Academic literature on the topic 'Personal artistic expression'

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Journal articles on the topic "Personal artistic expression"

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Matnazarova, Saida. "Artistic expression of historical theme in works." International Journal Of Literature And Languages 5, no. 2 (2025): 64–66. https://doi.org/10.37547/ijll/volume05issue02-19.

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This article explores the artistic expression of historical themes in various creative works, such as literature, painting, and film. By examining how historical events, periods, and figures are conveyed through aesthetic choices, narrative structure, and symbolic elements, the paper underscores the significance of artistic interpretation in shaping public perception of the past. In many cases, the artist’s personal vision, cultural context, and intended audience contribute to a reimagining or reinterpretation of historical realities. Through close analysis of representative examples, the stud
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Morozewicz, Marzanna. "Loneliness in Artistic Expression." Creativity. Theories – Research - Applications 6, no. 2 (2019): 269–73. http://dx.doi.org/10.1515/ctra-2019-0016.

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AbstractDelving into the nature of the creative process, attention is given in the article to particular kinds of emotions appearing in the course of the work of a creative person. Particular emphasis is given to the emotions the artist is guided by during the act of creation. The reflections presented in the text result not only from theoretical analysis, but also from the author’s experience in the process of creation. In this context they refer closely to the personal emotional sensations accompanying the author when painting pictures.The article distinguishes and analizes the concept of lo
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Condon, Barbara Backer. "Artistic Expression in Teaching‐Learning." Nursing Science Quarterly 22, no. 4 (2009): 326–31. http://dx.doi.org/10.1177/0894318409344766.

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The use of art to enhance teaching‐learning in nursing has proven beneficial in the past. While there are variety of methods to utilize art in education that exist, the author discusses artistic expression, as described by the humanbecoming school of thought, being used for the first time during the final term of the senior year for nursing students. This artistic expression was part of a variety of assignments connected to the students’ preceptor experiences. The author in this column demonstrates a profound coming to know and personal enlightenment through a reflective process that accentuat
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Stoicescu, Andreea. "Sacred Art Between Tradition and Personal Expression: The Orthodox Icon and Artistical Transgressions of the Canon." Diakrisis Yearbook of Theology and Philosophy 4 (May 31, 2021): 61–78. http://dx.doi.org/10.24193/diakrisis.2021.5.

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The aim of this article is to present a personal reflection regarding the theoretical/philosophical relation between the generally accepted theological grounding of icon painting and other contemporary artistical endeavours to integrate the religious feeling – of Christian-Orthodox inspiration. This reflection is based on a mixture of ideas from different thought-frameworks which have as common ground the need for speculating on issues such as ‘tradition understanding’, ‘personal expression’, ‘art and religiousness’, exactly those key-themes that are constituting the fundamental threads of my
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Nazarova, S. A., and M. Yu Khojieva. "Personal description in the word combination and expression in a speech." International Journal on Integrated Education 3, no. 2 (2020): 15–18. http://dx.doi.org/10.31149/ijie.v3i2.317.

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The article discusses the study of the linguistic syntactic form of the words describing a person as a result of substitution analysis of the Uzbek language and the problems of their speech in the use of these units in artistic speech and their study in the context of modern linguistics. It is based on the fact that the derivation of the vocabulary of the person's vocabulary in artistic speech is one of the linguistic methods used to describe the person in Uzbek.
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Melchenko, K. H. "Some methodological principles works on artistic image." Educational Dimension 16, no. 1 (2006): 322–27. http://dx.doi.org/10.31812/educdim.6110.

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The author touches upon the problems of character creation in the process of musical and stage activity children's opera in particular. The production of children’s opera in the schooling process helps the music teacher to expose his professional skills and gives the opportunities for his personal expression and development.
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Bennett, Julie M. "Personal Meaning and Survival through Artistic Expression; Country Women in Regional Victoria." International Journal of the Arts in Society: Annual Review 5, no. 5 (2011): 169–80. http://dx.doi.org/10.18848/1833-1866/cgp/v05i05/35910.

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Kalēja-Gasparoviča, Daiga. "Correlation Between Experiences of Artistic Creative Self-Expression and Life Experiences in Crisis Conditions." Journal of Pedagogy and Psychology "Signum Temporis" 4, no. 1 (2011): 26–35. http://dx.doi.org/10.2478/v10195-011-0042-5.

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ABSTRACT Contemporary conditions determine a relationship between the quality of individual’s life andindividually developed creative abilities: the ability to adapt to extraordinary situations andcircumstances of life, flexibility in thought and action. The studies of visual arts provide anopportunity of enriching one’s experience in creative activities, at the same time facilitating thedevelopment of creative abilities. Experiences acquired earlier in life (impressions, low selfesteemand negative experiences) affect artistic creative self-expression and enhanced creativeexperiences, accordin
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Leonido, Levi, Mario Cardoso, and Elsa Gabriel Morgado. "The interdisciplinary method of musical literacy, education and artistic sensibilization: Objectives, structure and evaluation." International Journal of Education and Practice 12, no. 3 (2024): 782–96. http://dx.doi.org/10.18488/61.v12i3.3756.

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The Interdisciplinary Method of Musical Literacy, Education and Artistic Awareness (MILMESA) aims to provide a holistic and interdisciplinary approach to education, integrating four artistic expressions (theatre, music, visual arts and physical/motor expression) essential for the development of skills such as creativity, expression and improvisation in a school context. The method aims to prepare adults who are in training for future practices aimed at children, young people or adults. MILMESA integrates 129 activities, classified by degree of difficulty, to improve personal and artistic skill
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Adi, S.Sn, M.Sn, Sigit Purnomo, Mohammad Khizal Mohamed Saat, and I. Gusti Ngurah Tri Marutama. "MINIPRINT ARTWORK CREATION WITH SATO KEWAN OBJECT." ARTISTIC : International Journal of Creation and Innovation 2, no. 2 (2022): 82–91. http://dx.doi.org/10.33153/artistic.v2i1.3989.

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Animals have provided humans with everything from meat to eggs to pleasure. Thus, animals, including chameleons, must be rescued from extinction. The chameleon's uniqueness makes it an intriguing subject for artistic creation. The purpose of this artwork is to visualize the concept of personal expression through miniprint works using Sato Kewan (variety of animals) object, specifically the chameleon. The creation of this printmaking work is part of artistic research, more specifically research into art practice, which is conducted using plywood as a medium, an abstract expressionism style, and
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Dissertations / Theses on the topic "Personal artistic expression"

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Tavoras, Vilius. "Stimulation of expression of artistic individuality of future music teachers at university." Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2009~D_20100122_105328-41139.

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Peculiarities of the expression of artistic individuality of future teachers are analysed in the dissertation. Problem of the investigation has been formulated: in what way and what impact the musical activity can exert on artistic individuality of future music teachers and to what extent this impact can be optimised. The model of the expression of artistic individuality of future music teachers has been created and substantiated both theoretically and empirically. The model encompasses the components of reflexivity, creativity, high artistic value and responsibility. Manifestations of artisti
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Wettergren, Sandra. "Vilket bra uttryck! : En studie om lärares och elevers konstruktioner av begreppen personligt, konstnärligt och musikaliskt uttryck." Thesis, Karlstads universitet, Institutionen för konstnärliga studier (from 2013), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-72308.

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Syftet med studien är undersöka hur såväl lärare som elever på gymnasieskolans estetiska pro- gram och på musikhögskola ser på begreppen konstnärligt, musikaliskt och personligt uttryck. Tidigare forskning på området visar att det inte finns någon entydig definition av begreppen. Studien har genomförts genom fokusgruppsamtal med lärare från en gymnasieskola, lärare från en musikhögskola, elever från en gymnasieskola och studenter från en musikhögskola. I ana- lysen av intervjuerna har ett diskurspsykologiskt perspektiv använts. I resultatet presenteras två övergripande
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Moreira, Cláudio Rocha. "Relatório da prática profissional e projeto de intervenção : o papel da criatividade em exercícios composicionais com regras estritas." Master's thesis, 2017. http://hdl.handle.net/10400.14/23829.

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O relatório da prática profissional aqui descrito evidencia uma ação interventiva numa turma de primeiro ano da disciplina de Análise e Técnicas de Composição. Esta intervenção teve como objetivo fundamental promover a criatividade em exercícios composicionais com regras estritas características de diferentes técnicas de épocas da história da música. O que motivou a intervenção foi a identificação, a partir da análise em aula, da falta de criatividade dos alunos da turma mencionada. A par do objetivo fundamental desta intervenção, também se tornou importante a intenção de conferir uma va
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Books on the topic "Personal artistic expression"

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Barnbaum, Bruce. The art of photography: Anapproach to personal expression. Kendall/Hunt Pub, 1994.

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Nikishov, A. B. Pravo na svobodu tvorchestva v Rossiĭskoĭ Federat︠s︡ii: Monografii︠a︡ = The right to artistic expression and creation in the Russian Federation. "Prospekt", 2019.

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Seaman, Natasha, and Joanna Woodall. Money Matters in European Artworks and Literature, c.1400-1750. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463726078.

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Money Matters in European Artworks and Literature, c. 1400-1750 focuses on coins as material artefacts and agents of meaning in early modern arts. The precious metals, double-sided form, and emblematic character of coins had deep resonance in European culture and cultural encounters. Coins embodied Europe’s power and the labour, increasingly located in colonised regions, of extracting gold and silver. Their efficacy depended on faith in their inherent value and the authority perceived to be imprinted into them, guaranteed through the institution of the Mint. Yet they could speak eloquently of
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Steer, Natalie. To What Extent Do Personal Experiences Influence Artistic Expression? Blurb, 2015.

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Barnbaum, Bruce. The Art of Photography: An Approach to Personal Expression. 2nd ed. Kendall/Hunt Publishing Company, 1999.

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The Art of Photography: An approach to personal expression. Rocky Nook Publishing, 2010.

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The art of photography: An approach to personal expression. Kendall/Hunt Pub., 1994.

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The art of photography: A personal approach to artistic expression. 2nd ed. 2017.

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30 Days of Prompted Collage: A Personal Catalog of Artistic Expression Through Collage. Independently Published, 2020.

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Ridley, Aaron. Expression in Art. Edited by Jerrold Levinson. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199279456.003.0011.

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It is natural to assign a significant role to artists in artistic expression, and perhaps to do so by extrapolating from the role we assign to people when they express themselves in everyday, non-artistic contexts. When, for instance, we say of someone's face that it expresses pleasure, we ordinarily take it that the pleasure revealed there is the person's own pleasure, and that the expression on their face is to be explained by the pleasure that they feel. In ordinary, non-artistic cases, then, we take the expression to reveal the state of the person, and the state of the person to explain th
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Book chapters on the topic "Personal artistic expression"

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Tsitsovits, Ioannis. "Reproduction as Literary Production: Self-Expression and the Index in Kenneth Goldsmith’s Uncreative Writing." In New Directions in Book History. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53614-5_12.

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AbstractThis chapter discusses Kenneth Goldsmith’s Uncreative Writing, a collection of essays that includes an account of his Uncreative Writing course at the University of Pennsylvania. Championing various forms of literary automatism and appropriation, which are often treated as a much-needed response to our contemporary digital environment, the book is offered as a counter-model to established notions of authentic, self-expressive writing. The article takes this position as a springboard into thinking about Goldsmith’s writing exercises in relation to a longer history of indexical artistic
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Picchiami, Sabrina. "Outsiders, non per loro scelta. Esperienze artistiche nell’Ospedale neuropsichiatrico di Arezzo 1958-1978 | L’atelier." In Arte ai margini. Firenze University Press, USiena Press, 2024. http://dx.doi.org/10.36253/979-12-215-0400-2.10.

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The atelier at Arezzo Neuropsychiatric Hospital transformed the artistic activity from a diagnostic tool to a recognized form of creative expression. Initiated in 1958 by Dr. Furio Martini and influenced by the cultural shifts of the 1950s and 60s, the atelier provided patients with a setting to express their experiences and emotions. Aftherwards the activities aimed even at offering therapeutic benefits and a small personal profit. To date, over 300 works by patients have been find, underscoring the therapeutic and social significance of art in psychiatric contexts.
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O’Hara, Emily R. "Scarheart: Research as Healing." In Gender, Development and Social Change. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-82654-3_13.

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AbstractMy chapter examines whether and if so, how, alternative approaches can be used to engage with intimate partner violence (IPV). I explore how poetry, creative writing and other forms of expression can be feminist methodologies for looking at IPV as they both offer us ways of thinking differently about objects of study, in more embodied, personal and situated ways, and can also be forms of healing in the very process of studying such “difficult” objects of research. I use artistic mediums as a form of healing when writing about the very thing that has caused so much personal hardship. My
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Belisario, Maria Laura. "Arte e meta-narrazione. Dalla produzione artistica ai modelli pedagogici personali, sociali e culturali." In Esercizi di ricerca. Firenze University Press, 2022. http://dx.doi.org/10.36253/979-12-215-0081-3.23.

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The poster presented here collects data from the first year of a research aimed at investigating the models of thought that emerge from artistic performances from a point of view that is not only personal, but also social and cultural, in order to understand what art may tell us about the social and cultural contexts. A review of the literature has led to further investigate the concept of pedagogical model on the one hand and the potential of art from an educational point of view on the other. A pedagogical model is a model of thought that concerns attitudes and behaviors that guide the life
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Bäckman, Mikael. "3. Finding Voice." In Teaching Music Performance in Higher Education. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0398.04.

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This chapter explores how my own artistic research has informed my practice, not only as a musician, but also as a teacher in higher music education (HME). In my ongoing PhD project, I have investigated how a personal expression, or voice, emerges from a process initiated by transcription and imitation. I have used an analytical perspective, informed by embodied cognition, and built around the concepts of voice and affordance to try to clarify these processes. I have transcribed 13 albums by the iconic country harmonica player Charlie McCoy. Based on these transcriptions, I have analyzed McCoy
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Evans, Dorinda. "7. The Death and Legacy of a Maverick Artist." In William Rimmer. Open Book Publishers, 2022. http://dx.doi.org/10.11647/obp.0304.07.

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The concluding chapter weighs Rimmer's recognition or historical status at the time of his death and now. His first biography, written by someone who did not know him –Truman H. Bartlett – has had a disproportionate impact on how he is seen, even today. That is, his sheer originality – attested to by students as well as contemporaries – has been largely overlooked or misunderstood. The fact that he critiqued neoclassicism has been lost. So has his strong spiritual orientation and his emphasis, in teaching and in his own work, on imagination and self-expression. Despite his attachment to subjec
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Mallinson, Jonathan. "Introduction: William Moorcroft, Potter." In William Moorcroft, Potter. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0349.16.

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This sketches the distinctive individuality of William Moorcroft, one of the most celebrated and original potters of the early twentieth century. An active designer, ceramic chemist and manufacturer, he is seen to be different from contemporary ‘art potters’ who tended to be either decorators or chemists, but not both. From the start of his career he was recognised as a potter like no other, but this distinctiveness has been eroded in modern assessments which present him as a manufacturer rather than an artist, and his pottery as a trading commodity rather than as personal expression. This boo
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Finnegan, Ruth. "6. Poets and their positions." In World Oral Literature Series. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0428.06.

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In this chapter, the focus is on oral poets and their diverse roles within different cultures and societies. The chapter begins by addressing the broad question of who the poets are, explaining that virtually anyone can assume this role depending on the social context. While oral poets can be found in various forms—from official court poets in medieval kingdoms to unpaid singers among labourers—there are recurring patterns that shape their societal roles. These poets are often bound by social conventions and are influenced by the economic and political institutions of their societies, indicati
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"Chapter 5: Artistic Perspective." In The Reflexive Teaching Artist: Collected Wisdom from the Drama/Theatre Field. Intellect, 2014. http://dx.doi.org/10.1386/9781783202232_8.

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Artistic Perspective encompasses three ‘A’s’ of theatre: artwork, artistry and aesthetic perception. The term synthesizes the characteristics of an artist: the technical skills of creating art; the dispositions and habits that form and inform personal artistry; and the ways in which the artist perceives the purpose, practice and impact of her work and the work of other artists. Artistic perspective embodies an artist’s propensity to observe, engage with, analyze, interpret and express opinion about the world around him. Intrinsically motivated to give voice to his insight or inspiration throug
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Herke, Kranenborg. "Article 85 Processing and freedom of expression and information." In The EU General Data Protection Regulation (GDPR). Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198826491.003.0132.

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Member States shall by law reconcile the right to the protection of personal data pursuant to this Regulation with the right to freedom of expression and information, including processing for journalistic purposes and the purposes of academic, artistic or literary expression.
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Conference papers on the topic "Personal artistic expression"

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Prado, Ana Laura Ferreira. "The body as an artistic medium: From body paintings to tattoos that I have done in my life." In IV Seven International Congress of Health. Seven Congress, 2024. http://dx.doi.org/10.56238/homeivsevenhealth-085.

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The work explores the body as a means of artistic expression, focusing on body painting, tattoos and indigenous graphics as historical and cultural forms of art. It discusses the evolution of tattooing from its origins to its popularization and the cultural resistance behind indigenous graphics. It also addresses sexism in the world of tattooing, highlighting interviews with female tattoo artists about their challenges. The author presents her own experiences with tattoos, emphasizing art as a powerful form of personal expression, culminating in a photo essay that celebrates the body as the pr
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Yuhang, Chen, and Iarina Savitkaia-Baraghin. "Image representation and formulation of artistic concept in oil landscape painting." In „Cultura şi arta: cercetare, valorificare, promovare”, conferinţă ştiinţifică naţională. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2025. https://doi.org/10.55383/ca2025.15.

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This article explores the core roles and philosophical connotations of artistic conception and imagery in artistic expression. By analyzing representative works of masters such as Zao Wou-Ki, Chu Teh-Chun, and J.M.W. Turner, it reveals the integration of emotion and scenery, the symbolic representation of imagery, and the interplay between abstraction and figuration in artistic creation. Drawing on personal creative practice, it examines the continuation and innovation of traditional imagery in contemporary art, presenting the aesthetic pursuit of “imagery beyond the image” and “conception bey
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Faumuina, Cecelia. "A Practice-led inquiry led by an Oceanic Artistic Research Paradigm." In LINK 2024 Conference Proceedings. Tuwhera, 2024. https://doi.org/10.24135/link2024.v5i1.217.

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This presentation explores a practice led PhD project that investigates the role of Oceanic values and ways of knowing and being to inform faiva (creative practice / performance), which aims to engage, create mafana (warmth) and malie (harmony) to make manifest ‘asi (the presence of the unseen) in the artistic expression of Oceanic youth. In 1993, Wolfgramm identified ‘asi as a crucial element in the climax of faiva, reflecting a spirit that energises and gives agency to artistic work. This research examines what occurs when young Oceanic individuals collaborate creatively, using cultural heri
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Zhang, Ruihan. "Design of lnteractive Experience on Participatory Art Based on Art Brut Form." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001880.

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As a mainstream art form of public art, socially-engaged participatory art takes art as an intervention means to stimulate the public's thinking on relevant social issues. With the expansion of the influence of participatory art in society, relevant problems are gradually emerging. The form of public participation is still limited, the sense of participation is not strong enough, and the acceptance of content is not high enough. The problem behind it mainly comes from the disconnection between social participatory art and regional culture, and the poor interaction with local residents. To solv
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Andrezza Bethânia, Santos, and Rodrigues Rita. "Crafting weather instruments: integrating art into meteorological education for elementary students." In International conference Czech republic and lusophonic countries 2024: Education, art and digital technology in teaching. University of West Bohemia, Czech Republic, 2024. http://dx.doi.org/10.24132/zcu.2024.12426.76-77.

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Addressing the urgent need for environmental awareness, this project introduces a hands-on educational approach by intertwining the construction of meteorological instruments with artistic exploration. Focused on a group of twenty elementary students from a public school in Lorena, SP, Brazil, the initiative diverged from traditional methods by embedding practical meteorology within an artistic and interactive framework. The students embarked on a journey of discovery, designing and building their own weather instruments as a gateway to understanding climatic phenomena. This process not only f
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Cosciug, Svetlana, and Victoria Melnic. "Excentric dances by Vitaly Verhola: a young composer in search of his own style." In International scientific conference "Valorization and preservation by digitization of the collections of academic and traditional music from the Republic of Moldova". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/ca.06.

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The Eccentric Dances No.1 and No.2 by Vitaly Verhola present a piano cycle for four hands. Original in their own way, contrasting in tempo, character, and artistic content, both miniatures show the influence of Igor Stravinsky's music (the ballets The Rite of Spring and Petrushka, intonations of the Concerto for piano and wind instruments). At the same time, thanks to the use of techniques such as ostinato, dissonant multiphonic chords, rhythm overlays, timbre harmonies, combination of heterogeneous stylistic elements, etc., the music of the two dances is infused with a personal spirit and elo
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Iblova, Radmila. "LANDSCAPE OF HUMANISM." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. http://dx.doi.org/10.35603/sws.iscah.2024/fs06.16.

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The place to live and the living space fundamentally shape each person and the possibilities of their own existence. The landscape of humanism defines an environment where the unique local landscape and architecture inspire people to free their minds from the principles and rules that protect the supremacy of the powerful in a way that invites new exploration. The landscape of humanism, as conceived in my work, begins to be born during the early 13th century in central Italy. The progenitor who initiated this transformation by his life example is Saint Francis of Assisi. The life of this man s
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Jankoska, Maja, and Ruzica Stevkovska-Stojanovska. "Connection of women's fashion designs and architectural constructions." In 7th International Scientific Conference Contemporary Trends and Innovations in Textile Industry – CT&ITI 2024. Union of Engineers and Technicians of Serbia, Belgrade, 2024. http://dx.doi.org/10.5937/ct_iti24032j.

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Ideas of societal, cultural, and personal identity have long been expressed through the fields of architecture and fashion design. But in the last year, practitioners in both fields have expressed more nuanced and thought-provoking challenges related to ideas of identity, going beyond the idea of just denoting value, status, and belonging. The aim of this paper is to present the relation between architecture creations and fashion design, creating women's dresses inspired by Gothic architecture. Initially, technical sketches of the model are performed. The basic constructions of women's dress a
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Chooi, Don. "Bear Bodies in Motion: A creative approach in telling a story of bigger, gay male bodies of colour through artistic means as practice-led research." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.80.

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In 2020, I created a body of work that paid attention to the concerns of body image representation of the gay male. The work was shown in a local exhibition in Auckland, called ‘Bear Bodies in Motion’, and it aimed as a critique on the anxieties of body image, especially in the gay bear subculture where there are considerable levels of stigma and shaming of bigger male bodies – made more profound towards bodies of colour. In an attempt at subversion, the creative work, portrayed the bigger body as energetic and aesthetically potent. It combined photography with digital painting and the result
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Saniga, Andrew, and Andrew Wilson. "Barbara van den Broek. Contributions to the Disciplines of Landscape Architecture, Town Planning and Architecture." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. SAHANZ, 2022. http://dx.doi.org/10.55939/a4024pu9ad.

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Barbara van den Broek (1932-2001) trained as an architect in Auckland, New Zealand before moving to Brisbane with her husband and fellow architect Joop, where they established an architectural practice. van den Broek went on to run an office as a sole practitioner and took on architecture and landscape architecture projects. Over the course of her career she completed post-graduate diplomas in Town and Country Planning, Landscape Architecture and Education, and a Master of Science – Environmental Studies, and collaborated on a number of key projects in Queensland and Papua New Guinea (PNG). Ou
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