundaries, the abandonment of linear chronology, the emphasis on the construction of texts, and the intermingling of parodying genres» (Pantaleo and Sipe 2008). Τhese picturebooks invite a more active reader. Mc Callum (1996) notes that metafictive narratives pose «questions about the relationships between the ways we interpret and represent both fiction and reality». Trites ( 1994) also identif
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Dissertations / Theses on the topic "Period Pastiche"

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Silfver, Amanda. "Is That Really You, Sherlock Holmes? : A Corpus Stylistic and Comparative Literary Analysis Investigating the Survival of the Authentic Holmes in Contemporary Pastiches." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-104490.

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This thesis has conducted an extensive character analysis of Sherlock Holmes by comparing the original, authentic detective, as he appears in a corpus consisting of Conan Doyle’s collected works about Holmes, to the characterisation in three select period pastiches. The aim was to analyse to what extent the true characterisation of the famous sleuth has survived in contemporary adaptations, more specifically in the three texts, Sherlock Vs. Dracula (1976), Dr. Jekyll and Mr. Holmes (1979) and Sherlock Holmes and the Angel of the Opera (1994), where the detective encounters equally well-known f
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Books on the topic "Period Pastiche"

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Watt, James. Orientalism and Hebraism. Edited by David Duff. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199660896.013.43.

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This chapter begins by showing how Sir William Jones used ‘Eastern’ poetry as a means of regenerating English literary culture and expanding its range, exemplified by his role in mediating Hindu mythology for his readers. While works by Coleridge, Shelley, and others responded to this stimulus, a tradition of allegorical verse romance pioneered by Landor used Eastern settings to reflect on the politics of the revolutionary era. Southey’s Thalaba the Destroyer extends the Jonesian project by confronting readers with ‘significant otherness’, while his later poem Roderick, the Last of the Goths d
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Winkler, Kevin. Comic Relief. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199336791.003.0005.

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This chapter focuses on Bob Fosse’s work on the musicals How to Succeed in Business without Really Trying and Little Me. Though now established as a director-choreographer, Fosse still harbored ambitions as a performer. He played the title role in Pal Joey at New York’s City Center, a role he had first played a decade earlier. In How to Succeed in Business without Really Trying, Fosse’s musical staging satirized 1960s corporate and sexual politics and was a key ingredient in its long-running success. He choreographed and co-directed (with Cy Feuer) Little Me, a revue-style vehicle for Sid Caes
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Regalado, Samuel O. Barbed Wire Baseball. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037351.003.0006.

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This chapter describes the uncertain fate of the Nikkei baseball community at the onset of World War II. During this time the Nikkei community was the portrait of a dual existence: an isolated enclave that struggled to find balance between the Japanese spirit drawn from its past and an unconditional duty to display its loyalty to the United States. Japanese American baseball in this period exemplified the Nikkei conundrum. Designed to give its youth an opportunity to play the national pastime in a secure and controlled environment, leaders of their leagues rarely omitted any display that spoke
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Book chapters on the topic "Period Pastiche"

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Bishop, Daniel. "The Mythic Elements of Chinatown." In The Presence of the Past. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190932688.003.0004.

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In Chinatown, Jerry Goldsmith’s score negotiates conflicting senses of mythic atemporality and expressive immediacy. The score draws upon avant-garde sounds, a “presentist” gesture that allegorizes the film’s tale of corruption for the world of the seventies, negating the “period” quality associated with genre pastiche. At the same, a jazz-inflected main theme and director Roman Polanski’s neoclassicist formalism balance seventies allegory with a sense of “pastness.” The tension between these two dimensions of the score suggests a mythic suspension of temporality, whereas the elemental connotations of musical timbre (water, earth) convey the film’s atmosphere of paranoia with discomforting immediacy. Drawing upon philosopher Gaston Bachelard’s work on the phenomenology of elemental images within the poetic imagination, this chapter attempts to understand musical timbre as a form of mythic immanence that allows us imaginative access to modernity’s terrors, whose actuality we must wrestle with in order to claim a position of ethical engagement.
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Naremore, James. "5. Styles of film noir." In Film Noir: A Very Short Introduction. Oxford University Press, 2019. http://dx.doi.org/10.1093/actrade/9780198791744.003.0005.

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Contrary to what has sometimes been said, there never was a single narrative or visual style of film noir, even in the 1940s. The major directors played the movie game in slightly different ways and each of the studios also had something of their own style because of the photographers, designers, and musical composers they employed. ‘Styles of film noir’ explains that classic film noirs were as stylistically heterogeneous as any other kind of picture, but they were governed by a generally agreed upon ‘mysterious’ look. Film noir has persisted, but it doesn’t look the same in different periods. The shift from black and white to color is discussed along with parody, pastiche, and postmodern noir.
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Walker, Johnny. "Knowing the Unknown Beyond: ‘Italianate’ and ‘Italian’ Horror Cinema in the Twenty-First Century." In Italian Horror Cinema. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9780748693528.003.0005.

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Since the year 2000, European horror cinema has undergone a major revival. After the 1990s, which saw very few European horror films made, the first fifteen years of the twenty-first century witnessed a groundswell in production from France, Germany, the Netherlands, Spain, Serbia and the UK. Italy was also part of this ‘new wave’, though its horror films typically did not reach as wide an audience, nor experience the critical recognition, of its continental neighbours. Italian horror during this period also faced a great irony. Whereas several filmmakers from America and Europe pastiched the Italian horror boom of the 1960s, 1970s and 1980s with films that were widely distributed and commercially well received, Italian directors shooting horror films either in Italy or elsewhere typically lacked access to ‘formal’ distribution (Lobato, 2012) and therefore their films were not as widely seen.
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Keaveney, Christopher T. "The One Constant: The Literature of Nostalgia and Catharsis in Postwar Japanese Baseball Fiction." In Contesting the Myths of Samurai Baseball. Hong Kong University Press, 2018. http://dx.doi.org/10.5790/hongkong/9789888455829.003.0005.

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Chapter 4 describes the venerable tradition of baseball fiction in the latter half of the Shōwa period and in the early Heisei period (1989-), an era in which baseball emerged as a true sport of the masses and in which Japan’s economic success paralleled the emergence of professional baseball as Japan’s national pastime. This chapter explores the emergence of several important trends in baseball literature including the appearance of the first examples of baseball mystery literature and the continuation of juvenile fiction about baseball. This latter literary category developed from the body of writing aimed at young readers that had been initiated by Akai tori (Red Bird) and other magazines that made an appearance in the Taishō period (1912-1926), and as baseball was resuscitated and gained popularity in the postwar period, it again emerged as a natural topic for juvenile fiction. While the juvenile baseball fiction of the Occupation Era was cathartic and was intended to help young readers grapple with the harsh realities of the postwar era, the baseball fiction of the 1980s and 1990s, often set in the immediate postwar era, tended to be more nostalgic, portraying baseball as a refuge and source of hope in a time of uncertainty.
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Keaveney, Christopher T. "Samurai Baseball: The Popular Press and the Making of a National Pastime in Meiji and Taishō Japan." In Contesting the Myths of Samurai Baseball. Hong Kong University Press, 2018. http://dx.doi.org/10.5790/hongkong/9789888455829.003.0002.

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Chapter 1 provides both a background to baseball in Japan and to the origins of the concept of “Samurai baseball” that is central to the issues explored in this book. The first chapter also problematizes the role of the popular press in Japan starting in the Meiji period (1868-1912) of both spreading the gospel of baseball in Japan and of promoting the myths surrounding Japan’s approach to the game, infusing it with dimensions of the rhetoric of Nihonjinron. Many of the qualities that have come to define the myths of Samurai baseball are the result of the press coverage of the Ichikō high school team’s impressive victories against American opponents in the Meiji period. The wide coverage by the popular press of the team’s lopsided victories helped both to initiate Japan’s love affair with baseball and establish the Bushidō-inspired values associated with Samurai baseball.
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Burrow, Colin. "Milton." In Imitating Authors. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198838081.003.0009.

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This chapter considers the role played by imitatio in John Milton’s Paradise Lost and Paradise Regained. It shows how the traditional opposition between a ‘living’ imitation of a past text and a mere simulacral resemblance of it shapes the way Milton represents the imitated world of hell. It goes on to contextualize Milton’s understanding of imitatio. Milton was influenced by changing ways of presenting localized allusions or ‘imitations’ in editions of classical texts, by the educational thinking of the circle around Samuel Hartlib, and by the ways in which his friend Francis Junius interpreted Quintilian’s Institutio. Paradise Lost was composed in a period during which the word ‘imitation’ came to be used in new ways. It could be applied to translations which adapted classical texts to the manners of the present, and also to pastiches in the vernacular of another author’s style. Milton both resisted and responded to these developments. The chapter then shows how Milton was among the earliest writers to treat classical texts as (in a rather literal sense) ‘models’, which provide not words or images for a later writer but scalar templates for future works. The history of that word is explored, as is Milton’s use of the dizzying effects of scale which follow from an imitator regarding the texts which he imitates as ‘models’ in this sense. The chapter concludes with a discussion of such scalar effects in relation to the representations of both Rome and the Temple at Jerusalem in Paradise Regained.
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Conference papers on the topic "Period Pastiche"

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Cuenca garcia, Celia. "Estéticas cinematográficas de lo físico: la imagen reivindica su esencia." In IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.9574.

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Una de las consecuencias más interesantes de la digitalización tiene que ver con la nostalgia por lo físico. James Bridle, editor británico, habla con ironía acerca de cómo nadie había reparado en el olor de los libros hasta que apareció la posibilidad del ebook o de cómo ha crecido exponencialmente la venta de vinilos en los últimos años. Todos nos hemos vuelto nostálgicos de una cualidad en la que quizá no habíamos reparado nunca. Pero lo más curioso es que esta tendencia hacia lo físico no tienen realmente mucho que ver con el objeto, sino con su cualidad estética. Si pensamos en Instagram,
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Journal articles
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