Relevant bibliographies by topics / Persian Manuscripts

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Persian Manuscripts'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "Persian Manuscripts"

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Kostikyan, Kristine, and Mohammad Mehdi Baghi. "Three Pahlavi manuscripts in the Matenadaran." ARAMAZD: Armenian Journal of Near Eastern Studies 11, no. 1-2 (2017): 293–305. http://dx.doi.org/10.32028/ajnes.v11i1-2.884.

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About 450 manuscripts containing the works of Persian rich culture, science, and history are preserved in the Arabic script collection of the Matenadaran. Many of these manuscripts contain fine works of Persian art and calligraphy. The Persian manuscripts of the Matenadaran evoke the strong historical ties between Iran and Armenia and reflect the interest of Armenians towards Persian history, science, literature, and art. Apart from these manuscripts, three handwritten works referring to the Pre-Islamic Iranian culture are kept in the Non-Armenian Manuscript Collection of the Matenadaran. Thes
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LAWRENCE, JONATHAN. "Building a Library: The Arabic and Persian Manuscript Collection of Sir William Jones." Journal of the Royal Asiatic Society 31, no. 1 (2020): 1–70. http://dx.doi.org/10.1017/s1356186320000607.

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AbstractThis article contributes to the established scholarship on Sir William Jones (d.1794) by providing a detailed overview and analysis of the Arabic and Persian manuscript collection that Jones acquired both before arriving in India in 1784, and during his time living in Kolkata. 118 manuscripts in Arabic, Persian and Urdu and 69 Sanskrit manuscripts, as well as nine Chinese manuscripts, were transferred to the Royal Society library by Jones in 1792. These were then transferred to the India Office Library in 1876 and are currently housed in the British Library. As well as an in-depth surv
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Peacock, A. C. S. "Indo-Persian Manuscripts." Iran 59, no. 2 (2021): 147–50. http://dx.doi.org/10.1080/05786967.2021.1911757.

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Ashkenazi, R. S. "The manuscript of Nizami’s “Khosrow and Shirin” in Judeo-Persian from the collection of Elkan Nathan Adler." Orientalistica 6, no. 5 (2024): 858–69. http://dx.doi.org/10.31696/2618-7043-2023-6-5-858-869.

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This article discusses the ϐirst stages of the study of one of the most unique manuscripts in the collection of Elkan Nathan Adler (1861–1946), currently kept at the Jewish Theological Seminary of America in New York. This manuscript (press mark MS 1398) is of great value. In addition to the fairly complete text of Nizami Ganjavi’s poem “Khosrow and Shirin” (142 sheets), it contains 12 miniatures of high quality. The importance of studying this manuscript is due to the very limited number of illustrated manuscripts in the Judeo-Persian language, making this codex a valuable source for the hist
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Dwyer, Bede, and Manouchehr Moshtagh Khorasani. "An Analysis of a Persian Archery manuscript written by Kapur Čand." Revista de Artes Marciales Asiáticas 8, no. 1 (2013): 1. http://dx.doi.org/10.18002/rama.v8i1.797.

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The present article deals with an analysis of an undated Persian archery manuscript titled <em>Resāle-ye Kamāndāri</em> [<em>Archery Manuscript</em>] written by Kapur Čand. It is written in Persian and judging by the style it should have been written by a Persian. Persian archery manuscripts provide useful information on the usage of a contemporary Persian composite bow. First the article describes where the archery manuscript was found and collected. Then it describes the qualities of an archer in ten points. The next part of the article presents the characteristics of
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Mihan, Shiva. "Persian heroes or Timurid princes: The case of an illustrated manuscript of the Tabaqat-i Nasiri." Kultura, no. 174-175 (2022): 23–35. http://dx.doi.org/10.5937/kultura2275023m.

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The paper deals with a particular illustrated manuscript of the Tabaqat-i Nasiri in which scenes of Persian heroes are also depicted and illuminated. Analyzing this manuscript, but also the codicological tradition of the Prince Baysunghur era and various other manuscripts, the author raises the question whether in reality the author of these illustrations had in mind Persian princes when he depicted characters of epic heroes.
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Belkina, Ekaterina. "Vladimir Ivanov’s “Jewish Manuscripts”. Part 1. The Collection And The Archive." Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, no. 3 (2023): 201. http://dx.doi.org/10.31857/s086919080025426-5.

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The “Bukharian Collection” of Vladimir A. Ivanov included dozens of Jewish manuscripts. They came to the Asian Museum in St. Petersburg in 1915, and Alexander A. Freiman systematized some of them – in Judeo-Persian only – by 1918. Over the past century, there have been several (re-)inventories, so nowadays one cannot rely on those obsolete publications, working with these monuments. Part of the provenance has been lost. Basing on Ivanov’s archive and the inventory books of different years, this article is an attempt to update the information on all Jewish manuscripts acquired in Bukhara. The A
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Kurochkin, Aleksey, and Manouchehr Moshtagh Khorasani. "Indian and Persian swordsmanship: A Comparative Analysis." Revista de Artes Marciales Asiáticas 10, no. 1 (2015): 42. http://dx.doi.org/10.18002/rama.v10i1.1499.

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<p>The existing cultural interconnection between Iran and North India, which existed and developed over a long period of time, is known today as “Indo-Iranian” or “Indo-Persian”, which could be applied to the region, culture, literature, weapons and other spheres of intercultural interference. The cultural cooperation between these two countries was bilateral and marked by trade routes. This paper is aimed at analyzing the interrelation, similarities and differences between the martial and military cultures of India and Persia. More precisely, the article describes the field of individua
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Szántó, Iván. "The Persian and Indo-Persian Manuscripts of Alexander Kégl." Journal of Islamic Manuscripts 4, no. 2 (2013): 135–57. http://dx.doi.org/10.1163/1878464-13040201.

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Mašić, Madžida. "Cultural Heritage of Bosnia and Herzegovina II: Manuscripts of the Elči Ibrahim Pasha’s Madrasa in Travnik." Prilozi za orijentalnu filologiju 72, no. 72 (2023): 207–33. http://dx.doi.org/10.48116/issn.2303-8586.2022.72.207.

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This paper presents the manuscript collection of the Elči Ibrahim Pasha’s madrasa in Travnik. This collection contains 105 manuscript codices written in Arabic, Turkish and Persian. In the 1940s, the manuscript collection of this madrasa was transferred to the Gazi Husrev Bey library in Sarajevo, as part of a project that included the storage of manuscripts from all madrasas in Bosnia and Herzegovina in a suitable place. Nevertheless, even after that year, manuscripts continue to arrive in this library, so today it contains a solid manuscript collection. Although it was digitized in 2012 in th
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Dissertations / Theses on the topic "Persian Manuscripts"

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Muhaddis, Ali. "A Concise Catalogue of the Persian Manuscripts in Uppsala University Library." Uppsala universitet, Universitetsbiblioteket, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-194262.

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Brend, Barbara Mary Cunningham. "Illustrations to the Khamsah of Amir Khusrau Dihlavi in the Timurid period." Thesis, SOAS, University of London, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.388719.

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Shovelton, Emily Phillida. "Sultanate painting from the North Indian subcontinent : Three fifteenth century Persian illustrated manuscripts." Thesis, SOAS, University of London, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.512014.

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Jackson, Cailah. "Patrons and artists at the crossroads : the Islamic arts of the book in the lands of Rūm, 1270s-1370s." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:2d687f25-fb80-4470-b259-72714ba24386.

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This dissertation is the first book-length study to analyse the production and patronage of Islamic illuminated manuscripts in late medieval RÅ«m in their fullest cultural contexts and in relation to the arts of the book of neighbouring regions. Although research concerning the artistic landscapes of late medieval Rūm has made significant progress in recent years, the development of the arts of the book and the nature of their patronage and production has yet to be fully addressed. The topic also remains relatively neglected in the wider field of Islamic art history. This thesis considers the
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Mihan, Shiva. "Timurid manuscript production : the scholarship and aesthetics of Prince Bāysunghur’s Royal Atelier (1420-1435)." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/277827.

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Considered one of the pinnacles of the arts of the book in the entire history of Persian art, the life of the Timurid prince, Bāysunghur (1397-1433) and his royal library-atelier have been studied for more than a century. Yet previous scholarship, although solid on it own terms, has not combined study of the entirety of production with sustained analysis of individual productions of Bāysunghur’s atelier. Prior to this study, a number of manuscripts were completely neglected, and several others were studied only briefly. What is more, the single extant document describing procedures and progr
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Alsancakli, Sacha. "Le Šarafnāma de Šaraf Xān Bidlīsī (ca. 1005/1596-1597) ˸ composition, transmission et réception d’une chronique des dynasties kurdes entre les Safavides et les Ottomans." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA143.

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Le Šarafnāma est un ouvrage écrit en persan par Šaraf Xān Bidlīsī (949-1009/1543-1600), gouverneur kurde de la principauté de Bidlīs, en 1005/1596-1597 environ. Il s’agit d’une chronique des dynasties et tribus kurdes, commençant avec la dynastie des Marwānides, à la fin du IVe/Xe siècle, pour se terminer avec les événements de l’année 1005/1596-1597 et le récit de l’histoire des Diyādīnides de Bidlīs, lignée dont était issu l’auteur. La chronique est composée d’une introduction (muqaddima) et de quatre ṣaḥīfas (livres). À cette chronique, l’auteur a également ajouté un épilogue (xātima) const
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Mahdavi, M. Amin. "An event-driven distribution model for automatic insertion of illustrations in narrative discourse : a study based on the Shāhnāma narrative." Thesis, University of Edinburgh, 2005. http://hdl.handle.net/1842/1249.

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Book designers and manuscript artists have inserted illustrations into narrative works for centuries now. This practice is an intelligent behaviour that requires specialised knowledge of the text and the external parameters affecting the selection and placement criteria. This thesis offers a model for automation of illustration insertion into a narrative discourse. The model presented here is a significant improvement to the crudest method of dividing the text into equal parts and inserting one illustration into each part. This study starts from the position that narratives are expressions of
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Darbin, Ramona. "L'architecture dans les miniatures des manuscrits persans (du XIVème jusqu'à la fin du XVIème siècle)." Paris 1, 1993. http://www.theses.fr/1993PA010599.

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L'analyse des proportions nous a révélé l'emploi constant et discret d'un trace géométrique au compas dans la structure de l'architecture de la miniature persane. Cette géométrie est discrète mais elle détermine des points importants et des lignes principales de l'architecture et lui donne la stabilité et la beauté formelle. Le peintre utilise avec une rigueur absolue les belles proportions d'architecture réelle et les impose à l'art des manuscrits musulmans, pour de longues années<br>The sizes' process revealed us the steady and sober using of geometry compass drawing on the frame of architec
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Rodrigues, Ubirajara Alencar 1966. "O colar perdido da caligrafia." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/251132.

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Orientador: Milton Jose de Almeida<br>Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação<br>Made available in DSpace on 2019-01-04T15:20:10Z (GMT). No. of bitstreams: 1 Rodrigues_UbirajaraAlencar_D.pdf: 41150719 bytes, checksum: dd62e343c9b0c326b696000c59b681f4 (MD5) Previous issue date: 2011<br>Resumo: Este é um estudo e uma pesquisa sobre imagens em literatura, cinema, letras e textos em manuscritos e miniaturas árabes e persas. O estudo passa pela novela O colar da pomba, de Ibn Hazm, andaluz do século XI, e suas aparições nem sempre claras no filme de Nacer Khemi
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Rettig, Simon. "La production manuscrite à Chiraz sous les Aq Qoyunlu entre 1467 et 1503." Thesis, Aix-Marseille 1, 2011. http://www.theses.fr/2011AIX10196.

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La production de copies littéraires connaît un important développement à Chirâz en Iran sous la dynastie des Turkmènes Aq Qoyyûnlû entre 1467 et 1503. Peut-on cerner des caractéristiques de cette production ? Se différencie-t-elle de celles d’autres centres contemporains, notamment Tabrîz et Hérât ? En examinant un corpus de soixante manuscrits datés, cette étude vise à analyser les différentes composantes du codex de Chirâz (papier, mise en page et réglure, écritures, reliure, …) ainsi que les décors (enluminures et illustrations) mis en œuvre afin d’en dégager les spécificités. Héritiers de
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Books on the topic "Persian Manuscripts"

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editor, Sherwani Sajida, Isalāhī Abu Sāda editor, Khan Isbah editor, and Azizuddin Husain, S. M., editor, eds. Catalogue of Persian manuscripts. Rampur Raza Library, Ministry of Culture, Government of India, 2013.

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Arabic and Persian Research Institute Rajasthan. Descriptive catalogue of the Persian manuscripts. Arabic and Persian Research Institute Rajasthan, 1986.

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British Library. Oriental and India Office Collections. Supplementary handlist of Persian manuscripts, 1966-1998. British Library, 1998.

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Arabic and Persian Research Institute Rajasthan. A hand list of the Persian manuscripts. Maulana Abul Kalam Azad Arabic Persian Research Institute Rajasthan, 2012.

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British Museum. Humanities & Social Sciences. Supplementary handlist of Persian manuscripts, 1966-1998. British Library (Humanities & Social Sciences), 1998.

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Daiber, Hans. A collection of Arabic manuscripts including some Turkish and Persian manuscripts. [H. Daiber], 1986.

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Daiber, Hans. A collection of Arabic manuscripts including some Turkish and Persian manuscripts. (H. Daiber), 1986.

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François, Déroche, Institut Français d'Études Anatoliennes d'Istanbul., and Bibliothèque Nationale (France), eds. Les manuscrits du Moyen-Orient: Essais de codicologie et de paléographie : actes du colloque d'Istanbul, Istanbul, 26-29 mai 1986. Institut Français d'Études Anatoliennes, 1989.

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François, Déroche, and Colloque d'Istanbul (1986), eds. Les Manuscrits du Moyen-Orient: Essais de codicologie et de paléographie: actes du Colloque d'Istanbul, Istanbul, 26-29mai 1986. Institut français d'études anatoliennes, 1989.

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Naushāhī, Raz̤āʾullah Shāh ʻĀrif. Īrān aur Afg̲h̲ānistān men̲ mak̲h̲t̤ūt̤āt kī fihristen̲ va z̤amīmah, Īrān men̲ Islāmī ʻahd kī fihristen̲. Mag̲h̲ribī Pākistān Urdū Ikaiḍamī, 1993.

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Book chapters on the topic "Persian Manuscripts"

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Teece, Denise-Marie. "Persian-Language Anthological Manuscripts." In Routledge Handbook of Ancient, Classical and Late Classical Persian Literature. Routledge, 2023. http://dx.doi.org/10.4324/9781315124216-38.

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Zarrabi, Vahid, Salar Mohtaj, and Habibollah Asghari. "Hamtajoo: A Persian Plagiarism Checker for Academic Manuscripts." In Computational Linguistics and Intelligent Text Processing. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-23793-5_9.

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Birnbaum, Eleazar. "Concordance of Persian Manuscripts." In Arabic and Persian Manuscripts in the Birnbaum Collection, Toronto. BRILL, 2019. http://dx.doi.org/10.1163/9789004389670_033.

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"Introduction to the Persian Manuscripts." In Arabic and Persian Manuscripts in the Birnbaum Collection, Toronto. BRILL, 2019. http://dx.doi.org/10.1163/9789004389670_017.

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"N. Persian Philology." In Arabic and Persian Manuscripts in the Birnbaum Collection, Toronto. BRILL, 2019. http://dx.doi.org/10.1163/9789004389670_016.

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"Introduction." In Arabic, Persian and Gujarati Manuscripts. I.B. Tauris & Co Ltd, 2011. http://dx.doi.org/10.5040/9780755611515.0006.

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"Genealogical Tables." In Arabic, Persian and Gujarati Manuscripts. I.B. Tauris & Co Ltd, 2011. http://dx.doi.org/10.5040/9780755611515.0007.

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"Notes on the Catalogue Entries." In Arabic, Persian and Gujarati Manuscripts. I.B. Tauris & Co Ltd, 2011. http://dx.doi.org/10.5040/9780755611515.0008.

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Hamdani, Abbas. "History of the Hamdani Collection of Manuscripts." In Arabic, Persian and Gujarati Manuscripts. I.B. Tauris & Co Ltd, 2011. http://dx.doi.org/10.5040/9780755611515.0009.

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"The Catalogue." In Arabic, Persian and Gujarati Manuscripts. I.B. Tauris & Co Ltd, 2011. http://dx.doi.org/10.5040/9780755611515.0010.

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Conference papers on the topic "Persian Manuscripts"

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Afshār, Īraj. "Persian manuscripts with special reference to Iran." In The Significance of Islamic Manuscripts. Al-Furqān Islamic Heritage Foundation, 1992. http://dx.doi.org/10.56656/100130.03.

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Before considering the work being done on Persian manuscripts and the places where they are kept, attention should first be focused upon two related topics. First, the place where the manuscripts were written. By looking at colophons where the place of origin is indicated, and in some cases, by assessing the style of the calligraphy, we discover that over a period of six or seven centuries, Persian manuscripts were written in all the lands where people either spoke Persian or were familiar With Persian literature. There are numerous Persian manuscripts which have been written in Arabic- speaki
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Şeşen, Ramazan. "Turkish manuscripts and the Publication of their catalogues." In The Significance of Islamic Manuscripts. Al-Furqān Islamic Heritage Foundation, 1992. http://dx.doi.org/10.56656/100130.06.

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Turks contributed to the literature of Islamic science not only work written in Arabic and Persian, but also from the middle of the fifth/eleventh century, thousands of works in Turkish, written in the Arabic script. Their contribution is to be found in almost all branches of science in the Islamic world. Today, Turkish is one of the three most important languages of culture in the Islamic world. More than 150 million Muslims use various dialects of Turkish.
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David, A. King. "Some remarks on Islamic scientific manuscripts and instruments and past, present, and future research." In The Significance of Islamic Manuscripts. Al-Furqān Islamic Heritage Foundation, 1992. http://dx.doi.org/10.56656/100130.10.

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There are an estimated 10,000 scientific manuscripts in Arabic, Persian, and Turkish which, together with about 1,000 astronomical instruments, constitute the major sources for our knowledge of the exact sciences, astronomy and mathematics, in Islamic civilization. Most of these manuscripts and instruments date from after the most creative period of Islamic science, which spans the eighth to the fifteenth century. However, some late manuscripts also preserve for us earlier works which would otherwise be lost, and some late instruments bear features known to us only from early texts.
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Seyyed, Hossein Nasr. "The Significance of Islamic Manuscripts." In The Significance of Islamic Manuscripts. Al-Furqān Islamic Heritage Foundation, 1992. http://dx.doi.org/10.56656/100130.02.

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The people (al-ummah) Who were destined to receive the revelation in which the above verses are contained, could not remain unaffected on the human level by either the central significance of the Pen which God takes to witness in the verse cited above, nor by the inexhaustibleness of the treasury of the Words of God. The ummah which created Islamic civilization could not but live by the pen and its fruit in the form of the written word. Nor could it cease to produce a great number of works written primarily in Arabic, secondarily in Persian, and then in nearly all the vernacular languages of t
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Guliashvili, Sophia. "HOW THE PARATEXT SURVIVED THE MASTERPIECE." In SSHRA 2024 –Social Science & Humanities Research Association International Conference, 18-19 January, Tokyo. Global Research & Development Services, 2024. http://dx.doi.org/10.20319/icssh.2024.7475.

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There are 164 survived manuscripts of the masterpiece of the Georgian and world literary heritage The Man in the Panther Skin by Shota Rustaveli (12th century), rewritten in the 17th century and after. The oldest record belongs to the edge of the 16th-17th centuries and the oldest manuscript dates back to 1646. Before the appearance of the 1st printed version, that is, until 1712, the epic reached in one editorial version, which is clearly not from Rustveli’s hands. All manuscripts containing this edition are preceded by the pseudo-Rustavelian introductory stanza that presents the poem as a se
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Zaytsev, Ilya, and Tatiana Anikeeva. ""Manuscripta Islamica Rossica" - a new electronic resource of Arabic, Persian and Turkic manuscripts from the collections of Russian repositories and libraries." In 24th International Conference on Electronic Publishing. OpenEdition Press, 2020. http://dx.doi.org/10.4000/proceedings.elpub.2020.11.

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Hadi, Yousefi Ramandi, Faez Karim, and Ardekani Mohammad Hadi. "A novel approach of skew estimation and correction in persian manuscript text using radon transform." In 2012 IEEE Symposium on Computers & Informatics (ISCI). IEEE, 2012. http://dx.doi.org/10.1109/isci.2012.6222694.

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Li, Jiang, 丹. 田, and Xin Liu. "Is the acceptance time shorter for submission with preprints?" In 27th International Conference on Science, Technology and Innovation Indicators (STI 2023). International Conference on Science, Technology and Innovation Indicators, 2023. http://dx.doi.org/10.55835/643e44b060d8975d0b762e74.

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Preprints are becoming increasingly vital in scientific communication. This study aims to investigate whether preprints offer any advantages regarding acceptance time for researchers, based on the characteristics of early accessibility and peer feedback through preprints. We employ regression analysis to compare the acceptance time difference between manuscripts with preprints and those without preprints submitted to the same journal in the same year and month. The findings reveal that manuscripts that had preprints released before submission experienced significantly shorter acceptance times
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Musalı, Namiq. "A New Source on Sheikh Zahid: Manâqib-i Sheikh Zahid-i Gilani." In International Symposium Sheikh Zahid Gilani in the 800th Year of His Birth. Namiq Musalı, 2023. http://dx.doi.org/10.59402/ees01201801.

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One of the leaders of Islamic mysticism (sufism) in the 13th century was Sheikh Tajaddin Ibrahim Zahid Gilani (1218-1301). His ancestors migrated from Khorasan (from Merv area of modern Turkmenistan) to Lankaran district of Azerbaijan. This man was involved in the Abhariyya branch of the Suhravardiyya sect at the beginning of his youth and began propaganda activities as a religious leader aged 55-60 years. He traveled for this purpose, invited people to the path of truth, educated thousands of disciples and caliphs and managed to win the love of people. Gilani had a great influence on the sult
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Fijat, Igor, Neda Milić Keresteš, and Bojan Banjanin. "Defining cost-effective workflow for a photorealistic 3D character based on a real person using a metahuman framework." In 11th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design, 2022. http://dx.doi.org/10.24867/grid-2022-p31.

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The average estimated time for creating a realistic human-like 3D game character using traditional workflow is approximately one hundred hours. Creating corresponding facial animations for the persuasive narrative of 3D characters is even more time-consuming. The manuscript explores the possibilities of creating a personalized digital character according to an actual person within the newlydeveloped technology. The goal of the work involves defining guidelines for the workflow of generating a personalized three-dimensional character based on a real person in the MetaHuman framework. The given
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