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Journal articles on the topic 'Pesugihan'

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1

Afdholy, Nadya, and Ghanesya Hari Murti. "Menimbang Spiritualitas dan Seksualitas: Simbolik Efisiensi dalam Praktik Pesugihan Kembang Sore di Tulungagung." Satwika : Kajian Ilmu Budaya dan Perubahan Sosial 4, no. 1 (2020): 34–42. http://dx.doi.org/10.22219/satwika.v4i1.11623.

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Penelitian ini mengkaji fenomena yang terdapat dalam teks cerita rakyat berjudul Pesugihan Kembang Sore di Tulungagung. Cerita rakyat tersebut hidup sebagai model kepercayaan yang menjadi kode sosial atau parameter moralitas masyarakat Tulungagung. Masyarakat bereaksi pada wacana simbolik tentang kekayaan dan status sosial tertentu melalui apa yang ditawarkan dari wacana lisan yang berkembang di kawasan tersebut. Penelitian ini bertujuan untuk mengungkapkan simbolik efisiensi yang terjadi pada mitos pesugihan Kembang Sore. Metode dalam penelitian ini adalah deskriptif kualitatif. Sumber data d
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Afdholy, Nadya, and Ghanesya Hari Murti. "Menimbang Spiritualitas dan Seksualitas: Simbolik Efisiensi dalam Praktik Pesugihan Kembang Sore di Tulungagung." JURNAL SATWIKA 4, no. 1 (2020): 34. http://dx.doi.org/10.22219/satwika.vol4.no1.34-42.

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Penelitian ini mengkaji fenomena yang terdapat dalam teks cerita rakyat berjudul Pesugihan Kembang Sore di Tulungagung. Cerita rakyat tersebut hidup sebagai model kepercayaan yang menjadi kode sosial atau parameter moralitas masyarakat Tulungagung. Masyarakat bereaksi pada wacana simbolik tentang kekayaan dan status sosial tertentu melalui apa yang ditawarkan dari wacana lisan yang berkembang di kawasan tersebut. Penelitian ini bertujuan untuk mengungkapkan simbolik efisiensi yang terjadi pada mitos pesugihan Kembang Sore. Metode dalam penelitian ini adalah deskriptif kualitatif. Sumber data d
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Misky, Fatma. "Penggunaan Mitos Minyak Kuyang pada Ritual Pesugihan dalam Game Horor “Pulang: Insanity”." Urban: Jurnal Seni Urban 3, no. 2 (2020): 141–54. http://dx.doi.org/10.52969/jsu.v3i2.37.

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Indonesia has various myths and beliefs. This is in line with the diversity of cultures in Indonesia. The belief in myths in Indonesia is still very strong, which also shows the strong belief in religious rituals and ancestors. One of them is a famous myth in Kalimantan about the ritual of pesugihan using kuyang oil to get wealth instantly. The ritual of the pesugihan, which until now is still not believed by the people of Kalimantan, was adapted and combined with two other myths from Java and Bali in the narrative of the horror game “Pulang: Insanity” by adding a horror aspect. The addition o
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Taufiqurrohim, Taufiqurrohim. "Finding Appropriated Practice of the Pilgrimage Space: Ideological Contestation on the Sacred Site in Surowiti Gresik, East Java." Ulumuna 23, no. 2 (2020): 316–31. http://dx.doi.org/10.20414/ujis.v23i2.352.

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 This paper examines how pesugihan (seeking wealth through spirit assistance) contests with pilgrimage discourse ideologically. In specific, to trace more about the grounds of the rise of contrary assumption of the pesugihan, this study focusses on how the ideological view, as the essential thinking of people, develops identity, practice, and its spirituality matter. The identity is constructed from the single view in responding to the phenomena and creating a sameness of collective joy created into the group, as Edith Turner examines about communitas and false communitas to see how the
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Alwi Mahardika Sodiq and Mochamad Widjanarko. "Psychological Well-Being in Persons of Success Ritual." Proceedings of International Conference on Communication Science 3, no. 1 (2024): 98–103. http://dx.doi.org/10.29303/iccsproceeding.v3i1.809.

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Pesugihan is a mystical ritual carried out by individuals in secret and unreasonable to obtain wealth involving mystical rituals of shamanic practices. The purpose of this research is to find out the psychological dynamics and how to interpret an individual who performs the pesugihan ritual. Data exploration was carried out by analyzing the basic motivations, both intrinsic and extrinsic, from the practice of pesugihan rituals including the informants' feelings when carrying out various rituals, praying, meditating, and fasting. The methodology in this study uses descriptive qualitative with a
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Sodiq, Alwi Mahardhika, Mochamad Widjanarko, and Suharsono Suharsono. "Exploring Psychological Well-Being in Practitioners of Success Rituals." Haluan Sastra Budaya 9, no. 1 (2025): 16. https://doi.org/10.20961/hsb.v9i1.80271.

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<p><em>Pesugihan is a mystical ritual carried out by individuals in secret and unreasonable to obtain wealth involving mystical rituals of shamanic practices. The purpose of this research is to find out the psychological dynamics and how to interpret an individual who performs the pesugihan ritual. Data exploration was carried out by analyzing the basic motivations, both intrinsic and extrinsic, from the practice of pesugihan rituals including the informants' feelings when carrying out various rituals, praying, meditating, and fasting. The methodology in this study uses descriptive
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Ayuni, Qurrota. "Eksistensi dan Motif Mistisisme dalam Cerita Rakyat Mitos Gunung Kawi: Kajian Mistisisme Niels Mulder." Wacana : Jurnal Bahasa, Seni, dan Pengajaran 8, no. 1 (2024): 27–37. http://dx.doi.org/10.29407/jbsp.v8i1.21215.

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Penelitian ini memiliki latar belakang mengenai sastra lisan dari Malang yang masih kental dan dipercayai terutama pada pesugihan. Objek dari penelitian ini adalah salah satu sastra lisan dari Jawa Timur yang berjudul Mitos Gunung Kawi. Pendekatan yang digunakan dalam penelitian ini antropologi sastra yang berfokus pada mistisisme Niels Mulder yang meliputi eksistensi dan motif mistisisme. Rumusan masalah dalam penelitian ini adalah bagaimana eksistensi dan motif mistisisme dalam Mitos Gunung Kawi? Adapun tujuan penelitian ini adalah untuk mengetahui dan mendeskripsikan eksistensi dan motif mi
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Windayanto, Riqko Nur Ardi. "MISTISISME JAWA DALAM CERPEN ANJING-ANJING MENYERBU KUBURAN KARYA KUNTOWIJOYO: TINJAUAN REALISME MAGIS WENDY B. FARIZ." Neologia: Jurnal Bahasa dan Sastra Indonesia 1, no. 3 (2020): 160. https://doi.org/10.59562/neologia.v1i3.18902.

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This study aims to describe aspects of Javanese mysticism in the “Anjing-Anjing Menyerbu Kuburan” short story by Kuntowijoyo. This research uses qualitative method and descriptive approach. These aspects of mysticism are described with the five characteristics of the magical realism of Wendy B. Fariz's perspective, such as irreducible element, the phenomenal world, unsettling doubt, merging realms, and the disruptions of time, space and identity. The results showed that Javanese mysticism’s manifested in the form of pesugihan as a shortcut to achieve the wealth; and various magical objects, ch
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Widayat, Rahmanu, Mohammad Khizal Mohamed Saat, Sigit Purnomo Adi, and Sayid Mataram. "The Aesthetics and Meaning of Traditional Paintings: Forbidden Wealth (Pesugihan) by Tjitro Waloejo in Surakarta." Wacana Seni Journal of Arts Discourse 19 (December 31, 2020): 29–45. http://dx.doi.org/10.21315/ws2020.19.3.

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At present, Javanese culture is increasingly less powerful in facing the changing times, where art that was once familiar in people’s daily lives has slowly begun to disappear. But Surakarta was fortunate to have Tjitro Waloejo, a traditional painter who died in 1990. He perpetuated the event of collecting illicit wealth (pesugihan) in the form of paintings as a life lesson portraying how some Javanese gathered their wealth under an agreement with Satan. The problem is what the paintings of Tjitro Waloejo are like, and what they really mean. The approach in this study is the concept of wangun
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Laras Kirana Ismihati and Bakti Setiawan. "The Prospek Pengembangan Wisata Religi New Kemukus dalam Perspektif Pelaku Pariwisata." Jurnal Sinar Manajemen 10, no. 2 (2023): 116–28. http://dx.doi.org/10.56338/jsm.v11i2.3185.

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Wisata ziarah di Gunung Kemukus Kabupaten Sragen, dikenal dengan ritual Ngalap Berkah yang tujuannya untuk mendapatkan pesugihan. Ritual ini yang akhirnya menimbulkan stigma negatif karena mengarah pada praktek prostitusi. Pemerintah Kabupaten Sragen berupaya menghapus stigma negatif ini dengan merencanakan pengembangan wisata Gunung Kemukus menjadi New Kemukus yang berkonsep wisata religi dan wisata keluarga. Penelitian ini bertujuan untuk menggambarkan prospek keberhasilan pengembangan wisata religi dan wisata keluarga New Kemukus dalam perspektif pelaku pariwisata. Metode yang digunakan dal
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Ekasiswanto, Rudi. "Ritual, Motif Ekonomi dan Politik dalam Cerpen “Anjing-Anjing Menyerbu Kuburan” Karya Kuntowijoyo." Arif: Jurnal Sastra dan Kearifan Lokal 2, no. 1 (2022): 120–42. http://dx.doi.org/10.21009/arif.021.08.

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Penelitian ini bertujuan mengungkap penggambaran manusia, ritual pesugihan, serta motif ekonomi dan politik dalam cerpen “Anjing-Anjing Menyerbu Kuburan” karya Kuntowijoyo. Penelitian stilistika ini bersifat deskriptif kualitatif interpretatif. Data penelitian ini diperoleh dengan teknik simak-catat dan studi pustaka terhadap teks-teks sosial dan kultural. Analisis data dilakukan dengan pembacaan hermeneutik. Hasil penelitian menemukan adanya beragam gaya bahasa, yaitu personifikasi, metonimia, epitet, simile, tautotes, epizeuksis, pleonasme, perifrasis, hipalase, paradoks, apostrof, hiperbola
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Taufiqurrohim, Taufiqurrohim. "FROM THE WORLD RELIGION VIEW TO THE GEERTZIAN APPROACH IN INTERPRETING A CULTURE: An Excursion to Traditional Economic Ritual of Javanese in Langsih Cave." Al-Tahrir: Jurnal Pemikiran Islam 19, no. 1 (2019): 101–24. http://dx.doi.org/10.21154/altahrir.v19i1.1575.

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Abstract: Langsih cave offers the space for the ritual which fulfills the requirement of Javanese tradition called Pesugihan defining as a supernatural practice and belief in getting rich quick through mysticism and the people should do such a ritual in a sacred place with the particular rule. Through the symbol and ritual experiences, there would find how the people chronologically believe in the sacred ritual that would conducive to the wealth of the ritual. Thus, this paper firstly tries to point out the role of Langsih cave as the site of traditional economic ritual for Javanese culture. T
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Baihaqi, Juwita Wardah Maulidah. "Aktualitas Nilai Magis Mitos Celeng dalam Novel Menyusu Celeng Karya Sindhunata sebagai Representasi Poskolonialisme." Nusa: Jurnal Ilmu Bahasa dan Sastra 17, no. 2 (2022): 137–51. http://dx.doi.org/10.14710/nusa.17.2.12-26.

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Animisme dan dinamisme di masyarakat Indonesia di masa lalu merupakan salah satu pembuka pada kemungkinan akan kepercayaan dan aktivitas yang bersifat transendental. Kepercayaan dan aktivitas akan hal magis di masa kini, tentu senantiasa berubah, baik dari jumlah praktiknya atau motif saat melakukannya. Artikel ini bertujuan untuk membahas tentang aktualitas mitos celeng sebagai suatu praktik ilmu hitam di lingkungan masyarakat. Selain itu, penelitian ini membahas tentang representasi celeng pada praktik kolonialisme yang pernah terjadi di Indonesia. Data yang digunakan berbentuk kata dan kali
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14

Hidayatullah, Dede. "MANTRA DALAM NASKAH “DOA WIRID TOLAK BALA”: DESKRIPSI, ISI, DAN SUNTINGAN TEKS (Mantra in “Doa Wirid Tolak Bala Manuscript”: Codicology, Content, and Editing)." Kandai 13, no. 1 (2017): 121. http://dx.doi.org/10.26499/jk.v13i1.156.

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Studies on mantra on manuscript in South Borneo are still rare. Until now, mantra studies generally focus on oral tradition. To date manuscript studies generally only emphasizes on religious texts and syair. The aim of this study is to explain codicology and content in manuscript of Doa Wirid Tolak Bala (a recitation for salvation from calamity) or DWTB. This is a philological research. The research uses a descriptive method. Based on codicology it is found out that the manuscript is written in the form of prose using Banjar language with Malay Arabic writing. Based on the content, DWTB manusc
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15

Dewi, Agustina Kusuma, Adi Surahman, Ganis Resmisari, et al. "MULTILITERATION POTENTIAL OF CINEMATIC-ORCHESTRA ART FILM “SETAN JAWA” IN COMMUNICATING CULTURE IN THE ERA OF DIGITAL TRANSFORMATION." AMARASI: JURNAL DESAIN KOMUNIKASI VISUAL 6, no. 1 (2025): 39–50. https://doi.org/10.59997/amarasi.v6i1.4595.

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Menghadirkan gambaran kehidupan nyata, film berdampak mempengaruhi relasi sosial dan gaya hidup masyarakat Indonesia; termasuk di dalamnya, juga memberikan pengetahuan dan pemahaman budaya selaras zamannya. Berlatar belakang narasi kultural Jawa pada awal abad ke-20 yang mengangkat tentang Pesugihan Kandang Bubrah, Garin Nugroho membuat film “Setan Jawa” sebagai sebuah film bisu hitam putih berpendekatan sinematik-orkestra. Dengan metode studi kasus dan analisis dokumen, tujuan penelitian kualitatif ini adalah mengidentifikasi potensi keberpaduan teknologi film, seni, musik tradisi, dan orkest
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Suryantoro, Suryantoro, and Soedjijono Soedjijono. "Kompleks Mitos Kanjeng Ratu Kidul (Kajian dengan Pendekatan Kearifan Lokal)." Jurnal Inspirasi Pendidikan 8, no. 1 (2018): 84–93. http://dx.doi.org/10.21067/jip.v8i1.2258.

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Mitos Kanjeng Ratu Kidul (KRK) telah menjadi kompleks mitos, dalam arti bukan hanya hadir sebagai cerita suci, tetapi sudah diresepsi dan menginspirasi masyarakat pemiliknya serta komunitas lainnya berkreasi melahirkan: sistem kepercayaan, tempat sakral, upacara religius-magis, lukisan, tarian, silsilah dinasti raja, pesugihan, film, video, yang semuanya berbasis mitos KRK. Cerita mitos ini tersebar luas di wilayah pantai selatan dan pedalaman Jawa Timur, Jawa Tengah, dan Jawa Barat. Makalah ini mengkaji kompleks mitos KRK dengan perspektif kearifan lokal, dengan menggunakan 4 (empat) elemen k
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Faridz, Ahmad. "Tinjauan Hukum Islam terhadap Peningkatan Perekonomian Masyarakat dalam Pengembangan Wisata Religi Balong Keramat Darmaloka, Darma, Kab. Kuningan." Al Barakat - Jurnal Kajian Hukum Ekonomi syariah 3, no. 1 (2023): 16–29. http://dx.doi.org/10.59270/jab.v3i1.150.

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Wisata Religi Balong Keramat Darmaloka ini sangat potensial untuk dikembangkan sehingga dapat mendatangkan banyak wisatawan baik wisatawan dalam negeri maupun luar negeri. Maka dari itu terdapat beberapa rumusan maslah, Pertama. Bagaimana pengembangan Wisata Religi Balong Keramat Darmaloka Terhadap Peningkatan Perekonomian Masyarakat Di Desa Darma Kabupaten Kuningan? Kedua, Bagaimana pengembangan Wisata Religi Balong Keramat Darmaloka Dalam Perspektif Hukum Islam Di Desa Darma Kabupaten Kuningan? Pendekatan penelitian menggunakan metode penelitian kualitatif deskriptif.Hasil dari penelitian in
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Aminah, Khotimatul, and Khoirul Afidah. "FUNGSI SINTAKSIS FRASA NOMINA DALAM CERKAK “PESUGIHAN KANDHANG BUBRAH” KARYA JMV SUNARDJO PADA RUBRIK ALAMING LELEMBUT MAJALAH PANJEBAR SEMANGAT." Haluan Sastra Budaya 6, no. 1 (2022): 97. https://doi.org/10.20961/hsb.v6i1.47294.

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<p><em>Phrases in Javanese are usually composed of two or more words as members. Nominal phrase is a type of phrase that contains the essence of a noun in its constituent elements and can act as a substitute for a noun. Syntax functions related to words or phrases in a sentence consist of subject, predicate, object, complement, description. This study aims to describe the forms and characteristics of the nominal phrase functions contained in the magazine Panjebar Semangat number 52, 26 December 2020 edition. The research method used is descriptive qualitative. The data presented is
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Kurnialoh, Nasri, and Muhammad Miftah. "Reasoning changes of commercial sex workers in Mount Kemukus area from hedonistic to religious reasoning through moral education." ATTARBIYAH: Journal of Islamic Culture and Education 4, no. 2 (2019): 167–83. http://dx.doi.org/10.18326/attarbiyah.v4i2.167-183.

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The main problem of this research is the sociological aspects of commercial sex workers (CSW) in Mount Kemukus. This study will focus on sociological forms and patterns in Mount Kemukus community from the aspect of family, social, and work environment, as well as religious activities among CSW in Mount Kemukus. This study also examines the mindset of CSW who are more inclined towards hedonistic life. As a result of this mindset, they are willing to plunge themselves into the practice of prostitution wrapped in pesugihan rituals. The forms and patterns of social interaction of CSW carried out i
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Wirajaya, Asep Yudha. "Visual Culture Transformation in the Myths of Prince Samudra." International Journal of Science and Applied Science: Conference Series 6, no. 2 (2022): 233. https://doi.org/10.20961/ijsascs.v6i2.74092.

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<p class="Abstract">The Prince of Samudra Myths is a story about a noble preacher who experienced a "historical twist" so that now people are more familiar with the figure of the preacher as the figure behind the myth of <em>pesugihan</em> on Mount Kemukus. The Regional Government of Sragen Regency also has difficulty in restoring the image of the preacher. Therefore, various strategic steps were sought to normalize the deviated flow of historical stories. Among them is physical development which is expected to change the mindset of the community. In addition, a short film wa
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Anggraini, Amelia Dwi, and Resdianto Permata Raharjo. "MITISISME DALAM KUMPULAN CERITA KISAH TANAH JAWA." Basastra: Jurnal Bahasa, Sastra, dan Pengajarannya 10, no. 2 (2022): 537. http://dx.doi.org/10.20961/basastra.v10i2.60774.

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<p>Kumpulan cerita <em>Kisah Tanah Jawa </em>yang ditulis oleh Mada Zidan, Bonaventura D. Genta, dan Hari Hao merupakan sebuah karya sastra yang bernuansa mistis. Kejadian mistik dalam buku ini bermacam-macam dan hampir semua hal mistik yang ada berkaitan dengan makhluk gaib Tujuan penelitian ini adalah mendeskrpsikan unsur mistik yang terdapat dalam kumpulan cerita<em> Kisah Tanah Jawa</em>. Penelitian ini menggunakan metode deskriptif kualitatif dengan menggunakan pendekatan analisis isi. Teknik pengumpulan data yang digunakan adalah analisis dokumen. Untuk uji
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Mayasari, Diana, and Nur Laili Rahmawati. "Performansi Ideologi dalam Teks Asma’ Artho." Journal of Education Research 4, no. 2 (2023): 822–30. https://doi.org/10.37985/jer.v4i2.256.

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Asma Artho merupakan bagian dari tradisi lisan yang masih mengakar kuat di pondok pesantren Fathul Ulum Kwagen Kediri. Penyalahgunaan ideologi terhadap pemaknaan tradisi tersebut berlangsung hingga saat ini. Masyarakat memahami Asma Arta sebagai sesuatu yang negatif, pesugihan, perdukungan, dan hal-hal ghaib. Penelitian ini bertujuan menemukan performansi ideologi dalam teks yang digunakan dalam AA. Metode yang digunakan adalah kualitatif dengan pendekatan etnografi. Sumber data berupa fase-fase AA yang terwujud dalam fase AA tim Sembilan, fase tim dua belas, fase tim empat puluh dan fase Kyai
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Rohman, Yoseph Nur, and Yohan Susilo. "Mitos Situs Budaya Klampis Ireng Petilasan Eyang Ismaya Desa Gandukepuh Kecamatan Sukorejo Kabupaten Ponorogo (Kajian Folklor)." JOB (Jurnal Online Baradha) 18, no. 3 (2022): 993–1014. http://dx.doi.org/10.26740/job.v18n3.p993-1014.

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Mitos Situs Budaya Klampis Ireng Petilasan Eyang Ismaya merupakan cerita rakyat yang menceritakan adanya kelebihan dan kekuatan supranatural salah satu tempat yang biasa disebut dengan Klampis Ireng di Desa Gandukepuh Kecamatan Sukorejo Kabupaten Ponorogo. Klampis Ireng dipercaya sebagai tempat petilasan Eyang Ismaya atau Semar sehingga masyarakat mempercayai sebagai tempat yang dapat memberikan keberkahan dan manfaat. Penelitian ini membahas mengenai mitos Klampis Ireng termasuk asal mulanya, apa saja mitosnya, bagaimana fungsinya, dan bagaimana persepsi masyarakat terhadap mitos. Penelitian
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Suryanto, Hari. "Pergelaran Film Setan Jawa Representasi Film Yang Menggunakan Kearifan Lokal Sebagai Strategi Menuju Film Beridentitas Nusantara." IMAJI: Film, Fotografi, Televisi, & Media Baru 14, no. 1 (2023): 26–34. http://dx.doi.org/10.52290/i.v14i1.102.

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Pergelaran film Setan Jawa mengingatkankita pada era pertunjukan film bisu pada awal pertunukan film ditemukan. Istilah film bisu dipergunakan untuk menggambarkan film yang diproduksi tanpa dialog dan rekaman suaradari periode sebelum diperkenalkannya film y ang sudah memiliki suara. Pergelaran film pada era itu masih diiringi oleh musik sebagai ilustrasi untukmemperkuat suasana dan narasi pada film. Demikian juga pada pergelaran flm Setan Jawa karya Sutradara Garin Nugroho yang memadukan filmbisu dengan ensemble gamelan. Sebuah pergelaran film dengan gamelan yang saling melengkapi dan menduku
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Alfarisi, Tsalits Abdul Aziz. "BUDAYA DAN FUNGSI DALAM LEGENDA GUA TAN TIK SIU DI DESA SUMBERAGUNG KECAMATAN REJOTANGAN KABUPATEN TULUNGAGUNG." HUMANIS: Jurnal Ilmu-Ilmu Sosial dan Humaniora 11, no. 1 (2019): 45–52. http://dx.doi.org/10.52166/humanis.v11i1.1422.

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Literature is an expression of feeling and of thought written by contextual value of a language. It refers to the concept of oral or folk literature which includes the literature expression of society’s culture passed on upon descend and through spoken word. The legend of Tan Tik Siu cave is one of oral literature originated from Tulungagung which grew and expanded in Sumberagung village Rejotangan subdistrict. The originality and cultural value of the phenomenon are feasible to investigate due to its uniqueness. There is a cycle when the society should and should not do some rituals in the ca
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Siswayanti, Novita. "Tradisi Ziarah Kubur Pangeran Wong Agung Wilis Di Pura Langgar Bali." Dialog 42, no. 1 (2020): 11–20. http://dx.doi.org/10.47655/dialog.v42i1.317.

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Tradisi ziarah kubur di Pura Langgar yang dilakukan umat Islam Jawa di Kampung Hindu Desa pakraman Bunutin Bangli Bali sebagai perwujudan dari moderasi beragama dan akulturasi budaya Hindu Bali dan Islam Jawa. Umat Islam Jawa kawitan Pangeran Wong Agung Wilis yang makamnya di Pura Langgar berziarah kubur pada hari sembahyangan umat Hindu. Tujuan kajian ini untuk mengetahui latar belakang ziarah kubur yang dilakukan umat Islam Jawa di Kampung Hindu, mengungkapkan ziarah kubur yang berakulturasi dengan Hindu-Islam Jawa dan mengetahui pemaknaan dari ziarah kubur yang dilakukan oleh umat Islam Jaw
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Adi Yudono, Kristophorus Divinanto, and Agustinus Djokowidodo. "Pola Intrinsik dan Subgenre Horor dalam Utas Horror Twitter Indonesia Periode 2019—2022." Sintesis 17, no. 1 (2023): 39–45. http://dx.doi.org/10.24071/sin.v17i1.5414.

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Utas KKN di Desa Penari menjadi penanda popularitas utas horor Indonesia pada media sosial. Sejak utas tersebut muncul di tahun 2019, hingga saat ini produksi utas horor terus berlangsung di media sosial Twitter. Penelitian dilakukan dengan tujuan 1) mendeskripsikan pola nilai intrinsik dan 2) mendeskripsikan subgenre horor utas horor Indonesia yang dipublikasi pada media sosial Twitter periode 2019-2022. Objek penelitian adalah utas horor Indonesia. Penelitian dilakukan dengan pendekatan kualitatif deskriptif. Sumber data berasal dari utas horor yang terpublikasi pada media soial Twitter sela
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Moeliono, Pramudito Tunggal, and Kanita Khoirun Nisa. "PEMAKNAAN TRADISI ZIARAH MAKAM WALI SUNAN PANDANARAN KECAMATAN BAYAT KABUPATEN KLATEN." SOSEBI Jurnal Penelitian Mahasiswa Ilmu Sosial Ekonomi dan Bisnis Islam 4, no. 1 (2024): 1–27. http://dx.doi.org/10.21274/sosebi.v4i1.8616.

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Abstrak: Proses pemaknaan terhadap ziarah oleh kelompok tertentu terjadi akibat pengaruh konstruksi sosial dan budaya yang berbeda-beda. Hal ini menghasilkan kerangka kerja atau cetak biru kebudayaan yang tersusun dari simbol-simbol keagamaan. Penelitian ini bertujuan untuk memahami bagaimana para peziarah memaknai ziarah dalam hidup mereka, termasuk bagi mereka yang menganggapnya sebagai ibadah. Penelitian ini menggunakan data kualitatif yang dikumpulkan melalui observasi, wawancara, dan dokumentasi. Teori yang dipakai untuk memahami makna ziarah adalah Agama Sebagai Sistem Budaya oleh Cliffo
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Andayani, Ambar, and Jupriono Jupriono. "REPRESENTATION OF NYI RORO KIDUL IN MYTH, LEGEND, AND POPULAR CULTURE." ANAPHORA: Journal of Language, Literary and Cultural Studies 2, no. 1 (2019): 28–36. http://dx.doi.org/10.30996/anaphora.v2i1.2724.

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Nyi Roro Kidul, Nyai Loro Kidul, or Nyai Ratu Kidul is a character of folk legend which has existed all along south coast of Java land: from East Java, to Middle Java and Jogjakarta, then to West Java and Banten. People along the south coast of Java island believe to myth of this legendary character as a beautiful and supernatural woman who has authority of devil realm in Indonesian Ocean (Indian Ocen) or Segoro Kidul (South Sea). The popularity of Nyi Roro Kidul has also become motivation for national film-making and TV media to produce many films and drama about this character. Although the
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Prasetyo, Whedy Whedy. "Mysticism of Selling Price Hamemayu Hayuning Urip Bebrayan (Kejawen Ethno-Economic Approach)." Journal of Accounting and Strategic Finance 4, no. 1 (2021): 31–53. http://dx.doi.org/10.33005/jasf.v4i1.125.

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The qualitative research of this kejawen ethno-economic aims to reveal actions kejawen culture of hamemayu hayuning urip bebrayan. Culture staple seller of panunggalan community in Gede Traditional Market-Surakarta makes people together with buyers. This atmosphere makes selling price determination is not solely economic benefits as much as possible. Therefore, the cultural tradition of hamemayu hayuning urip bebrayan becomes an analytical tool. Data was collected through participant observation of the panunggalan community and scholars. The results show cultural mysticism affects selling the
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Yusuf Ramdani. "KAJIAN STRUKTURAL DAN ANTROPOLOGI SASTRA TERHADAP NOVEL MUNJUNG KARYA MOH. AMBRI." JALADRI : Jurnal Ilmiah Program Studi Bahasa Sunda 7, no. 1 (2021): 7–15. http://dx.doi.org/10.33222/jaladri.v7i1.1144.

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Penelitian ini dilatarbelakangi perlunya perngkajian unsur antropologi sastra dalam karya sastra, khususnya untuk pembaca. Untuk mengetahui budaya masarakat tidak perlu terjun langsung ke lapangan, tapi bisa dengan cara mengkaji karya sastra yang ada melalui sudut pandang kebudayaan yang tumbuh dan berkembang di masyarakat. Hubungan antara kebudayaan dan adat-istiadat merupakan pola hidup masyarakat yang turun-temurun lahir dari nenek moyang. Adanya kebudayaan tersebut merupakan latar belakang masarakat yang masih percaya dengan kebudayaan tersebut kemudian terus berkembang dan disalah gunakan
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Frolova, Marina V. "Pocong: Contemporary Zombie Stories in Indonesia." Studia Litterarum 6, no. 1 (2021): 354–69. http://dx.doi.org/10.22455/2500-4247-2021-6-1-354-369.

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The paper about the Indonesian “zombie” pocong examines specific features of the ghost stories in Indonesia, tracks the etymology of the words hantu (“ghost,” “undead”) and pocong (“wrapped in shroud”), and includes a translation of a typical ghost story (“Pocong and a Cart Hawker”). It introduces the hitherto understudied material in Russia that counts only a small number of Indonesian and Anglophone works. The aims of this paper include collecting data about this mythological creature from Indonesian sources, studying the image of pocong and contemporary narratives about him, searching his c
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Nur Awalin, Faturrohman, Mulyana, and Afendy Widayat. "The Sacred Phenomenology of Mount Kawi Cemetery in Malang: Examining Its Connection to the Manuscript Serat Iman Sujana Found at Gunung Kawi." Heritage of Nusantara: International Journal of Religious Literature and Heritage 14, no. 1 (2025): 1–30. https://doi.org/10.31291/hn.v14i1.770.

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The sacredness of Gunung Kawi Malang is deeply associated with the figures of Kiai Zakaria II (Eyang Djoego) and R.M Iman Sujana. This study examines the phenomenology of sacredness at Gunung Kawi Malang, focusing on its conceptual underpinnings and implications. Central to this inquiry is the Serat Iman Sujana manuscript, discovered at Gunung Kawi Malang, which provides key insights into the sacredness attributed to the site. Employing a phenomenological approach, this research interprets the layers of sacred meaning embedded in Gunung Kawi Malang, particularly in light of its historical role
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Khuzaimah Khuzaimah and Kholik Kholik. "Legenda Mbah Sogol dan Cikal Bakal Gondanglegi Malang." Khatulistiwa: Jurnal Pendidikan dan Sosial Humaniora 5, no. 3 (2025): 514–24. https://doi.org/10.55606/khatulistiwa.v5i3.7123.

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This study describes a person who became a role model in the city of Gondanglegi "Mbah Sogol" who was the first person to establish a musolla in Gondanglegi, his place in Al kaustar. It is the custom of Muslims in Java when on a certain day all people visit the tomb to read prayers for the deceased krabat, there are also those who come to the religious scholars to take their barokah, one of which is Mbah Sogol who is visited by many people around him to pray for him because he is a spiritual figure who teaches Islam in Gondanglegi. There are some people who say that coming to eat a person is p
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Sudaryani, Rina Ratih Sri, Fitri Merawati, and Iis Suwartini. "Women in horror stories in Java." BIS Humanities and Social Science 2 (May 30, 2025): V225052. https://doi.org/10.31603/bishss.329.

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Women in the horror genre are an attraction for readers in the world. In addition to the storyline, another thing that attracts attention is the suspenseful scenes that are able to leave an impression on the hearts of the viewers. The purpose of this research is to analyze the recurrence of things related to women present in horror stories in Java and explore the meaning behind this phenomenon with the study of Vladimir Propp’s narrative structure. The object of this research is horror stories in Java. Data collection was carried out by studying documents on 10 horror stories in Java that have
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Bempah, Muh Zulfikri. "Representasi Pesan Dakwah dalam Film Horor Perempuan Tanah Jahanam Sebagai Kritik Terhadap Kepercayaan Animisme dan Dinamisme." AN-NIBRAAS 2, no. 02 (2023): 175–98. https://doi.org/10.62589/jurnalpemikiranislam.v2i02.221.

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Dalam film yang diteliti membahas terkait kepercayaan animisme dan dinamisme yang menjadi kepercayaan masyarakat primitif. Sebagian masyarakat masih banyak yang belum mengenal agama sebagai objek untuk memenuhi kebutuhan kerohaniannya. Indonesia yang dikenal dengan negara mayoritas Islam, terdapat masyarakat yang masih meyakini kepercayaan tersebut, sebab karena masih berdampingan erat dengan budaya, adat dan kepercayaan nenek moyang yang masih hidup hingga saat ini. Salah satu sebab kepercayaan ini masih bersarang di dalam keyakinan, karena banyak masyarakat yang lemah keimanan dan akidahnya
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Awalin, Fatkur Rohman Nur. "Genealogi Temuan Naskah-Naskah Kuno Keislaman di Gunung Kawi Malang." Arnawa 2, no. 2 (2024): 86–97. https://doi.org/10.22146/arnawa.v2i2.15423.

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Mount Kawi in Malang continues to be recognized as a site imbued with an enduring sense of enchantment. Interestingly, ancient manuscripts linked to Islamic teachings have also been discovered in this region, particularly as part of the private collection of Mr. Anut Ekowiyono. These manuscripts, predominantly inscribed in Pegon Arabic script, serve as a focal point for this study, which investigates their genealogy and historical significance. The manuscripts, according to Mr. Anut Ekowiyono, were inherited from his great-grandfather, who hailed from Bangil (Pasuruan), Ponorogo, and Gunung Ka
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ki, sepuh. "dukun santet." June 11, 2017. https://doi.org/10.5281/zenodo.805919.

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Yudono, Kristophorus Divinanto Adi. "POLA UNSUR INTRINSIK DAN SUBGENRE HOROR PADA UTAS HOROR TWITTER INDONESIA TAHUN 2021." TOTOBUANG 11, no. 1 (2023). https://doi.org/10.26499/totobuang.v11i1.434.

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Abstract This study aimed to describe the pattern of intrinsic elements and subgenres of Indonesian horror threads on Twitter social media in 2021.The Intrinsic analyzing is performed by reading each horror thread to find patterns of themes, plots, characters and characterizations, settings, points of view, and moral elements. The Analysis of the horror subgenre was carried out based on the classification that Viktória Prohászková carried out. The results of the intrinsic analysis show that there is a pattern of intrinsic elements of horror threads published in 2021. The horror theme patter
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Luniar, Sania Safira, and Poppy Febriana. "The Kuntilanak Image in Mangkujiwo Movie: Roland Barthes Semiotics Analysis." Indonesian Journal of Cultural and Community Development 11 (March 31, 2022). http://dx.doi.org/10.21070/ijccd2022774.

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Many of Indonesia's horror films raise myths that are very strong among the public, such as the myth about the Kuntilanak ghost. Kuntilanak, the ghost of a woman who is pregnant is often featured in films, this ghost is often described as a ghost who has a lot of grudges and is usually abused by irresponsible people such as being used for pesugihan. By researching the film Mangkujiwo, which tells how the Kuntilanak ghost was born. This study also aims to describe how Kuntilanak is portrayed in the film both during his life and after becoming a Kuntilanak ghost figure. The type of research used
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