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Journal articles on the topic 'Persian stories'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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1

Tornesello, Natalia Lucietta. "Šekaste-nevisi as a Lens for Narrative Focus on Contemporary Iranian Society, in a Collection of Short Stories by Farḫonde Āqāʾi". Oriente Moderno 104, № 1-2 (2025): 198–225. https://doi.org/10.1163/22138617-12340345.

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Abstract In recent Persian literature, there has been increasing use of the orthographic reproduction of spoken language, used mainly for the expression of dialogues, while the narrative part continues in formal Persian. An experiment using spoken Persian as the language of the entire narrative, undertaken by Ṣādeq Čubak in the novel Sang-e ṣabur of 1966, seems long to have had no follow-up, and in the short story genre in particular, the use of spoken Persian in orthographic form seems to have persisted solely in dialogue. A rare and interesting case of the use of orthographically reproduced

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Raksamani, Kusuma. "The Image of the Ideal Monarch in the Tale of Duodecagon." MANUSYA 11, no. 4 (2008): 59–67. http://dx.doi.org/10.1163/26659077-01104003.

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A collection of Thai tales, derived from Persian Islam, narrates how the kings successfully deal with their ministers and subjects with their righteousness. In the narrative, the twelve-sided tomb of a king is discovered with the inscription of twelve stories, endowed with precepts and wise sayings on the art of ruling. This article discusses the Persian source of the work and analyses the content and theme of the story that mirrors the image of the ideal king in Thai culture and that of Persian Muslims as well. Also, the power of the constructive narrative is stressed in allowing stories to e

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3

Cueto, Desiree. "Red Is the Color of Blood and Fire—Vibrant and Energizing: A Conversation with Author and Illustrator Rashin Kheiriyeh." Language Arts 98, no. 4 (2021): 197–200. http://dx.doi.org/10.58680/la202131155.

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Dr. Shazia Akbar. "Desire of Death in Sadiq Hidayat,s selected short stories." DARYAFT 15, no. 02 (2023): 57–70. http://dx.doi.org/10.52015/daryaft.v15i02.345.

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Sadiq Hidayat is renown Persian writer. He is one of the few Iranian Persian writers whose many fictions have been translated into Urdu. He introduced modern techniques in Persian fiction. In some of his stories Sadiq Hidayat has presented the subject of death from different angles. somewhere in the human being there is a desire to escape from his problems in the death. This desire of death can be found in some of his short stories because he also committed suicide by suffocating poison gas on April 9, 1951 in Paris. This research article is based on an effort to find different aspects of sadn

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Khorasani, Manouchehr Moshtagh. "Las técnicas de la esgrima persa." Revista de Artes Marciales Asiáticas 4, no. 1 (2012): 20. http://dx.doi.org/10.18002/rama.v4i1.223.

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<p>There are numerous manuscripts, poems and stories that describe, specifically and in detail, the different techniques used in Persian swordsmanship. The present article explains the origins and the techniques of Persian swordsmanship. The article also describes the traditional code of conduct for Persian warriors. Additionally, it describes an array of techniques that were deployed in actual combat in Iran’s history. Some of these techniques are represented via the miniatures that are reproduced herein. This is the first article on Persian swordsmanship published in any periodical.&lt

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Abdel Naby, Heba. "Love Stories and Lovers’ Scenes in Persian Painting." Journal of Association of Arab Universities for Tourism and Hospitality 11, no. 2 (2014): 63–75. http://dx.doi.org/10.21608/jaauth.2014.57115.

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7

Pelling, Christopher. "Herodotus' Persian Stories: Narrative Shape and Historical Interpretation." Syllecta Classica 27, no. 1 (2017): 65–92. http://dx.doi.org/10.1353/syl.2017.0002.

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Newhagen, John E. "The Relationship between Censorship and the Emotional and Critical Tone of Television News Coverage of the Persian Gulf War." Journalism Quarterly 71, no. 1 (1994): 32–42. http://dx.doi.org/10.1177/107769909407100104.

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The Persian Gulf War provided a unique opportunity to examine the relationship between censorship and the emotional and critical tone of television news. Coverage of the war was unique, not because censorship was taking place, but because news stories were clearly labeled by disclaimers when they were aired. A total of 424 television news stories broadcast during the Persian Gulf War were content analyzed for the presence or absence of censorship disclaimers, the censoring source, and the producing network. The stories also were rated for emotional valence and intensity, and critical tone of t

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9

Hämeen-Anttila, Jaakko. "The Letters of Shahrbarāz and Middle Persian Historiography on the Last Great War of Late Antiquity." Journal of Late Antique, Islamic and Byzantine Studies 1, no. 1-2 (2022): 65–93. http://dx.doi.org/10.3366/jlaibs.2022.0005.

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The article analyses stories about letters sent by Kisrā Abarwīz to his general Shahrbarāz during the last Great War of Late Antiquity. The analysis sheds light on Middle Persian historiography and the transmission of historical information in the Late Sasanian and Early Islamic periods, information we need in order to understand the history of the period. Based on the study of this episode, supported by wider evidence, the article suggests that Middle Persian historiography was prone to literary embellishment, that it was solipsistic, almost exclusively interested in matters Persian, and that

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Shafiei, Fatemeh, and Habibollah Ghassemzadeh. "Geo-environmental Factors in Three Persian Folk Stories: A Preliminary Study." International Journal of Literature Studies 1, no. 1 (2021): 78–85. http://dx.doi.org/10.32996/ijts.2021.1.1.10.

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Stories mirror the essential function of human cognitive activity. In the present preliminary study, we hypothesized that the mental spaces that make up the stories can be influenced by the environmental conditions of their creators. For this purpose, three stories from three different climatic zones in Iran were selected and a content analysis method was used to analyze their components. Results showed significant differences between the mental spaces of different geographic regions in these three stories. This finding could be considered as a step taken to show the extent to which an individ

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11

Kambarbekova, Galiya, та Kuanyshbek Kari. "General overview of the collection of persian manuscripts of the National library of the Republic оf Kazakhstan". Journal of Oriental Studies 111, № 4 (2024): 13–24. https://doi.org/10.26577/jos.2024.v111.i4.02.

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In the article, it was examined a comprehensive overview of manuscripts in the Persian language, stored in the manuscript fund of the National Library of the Republic of Kazakhstan. A brief history of the distribution of Persian manuscripts in Kazakhstan and the needs of the local population for literature distributed in the form of Persian manuscripts were presented with specific examples. The main reason for this is that the Persian language was not only the language of poetry but also the language of science, especially historical works. These words are evidenced by the fact that since the

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Alahmad, Mana. "Investigating the Strategies Used in Translation of Ironies in English Short Stories translated into Persian." Budapest International Research and Critics in Linguistics and Education (BirLE) Journal 2, no. 4 (2019): 13–19. http://dx.doi.org/10.33258/birle.v2i4.489.

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This study attempted to investigate the strategies which were used by Persian translators in translation of ironies. Translating irony has always been challenging as it relates to each nation culture and language background. So, special strategies are needed to guide the translators to find suitable equivalences for the ironies within any second language. In this research, strategies for translating two types of ironies i.e. verbal and situational were investigated via short stories. Eight short stories of Ernest Hemingway were chosen as the English texts. For each story two Persian versions w

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13

Dundua, Natia. "NOTES ON LITERATURE TRANSLATED FROM PERSIAN ATTESTED IN THE 19THE CENTURY MANUSCRIPT (A-1448)." Near East and Georgia 14 (December 15, 2022): 17–25. http://dx.doi.org/10.32859/neg/14/17-25.

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The manuscript preserved at the Korneli Kekelidze Georgian National Centre of Manuscripts is a collection compiled by Taras Alexi-Meskhishvili (1793–1874). This manuscript includes a list of books translated from Persian, Greek, Armenian, Russian, Latin, and Italian into Georgian, which were known in 19th-century Georgia. Some of these texts were likely housed in the library of the Kvatakhevi Monastery. This paper analyzes the works translated from Persian that are documented in the manuscript. These include: *Kilila and Damana,* *Amirnasariani* (also known as "The Story of Amirnasar"), *Ayat,

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Mallaki, Zohre, Raziye Rostami, and Fatemeh Noofeli. "Proverbs: As the Manifestation of the Folksy Literature and Their Harmony with the Characters of Jamalzade’s Stories." Review of European Studies 9, no. 4 (2017): 1. http://dx.doi.org/10.5539/res.v9n4p1.

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This study is going to analyze the relationship and harmony between the proverbs used in Jamalzade’s stories with the social situations of the characters. Jamalzade enjoyed this literature in order to get close to people’s daily language and make his works more impressive. The research’s data showed that Jamalzade could create a modern way of writing in Persian prose by using ordinary people’s language and culture and combining it with Persian. He not only uses proverbs—as one of the most important factors of folksy literature in the formation of his stories, but also puts his best to use them

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15

Shahbaz, Pegah. "Indo-Persian narrative literature: Cultural translation and rewriting of Indian stories in Persianate South Asia." Asiatische Studien - Études Asiatiques 74, no. 2 (2020): 387–412. http://dx.doi.org/10.1515/asia-2020-0030.

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Abstract The present article aims to study the translation and rewriting process of Indian narratives in Persian during the Delhi Sultanate (1206–1526) and the Mughal period (1526–1858), and to examine their cultural adaptations and strategies of adjustment to the Muslim recipient culture involving a reciprocal exchange of literary and cultural elements and religious interpretations. In the first stage, the features of Indo-Persian narrative tradition are briefly introduced with regards to structure and integral themes and in the second, the acculturation of Indian elements will be analysed ac

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16

Carmeli, Orit. "An Unknown Illuminated Judeo-Persian Manuscript of Nizāmī’s Khosrow and Shīrīn." Ars Judaica The Bar Ilan Journal of Jewish Art: Volume 17, Issue 1 17, no. 1 (2021): 131–40. http://dx.doi.org/10.3828/aj.2021.17.7.

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This is a brief presentation of the mid-seventeenth-century illuminated Judeo-Persian copy of Nizāmī’s Khosrow and Shīrīn from the collection of the Museum for Islamic Art in Jerusalem. The Khamsa of Nizāmī Ganjavi (d. 1209) is one of the most famous medieval Persian love stories and one of the most admired poetical works ever written in the Persian language. Khosrow and Shīrīn (composed 1175/6-1191) is the second book in the Quinary and recounts the tragic love story of the Sasanian king Khosrow II Parviz and the Armenian princess Shīrīn. Nizāmī’s poetry, in addition to other works of Persian

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17

Rahmanian, Elaheh, and Reza Ashrafzadeh. "Women in Shahnameh: An Overview on Mythical, Lyrical and Social Aspects." Revista humanidades 10, no. 1 (2019): e39816. http://dx.doi.org/10.15517/h.v10i1.39816.

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Shahnameh is the most significant Persian epic masterpiece and it is the world's lengthiest epic poem written by a single poet. Shahnameh mainly describes mythical and historical dimensions of the Persian Empire in series of stories. The manifestation of love in the stories of Shahnameh is a real stimulus to prowess and epic. In this regard, Ferdowsi delicately paid attention in developing women characters of Shahnameh. In this article, it is tried to investigate mythical, lyrical and social aspects of women in different sections of Shahnameh. Mythical aspects of Shahnameh including zoroastria

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18

Siegali, Michal Bar-Asher. "Ifra Hormiz and the Use of Mini-Corpora in the Study of the Babylonian Talmud." Jewish Quarterly Review 113, no. 4 (2023): 615–38. http://dx.doi.org/10.1353/jqr.2023.a913347.

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Abstract: Ifra Hormiz is mentioned in five short stories in the Babylonian Talmud, each time accompanied by a description: "the mother of Shapur Malka," Shapur the king. This essay examines the stories about Ifra Hormiz from a literary angle. It suggests that an intratalmudic, comparative, literary analysis of these stories can offer a new perspective on their creation, and that we can better reveal and highlight the differing agendas and motifs of stories that have similar literary nuclei when we examine them as part of a broader corpus of similar stories. This analysis will shed light on the

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19

Feiz, Parastou. "Beyond motion: ‘Come’ and ‘go’ in Persian oral narratives." Linguistics 57, no. 3 (2019): 577–606. http://dx.doi.org/10.1515/ling-2019-0009.

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Abstract This paper presents a discourse-analytic study of the verbs aamadan ‘come’ and raftan ‘go’ in Persian as they appear in thirty oral elicited narratives and uses English narratives based on identical stimuli as a reference point for a comparative analysis. The paper argues that despite certain similarities, the two sets of verbs in English and Persian have clear differences, both in terms of the syntactic structures in which they appear and their functions within the stories. Notably, beyond the expression of translational motion, aamadan and raftan encode aspect, subjectivity, and the

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20

Beni, Fatemeh Ahmadi. "UNDERSTANDING OF POLITENESS AND SPEECH ETIQUETTE IN PERSIAN AND RUSSIAN CULTURES." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 8 (2022): 148–59. http://dx.doi.org/10.28995/2686-7249-2022-8-148-159.

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The article is devoted to the problems of intercultural communication in the field of speech etiquette. On the example of communicative failures of Russian and Iranian students, the differences in the etiquette models of Russian and Persian cultures are considered. The article reveals the main provisions of speech etiquette, the basic principles of the theory of Politeness, general and specific characteristics of polite communicative behavior, the features of speech etiquette in Persian linguistic culture and its differences from Russian linguistic culture. Special attention is paid to the “su

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21

Shafiei, Fatemeh, and Habibollah Ghassemzadeh. "Psychological review of geo-environmental factors in three Persian folk stories." Global Journal of Psychology Research: New Trends and Issues 12, no. 2 (2022): 121–33. http://dx.doi.org/10.18844/gjpr.v12i2.5103.

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Cognitive narratology has been recognised as one of the most important ways of understanding human nature as expressed in the stories and narrations. In the present preliminary study, we aimed to use Turner and Fauconnier’s concepts of mental spaces and conceptual blending to explain the peculiarities of three stories belonging to three different cultural and geo-climate regions in Iran. In the present study, after collecting data from a set of texts, which included written, oral or visual, the content analysis method was used. We found some similarities among the mental spaces of different ge

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22

Kubba, Laith. "The Islamic Intellectual Tradition in Persia." American Journal of Islam and Society 15, no. 3 (1998): 158–61. http://dx.doi.org/10.35632/ajis.v15i3.2167.

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The Islamic fnlellectual Tradition in Persia is an edited collection of essays by SeyyedHossein Nasr, the Iranian metaphysician and ontolgist, on Muslim philosophers and theintimate relationship between Persian culture and its philosophical schools. The 24 essayswere written over a period of four decades and scattered among numerous journals and collections.The book is divided into six parts: Islamic thought and Persian culture; earlyIslamic philosophy; the works of al Suhrawardj; philosophers, poets, and scientists; laterIslamic philosophy; and Islamic thought in modem Iran. The essays highli

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23

Kononchuk, Oksana. "The artistic word and the “Language Issue” based on the M. A. Jamalzadeh writings." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 13, no. 23 (2020): 43–50. http://dx.doi.org/10.34079/2226-3055-2020-13-23-43-50.

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The paper is dedicated to the research of the specifics of the reflection of the “language issue” in the writings of M. A. Jamalzadeh – the founder of the modern short story in the Persian literature and to the influence and role of the artistic word in addressing this issue. In spite of the fact that there was one official national language in Iran and that it was the Persian language there was a great gap between the strata of the Iranian society and a huge misunderstanding between those strata because of the language differences of the Persian language spoken by them. The representatives of

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Moldaslamova, A. "GRAMMATICAL FEATURES OF THE LANGUAGE OF RABGUZI'S WORK «KISSAS UL-ANBIA» («STORIES ABOUT THE PROPHETS»)." НАУКА, НОВЫЕ ТЕХНОЛОГИИ И ИННОВАЦИИ КЫРГЫЗСТАНА, no. 2 (February 28, 2023): 245–47. http://dx.doi.org/10.26104/nntik.2023.44.50.052.

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Arabic and Persian words in the language of written monuments make a great contribution to the enrichment of the language, to the enrichment of the vocabulary. Thus, one of the urgent problems is to identify the dynamics of development, changes through linguistic analysis, disclosure of the subtleties of the language of relics as a national treasure, comparison with the modern language, with the same original languages. To this end, the article analyzes Arabic and Persian words in the language of the Rabguzi monument "Kissas-ul-Anbia", which is a monument of medieval writing. Arabic and Persia

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Kamaladdini, Seied Mohammad Bagher. "Tales and Allegories of Vision Ghazali and Rumi." International Letters of Social and Humanistic Sciences 21 (February 2014): 20–25. http://dx.doi.org/10.18052/www.scipress.com/ilshs.21.20.

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Among many tribes and nations fiction has a long history as a popular entertainment. The importance of stories is no secret. The meanings of the stories are quite concrete and contacts, events, and eventually finds it earlier. The Persian speakers from early to latet, moral themes, mysticism, religion and other things have taken advantage of this genre. The analogy is meant to provide an example of the eloquence and understanding has long had an important role and are responsible. It is also seen in ancient books and scriptures. Instead, it's like taking the analogy a little word to the land.

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26

Sandler, Rivanne. "Literary Revelations of Patriarchy in a Fluctuating Timespan." Oriente Moderno 104, no. 1-2 (2025): 150–77. https://doi.org/10.1163/22138617-12340344.

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Abstract Women’s Literature in the last half-century reveals how women think and feel about themselves and their environment. The translator of a volume of short stories by Persian female writers asserts that literature by women since the revolution demonstrates a remarkable shift in their writing. The views expressed in this paper are based on a range of literary formats such as memoirs and interviews, which become stories and diaries, in addition to short stories. In the past half century, women’s literature has become a critique of a space too narrow and it will be of interest to the readin

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Kravchenko, Oksana A., and Zeinab Sadeghi Sahlabad. "Khosrow Mirza: Historical figure and artistic image. On the cultural originality of Russian-Persian ties." Imagologiya i komparativistika, no. 18 (2022): 245–68. http://dx.doi.org/10.17223/24099554/18/12.

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The image of Persian Prince Khosrow Mirza, who headed the Apology Delegation to Russia, entered the Russian artistic culture of the 19th and 20th centuries. His name was mentioned by Alexander Pushkin in A Journey to Arzrum, by Nikolai Gogol in the Petersburg stories The Nose and The Portrait. Yury Tynyanov in his novel The Death of Vazir-Mukhtar (1928) elaborated in detail characteristics of the Persian prince. In Dmitri Shostakovich’s Opera The Nose, a musical and dramatic picture was built around the image of Khosrow Mirza. Although this image is inextricably linked to the memory of the dea

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Ghateolbahr, Abdolrahman, and Ehsan Mohammadinejad. "An investigation into the use of Catford's shifts in translating short stories: translating english grammatical sentences into persian in focus." LAPLAGE EM REVISTA 7, Extra-C (2021): 153–62. http://dx.doi.org/10.24115/s2446-622020217extra-c998p.153-162.

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The present study investigated the use of Catford's shifts in the Persian translation. To achieve the research objectives, the researcher used a qualitative research design to examine Catford’s Translation Shifts category (1965). The research corpus was 50 English sentences of Introductory Steps to Understanding book and its Persian translation by 100 elementary EFL learners. The findings showed that shift structure, unit shift, class shift, and in-system shifts were used by learners. Also, the most shift used by learners was a structural shift. The findings achieved in this study indicated th

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29

GREEN, NILE. "Stories of Saints and Sultans: Re-membering History at the Sufi Shrines of Aurangabad." Modern Asian Studies 38, no. 2 (2004): 419–46. http://dx.doi.org/10.1017/s0026749x03001173.

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Encounters between Sufi saints and Muslim rulers have played a long and important role in the textual historical traditions of Muslim South Asia. Historians of the sultanates of Delhi and the Deccan writing in Persian such as Ziya al-din Barani and Abu'l Qasim Firishtah peppered their accounts with such narratives, much to the distaste of their nineteenth century British translators who frequently excised such episodes wholesale. Some of the earliest Sufi literature composed in South Asia, such as the ‘recorded conversations’ (malfuzat) written in the circle of Nizam al-din Awliya of Delhi (d.

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Sh., Yarashov, and Khudoiberdiev Sh. "EVOLUTION OF THE NARRATIVE GENRE IN PERSIAN-TAJIK LITERATURE." International Journal of Education, Social Science & Humanities. FARS Publishers 11, no. 3 (2023): 871–75. https://doi.org/10.5281/zenodo.7782451.

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in this article, the critical issues of the formation and evolution of the narrative genre, changes in its content and ideological and formal content, are discussed in the example of the stories of young people of classic and modern Tajik literature, and the differences and general characteristics of this genre are clarified in the example of the comparative method. There are also interesting comments about the change of the story term.

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Chalisova, Natalia Yu. "The “evidential paradigm” in Persian Classics: princes from Sarandip and other clue interpreters." Orientalistica 4, no. 4 (2021): 1033–62. http://dx.doi.org/10.31696/2618-7043-2021-4-4-1033-1062.

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The rich history of Persian literature reception in the West includes such a major event as the translation of the Persian narrative into European languages. This has influenced the comprehension of a new epistemological paradigm in the humanities. The story under discussion is the first chapter of Amir Khusrav Dihlavi’s poem “Eight Paradises” (Hašt bihišt, 1299–1301), in which the Indian princess tells the Sassanian king Bahram Gur a tale of three princes from Sarandip (Sri Lanka, Ceylon). As the plot progresses, the princes restore the events of the past according to clues and signs and repe

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Pellò, Stefano. "The Portrait and Its Doubles: Nāṣir ʿAlī Sirhindī, Mīrzā Bīdil and the Comparative Semiotics of Portraiture in Late Seventeenth-Century Indo-Persian Literature". Eurasian Studies 15, № 1 (2017): 1–35. http://dx.doi.org/10.1163/24685623-12340025.

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Abstract This paper focuses on two late 17th century Indo-Persian stories dealing with “living” portraits: a couplet-poem by Nāṣir ʿAlī Sirhindī and a chapter of Mīrzā ‘Abd al-Qādir Bīdil’s autobiography. I investigate these narratives looking at the creative interactions between the codified models for talking about portraits as they are provided in the pre-Mughal Persian literary tradition, and the “newness” of 17th-century Indo-Persian intellectual space, in a cosmopolitan perspective. Accordingly, I explore how the literary dymension reacted to the notion of the visual reproduction in an e

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Hame Bichkol Mohammed, Ahang Shafique. "Mohammed Mustafa Kurdi's literary and cultural status in Kurdish literature." JOURNAL OF LANGUAGE STUDIES 8, no. 2 (2024): 75–112. http://dx.doi.org/10.25130/lang.8.2.5.

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Our research is to present the literary and cultural status of Mohammed Mustafa Kurdi as an educated, intellectual, educational and religious teacher. The author often used essays in Arabic literature because he had a religious and Arabic culture, and was influenced by Persian literature, so he translated essays from Persian He drew on folk literature, poetry by poets and even stories. In addition to essays, he has translated several poems from Arabic and Persian or has translated his ideas and subjects into poems and essays from a Kurdish perspective. The author has published them in the maga

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34

van der Vliet, Jacques. "Bringing Home the Homeless: Landscape and History in Egyptian Hagiography." Church History and Religious Culture 86, no. 1 (2006): 39–55. http://dx.doi.org/10.1163/187124106778787132.

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AbstractThis essay evaluates Egyptian hagiography as a historical source by defining its function in the construction of a Christian landscape. To this purpose, it discusses the Bohairic Martyrdom of Saint James the Persian, shifting attitudes towards the burial of monastic saints, Coptic stories about temple conversions, and contending Christian and Muslim traditions concerning the Holy Family in Egypt.

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Levchyn, Iryna. "TRANSLATION FROM PERSIAN INTO UKRAINIAN OF THE TEN SHORT STORIES BY BELGHEIS SOLEIMANI FROM COLLECTION OF STORIES "GAME BRIDE AND GROOM"." Bulletin of Taras Shevchenko National University of Kyiv. Oriental Languages and Literatures, no. 30 (2024): 86–88. https://doi.org/10.17721/1728-242x.2024.30.13.

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The publication presents the Ukrainian translation of the ten short stories by the iranian writer Belgheis Soleimani from collection of stories "Game Bride and Groom" (2007). These ten short stories “Game Bride and Groom", "Grandma's 90th Birthday", "Kiss", "Sincere friend", "Woman orator", "Mother's grave", "Mutual friend", "Honeymoon", "Prison", "Mother and daughter" were translated into Ukrainian for the first time.

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Gross, Simcha. "Rethinking Babylonian Rabbinic Acculturation in the Sasanian Empire." Journal of Ancient Judaism 9, no. 2 (2018): 280–310. http://dx.doi.org/10.30965/21967954-00902008.

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The study of the Babylonian rabbis in their Persian context(s) has largely adopted a binary paradigm whereby certain rabbis, usually associated with specific regions, are characterized as adopting a strategy of either accommodation or resistance to Persian language and culture. A central piece in the discussion of rabbinic attitudes to Persian culture has been the question of Babylonian rabbinic use – or lack thereof – of Persian language, often cited as a sign for the disconnect between, perhaps even the intentional distancing of, the Babylonian rabbis and Persian culture more generally. Taki

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Wright, Geoffrey A. "The Desert of Experience: Jarhead and the Geography of the Persian Gulf War." PMLA/Publications of the Modern Language Association of America 124, no. 5 (2009): 1677–89. http://dx.doi.org/10.1632/pmla.2009.124.5.1677.

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The censored media coverage of the Persian Gulf War obscured the region's geography and erased the suffering of combatants and civilians. In contrast, the literature and film on the war emphasize the human rather than the technological dimension of the fighting. The words and images used to represent the foot soldiers' deeply personal experiences are bound to the landscape. This essay sets forth a geographic semiotics of Persian Gulf War combat narratives, which entails the study of an array of geographically oriented codes for making meaning out of wartime experience. The study of geographic

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Kolesnikov, Aliy I. "The Miniatures and Texts in the Е28 Album from the IOM, RAS". Written Monuments of the Orient 5, № 2 (2019): 79–104. http://dx.doi.org/10.17816/wmo25894-.

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The E28 Album is composed of five stray sheets from an unknown Persian manuscript datable by circumstantial evidence to the 17th18th cc. The texts contained therein are for the most parts accounts pertaining to the activities of the Sufi fraternities in Central Asia in the period from the 11th to the 15th c. The five miniature paintings illustrate the stories told.

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Faghih, Esmail, and Fatemeh Abbasi. "Implicatures in the Persian and Turkish Translations of Four American Short Stories." Theory and Practice in Language Studies 6, no. 10 (2016): 2026. http://dx.doi.org/10.17507/tpls.0610.20.

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Translation of implicature as a challenging issue in Translation Studies is addressed in the present study. Considering this notion, the researchers’ main concern after extracting implicatures was to investigate the translation procedures proposed by Molina and Hurtado Albir (2002) and also Newmark (1988) in translating implicatures including: 1. Linguistic amplification, 2. Linguistic compression, 3. Literal translation, 4. Transposition, 5. Established equivalence, and 6. Free translation. To achieve the aims of the study, six questions were proposed to examine the translation procedures ado

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Sadeghi, Leila. "Discursive Silence: A Tool to Read between the Lines in Persian Stories." International Journal of Linguistics 7, no. 5 (2015): 99. http://dx.doi.org/10.5296/ijl.v7i5.8186.

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<p class="1">According to Hemingway, if a writer knows enough about what he is writing about, he may be silent about seven-eighth of the text (1996: 192). This silence as a notable absence leaves a meaningful trace, which is a marker of written silence. Such silence has an interactive role, employed as a discursive technique in literature to produce a fictional world. Based on this theory, the reader seeks to fill the empty places in the fictional text to understand the story completely. An appropriate device for filling the blanks would be possible through understanding the different si

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Soureshjani, Kamal Heidari. "The Role of Predictable Stories in Teaching English to Persian EFL Children." Open Journal of Education 1, no. 1 (2013): 1. http://dx.doi.org/10.12966/oje.04.01.2013.

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Ridgeon, Lloyd. "Shaggy or Shaved? The Symbolism of Hair among Persian Qalandar Sufis." Iran and the Caucasus 14, no. 2 (2010): 233–63. http://dx.doi.org/10.1163/157338410x12743419190142.

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AbstractThe Qalandars have usually been considered antinomian Sufis, a view that may have been perpetuated by their shocking appearance (the shaving of head-hair, eyebrows, moustache and beard, that is, the so-called “four-shaves”, chahār-żarb, which runs against the normative Islamic tradition. This paper briefly highlights the significance of hair in the Islamic tradition with reference to the sacred sources (the Qur'ān, Hadīth and biographies of the Prophet). Subsequently the general Sufi perspective on hair is considered, and then the study focuses on the Qalandars. Following a brief inves

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ბედიანიძე, დალილა. ""ათას ერთი ღამის“ ერთი ზღაპარი და ქართული ხალხური ზღაპრები". Contemporary Issues of Literary Studies - International Symposium Proceedings 17 (20 грудня 2024): 298–304. https://doi.org/10.62119/cils.17.2024.8754.

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In her study, “One Tale of One Thousand and One Nights and Georgian Folk Tales”, Dalila Bedianidze examines thematic and narrative parallels between classic international stories and Georgian folklore. Central to the analysis is the motif of the beloved bird’s sacrifice, found in tales such as One Thousand and One Nights’ "Story of King Sindbad," "Kilila and Damana," the 67th Arak "Sovereign and Hawk," the Persian Tutiname, and Georgian folk narratives like "Kvavsakdara" and "Sakdar of the crow". The work explores shared elements across these stories, focusing on character roles, themes, and a

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Saeedipour, Abbas, and Nasrin Qorbani Sharif. "An Intersemiotic Analysis of Pictures in Translated and Non-Translated Children’s Literature." Studies in English Language Teaching 4, no. 4 (2016): 461. http://dx.doi.org/10.22158/selt.v4n4p461.

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<p><em>Illustrations in books play a significant role in the development of the story by re-narrating the story which is also presented in linguistic forms (words). This process is a type of translation (intersemiotic) as proposed by </em><em>Jacobson (2000). </em><em>Also words being accompanied by illustrations help children to better involve in and understand the story. Therefore it is necessary to pay close attention to the illustrations and the relationships they hold with the linguistic texts of the story.</em><em> There seems to be differe

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Fedorova, Yu E. "From qasida to treatise: philosophical analysis of stories about the conference of the birds." Orientalistica 5, no. 3 (2022): 474–88. http://dx.doi.org/10.31696/2618-7043-2022-5-3-474-488.

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The article traces the evolution of the “bird” topos (murgh) from its direct understanding (haqiqa) to the allegorical (majaz) in the most representative works of the Persian literary tradition of the 10th–12th centuries. The research involves methods of philological analysis, as well as the method of historical and philosophical reconstruction of the text. It was found, that in the early samples of the classical qasida by Rudaki and Manuchihri birds were one of the necessary elements for marking the “spring” theme. Later in qasidas of Sanai and Khaqani the topos “soul-bird” (murgh-i jan) was

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SHAH, ZAHRA. "Negotiating Female Authorship in Eighteenth-Century India: Gender and Multilingualism in a Persian Text." Journal of the Royal Asiatic Society 29, no. 3 (2019): 447–66. http://dx.doi.org/10.1017/s1356186319000142.

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AbstractIn the last years of the eighteenth century, an Indian woman authored a work in Persian intended for the entertainment and guidance of students of that language. EntitledMiftāḥ-i Qulūb-i Mubtadiyān(‘The Key of the Hearts of Beginners’), the work comprised of stories from vernacular oral traditions as well as extracts from well-known Persian poetic, historical and ethical works. Although the work was translated into English in 1908 by Annette Beveridge, it has received no serious scholarly attention. Drawing upon recent scholarship offering new ways of thinking about India's multilingua

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Hossaini, Hamida, and Eid Fallah. "Masculinity as the Main Element of the Identity of a Worthy Woman in Iranian Tradition - Case Study of Samak Ayyar and Hossain Kurd." Advances 6, no. 1 (2025): 1–8. https://doi.org/10.11648/j.advances.20250601.11.

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Just as in the ancient Iranian culture, being a man was a set of physical and moral traits and it was extended in the Islamic era, in Persian epic texts after Islam, this attribute maintained its value. Many women can be seen among the male characters of epic stories. The positive character of the women in these stories, while maintaining the physical characteristics and female morals, have some traits that are specific to the concept of masculinity in Iranian culture. This issue continues as a historical sequence in epic texts from the early centuries after Islam to the late pre-modern centur

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Kamaladdini, Mohammad Baqere, and Morteza Ghiasi. "Taraz Al Akhbar in Persian Literature and Culture." International Letters of Social and Humanistic Sciences 26 (April 2014): 22–30. http://dx.doi.org/10.18052/www.scipress.com/ilshs.26.22.

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Taraz Al Akhbar, the effect of Abdel Nabi poetry and storytelling (1589-1980); is a collection of poem and prose texts that is valuable from the perspective of storytelling. This anthology has literary value for the sake of diversity of poem and prose texts, and it is an important source for many literary studies. In this article after the introducing the writer, the main framework of the book based on four categories of war, banquet, love, and agility, as well as the literary value was investigated. The prologue was noticed for consideration of invention of stories, story attribute, story tel

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Asghari, Mehdi, and Bahloul Salmani. "Cultural-context Adaptation in Translation of Children's Short Stories from English to Persian." Theory and Practice in Language Studies 6, no. 5 (2016): 965. http://dx.doi.org/10.17507/tpls.0605.08.

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The importance of children’s literature in comparison with the traditional form of translation is something trivial and this is regrettable since translating for children should be done so skillfully that there may be no mental or emotional harm for children. Puurtinen (1994) believes that writing and translating for children which is often regarded as a simple and insignificant matter will be governed by numerous constraints, which normally vary from culture to culture. The present study makes an effort to examine the implications of different adaptation methods proposed by Klingberg (1986) i

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Karimi, Keihaneh, and Reza Biria. "Exploring Emotive Verbs in Persian and English Short Stories: A Contrastive Sociopragmatic Approach." Journal of Psycholinguistic Research 46, no. 2 (2016): 415–32. http://dx.doi.org/10.1007/s10936-016-9443-1.

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