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Journal articles on the topic 'Persephone Press'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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1

Bennett, Sarah. "A Dove Grey Renaissance." Logos 32, no. 1 (2021): 44–49. http://dx.doi.org/10.1163/18784712-03104009.

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Abstract Launched in 1999, at a time of radical change for the publishing industry, Persephone Books has become a successful independent publisher of neglected female authors mainly from the 20th-century inter-war period. Publishing being an industry primarily shaped by the differential distribution of symbolic and economic capital (Bourdieu, ‘The Market for Symbolic Goods’, in The Rules of Art, Polity Press, 1996, p. 9), competing principles of cultural legitimacy within an increasingly commercial climate clarify the position of modern publishing at the intersection of culture and commerce (B
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2

Chatti, Sami. "Seasonal metaphors in Arab journalistic discourse." Metaphor and the Social World 10, no. 1 (2020): 22–44. http://dx.doi.org/10.1075/msw.18020.cha.

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Abstract The rhetorical fabric of the recent Arab uprisings resorts to mythology and metaphoricity to elicit an ideologically-biased polarization of the popular revolts. Building on some striking resemblances the Greek myth of Persephone and the journalistic construction of the Arab revolts hold in common, this paper delves into the oblique parallelism that informs the use of seasonal metaphors to serve ideological functions. The analysis of this pragmatic aspect of metaphorical structuring elaborates on findings of a corpus study, focusing on the collocational tendencies of the Arab Spring an
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3

Nicoll, W. S. M. "Ovidian Rapes - Stephen Hinds: The Metamorphosis of Persephone. Ovid and the Self-conscious Muse. (Cambridge Classical Studies.) Pp. xiii+182. Cambridge University Press, 1987. £22.50." Classical Review 38, no. 2 (1988): 245–47. http://dx.doi.org/10.1017/s0009840x0012133x.

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4

Taylor, Helen. "Sarah Way Sherman, Sarah Orne Jewett: An American Persephone (Hanover & London: University Press of New England, 1989, £27.50, £10.95 paper). Pp. 333. ISBN 0 87451 484 3." Journal of American Studies 25, no. 1 (1991): 149–50. http://dx.doi.org/10.1017/s0021875800028504.

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5

Medina, Manuel. "Crimes Against the State, Crimes Against Persons: Detective Fiction in Cuba and Mexico. By Persephone Braham. Minneapolis: University of Minnesota Press, 2004. Pp. xv, 169. Notes. Bibliography. Index. $59.95 cloth; $19.95 paper." Americas 62, no. 02 (2005): 282–83. http://dx.doi.org/10.1017/s000316150006435x.

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6

Medina, Manuel. "Crimes Against the State, Crimes Against Persons: Detective Fiction in Cuba and Mexico. By Persephone Braham. Minneapolis: University of Minnesota Press, 2004. Pp. xv, 169. Notes. Bibliography. Index. $59.95 cloth; $19.95 paper." Americas 62, no. 2 (2005): 282–83. http://dx.doi.org/10.1353/tam.2005.0166.

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7

Watsky, Paul. "Victims and Trickster Tanya Wilkinson .Persephone Returns; Victims, Heroes and the Journey from the Underworld. Berkeley, Pagemill Press, 1996. Eric Hebborn .Drawn to Trouble; Confessions of a Master Forger. New York, Random House, 1971." San Francisco Jung Institute Library Journal 17, no. 1 (1998): 51–69. http://dx.doi.org/10.1525/jung.1.1998.17.1.51.

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8

Calder, M. "The Ravishment of Persephone: Epistolary Lyric in the Siecle des Lumieres. By Julia De Pree. (North Carolina Studies in the Romance Languages and Literatures, 258). Chapel Hill, University of North Carolina Press, 1998. 166 pp." French Studies 54, no. 4 (2000): 514–15. http://dx.doi.org/10.1093/fs/54.4.514-a.

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9

Nixon, Lucia. "Women's Rituals - (M.) Parca, (A.) Tzanetou (edd.) Finding Persephone. Women's Rituals in the Ancient Mediterranean. Pp. xvi + 327, ills. Bloomington and Indianapolis: Indiana University Press, 2007. Paper, US$24.95 (Cased, US$65). ISBN: 978-0-253-21938-1 (978-0-253-34954-5 hbk)." Classical Review 61, no. 2 (2011): 538–40. http://dx.doi.org/10.1017/s0009840x11001545.

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10

Kennedy, Duncan F. "P. E. Knox, Ovid's Metamorphoses and the Traditions of Augustan Poetry (Proceedings Cambridge Philological Society Suppl. XI). Cambridge: Philological Society, 1986. Pp. v + 98. ISBN 0-906014-07-7. - S. Hinds, The Metamorphosis of Persephone: Ovid and the Self-conscious Muse (Cambridge Classical Studies). Cambridge: University Press, 1987. Pp. xiii + 182. ISBN 0-521-33506-x." Journal of Roman Studies 79 (November 1989): 209–10. http://dx.doi.org/10.2307/301222.

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11

Petti, Mônica Angélica Varella. "Papel dos crustáceos braquiúros na rede trófica da plataforma interna de Ubatuba, São Paulo (Brasil)." Revista Nerítica 11, no. 1-2 (2022): 123–37. http://dx.doi.org/10.5380/rn.v11i1-2.85146.

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Os braquiúros ocupam uma posição de destaque na comunidade da epifauna bentônica do infralitoral de Ubatuba, sendo o conhecimento de seu papel na rede trófíca elemento essencial para a compreensão da estrutura e dinâmica deste ecossistema. Examinou-se o conteúdo estomacal de 2516 exemplares das 5 espécies mais abundantes da área em profundidades de 15 a 50 metros: Persephona mediterrânea, Portunus spinimanus, Callinectes omatus, Libinia spinosa e Hepatus pudibundus. As coletas foram efetuadas com rede de arrasto de portas, a partir de outubro de 1985, com periodicidade sazonal, até julho de 19
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12

Kearns, Emily. "R. Gordon Wasson, Stella Kramrisch, Jonathan Orr, Carl A. P. Ruck: Persephone's Quest: Entheogens and the Origins of Religion. Pp. 257; Frontispiece + 26 illustrations in text. New Haven/London: Yale University Press, 1988 (originally published 1986 in a privately printed edition). £22.50." Classical Review 39, no. 2 (1989): 400–401. http://dx.doi.org/10.1017/s0009840x00272600.

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13

Lehfeldt, Elizabeth A. "Kathleen A. Myers and Amanda Powell, eds. and trans., A Wild Country Out in the Garden: The Spiritual Journals of a Colonial Mexican Nun. Bloomington: Indiana University Press, 2000. 408 pp. $39.95. ISBN: 0-253-33581-7. - Marcia L. Welles, Persephone's Girdle: Narratives of Rape in Seventeenth-Century Spanish Literature. Nashville: Vanderbilt University Press, 2000. 272 pp. $20.95. ISBN: 0-8265-1351-4." Renaissance Quarterly 54, no. 1 (2001): 287–89. http://dx.doi.org/10.2307/1262240.

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14

Jaine, Tom. "A Review Of 47 Food Books (See Abstract For Details)." Petits Propos Culinaires, January 1, 2007, 109–19. http://dx.doi.org/10.1558/ppc.30606.

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Tristram Stuart: The Bloodless Revolution: Radical Vegetarians and the Discovery of India: Harper Press, 2006: ISBN 0007128924: £25. Robert Appelbaum: Aguecheek’s Beef, Belch’s Hiccup, and Other Gastronomic Interjections. Literature, Culture and Food among the Early Moderns: University of Chicago Press, 2006: ISBN 0226021262: £19. Edited by C.M. Woolgar, D. Serjeantson, and T. Waldron: Food in Medieval England: Diet and Nutrition: Oxford University Press, 2006: ISBN 9780199273492: £55. Brian Fagan: Fish on Friday: Basic Books, 2006: ISBN 0465022847: £15.99. Lindsey Bareham: Fish Store: Michael
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15

Gantley, Michael J., and James P. Carney. "Grave Matters: Mediating Corporeal Objects and Subjects through Mortuary Practices." M/C Journal 19, no. 1 (2016). http://dx.doi.org/10.5204/mcj.1058.

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IntroductionThe common origin of the adjective “corporeal” and the noun “corpse” in the Latin root corpus points to the value of mortuary practices for investigating how the human body is objectified. In post-mortem rituals, the body—formerly the manipulator of objects—becomes itself the object that is manipulated. Thus, these funerary rituals provide a type of double reflexivity, where the object and subject of manipulation can be used to reciprocally illuminate one another. To this extent, any consideration of corporeality can only benefit from a discussion of how the body is objectified thr
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16

Hudson, Kirsten. "For My Own Pleasure and Delight." M/C Journal 15, no. 4 (2012). http://dx.doi.org/10.5204/mcj.529.

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IntroductionThis paper addresses two separate notions of embodiment – western maternal embodiment and art making as a form of embodied critical resistance. It takes as its subject breeder; my unpublished five minute video installation from 2012, which synthesises these two separate conceptual framings of embodiment as a means to visually and conceptually rupture dominant ideologies surrounding Australian motherhood. Emerging from a paradoxical landscape of fear, loathing and desire, breeder is my dark satirical take on ambivalent myths surrounding suburban Australian motherhood. Portraying my
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