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Books on the topic 'Perspective baroque'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Sinisgalli, Rocco. A history of the perspective scene from Renaissance to the Baroque: Borromini in four dimensions. Cadmo, 2000.

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2

Sinisgalli, Rocco. Una storia della scena prospettica dal Rinascimento al Barocco: Borromini a quattro dimensioni. Cadmo, 1998.

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3

S, Kleiner Fred, and Mamiya Christin J, eds. Gardner's art through the ages: The western perspective. Thomson Wadsworth, 2006.

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4

Gardner, Helen. Gardner's art through the ages: The western perspective. Wadsworth/Cengage Learning, 2010.

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Helen, Gardner. Gardner's art through the ages: The western perspective. Thomson Wadsworth, 2006.

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Helen, Gardner. Gardner's art through the ages: The western perspective. Wadsworth/Cengage Learning, 2010.

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Helen, Gardner. Gardner's art through the ages: The western perspective. Wadsworth/Cengage Learning, 2010.

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Helen, Gardner. Gardner's art through the ages: The western perspective. Wadsworth/Cengage Learning, 2010.

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9

Helen, Gardner. Gardner's art through the ages: The western perspective. Wadsworth/Cengage Learning, 2010.

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10

Korsten, Frans-Willem. A Dutch Republican Baroque. Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789462982123.

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In the Dutch Republic, in its Baroque forms of art, two aesthetic formal modes, theatre and drama, were dynamically related to two political concepts, event and moment. The Dutch version of the Baroque is characterised by a fascination with this world regarded as one possibility out of a plurality of potential worlds. It is this fascination that explains the coincidence in the Dutch Republic, strange at first sight, of Baroque exuberance, irregularity, paradox, and vertigo with scientific rigor, regularity, mathematical logic, and rational distance. In giving a new historical perspective on th

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11

Helen, Gardner. Gardner's art through the ages: The Western perspective : Antiquity. Wadsworth Cengage Learning, 2010.

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12

Alla moderna: Antiche chiese e rinnovamenti barocchi : una prospettiva europea = old churches and baroque renovations : a European perspective. Artemide, 2015.

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13

L'arte della quadratura: Grandi decorazioni barocche in Puglia. Schena, 2010.

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14

Müller, Werner. Barocke Raumphantasien: Gebaute Wirklichkeit und konstruierter Schein. M. Imhof, 2004.

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15

Vignau-Wilberg, Peter. Perspektive und Projektion: Andrea Pozzos Architekturtheorie und ihre Praxis. Scaneg, 2005.

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16

The play in the mirror: Lacanian perspectives on Spanish baroque theater. Bucknell University Press, 1996.

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17

La fenice degl'ingegni: Een alternatief perspectief op Gianlorenzo Bernini en zijn werk in de geschriften van Sforza Pallavicino. Ghent University Architectural and Engineering Press, 2002.

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18

Borromini en perspective. Musée du Louvre, 2003.

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19

Kleiner, Fred S., Richard G. Tansey, and Christin J. Mamiya. Gardner's Art Through the Ages: The Western Perspective. Wadsworth Publishing Company, 2002.

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20

Gardners Art Through The Ages The Western Perspective. Cengage Learning, 2009.

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21

Kleiner, Fred S. Gardner's Art Through the Ages: The Western Perspective. Wadsworth Publishing Company, 2002.

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22

Gardner's Art Through the Ages: The Western Perspective. Wadsworth Publishing Company, 2003.

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23

Kleiner, Fred S., Helen Gardner, Richard G. Tansey, and Christin J. Mamiya. Gardner's Art Through the Ages With Infotrac: The Western Perspective. Wadsworth Publishing Company, 2002.

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24

Gardner's Art Through the Ages: The Western Perspective - Text Only. Thomson Wadsworth, 2006.

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25

Kleiner, Fred S. Gardner's Art Through the Ages: The Western Perspective. Wadsworth, 2013.

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26

Gardner's Art Through the Ages: The Western Perspective. Wadsworth, 2012.

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27

Kleiner, Fred S. Gardner's Art Through the Ages: The Western Perspective (Custom Edition, 12th Edition). Thomson/Wadsworth, 2006.

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28

Gardner's Art Through the Ages: The Western Perspective, Volume I. Wadsworth, 2020.

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29

Gardner's Art Through the Ages: The Western Perspective, Volume II. Wadsworth, 2020.

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30

Gardner's Art Through the Ages: The Western Perspective, Volume II. Wadsworth, 2012.

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31

Gardner's Art through the Ages: The Western Perspective, Volume II. Cengage Learning, 2009.

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32

Kleiner, Fred S., and Christin J. Mamiya. Gardner's Art Through the Ages: The Western Perspective (with ArtStudy CD-ROM 2.1, Western). Wadsworth Publishing, 2005.

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33

Critical Perspectives on Roman Baroque Sculpture. Pennsylvania State University Press, 2014.

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34

Critical Perspectives on Roman Baroque Sculpture. Penn State University Press, 2018.

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35

The World of Baroque Music: New Perspectives. Indiana University Press, 2006.

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36

Cron, Matthew. Music from Heaven. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040191.003.0006.

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This chapter provides an eighteenth-century context for Johann Sebastian Bach’s cantatas with obbligato organ by showing how their various components engage in a larger discourse about the German Baroque organ: namely, its intimation of Heaven. There are almost 200 surviving church cantatas by Bach, eighteen of which contain movements where the organist transitions from a continuo player to a concertist. Modern scholarship has considered such compositions primarily from two perspectives: a historiographical perspective, which places them in the larger context of the history of the keyboard con

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37

Kleiner and Mamiya. Art Through the Ages: Western Perspectives. Wadsworth Pub Co, 2005.

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38

Gardner's Art through the Ages: Non-Western Perspectives. Cengage Learning, 2009.

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39

Decker, Gregory J., and Matthew R. Shaftel, eds. Singing in Signs. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190620622.001.0001.

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Singing in Signs is a collection of essays from prominent opera scholars that explores the rich interplay of symbols in the operatic genre, while simultaneously providing perspective on the state of opera study. Each author, whether explicitly or implicitly, uses the powerful tools of semiotics (the study of signs) to construct interpretations and discover relationships among music, lyrics, and drama. Authors in this collection use a combination of traditional and emerging methodologies to engage composer-constructed and work-specific music-semiotic systems, broader sociocultural music codes,

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40

Krajewski, Markus. The Server. Translated by Ilinca Iurascu. Yale University Press, 2018. http://dx.doi.org/10.12987/yale/9780300180817.001.0001.

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Though classic servants like the butler or the governess have largely vanished, the Internet is filled with servers: web, ftp, mail, and others perform their daily drudgery, going about their business noiselessly and unnoticed. Why then are current-day digital drudges called servers? This book explores this question by going from the present back to the Baroque to study historical aspects of service through various perspectives, be it the servants' relationship to architecture or their function in literary or scientific contexts. At the intersection of media studies, cultural history, and lite

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41

Stefan, Emeis, Lüdecke Cornelia, and International Commission on History of Meteorology., eds. From Beaufort to Bjerknes and beyond: Critical perspectives on observing, analyzing, and predicting weather and climate : a collection of nineteen essays evolving from a conference of the International Commission on History of Meteorology (ICHM) held in the Baroque Library of Kloster Polling, Germany, July 5-10, 2004. E. Rauner, 2005.

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