Relevant bibliographies by topics / Perspective by incongruity

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Perspective by incongruity'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 February 2022

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Journal articles on the topic "Perspective by incongruity"

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Duerringer, Christopher. "Using Perspective by Incongruity to Crack Invisible Whiteness." Communication Teacher 28, no. 2 (December 10, 2013): 75–79. http://dx.doi.org/10.1080/17404622.2013.865767.

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Sumney, Jerry L. "“We Are Obliged to Give Thanks”: Aspects of Grace in 2 Thessalonians." Horizons in Biblical Theology 41, no. 2 (September 13, 2019): 191–208. http://dx.doi.org/10.1163/18712207-12341397.

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Abstract Drawing on the aspects of grace that John M. G. Barclay identifies, this essay examines the understandings of grace found in 2 Thessalonians. We find that 2 Thessalonians “perfects” (pushes to the extreme) the superabundance and emphasizes the priority of God’s gift of grace. Unlike what Barclay finds in Romans and Galatians, 2 Thessalonians does not perfect the incongruity of grace. It allows that there is a sense in which God has chosen the appropriate people to give grace. Because it does not perfect the incongruity between the worthiness of the recipient and the offer of grace, its view of grace is similar to that of the Wisdom of Solomon. Seeing that 2 Thessalonians does not perfect incongruity as Paul does in Romans and Galatians may offer a new perspective from which to think about its authorship.
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Whedbee, Karen. "Perspective by incongruity in Norman Thomas's “some wrong roads to peace”." Western Journal of Communication 65, no. 1 (March 2001): 45–64. http://dx.doi.org/10.1080/10570310109374691.

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Rockler, Naomi R. "“It's Just Entertainment” Perspective by Incongruity as Strategy for Media Literacy." Journal of Popular Film and Television 30, no. 1 (January 2002): 16–22. http://dx.doi.org/10.1080/01956050209605555.

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Nikonova, Vira, Yana Boiko, and Yuliia Savina. "Incongruity-specific British and American Humour from the Perspective of Translation Studies." Studies About Languages, no. 35 (December 5, 2019): 89–103. http://dx.doi.org/10.5755/j01.sal.0.35.22962.

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The aim of this study is to reveal the interrelation between the national character of the comic, its cognitive mechanisms and the choice of the strategy while representing the comic in Ukrainian translations of J. K. Jerome’s and O. Henry’s flash fiction. First, using the methodological principles of Linguoculturology, we determine how sociocultural context influenced the British and American authors’ consciousness which determined the cultural aspect of their individual worldview and the specifics of their sense of humour. Then we identified the comically marked contexts in J. K. Jerome’s and O. Henry’s flash fiction using the methodology of linguopoetic research, and revealed the features of incongruity as the cognitive mechanisms of the comic in their works applying the methods of cognitive linguistics. At the final stage, we performed the translation analysis of the distinguished comically marked contexts evaluating the strategies used for representing the comic in Ukrainian translation. The analysis of the research material elucidates the following conclusions. The cultural background of the British or American writer determines the specifics of incongruity (logical, notional, valorative and ontological) as the cognitive mechanisms of the comic embodied in their flash fiction which, in its turn, strongly influences the choice of the translation strategy. The comic in J. K. Jerome’s fiction is represented in Ukrainian translations mostly by using the strategies of preservation and localization, while O. Henry’s humour is rendered by using localization and addition. Hence, the strategies of representing the comic in Ukrainian translation highly depend on the comic pictures of the world of the author and the target reader.
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McAlear, Rob. "Orientation and Perspective by Incongruity: Seeing and Not seeing in Native Son." Journal of American Culture 43, no. 2 (May 18, 2020): 111–22. http://dx.doi.org/10.1111/jacc.13131.

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Levasseur, David G. "Edifying Arguments and Perspective by Incongruity: The Perplexing Argumentation Method of Kenneth Burke." Argumentation and Advocacy 29, no. 4 (March 1993): 195–203. http://dx.doi.org/10.1080/00028533.1993.11951570.

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Dow, Bonnie J. "AIDS, Perspective by incongruity, and gay identity in Larry Kramer's “1,112 and counting”." Communication Studies 45, no. 3-4 (September 1994): 225–40. http://dx.doi.org/10.1080/10510979409368426.

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Watson, Cate. "Perspective by incongruity in the performance of dialectical ironic analysis: a disciplined approach." Qualitative Research 20, no. 1 (February 19, 2019): 91–107. http://dx.doi.org/10.1177/1468794119830073.

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The importance of dialectic to sociological thought has been recognised by many of the discipline’s most eminent thinkers. Adopting a dialectical world view infused with irony provokes insights revealing logical contradictions, so opening up possibilities for the development of alternative interpretations of the social world. There is, however, very little in the way of method to support the development of dialectical irony as a key analytical tool for the social sciences. This article seeks to remedy this deficit. Drawing on three key examples (trained incapacity, functional stupidity and interpassivity) the article examines Kenneth Burke’s ‘perspective by incongruity’ as a means for interrogating the dialectical moment, so contributing towards the development of dialectical ironic analysis within a methodology of humour.
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Saroglou, Vassilis. "Humor Appreciation as Function of Religious Dimensions." Archive for the Psychology of Religion 24, no. 1 (January 2002): 144–53. http://dx.doi.org/10.1163/157361203x00282.

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Religion and specific religious dimensions have been hypothesized to reflect and have an effect on sense of humor, especially from a personality psychology perspective. Some empirical evidence tends to confirm this hypothesis, at least when behavioral (spontaneous humor creation) measure but not questionnaires are used. However, sense of humor is not restricted to humor creation, but includes other components such as humor appreciation. In the present study (based on pencil evaluation of humorous stimuli by 118 participants), as hypothesized, religious fundamentalism and orthodoxy were found to be negatively related to humor appreciation in general and to appreciation of incongruity-resolution and nonsense humor in particular, whereas religious historical relativism was positively related to appreciation of nonsense (= unresolved incongruity) humor. However, religiosity was unrelated to humor appreciation and no religious dimension predicted low appreciation of sexual humor.
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Dissertations / Theses on the topic "Perspective by incongruity"

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Cordaro, Daniel Dauber Cori Elizabeth. "The rhetoric of oppositional gender Beyong [sic] Good and Evil as perspective by incongruity /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2007. http://dc.lib.unc.edu/u?/etd,925.

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Thesis (M.A.)--University of North Carolina at Chapel Hill, 2007.
Title from electronic title page (viewed Dec. 18, 2007). "... in partial fulfillment of the requirements for the degree of [sic] Communication Studies in the Department of Communication Studies." Discipline: Communication Studies; Department/School: Communication Studies.
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Morrison, Sheila. "The relationship between the development of representational perspective-taking and children's understanding of incongruity-resolution humour." Thesis, University of Strathclyde, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.424342.

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King, Lindsey N. "“A Show about Language”: A Linguistic Investigation of the Creation of Humor in Seinfeld." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/honors/385.

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This study investigates the creation of humor in the dialog of the television sit-com Seinfeld to gain a deeper understanding of humor techniques in a long format. By analyzing six episodes of the series, it is seen that the Incongruity Theory of Humor, violations of Grice’s maxims of the Cooperative Principle, and perspective clashes (such as miscommunications) are essential to the humor throughout each episode.
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Sproat, Ethan McKay. "Dialectic, Perspective, and Drama." Diss., CLICK HERE for online access, 2008. http://contentdm.lib.byu.edu/ETD/image/etd2441.pdf.

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Zakos, Katharine P. "Racial satire and Chappelle's Show." unrestricted, 2009. http://etd.gsu.edu/theses/available/etd-04212009-163930/.

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Thesis (M.A.)--Georgia State University, 2009.
Title from file title page. Mary Stuckey, committee chair; Kathryn Fuller-Seeley, Alisa Perren, Alessandra Raengo, committee members. Description based on contents viewed June 11, 2009. Includes bibliographical references (p. 86-89).
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Holcomb, Justine Schuchard. "In the Culture of Truthiness: Comic Criticism and the Performative Politics of Stephen Colbert." Atlanta, Ga. : Georgia State University, 2009. http://digitalarchive.gsu.edu/communication_theses/51/.

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Thesis (M.A.)--Georgia State University, 2009.
Title from title page (Digital Archive@GSU, viewed July 6, 2010) M. Lane Bruner, committee chair; Alessandra Raengo, Jeffrey Bennett, committee members. Includes bibliographical references (p. 161-180).
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Books on the topic "Perspective by incongruity"

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DeMott, Benj, ed. Perspectives by Incongruity. Routledge, 2017. http://dx.doi.org/10.4324/9781315126258.

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Perspectives by Incongruity: First of the Year. Taylor & Francis Group, 2017.

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Book chapters on the topic "Perspective by incongruity"

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van den Hoven, Paul, and Joost Schilperoord. "Chapter 5. Perspective by incongruity." In Multimodal Argumentation and Rhetoric in Media Genres, 138–64. Amsterdam: John Benjamins Publishing Company, 2017. http://dx.doi.org/10.1075/aic.14.06van.

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Kambe, Naoki. "Perspective by Incongruity in Internet Memes." In Recovering Argument, 252–57. Routledge, 2018. http://dx.doi.org/10.4324/9781315100869-43.

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Lamidi, M. T. "Humour in Visual-Verbal Code-Pairing in Selected Comments on the Facebook Forum." In Analyzing Language and Humor in Online Communication, 228–51. IGI Global, 2016. http://dx.doi.org/10.4018/978-1-5225-0338-5.ch013.

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Visual verbal texts can be interpreted from the perspective of multimodality and intertextuality. This chapter investigates the manner in which visual-verbal code-pairing in texts becomes humorous within specific contexts and the role of incongruity as a major ingredient of humour. Adopting a combination of visual semiotics theory, incongruity theory and superiority theory, the author analyzed 50 purposively sampled humorous texts on Facebook for the meaning and humour inherent in them. The author demonstrates that the two parts to the visual-verbal humour may constitute a composite whole, forming the unexpected portion, while the background to the joke serves as the expected.
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Tung, Charles M. "Temporal Scale, The Far Future and Inhuman Times: Foresight in Wells and Woolf, Time Travel in Olaf Stapledon and Terrence Malick." In Modernism and Time Machines, 166–211. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474431330.003.0004.

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This chapter links the period’s visions of the far future with modernism’s engagement with deep time in order to show how the big historicising that begins in the nineteenth century is not solely about the expansion of historicity but the multiplicity and alternative futurity that follows from it. While the heterochrony of modernist temporal zoom includes the dissolution characteristic of immense expansions of perspective, it is not centred solely on the absorption of a small frame into some more certain, fundamental backdrop. The incongruity between the aesthetic’s imperative to scale itself to what we care about and the immensity of things that can only be registered from far away – temporal hyperobjects, speculative outsides, far-futural risks – is valuable not only for the critique of modernity’s compressed timescapes that it enables, but also for the way it reveals the plurality of times that cannot be nested within one another. This chapter constructs a relationship between genre fiction’s scope and modernism’s long-range aesthetics – the connection between SF’s literal movement away from earthly temporal units (days,years, events, lives, the career of the human as such) and modernist attempts to picture human life from an estranging distance.
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Carroll, Noël. "Amy Schumer or the Incongruities." In Philosophy and the Moving Image, 256–64. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190683306.003.0016.

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The chapter examines the comedy of Amy Schumer on video and film from the perspectives of Freudian psychoanalysis and the incongruity theory of comic amusement and concludes that one feature of the latter theory that is superior to the former theory is that it accommodates what is feminist in Schumer’s oeuvre to a greater extent than does psychoanalysis.
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You might also be interested in the extended bibliographies on the topic 'Perspective by incongruity' for particular source types:
Journal articles
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