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Journal articles on the topic 'Permission to stay for artists'

Author: Grafiati

Published: 24 April 2022

Last updated: 30 July 2025

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1

Orlova, N. I. "TARAS'S HOME ON THE KOZYNE BOLOTO: POLEMICS, FACTS." Shevchenko Studies, no. 1(25) (2022): 188–210. http://dx.doi.org/10.17721/2410-4094.2022.1(25).188-210.

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From the end of April 1846 the house of the Kiev official I. Zhytnytskyi on Kozyne Bolote street became for one year a temporary residence for T. Shevchenko and his friend (poet O. Afanasiev-Chuzhbinsky and artist M. Sazhin). Polish writer Yu. Belina-Kenjitsky, who was a student of the Imperial University of St. Vladimir, acquaintance of T. Shevchenko, who repeatedly visited him, noted in memoirs that in 1862 visiting Kiev, he saw that the house I. Zhytnytskyi is not preserved. The problem of reliability of the house I. Zhytnytskyi on Kozyne Boloto street, in which November 10, 1928 the House-

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Gertz, Steven. "Permission to Stay in “Enemy” Territory?" Muslim World 103, no. 1 (2013): 94–106. http://dx.doi.org/10.1111/j.1478-1913.2012.01419.x.

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Wack, Chloe, and Casey Wohlar. "Permission to Care: Sentimentality in Academic Settings—A Conversation between Artists." Feminist German Studies 40, no. 1 (2024): 60–79. http://dx.doi.org/10.1353/fgs.2024.a933690.

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Abstract: This article discusses the role of collaboration, gender, and sentimentality as an act of intervention against institutional expectations. Traditionally, women have been under-represented within institutional spaces. As Topaz et al. note, although representation for diverse identities has increased, marginalized people still fight for consideration within these spaces. We investigate the pressure to fit within these tight institutional spaces as women artists. Women are often labeled as “sentimental,” focusing on their emotional capacity rather than intellectual capacity. Therefore,

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Jafar, Sofyan, Joelman Subaidi, and Dedy Syahputra. "PERLINDUNGAN HUKUM HAK CIPTA TERHADAP SENIMAN ACEH DALAM INDUSTRI LAGU ATAU MUSIK ACEH BERDASARKAN UNDANG-UNDANG NOMOR 28 TAHUN 2014 TENTANG HAK CIPTA." Jurnal Geuthèë: Penelitian Multidisiplin 5, no. 2 (2022): 88. http://dx.doi.org/10.52626/jg.v5i2.146.

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In Indonesia, Copyright is regulated in Law Number 28 of 2014 concerning Copyright. One of these Copyright protections is songs or music, including the Copyright of Aceh songs or music which has experienced such rapid development, even now it has penetrated into the internet world. Therefore, this article is intended to examine and analyze the extent of knowledge of Acehnese artists, because there are still many Acehnese artists' works – especially in Acehnese music and songs – which are adapted and used by others without the permission of the copyright owner. The use of music and songs is ind

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Abarca, Javier. "Curating street art." Street Art & Urban Creativity 3, no. 2 (2017): 112–18. https://doi.org/10.25765/sauc.v3i2.87.

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After being largely ignored for decades, street art has in the last ten years been increasingly assimilated by society and the art system. Numerous artists who started their careers producing street work on their own initiative and without seeking permission are now being commissioned to create official public art – mostly murals – and pieces for galleries, museums and collections. This paper looks at the differences between producing art in public space without permission and producing art for the gallery, and at the possible approaches to the commission of gallery artworks related to the str

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Yogi Subandi, Agit, M. Wendy Trijaya, Made Widhiyana, Sepriyadi Adhan S, and Sona Asnawi. "LEGAL PROTECTION OF LITERARY ARTISTS' COPYRIGHTS IN BANDAR LAMPUNG." PRANATA HUKUM 20, no. 1 (2025): 76–89. https://doi.org/10.36448/pranatahukum.v20i1.382.

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Literary works are a form of creative expression protected by Law Number 28 of 2014 concerning Copyright. Literary work copyright gives the author exclusive authority to manage and profit from his work. Bandar Lampung City artists have received much national and international recognition for their works, both in the form of poetry, short stories, novels and theater plays. However, the risk of copyright infringement increases with the influence and popularity of Bandar Lampung literary works. There are still many works by artists in Lampung, especially literature, that are modified and used by

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Gielen, Pascal. "The road to sustainable creativity: mobile autonomy beyond auto-mobility." Galáxia (São Paulo), no. 30 (December 2015): 6–19. http://dx.doi.org/10.1590/1982-25542015224380.

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AbstractHow can artists stay autonomous, and keep their creativity alive in the contemporary society? In this paper is stated that the individual bourgeois model of the artist is not sufficient any more to make autonomous art and to stay creative on the long run. If artists want to stay mobile and autonomous they need to build collective organizational structures, which are called 'traveling caravan'. In the parallel historical shifts between 1970 and 2000 from liberalism to neo-liberalism, from Fordism to post-Fordism and from modern to contemporary art, artists need to build up their own art

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Ozcan, Umit. "The health of tattoo artists." European Journal of Environment and Public Health 7, no. 2 (2023): em0131. http://dx.doi.org/10.29333/ejeph/12694.

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<b>Introduction:</b> Tattoo artists perform physically demanding work. Absence means loss of income. This research examines how tattoo artists stay healthy for work.<br /> <b>Method:</b> This study is a qualitative research. The interviews were semi-structured with four categories: work method, workplace furnishment, lifestyle, and health complaints. Voluntary response sampling was conducted in Amsterdam, where 133 tattoo artists were approached via social media. The transcripts were encoded open, axially, and selectively.<br /> <b>Results:</b> 1

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Feser, Frauke. "The visiting artist researcher experiment." Journal of Science Communication 14, no. 01 (2015): C02. http://dx.doi.org/10.22323/2.14010302.

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The visiting artist researcher experiment discussed here brought together visual artists and climate scientists, amongst them my research group which studies storms. The artists’ stay led to a dialogue between our diverging perspectives and an open exchange of ideas. The exchange in my research group was more interactive than I had expected. Many conversations provided insights into ideas and work flows of the artists and, eventually, a new view on our storm studies.

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Eunseo, Kim. "Artistic Inspiration through Digital Platforms and Offline Experiences: How Artists Use Instagram and Beyond." International Journal of Recent Innovations in Academic Research 8, no. 11 (2024): 1–7. https://doi.org/10.5281/zenodo.14015672.

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The rapid development of digital platforms has changed how artists find inspiration. In particular, visual content-driven platforms like Instagram have become a key tool for artists to easily access a wide range of work and stay up to date with the latest trends. However, there has been less specific research on how this trend affected artists’ search for inspirations and the blending of opportunities from offline (traditional) and online (recent) channels. In this context, through an online survey (N=23), this study aims to explore how artists utilize digital platforms to find the inspi

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Brenner, Devon, Amy Price Azano, and Jayne Downey. "Helping new teachers stay and thrive in rural schools." Phi Delta Kappan 103, no. 4 (2021): 14–18. https://doi.org/10.5281/zenodo.7011664.

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Among the many challenges facing rural administrators, recruiting and retaining teachers is often at the top of the list. Given the time and energy they must invest to successfully attract, recruit, and hire a new teacher, there is a significant need to adopt strategies that will help to retain those new teachers. Rural administrators can support new teachers so that they stay — and thrive — in rural districts by connecting teachers with the community, supporting place-based practices in the classroom, and helping new teachers build relationships both in and out of school. Devon Brenner et al,

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Voropaev, V. A. "Library of Russian Artists in Rome." Language and Text 11, no. 4 (2024): 65–73. https://doi.org/10.17759/langt.2024110408.

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<p>The article highlights the history of the library of Russian artists in Rome, which N.V. Gogol took part in the creation. The fate of the Roman library of the writer remains unknown to this day. Gogol's books (which belonged to him or those that he could hold in his hands during his stay in Italy), apparently, may be in the private library of A.A. Ivanov in Rome, now owned by relatives of the artist; or in the collections of the Central Scientific Library in Rome, which received the former library of Russian artists &mdash; Roman boarders.</p>

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Steiner, Frederick. "Touching Time." Ri-Vista. Research for landscape architecture 20, no. 1 (2022): 294–305. http://dx.doi.org/10.36253/rv-13081.

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The American Academy in Rome provides an ideal place for visiting scholars and artists to stay. From this base on the Gianicolo, one can walk about the city and explore its heritage and experience both its contemporary vibrancy and sustained relevance. Touching Time is one American’s reflections, through words and pictures, of his stay at the Academy and his walks in Rome and beyond.

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Sari, Dewi Arnita, and Azka Hanani. "LEGAL CHALLENGES IN COVER SONG DISPUTES: A CIVIL PROCEDURAL PERSPECTIVE ON COPYRIGHT ENFORCEMENT." Jurnal Al-Dustur 8, no. 1 (2025): 62–73. https://doi.org/10.30863/aldustur.v8i1.8795.

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Cover song disputes have emerged as a significant concern within civil procedural law in the digital age, driven by the proliferation of online music platforms and frequent disregard of copyright compliance. This study aims to investigate the challenges faced by artists in understanding and adhering to song cover copyright regulations. Employing a qualitative methodology, the research gathered data through in-depth interviews with 50 purposively selected respondents, including musicians, producers, and legal professionals within the music industry. Thematic analysis was used to identify key pa

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Artpradid, Vipavinee. ""What Are You Willing to Give Away?"." Tánc és Nevelés 6, no. 1 (2025): 95–110. https://doi.org/10.46819/tn.6.1.95-110.

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This paper discusses selected findings from Moving Online: Ontology and Ownership of Internet Dance (funded by AHRC AH/W01002X/1). Dances are frequently copied, reperformed, and adapted with or without permission, raising important questions about ownership, appropriation, and acknowledgment. Through interviews with three Hip-Hop artists who share their work online, this study examines the ontological foundations of dance created for online consumption. In addition, the creative, socio-cultural, financial, and legal implications of online sharing on artists’ ownership are also discussed. Initi

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Stetson, Kent. "Warm Wind in China." Canadian Theatre Review 57 (December 1988): 58–77. http://dx.doi.org/10.3138/ctr.57.016.

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Caution: © 1988 Kent Stetson. This play is fully protected under the copyright laws of Canada and all other countries of the Copyright Union and all performances are subject to royalty. Change to the script is expressly forbidden. Rights to produce, film, or record, in whole or in part, in any medium and in any language, are retained by Kent Stetson. Interested persons are requested to apply for permission and terms to the author’s agent, Great North Artists Management Inc., 350 Dupont Street, Toronto, Ontario, Canada M5R 1V9.

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Khumya, Tanaradee. "Migrants’ Hopes for Longer Stay in Thailand: Gender and Social Space." Asia Social Issues 16, no. 5 (2023): e258058. http://dx.doi.org/10.48048/asi.2023.258058.

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Thailand has been Southeast Asia’s primary migration hub for the past three decades. Although government policies assume that migrants stay temporarily and only for the time they have official permission, Thai policies, and regulations do not seem to stop migrants from staying longer. This study investigates factors related to migrants’ hopes to stay in Thailand longer than officially permitted by focusing on gender and social space. This study examines the hope for a more extended stay in Thailand of migrants from the three neighboring countries, Myanmar, Lao PDR, and Cambodia, and the relati

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Błotnicka-Mazur, Elżbieta. "THE IMAGE OF ART BETWEEN IDEOLOGY AND MODERNITY. ELBLĄG BIENNALES OF SPATIAL FORMS IN 1960’S POLAND." ARTis ON, no. 9 (December 26, 2019): 97–106. http://dx.doi.org/10.37935/aion.v0i9.242.

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In 1965 Gerard Kwiatkowski and Marian Bogusz organized the fi rst of the Spatial Forms Biennales in Elbląg – a city based in the so-called “Recovered Territories”. Selected artists, supported by ZAMECH mechanical plant and with the permission of the communist authorities, created several dozen huge metal sculptures known as “Spatial Forms”. This was the biggest experiment combining art and industry in Poland or even in Europe. The aim of the article is to juxtapose the role of this phenomenon, namely how the creators of the Biennales found a balance between artistic freedom and political limit

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19

Khotimah, Wininda Qusnul, and Dini Wahdiyati. "THE TRAINING TO UTILIZE SOCIAL MEDIA TO INCREASE PRODUCTIVITY OF LOCAL ARTISTS IN EAST JAKARTA DURING COVID-19 PANDEMIC." SPEKTA (Jurnal Pengabdian Kepada Masyarakat : Teknologi dan Aplikasi) 2, no. 2 (2021): 83–94. http://dx.doi.org/10.12928/spekta.v2i2.4580.

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The COVID-19 pandemic affects many sectors of life including the world of art, particularly for local artists. They no longer have a stage to work on. The restriction policies during the pandemic Covid-19 limit their existence. As a result, the local artists in East Jakarta need a way to stay creative and productive. The lack of work performed has an impact on the lack of income they get. Thus, the community service team is looking for a solution to this problem by providing education about the use of social media. The method from this community service is carried out by providing knowledge ab

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20

Manchester, Ralph A. "Professional Education in Performing Arts Medicine." Medical Problems of Performing Artists 25, no. 4 (2010): 139–40. http://dx.doi.org/10.21091/mppa.2010.4030.

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As the body of knowledge that comprises the field of performing arts medicine has grown, it has simultaneously become more important and more difficult for everyone who is concerned about the health of performing artists to stay current with the state of the art. In this regard, performing arts medicine is no different from any other field, but we have a huge challenge as we try to meet the educational needs of the broad variety of professionals who treat, teach, manage and do research on musicians, dancers, and other performing artists. A panel discussion on this subject was part of the 2010

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21

Cazzato, Elisa. "The lure of the foreign stage: Chronicles of Italian mobility to France in the long eighteenth century." Open Research Europe 4 (February 22, 2024): 38. http://dx.doi.org/10.12688/openreseurope.17027.1.

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This article investigates the migration of three Italian-born artists working in France in the field of ephemeral entertainment and argues that their stories were part of a broader process of cultural history and artistic mobility of the long eighteenth century. These artists are the firework makers Ruggieri brothers, the circus performer Antonio Franconi and his family and the stage designer Ignazio Degotti. They left their home country at different points (1730s, 1750s and 1790 respectively), settling in Paris under different socio-political circumstances. Due to the immaterial and contingen

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Mahindrakar, Deepak. "How can Lifestyle Habits Influence VFX Artists Health?" International Journal for Research in Applied Science and Engineering Technology 13, no. 5 (2025): 6577–81. https://doi.org/10.22214/ijraset.2025.71727.

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VFX (Visual Effects) artists often work long hours in front of computers, which can lead to physical and mental health problems. This study explores how daily lifestyle habits—like sleep, diet, exercise, screen time, and stress management—affect the health of VFX professionals. Poor habits, such as skipping meals, sitting for too long, or not getting enough sleep, can lead to issues like eye strain, back pain, fatigue, and anxiety. On the other hand, healthy routines can improve focus, energy levels, and overall well-being. The goal is to highlight the importance of a balanced lifestyle in hel

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Larkey, Edward. "GDR Rock goes West: Finding a Voice in the West German Market." German Politics and Society 23, no. 4 (2005): 45–68. http://dx.doi.org/10.3167/gps.2005.230403.

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Culture in the German Democratic Republic (GDR) is often characterized as isolated from that of the West, with artists locked behind the Iron Curtain, having no opportunities to interact directly with global trends. While this may be true to a great extent for the general population, we should not close our eyes to the actual cross-border movements of artists and art forms that did take place in that regime. Many producers of artistic texts interacted with the West—not just well-known writers and theater directors like Christa Wolf or Bruno Besson, but also rock bands. Indeed, a few privileged

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Ben Ner, Ayellet. "Image of the Absent." Persona Studies 1, no. 2 (2015): 99–135. http://dx.doi.org/10.21153/ps2015vol1no2art502.

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Image on the Absent, which might be described as a fictional life writing, seeks after the right assemblage of visual qualities that can depict a persona. This project exists in its Hebrew version in the Tel Aviv Museum of Art library and was exhibited in Sifria Balayla (Night Library) (Jerusalem 2014) and in the Artport artists book fair (Tel Aviv 2014). The project is inspired by notorious Adolf Eichmann, here a protagonist exploring his own image through self-revelatory confessions. These confessions are received and reproduced by a female sex worker. The English translation of the project

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Ahmad Budi Sulistio Yuwono, S.E., M.M, Ahmad Budi Sulistio Yuwono, S. E. ,. M. M. "INOVASI HAK CIPTA DALAM BISNIS DAN INDUSTRI MUSIK DALAM KOMUNIKASI MASSA." Profilm Jurnal Ilmiah Ilmu Perfilman dan Pertelevisian 2, no. 2 (2025): 51–68. https://doi.org/10.56849/jpf.v2i2.33.

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In our increasingly modern world, the digital era brings various kinds of changes in people's behavior in all areas of life. This is no exception in the field of copyright protection, which is part of intellectual property. The task of artist management is to organize or regulate the professional life of celebrities such as actors, artists, singers, models, and other figures in the entertainment industry. Without artist management, artists have difficulty organizing their lives, from managing schedules to negotiating commissions. How does artist management help ensure legal protection, specifi

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Yang, Jianqu. "The influence of Chinese culture and images on the work of 19th-century Russian artists who were part of the Russian Ecclesiastical Mission in Beijing." Культура и искусство, no. 11 (November 2024): 61–70. https://doi.org/10.7256/2454-0625.2024.11.72407.

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The object of the study is the Russian fine art of the XIX century. The subject of the research is the history of the interaction of Russian artists with Chinese culture, history and art, their perception and interpretation, as well as the features of the artistic embodiment of images and motifs. Iconographic, as well as stylistic and compositional analysis help to identify the content of the artists' works, their language and individual techniques. Comparing the works created both during their stay in China and after the completion of the mission allows us to show how Russian authors develope

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Yoshida, Saki, and Masako Murota. "An Approach of Local Revitalization by Arts Activity and Conditions of Artists Stay." Reports of the City Planning Institute of Japan 12, no. 4 (2014): 148–51. http://dx.doi.org/10.11361/reportscpij.12.4_148.

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Semenov, Evgeniy, and Vitaliy Pokatsky. "The Social Status of the Artist in the Baikal Region in the 19th Century: Exemplified by Polish Exiles." Humanitarian Vector 20, no. 2 (2025): 81–90. https://doi.org/10.21209/1996-7853-2025-20-2-81-90.

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Studying the history of the formation of regional culture in Siberia at the present stage is one of the most relevant. The issue of creative activity of Polish exiles in the 19th century is of special importance. Despite a significant number of works devoted to this problem, there is no complete study considering the peculiarities of the social status of Polish artists in Siberia. The novelty is in studying the social position and formation of the social status of Polish exiled artists during a period of hard labor and penal settlement. The authors for the first time comprehensively consider t

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Cahyanti, Laudita. "Perlindungan Hak Ekonomi Fan-Artist Atas Fan-Art dan Fan Merchandise Genshin Impact Sebagai Karya Derivatif dalam Hukum Hak Cipta." Jurnal Ilmu Hukum, Humaniora dan Politik 4, no. 5 (2024): 1148–57. https://doi.org/10.38035/jihhp.v4i5.2166.

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These days, with the rapid development of technology, there are many games that are created in various media, one of which is on smartphones. Genshin Impact, is one of the most popular game titles in smartphone media, which counts 64 million active players who are still playing this mobile online game. The number of active players in Genshin Impact has led various players to create fan-art and fan-merchandise related to Genshin Impact. The problem is that it is not uncommon for fan-art and fan-merchandise works that have been created by fan-artists to be reprinted by irresponsible people and s

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Daun, Åke. "Eine Zeit, von der man weiss, dass man so etwas nie mehr erleben wirt." Kulturella Perspektiv – Svensk etnologisk tidskrift 20, no. 3–4 (2011): 23–25. http://dx.doi.org/10.54807/kp.v20.28120.

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The paper is about the author’s one month’s stay at a hotel ”Chevillon”, in an old village south of Paris, Grez-sur-Loing, in 2009. This place has a well-known history going back to the end of the nineteen’s century, offering rooms and studios for artists and writers. An improbable long series of difficulties for the author to get there, followed by encounters with very special personalities, made this month absolutely unlikely – only accidentally, or not?

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Lopatkina, Katarina. "The Western Artist in Stalin’s Moscow: The Case of Albin Amelin." Arts 13, no. 1 (2024): 14. http://dx.doi.org/10.3390/arts13010014.

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This article is a reconstruction of travel experiences of Swedish artist Albin Amelin in Moscow in 1937–1938, based on archival materials. It focuses on the exchange between the Soviet Union and Western artists in the interwar period and shows international Soviet art contacts as part of the state’s diplomatic work. This case study enables a detailed observation of the elements of the Soviet hospitality industry, and a description of various practical aspects of the artist’s stay in Moscow.

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Galimberti, Jacopo. "Brûler l’aura. Un incendie de tableaux à Paris en 1964." Studiolo 9, no. 1 (2012): 142–57. http://dx.doi.org/10.3406/studi.2012.862.

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Burning the Aura. The Destruction by Fire of Paintings in Paris in 1964 ; On 7 December 1964, a Milanese dealer, Ivanhoe Trivulzio, travelled to Paris in order to publicly burn thirteen works by artists such as Roberto Matta, Wilfredo Lam, Jean-Jacques Lebel, Pierre Alechinsky, Eduardo Arroyo, Valerio Adami and Mimmo Rotella, who had all given their permission. The event, titled “ Festoman”, is all but forgotten today. This article recounts its circumstances and places Trivulzio’s stance within the history of multiple works and the debates on painting spurred by Robert Rauschenberg’s success a

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Anstett, Catherine. "Artists in the Streets: Seattle Murals in the Time of COVID-19." Journal of Public Space, Vol. 5 n. 3 (November 30, 2020): 255–66. http://dx.doi.org/10.32891/jps.v5i3.1414.

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Seattle has become known in recent years as the city with the most construction cranes in the nation. But in March 2020, the city grew quiet. The Seattle area was one of the first in the United States to be hit with the coronavirus and on March 16 Governor Jay Inslee closed restaurant dining rooms statewide. On March 23, he issued a stay-at-home order. Stores and restaurants closed; streets and sidewalks became empty. Property crime went down in residential areas because people were at home, but businesses and storefronts became targets. In some areas, windows were covered with plywood as a se

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Richards, Kimberly Skye. "On Mobilizing an Artist Brigade to Stay with the Trouble." Canadian Theatre Review 187 (July 1, 2021): 82–85. http://dx.doi.org/10.3138/ctr.187.025.

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The Artist Brigade is an exciting artist-activist project to “stay with the trouble” of global warming and changing climates. Since August 2020, four ‘lilypad’ gatherings co-convened by Kendra Fanconi (The Only Animal), the BC Alliance for Arts + Culture, Sherry Yano (the David Suzuki Foundation), Marie Lopes (Vancouver Park Board), Sue Biely (Story Money Impact), and Lolehawk (Stό:lō Nation) have brought together artists with other stakeholders on the land to discover how we can collaboratively respond to the needs for climate action around the Vedder River, Dakota Valley, Heather Lands, and

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Orrenius, Pia M., and Madeline Zavodny. "The Impact of Temporary Protected Status on Immigrants' Labor Market Outcomes." American Economic Review 105, no. 5 (2015): 576–80. http://dx.doi.org/10.1257/aer.p20151109.

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The United States currently provides Temporary Protected Status (TPS) to more than 300,000 immigrants. TPS is typically granted if dangerous conditions prevail in migrants' home countries. Individuals with TPS are allowed to stay and work in the United States temporarily. Little is known about how TPS affects beneficiaries, most of whom are unauthorized prior to receiving TPS. Our results suggest that TPS eligibility leads to higher employment rates among women and higher earnings among men. The results have implications for recent programs that allow millions of unauthorized immigrants to rec

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Pradeep, Bhuvanagiri V. K. Sai. "Determining the COVID19 Live Stats using an Android Application." International Journal for Research in Applied Science and Engineering Technology 10, no. 6 (2022): 760–62. http://dx.doi.org/10.22214/ijraset.2022.43880.

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Abstract: As we know that coronavirus has caused a catastrophe around the world. This epidemic has already afflicted over 200 countries, and people have no clue about the end of this tragic situation. Although vaccines and other medications are available, yet everyone must be more conscious about their health and must follow the government instructions in order to stay safe. Moreover, there is a necessity for people to know the live stats about the spread of COVID19. Thus, we created an Android application in Android Studio IDE where we the concept of RESTAPI and Retrofit library to display al

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Kidula, Jean Ngoya. "“There is Power”: Contemporizing Old Music Traditions for new Gospel Audiences in Kenya." Yearbook for Traditional Music 42 (2010): 62–80. http://dx.doi.org/10.1017/s0740155800012662.

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The genre commonly labelled “gospel” is probably the most lucrative music business in Kenya. Its popularity is facilitated in part by the propensity of musicians to draw on diverse resources for Christian religious songs. Musicians further invoke indigenous Kenyan and contemporary popular music genres in local and international languages for national distinctiveness and global inclusiveness. Top-of-the-line recording facilities in Kenya enable artists to produce a broad spectrum of music at a pace comparable to anywhere in the world. The diversity of repertoire and a ready access to studios ha

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Shabrina, Ranny, Yuniar Lestari, and Ulfa Farrah Lisa. "The Profile of Hospitalized Patients with Low Birth Weight Infants at RSUP Dr. M. Djamil Padang in 2018-2020." Jurnal Ners dan Kebidanan (Journal of Ners and Midwifery) 11, no. 1 (2024): 023–30. http://dx.doi.org/10.26699/jnk.v11i1.art.p023-030.

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Low Birth Weight (LBW) infants is the highest cause of neonatal death in Indonesia. LBW deaths are related to the baby's outcome which worsens his condition. LBW is grouped based on birth weight into LBW (1500-2499 grams), VLBW (1000-1499 grams), ELBW (<1000 grams), and each group shows a different neonatal outcome. This study aims to look at the profile of the group of low birth weight babies who are hospitalized at RSUP Dr.M.Djamil Padang. This research was a descriptive study by collecting medical record data from January 2018-December 2020. The data collection used total sampling 181 pa

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Niittynen, Miranda. "Interspecies Blendings and Resurrections: Material Histories of Disability and Race in Taxidermy Art." Canadian Journal of Disability Studies 9, no. 2 (2020): 103–38. http://dx.doi.org/10.15353/cjds.v9i2.627.

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   This paper analyzes the contemporary art practice of rogue taxidermy. Specifically, I look at the rogue taxidermy of Sarina Brewer, an artist who utilizes sensationalist aesthetics and representations found in historical sideshows alongside unconventional forms of taxidermy to critique historical and contemporary forms of body display. I discuss the material histories that informed and shaped the practice of taxidermy and how taxidermy was (and continues to be) bound up with a complex history of human and nonhuman animal exploitation. I analyze the interconnections between

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Forsyth, C. F. "The Provenance and Protection of Legitimate Expectations." Cambridge Law Journal 47, no. 2 (1988): 238–60. http://dx.doi.org/10.1017/s000819730011801x.

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The concept of legitimate expectation first stepped onto the English law stage eighteen years ago in Schmidt v. Secretary of State for Home Affairs. There Lord Denning said obiter that an alien who had been given leave to enter the United Kingdom for a limited period had a “legitimate expectation of being allowed to stay for the permitted time” and, hence, if that permission was “revoked before the time limit expires, [the alien] ought to be given an opportunity of making representations [to the Home Secretary]”. Since then “legitimate expectation” has played an important part in numerous deci

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Haroutunian, Vanessa. "Barbara Hammer and Queer|Art: Granting for the Future." Camera Obscura: Feminism, Culture, and Media Studies 36, no. 3 (2021): 137–39. http://dx.doi.org/10.1215/02705346-9349455.

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Abstract This essay describes how the Barbara Hammer Lesbian Experimental Filmmaking Grant came into fruition, created by the pioneering lesbian experimental filmmaker Barbara Hammer and administered through the New York City nonprofit organization Queer|Art. In 2017, Hammer approached her friend and colleague Ira Sachs to set up a grant in her honor, through the nonprofit he founded in 2009 with the mission to create a diverse and vibrant community through the support of LGBTQ+ art and artists across generations and disciplines. Author and grant manager Vanessa Haroutunian describes the proce

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Martínez-Martín, Jesús Enrique, Emmaline M. Rosado-González, Beatriz Martínez-Martín, and Artur A. Sá. "UNESCO Global Geoparks vs. Generative AI: Challenges for Best Practices in Sustainability and Education." Geosciences 14, no. 10 (2024): 275. http://dx.doi.org/10.3390/geosciences14100275.

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Artificial intelligence (AI) has become one of the most controversial tools of recent times. Offering an extremely simple operating system, users can generate texts, images, videos and even human voices. The possibility of using such a powerful tool creates new paths and challenges in the field of environmental education: How does it influence natural heritage protection? Is it considered positive within sustainability and quality education? The reality is very different, showing algorithms trained with information of dubious quality and, on many occasions, obtained without permission from aut

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Cui, Yingqian, Jie Ren, Han Xu, et al. "DiffusionShield: A Watermark for Data Copyright Protection against Generative Diffusion Models." ACM SIGKDD Explorations Newsletter 26, no. 2 (2025): 60–75. https://doi.org/10.1145/3715073.3715079.

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Recently, Generative Diffusion Models (GDMs) have shown remarkable abilities in learning and generating images, fostering a large community of GDMs. However, the unrestricted proliferation has raised serious concerns on copyright issues. For example, artists become concerned that GDMs could effortlessly replicate their unique artworks without permission. In response to these challenges, we introduce a novel watermark scheme, Diffusion Shield, against GDMs. It protects images from infringement by encoding the ownership message into an imperceptible watermark and injecting it into images. This w

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Speiser, Vivien Marcow, and Phillip Speiser. "There Are No Silos When We Are All Suffering: Interviews and Reflections on Ubuntu and the Arts in South Africa during COVID-19." Creative Arts in Education and Therapy 8, no. 1 (2022): 71–88. http://dx.doi.org/10.15212/caet/2022/8/2.

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This article will draw upon some of the creative work being done in South Africa from March 2020 through December 2021, during the time of the coronavirus disease 2019 (COVID-19) worldwide pandemic, by artists working across disciplines in education, community, health, and mental health. The authors had been located in Johannesburg, South Africa, in early 2020, when their stay was cut short by the spread of the COVID-19 virus and the worldwide border shutdowns that followed as they were recalled to the USA in March 2020. They have remained in communication and contact with their colleagues in

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Valls, Emilio. "Augmentation mammoplasty: how it is done, recovery and frequent questions." Brazilian Journal of Implantology and Health Sciences 3, no. 8 (2021): 15–21. http://dx.doi.org/10.36557/2674-8169.2021v3n8p15-21.

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Cosmetic surgery to insert silicone prosthesis may be indicated when the woman has very small breasts, is afraid of not being able to breastfeed, has noticed a reduction in their size or has lost a lot of weight. But it can also be indicated when a woman has breasts with different sizes or needed to remove the breast or part of the breast due to cancer. This surgery can be done from the age of 15 with parental permission, and is performed under general anesthesia, taking about 45 minutes, and can be with a short hospital stay of 1 or 2 days, or even in an outpatient setting, when he is dischar

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Bayne, Caroline N. "Domestic Advice and Its Shadowy Double: Domestic Satire in At Home with Amy Sedaris." JCMS: Journal of Cinema and Media Studies 63, no. 5 (2023): 101–21. http://dx.doi.org/10.1353/cj.2023.a928876.

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ABSTRACT: Domestic advice media has persisted in the United States for over three centuries, yet images of the mid-twentieth-century homemaker serve as its most referential figure. Televisual domesticity consists of programs offering advice on homemaking, hosting, and crafting. Programs feature prominently on Food Network and HGTV in which white, upper-middle-class women choose to stay home and tend to the family. Alongside these traditional forms of domestic advice, this article considers the work of Amy Sedaris and feminist artists who utilize a blend of critical intertextuality, satire, and

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Schleicher, Alexander. "Museum of Contemporary Art by Artists." Advanced Engineering Forum 12 (November 2014): 79–87. http://dx.doi.org/10.4028/www.scientific.net/aef.12.79.

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Museum is type of building which among architectural work occupies a special place by its distinct function of documenting existence and progress of humankind, society and their environment. This is reflected in the outstanding architecture of these buildings. 95% of museum buildings arose after World War II. This authorizes us to talk about the museum as a “20th century phenomenon“ especially of the second half of it. The unprecedented growth of museums after World War II – most of them are museums of art, especially contemporary art – entitles a question which is often discussed: What is an

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Klivis, Edgaras. "Inside Frozen Geographies." Nordic Theatre Studies 32, no. 2 (2021): 138–55. http://dx.doi.org/10.7146/nts.v32i2.124357.

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After the annexation of the Crimean Peninsula by the Russian Federation in 2014, the attitude of Baltic theatre producers and artists towards cultural and institutional partnerships with Russian theatres and their involvement in the mutual artistic exchanges, tours, common projects, and networking changed; not only due to these exchanges becoming a controversial issue in the public eye, but also due to the polarization they caused in the artistic community itself. Some artists, like Latvian stage director Alvis Hermanis, have decisively terminated all their previous creative partnerships, arra

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Wulan, Evi Retno. "Written Approval for Commercialization of Portrai Photography: A Study of Law No. 28 of 2014 in the context of Improving the Distro Business in Indonesia." IJEBD (International Journal of Entrepreneurship and Business Development) 5, no. 4 (2022): 759–63. http://dx.doi.org/10.29138/ijebd.v5i4.1909.

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Purpose: The purpose of this research is to examine the rules of written approval for the Commercialization of Portrait Photography as contained in Article 12 Paragraph (1) of the Copyright Law No. 28 of 2014 in the context of Improving the Distro Business in Indonesia. Design/methodology/approach: The type of legal research used is normative juridical research. The approach used in this research is the statutory approach and the conceptual approach. The sources of legal materials used in this doctrinal research consist of primary legal materials and secondary legal materials. The collec

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Tendean, Maria Angelica, and Lusia Savitri Setyo Utami. "STAY dan Fenomena Interaksi Parasosial pada Aplikasi Bubble For JYPnation." Koneksi 9, no. 1 (2025): 50–58. https://doi.org/10.24912/kn.v9i1.27823.

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Parasocial interactions are interactions that occur between ordinary individuals and artists or media figures they admire. Stray Kids is a boy group from South Korea and is under JYP Entertainment. Stray Kids has fans with the nickname STAY. The Bubble for JYPnation application is an application used by Stray Kids members to communicate and interact with their fans. This research analyses the phenomenon of parasocial interaction that occurs between STAY and Stray Kids members through the Bubble for JYPnation application. The theories and concepts used in this research are uses and gratificatio

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