Relevant bibliographies by topics / Permission to stay for artists

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Academic literature on the topic 'Permission to stay for artists'

Author: Grafiati
Published: 24 April 2022
Last updated: 30 July 2025

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Journal articles on the topic "Permission to stay for artists"

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Orlova, N. I. "TARAS'S HOME ON THE KOZYNE BOLOTO: POLEMICS, FACTS." Shevchenko Studies, no. 1(25) (2022): 188–210. http://dx.doi.org/10.17721/2410-4094.2022.1(25).188-210.

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From the end of April 1846 the house of the Kiev official I. Zhytnytskyi on Kozyne Bolote street became for one year a temporary residence for T. Shevchenko and his friend (poet O. Afanasiev-Chuzhbinsky and artist M. Sazhin). Polish writer Yu. Belina-Kenjitsky, who was a student of the Imperial University of St. Vladimir, acquaintance of T. Shevchenko, who repeatedly visited him, noted in memoirs that in 1862 visiting Kiev, he saw that the house I. Zhytnytskyi is not preserved. The problem of reliability of the house I. Zhytnytskyi on Kozyne Boloto street, in which November 10, 1928 the House-
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Gertz, Steven. "Permission to Stay in “Enemy” Territory?" Muslim World 103, no. 1 (2013): 94–106. http://dx.doi.org/10.1111/j.1478-1913.2012.01419.x.

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Wack, Chloe, and Casey Wohlar. "Permission to Care: Sentimentality in Academic Settings—A Conversation between Artists." Feminist German Studies 40, no. 1 (2024): 60–79. http://dx.doi.org/10.1353/fgs.2024.a933690.

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Abstract: This article discusses the role of collaboration, gender, and sentimentality as an act of intervention against institutional expectations. Traditionally, women have been under-represented within institutional spaces. As Topaz et al. note, although representation for diverse identities has increased, marginalized people still fight for consideration within these spaces. We investigate the pressure to fit within these tight institutional spaces as women artists. Women are often labeled as “sentimental,” focusing on their emotional capacity rather than intellectual capacity. Therefore,
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Jafar, Sofyan, Joelman Subaidi, and Dedy Syahputra. "PERLINDUNGAN HUKUM HAK CIPTA TERHADAP SENIMAN ACEH DALAM INDUSTRI LAGU ATAU MUSIK ACEH BERDASARKAN UNDANG-UNDANG NOMOR 28 TAHUN 2014 TENTANG HAK CIPTA." Jurnal Geuthèë: Penelitian Multidisiplin 5, no. 2 (2022): 88. http://dx.doi.org/10.52626/jg.v5i2.146.

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In Indonesia, Copyright is regulated in Law Number 28 of 2014 concerning Copyright. One of these Copyright protections is songs or music, including the Copyright of Aceh songs or music which has experienced such rapid development, even now it has penetrated into the internet world. Therefore, this article is intended to examine and analyze the extent of knowledge of Acehnese artists, because there are still many Acehnese artists' works – especially in Acehnese music and songs – which are adapted and used by others without the permission of the copyright owner. The use of music and songs is ind
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Abarca, Javier. "Curating street art." Street Art & Urban Creativity 3, no. 2 (2017): 112–18. https://doi.org/10.25765/sauc.v3i2.87.

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After being largely ignored for decades, street art has in the last ten years been increasingly assimilated by society and the art system. Numerous artists who started their careers producing street work on their own initiative and without seeking permission are now being commissioned to create official public art – mostly murals – and pieces for galleries, museums and collections. This paper looks at the differences between producing art in public space without permission and producing art for the gallery, and at the possible approaches to the commission of gallery artworks related to the str
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Yogi Subandi, Agit, M. Wendy Trijaya, Made Widhiyana, Sepriyadi Adhan S, and Sona Asnawi. "LEGAL PROTECTION OF LITERARY ARTISTS' COPYRIGHTS IN BANDAR LAMPUNG." PRANATA HUKUM 20, no. 1 (2025): 76–89. https://doi.org/10.36448/pranatahukum.v20i1.382.

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Literary works are a form of creative expression protected by Law Number 28 of 2014 concerning Copyright. Literary work copyright gives the author exclusive authority to manage and profit from his work. Bandar Lampung City artists have received much national and international recognition for their works, both in the form of poetry, short stories, novels and theater plays. However, the risk of copyright infringement increases with the influence and popularity of Bandar Lampung literary works. There are still many works by artists in Lampung, especially literature, that are modified and used by
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Gielen, Pascal. "The road to sustainable creativity: mobile autonomy beyond auto-mobility." Galáxia (São Paulo), no. 30 (December 2015): 6–19. http://dx.doi.org/10.1590/1982-25542015224380.

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AbstractHow can artists stay autonomous, and keep their creativity alive in the contemporary society? In this paper is stated that the individual bourgeois model of the artist is not sufficient any more to make autonomous art and to stay creative on the long run. If artists want to stay mobile and autonomous they need to build collective organizational structures, which are called 'traveling caravan'. In the parallel historical shifts between 1970 and 2000 from liberalism to neo-liberalism, from Fordism to post-Fordism and from modern to contemporary art, artists need to build up their own art
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Ozcan, Umit. "The health of tattoo artists." European Journal of Environment and Public Health 7, no. 2 (2023): em0131. http://dx.doi.org/10.29333/ejeph/12694.

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<b>Introduction:</b> Tattoo artists perform physically demanding work. Absence means loss of income. This research examines how tattoo artists stay healthy for work.<br /> <b>Method:</b> This study is a qualitative research. The interviews were semi-structured with four categories: work method, workplace furnishment, lifestyle, and health complaints. Voluntary response sampling was conducted in Amsterdam, where 133 tattoo artists were approached via social media. The transcripts were encoded open, axially, and selectively.<br /> <b>Results:</b> 1
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Feser, Frauke. "The visiting artist researcher experiment." Journal of Science Communication 14, no. 01 (2015): C02. http://dx.doi.org/10.22323/2.14010302.

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The visiting artist researcher experiment discussed here brought together visual artists and climate scientists, amongst them my research group which studies storms. The artists’ stay led to a dialogue between our diverging perspectives and an open exchange of ideas. The exchange in my research group was more interactive than I had expected. Many conversations provided insights into ideas and work flows of the artists and, eventually, a new view on our storm studies.
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Eunseo, Kim. "Artistic Inspiration through Digital Platforms and Offline Experiences: How Artists Use Instagram and Beyond." International Journal of Recent Innovations in Academic Research 8, no. 11 (2024): 1–7. https://doi.org/10.5281/zenodo.14015672.

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The rapid development of digital platforms has changed how artists find inspiration. In particular, visual content-driven platforms like Instagram have become a key tool for artists to easily access a wide range of work and stay up to date with the latest trends. However, there has been less specific research on how this trend affected artists’ search for inspirations and the blending of opportunities from offline (traditional) and online (recent) channels. In this context, through an online survey (N=23), this study aims to explore how artists utilize digital platforms to find the inspi
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Books on the topic "Permission to stay for artists"

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Willis, Sarah. Some things that stay. Berkley Books, 2001.

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Skinner, Alice Blackmer. Stay by me, roses: The life of American artist, Alice Archer Sewall James, 1870-1955. Swedenborg Foundation Press, 2011.

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Willis, Sarah. Some things that stay. Farrar, Straus and Giroux, 2000.

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1950-, Miles Malcolm, Christie Brian, and British Health Care Arts Centre., eds. Artists in residence in hospitals: The contributions of artists to the quality of life in acute and long stay hospitals. British Health Care Arts Centre, 1991.

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1961-, Maloney Martin, and Institute of Contemporary Arts (London, England), eds. Die young, stay pretty: Institute of Contemporary Arts, London, 13 November 1998-10 January 1999. Institute of Contemporary Arts, 1998.

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Martin, Maloney, and Institute of Contemporary Arts, eds. Die young stay pretty: [catalogue of an exhibition at the] Institute of Contemporary Arts, London, 13 November 1998 - 10 January 1999. Institute of Contemporary Arts, 1998.

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Kürti, Emese, and Zsuzsa László, eds. What Will Be Already Exists. transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839458235.

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How do artist archives survive and stay authentic in radically changed contexts? The volume addresses the challenge of continuity, sustainability, and institutionalization of archives established by Eastern European artists. At its center stands the 40th anniversary of the Artpool Art Research Center founded in 1979 in Budapest as an underground institution based on György Galántai's »Active Archive« concept. Ten internationally renowned scholars propose contemporary interpretations of this concept and frame artist archives not as mere sources of art history but as models of self-historicizati
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Too, Your Place. Give Yourself Permission: Be You. Dream Big. Stay Curious. Independently Published, 2022.

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King, Keisha A. Stay Down. America Star Books, 2008.

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al, et, and Martin Maloney. Die Young and Stay Pretty. Institute of Contemporary Arts, 1998.

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Book chapters on the topic "Permission to stay for artists"

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Hampson, Jamie, and Sam Challis. "Cultures of Appropriation: Rock Art Ownership, Indigenous Intellectual Property, and Decolonisation." In Deep-Time Images in the Age of Globalization. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-54638-9_19.

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AbstractBoth on and off the rocks, it is clear that many pictographs and petroglyphs are powerful cultural and social ‘tools’ as well as sacred beings. Indeed, in certain regions of many countries, cultural and socio-political identity is shaped, manipulated, and presented through rock paintings and engravings. In this chapter, we focus on re-contextualised and appropriated Indigenous heritage and rock art motifs, in commercial settings, in sports team mascots, and as integral components of political and national symbols—there are illuminating similarities (as well as differences) that span th
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Hardon, Anita. "Chemical 24/7." In Critical Studies in Risk and Uncertainty. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-57081-1_6.

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Abstract This chapter shines a light on what happens in the dark: specifically, we present ethnographic insights from the nightlife economy and how chemicals enable youth to work “24/7.” Producers, promoters, DJs, hosts, artists, performers, drag queens, musicians, stage managers, bartenders, hospitality girls, and dancers from Amsterdam, Brooklyn, Bira (Indonesia), and Puerto Princesa (the Philippines) share with the ChemicalYouth team the various stimulants they use to stay awake and perform their jobs during non-typical working hours, and the other chemicals that they take in order to be ab
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Bakas, Fiona Eva. "Connecting local artisans to tourism in extra-metropolitan areas: the importance of social embeddedness." In Creative tourism: activating cultural resources and engaging creative travellers. CABI, 2021. http://dx.doi.org/10.1079/9781789243536.0028.

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Abstract This chapter presents highlights from recent research into the emergence of artisan entrepreneurmediators who link artisans to creative tourism initiatives in extra-metropolitan areas (i.e. rural areas and small cities) in Portugal (Bakas et al., 2018). Creative tourism is aligned with contemporary trends to revive local crafts and traditions in rural areas as it stimulates artisan entrepreneurs to co-create and co-preserve local traditions (Duxbury and Richards,2019) while engaging with the local community (Landry, 2010). In extra-metropolitan regions, economies are often fragile and
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Broomans, Petra. "Chapter 2. Cultural transfer as a performative act in Mary Wollstonecraft’s Letters written during a short residence in Sweden, Norway and Denmark (1796)." In FILLM Studies in Languages and Literatures. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/fillm.20.02bro.

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Mary Wollstonecraft (1759–1797) is well known for her feminist pamphlet A Vindication of the Rights of Women (1792). Wollstonecraft was also an experienced traveller. She travelled to Portugal, and she lived and worked in Ireland, London and Paris. Her travel account about her stay in Scandinavia, Letters written during a short residence in Sweden, Norway and Denmark, was published in 1796. Her life and works have fascinated many artists, writers and scholars over time, starting with her husband, the philosopher William Godwin (1756–1836), who published the Memoirs of the Author of ‘The Rights
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Goss, W. M., Claire Hooker, and Ronald D. Ekers. "The Final Year, 1962." In Historical & Cultural Astronomy. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-07916-0_40.

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AbstractI.I. Rabi, President of Associated Universities, Inc in New York to Wild on 20 August 1962:On 26 January 1962, Pawsey began organising a 1-month stay in Green Bank for March, an orientation visit. After the US, he planned to go to Paris to visit his daughter Margaret and her family, then continue back to Sydney via India. He hoped to arrive back in Sydney by 24 April 1962, Hastings Pawsey’s 17th birthday. As expected, Pawsey arranged his trip to the US and Europe in order to meet colleagues. In Pasadena on the way to New York, Green Bank and Washington, he planned to meet Gordon Stanle
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"Permission to Desire." In Bangtan Remixed, edited by Rani Neutill. Duke University Press, 2024. http://dx.doi.org/10.1215/9781478059615-029.

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Rani Neutill interviews GenX women in “Permission to Desire” to consider the reencounter with oneself through new objects that rewrite the story of one’s libidinal, unconscious, and symbolic life. In collection stories about their struggles, their depression, and how BTS alleviated the sorrows that came from living through the COVID-19 pandemic as stay-at-home moms, remote workers, being unemployed, and as women who feel as though they are no longer allowed to do things for themselves, she describes a collective reckoning among Gen X women with how the media of their youth produced often-demea
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Bennett, Peggy D. "Stay you." In Teaching with Vitality. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190673987.003.0031.

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One of the most important features of a treadmill is that we get to push the buttons. We choose to go faster or slower. We raise or lower the incline. We determine how much we are able to accomplish at any given time. Imagine that you have a treadmill in the hallway outside your room at school. Every time anyone walks down the hall, he or she can push any button on your treadmill. At any moment, you may be forced to walk or run, go up an incline or down. You may be forced to stop abruptly or run to the point of exhaustion. You may have a painful injury or medical condition unknown to oth­ers,
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Fiocco, Fabiola. "Stay Hungry, Stay Foolish Deconstructing the Performance of Labour in the Bureau of Melodramatic Research." In A Driving Force. On the Rhetoric of Images and Power. Fondazione Università Ca’ Foscari, 2023. http://dx.doi.org/10.30687/978-88-6969-771-5/006.

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The advent of neoliberalism was accompanied by a substantial ideological and visual apparatus required to promote and legitimise the new forms of labour and mechanisms of power it generated. Concurrently, labour garnered significant attention from artists, particularly feminist artists, who started misappropriating the visual vocabulary of work as a means of political reclamation. This paper examines the practice of the artistic duo The Bureau of Melodramatic Research and the aesthetic strategies they implement to deconstruct the contemporary performance of labour and shed light on the distres
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"Contemporary Artists Respond to the Baby Dolls." In Walking Raddy, edited by Kim Vaz-Deville. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496817396.003.0020.

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This chapter discusses the process of negotiation of cross cultural participation and permission of playing mas within black cultural traditions. Using a personal narrative approach the author reflects on her experiences of playing Mas in Trinidad and Tobago Carnival and her desires to play Mas as a Baby Doll in New Orleans Mardi Gras. The author contends her participation cannot be purchased and seeks new ways to adopt a deeper understanding of the history tradition of the Baby Dolls and honor them in a documentary.
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Allen, Frances, Julia Gasparro, Jo Swaney, Margaret Phelan, and James Gillespie. "Immigration Rules." In Immigration Law Handbook, 11th ed. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192896292.003.0029.

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Abstract This chapter discusses the Immigration Rules. The Home Secretary has made changes in the Rules laid down by him as to the practice to be followed in the administration of the Immigration Acts for regulating entry into and the stay of persons in the United Kingdom and contained in the statement laid before Parliament on 23 March 1990 (HC 251). Under the Immigration Rules, Immigration Officers, Entry Clearance Officers, and all staff of the Home Office will carry out their duties without regard to the race, colour, or religion of persons seeking to enter or remain in the United Kingdom.
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Conference papers on the topic "Permission to stay for artists"

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Seebacher, Gernot, Axel A. Schmidt, and Jochen Offermann. "Oil in Water Monitoring Using Advanced Light Scattering." In ASME/USCG 2013 3rd Workshop on Marine Technology and Standards. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/mts2013-0301.

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The paper provides background on how bilge water has changed over the years and how technology has enabled manufacturers to stay ahead of the curve by borrowing technological breakthroughs from other areas to the measurement of oil content in the marine environment. Light scattering provides today a universal and reliable method, able to measure the wide range of oils present in a wildly variable and unpredictable bilge water mixture. Bilge water regulations were put in place to reduce the potential of harm to the environment from oily bilge water discharges. Regulations require that instrumen
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Ira, Martha Mead. "2010 Regulatory Update for Anhydrous Ammonia Refrigeration Processes." In ASME 2010 Citrus Engineering Conference. American Society of Mechanical Engineers, 2010. http://dx.doi.org/10.1115/cec2010-5601.

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Refrigeration processes that contain more than 10,000 lb of anhydrous ammonia refrigerant are subject to a number of environmental and safety regulations, including the following: ▪ Occupational Safety and Health Administration’s (OSHA’s) Process Safety Management of Highly Hazardous Chemicals (the PSM Standard), 29 CFR 1910.119 ▪ Environmental Protection Agency’s (EPA’s) Risk Management Plan (RMP) Rule, 40 CFR, Part 68 ▪ EPA’s Emergency Planning and Community Right to Know Act (EPCRA), 40 CFR parts 350 to 372, ▪ Department of Homeland Security’s (DHS’s) Chemical Facility Anti-Terrorism Standa
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Reports on the topic "Permission to stay for artists"

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Sheridan, Anne. Annual report on migration and asylum 2016: Ireland. ESRI, 2017. http://dx.doi.org/10.26504/sustat65.

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The Annual Report on Migration and Asylum 2016 provides an overview of trends, policy developments and significant debates in the area of asylum and migration during 2016 in Ireland. Some important developments in 2016 included: The International Protection Act 2015 was commenced throughout 2016. The single application procedure under the Act came into operation from 31 December 2016. The International Protection Office (IPO) replaced the Office of the Refugee Applications Commissioner (ORAC) from 31 December 2016. The first instance appeals body, the International Protection Appeals Tribunal
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