Relevant bibliographies by topics / Peter's Cathedral

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Academic literature on the topic 'Peter's Cathedral'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Peter's Cathedral"

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Fuadi Nuriz, M. Adib, Abdullah Muslich Rizal Maulana, Silmi Rahma Pertiwi, Anis Kamila Zulfa, Naeli Nafis Syahda Tarmidzi, and Dianah Nabilah. "Membongkar Makna Keagamaan dalam Estetika Dekorasi: Gereja Katedral Santo Petrus di Bandung." Abrahamic Religions: Jurnal Studi Agama-Agama 3, no. 2 (2023): 239. http://dx.doi.org/10.22373/arj.v3i2.16736.

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This article aims to explore the symbolism contained in St Peter's Cathedral, a historic church in the city of Bandung. Designed by architect Ir. C. P. Wolf Schoemakre and blessed by Mgr Luypen, the construction of St Peter's Cathedral shows a variation of the generally gothic European architectural style, while still incorporating symbolic elements of the Catholic religion in its architectural structure. These symbols not only have a decorative function, but also contain religious values that show the spiritual majesty reflected in the architectural form of St Peter's Cathedral. To uncover th
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SAYERS, JANE. "Peter's Throne and Augustine's Chair: Rome and Canterbury from Baldwin (1184–90) to Robert Winchelsey (1297–1313)." Journal of Ecclesiastical History 51, no. 2 (2000): 249–66. http://dx.doi.org/10.1017/s0022046900004243.

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The arrival of St Augustine in England from Rome in 597 was an event of profound significance, for it marked the beginnings of relations between Rome and Canterbury. To later generations this came to mean relations between the papacy in its universal role, hence the throne of St Peter, and the metropolitical see of Canterbury and the cathedral priory of Christ Church, for the chair of St Augustine was the seat of both a metropolitan and an abbot. The archiepiscopal see and the cathedral priory were inextricably bound in a unique way.Relations with Rome had always been particularly close, both
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Campbell, Ian. "Planning for pilgrims: St Andrews as the second Rome." Innes Review 64, no. 1 (2013): 1–22. http://dx.doi.org/10.3366/inr.2013.0045.

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The planning of the burgh of St Andrews, founded in the twelfth century, with two major streets converging on the cathedral, resembles that of the Vatican Borgo, created in the ninth century. It is proposed that St Andrews was consciously modelled on the Borgo, and that the major dimensions of the cathedral are taken from Old St Peter's and St John Lateran, as part of an unsuccessful campaign to have St Andrews recognised as an apostolic see like its rival Compostela, the only other shrine in western Europe beyond Italy to claim the relics of an apostle.
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Facchini, F., E. Rastelli, and M. G. Belcastro. "Peri mortemcranial injuries from a medieval grave in Saint Peter's Cathedral, Bologna, Italy." International Journal of Osteoarchaeology 18, no. 4 (2008): 421–30. http://dx.doi.org/10.1002/oa.949.

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Harroff-Tavel, Marion. "Address at the memorial service held at St Peter's Cathedral, Geneva 20 December 1996." International Review of the Red Cross 37, no. 317 (1997): 136–39. http://dx.doi.org/10.1017/s0020860400085053.

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There were six of them. Six individuals who with their skills, their hands and their hearts brought shelter, care, comfort and a smile to the wounded of the conflict in Chechnya. They came from Norway, Spain, Canada, the Netherlands and New Zealand, all under the banner of the Red Cross. They worked in the ICRC hospital at Novye Atagi. And they are no longer with us. A seventh lies wounded by the bullet which was intended to kill him. The grief of those who witnessed that carnage is felt by us all.
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Vlasova, Maria. "The image of Pentecost in the iconographic programme of the altar ciborium of Sts Peter and Paul Cathedral in St. Petersburg." St. Tikhons' University Review. Series V. Christian Art 53 (March 29, 2024): 92–109. http://dx.doi.org/10.15382/sturv202453.92-109.

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The article is devoted to the unique monument of Peter the Great Baroque – the altar ciborium of the St. Petersburg Peter and Paul Cathedral. The study presents an analysis of the decoration of the ciborium (1722-1729, I.P. Zarudny). First of all, the connection of the iconographic and iconological program of the monument with the circumstances of the apostolic dedication of the cathedral of the new capital of the Russian Empire in the context of the church reform carried out by Peter I is traced. The synodal reform is proposed to be considered from the point of view of the principles of the s
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Sureda i Jubany, Marc. "Clergy, Spaces and Liturgy at Vic Cathedral: St Peter's Church in the 12th and 13th Centuries." Medievalia 17 (February 15, 2015): 279. http://dx.doi.org/10.5565/rev/medievalia.249.

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Zvezdina, Yuliya. "Images of elephants in the book "Symbols and emblemata" (1705)." St. Tikhons' University Review. Series V. Christian Art 48 (December 30, 2022): 47–58. http://dx.doi.org/10.15382/sturv202248.47-58.

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The article examines images of elephants, reproduced several times on various emblems from the book "Symbols and Emblemata", published in 1705 in Amsterdam by decree of Tsar Peter I. The author compares the details of the emblematic engravings, compares them with the accompanying inscriptions. The image of the first emblem from the book of 1705 and the engravings from its main source – the edition of the emblems of Daniel De La Fey of 1691 is also compared. The quality of the two editions is compared. Attention is paid to the images of the elephant and the semantic interpretation of this image
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McClean, Robert. "Making Wellington: earthquakes, survivors and creating heritage." Architectural History Aotearoa 9 (October 8, 2012): 55–66. http://dx.doi.org/10.26686/aha.v9i.7296.

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Landing at Te Whanganui a Tara in 1840, New Zealand Company settlers lost no time to construct the "England of the South" using familiar building materials of brick, stone, clay and mortar. Within months of settling at Pito-one (Petone), the newly arrived people not only experienced earthquakes, but also flooding of Te Awa kai Rangi (Hutt River). Consequently, the original plan to build the City of Britannia at Pito-one was transferred to Lambton Harbour at Pipitea and Te Aro.
 The construction of Wellington was severely disrupted by the first visitation occurring on 16 October 1848 when
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Marsden, Richard. "Manus Bedae: Bede's contribution to Ceolfrith's bibles." Anglo-Saxon England 27 (December 1998): 65–85. http://dx.doi.org/10.1017/s0263675100004804.

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Bede entered Wearmouth–Jarrow at the age of seven and thereafter, he tells us at the conclusion of his Historia ecclesiastica, spent all his life ‘applying myself entirely to the study of the Scriptures’. He goes on, ‘From the time I became a priest until the fifty-ninth year of my life I have made it my business, for my own benefit and that of my brothers, to make brief extracts from the works of the venerable fathers on the holy scriptures, or to add notes of my own to clarify their sense and interpretation.’ Bede's modest remarks preface an impressive list of his own works, which includes c
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Dissertations / Theses on the topic "Peter's Cathedral"

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Beaumont, David. "St. Peter's Cathedral, Adelaide : processes provenances and architectural schemes /." Title page, contents and introduction only, 1997. http://web4.library.adelaide.edu.au/theses/09ARCHSB/09archsbb379.pdf.

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Starzyk, Mary Celeste. "Bernini: The Magic Art." Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1571831670841782.

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Mikeska, Pavel. "Vývoj gotického opěrného systému." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-335152.

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The diploma thesis deals with the development of Gothic supporting system. In particular, chronologically arranged chapters are given examples of individual buildings, which are grouped into chapters according to their geographical location. Starting with the first supporting systems, as well as the Gothic style in France, we come to the spread of new ideas into neighboring countries such as England, Italy, the Netherlands, Germany and the Czech Republic. Next chapter is devoted to the supreme form of the support system using the example of the cathedral in Amiens and Cologne. Whole work close
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Pavlíčková, Anna. "Náročné kamenické prvky v Parléřovské dílně v evropském kontextu." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-352502.

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The present work relates to the transfer of the inspirational elements used in St. Vitus Cathedral in Prague focusing on the hanging bolts in the sacristy of the cathedral. Two architects, Matthias of Arras and Peter Parler, participated in the construction of St. Vitus Cathedral in the 14th. Century Both of these builders were inspired by the most important buildings of contemporary Europe and the experience they gained was incorporated in the Prague cathedral. Through thorough research of the life of Matthias of Arras I am able to describe this builder as a unique personality who used a bold
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Urbanová, Karolína. "Zvířata v katedrále. Architektonická skulptura zvířat a fantaskních tvorů parléřovské huti v katedrále sv. Víta, jejich symbolika a ikonografie." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-346103.

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This Master Thesis "The animals in the cathedral. Architectural sculpture of animals and fantastical creatures by parlerian lodge in the St. Vitus Cathedral, their symbols and iconography" looks into the architectural sculpture of animal's motifs and motifs of fantastical Creatures. The goal of this work is to summarize recent aspects of research about this theme, explain in more detail individually motifs of animal's and their Iconography and their meaning for Cathedral of St. Vitus. Also this thesis want to explain how could this special animal's motifs fit into the places, where are they ha
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Books on the topic "Peter's Cathedral"

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McMahon, John R. St. Peter's Cathedral Basilica, London, Canada. s.n., 1985.

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Parente, Diane A. Saint Peter's Cathedral: A lesson in faith alive. St. Peter's Cathedral], 2000.

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Westin, Peter. An act of faith: The first fifty years of St. Peter's Cathedral. St. Peter Publications, 1994.

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St. Peter's Cathedral (Charlottetown, P.E.I.), ed. The Jubilee of St. Peter's Cathedral, Charlottetown, P.E. Island, 1869-1919: Souvenir album. s.n., 1997.

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St. Peter's Cathedral (London, Ont.). Official directory and general information pertaining to the Cathedral and St. Mary's Church, London, Ont. Canadian Institute for Historical Microreproduction, 1998.

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Daly, Cahal B. Catholic areas don't deserve this: Homily by Bishop Cahal B. Daly, St. Peter's Cathedral, September 1988. [Diocese of Down and Connor], 1988.

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Piet, Mary A. Early Catholic church records in Baltimore, Maryland, 1782 through 1800: From the original records of "Old St. Peter's Pro-Cathedral," baptisms, 1782 through 1800, marriages, 1783 through 1800, burials, 1783 through 1800. Family Line Publications, 1989.

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Synod, Church of the Province of Nigeria Diocese of Ideato. Synod report 2000: Report of the proceedings of the second session of the first synod of Diocese of Ideato held at St. Peter's Cathedral Church Arondizuogu, North L.G.A. Imo State from Saturday 26th August to Tuesday 29th August 2000. Unik Oriental Prints, 2001.

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Klára, Benešovská, Hlobil Ivo 1942-, Kopřiva Jiří, Paul Prokop 1939-, and Uher Vladimír, eds. Peter Parler & St. Vitus's Cathedral, 1356-1399. Prague Castle Administration, 1999.

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Piero, Zerbi, Volpini Raffaello, and Galuzzi Alessandro, eds. Romana ecclesia, cathedra Petri. Herder editrice e libreria, 1991.

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Book chapters on the topic "Peter's Cathedral"

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Newsholme, Richard. "1. The Music and Liturgy of the Medieval Mass and Office (680–1540)." In Music, Religion and Politics at Worcester Cathedral, 680-1950. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0437.01.

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This chapter starts by considering the secular (non-monastic) St Peter’s Cathedral, which existed from the seventh century. The evidence is scarce, but by the tenth century it is possible to say that as well as Masses, the clergy were holding a full set of Office Hours (Matins, Lauds, Prime, Terce, Sext, None, Vespers, and Compline). The monastery was founded later in the tenth century, and, by following the scholarship of the American historian and theologian Arnold Klukas, some aspects of the liturgy performed by the monks are considered in relation to the Anglo-Saxon, Romanesque, and Gothic
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Mlsová, Nella. "Ján Kollár and Slavic traces in Italy in the light of the Italian travel Genre." In Inter-Slavic cultural ties. Results and perspectives of research. Institute of Slavic Studies RAS, 2021. http://dx.doi.org/10.31168/0452-7.05.

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The topic of the article is related to the second unfinished book of travel notes by the Czech and Slovak educator and poet Jan Kollar (1793-1852), emerging as a result of his trip to Italy in 1844. It was preceded by essays reflecting the impressions of a trip there in 1841, in which the author, citing curious arguments, puts forward the thesis that Upper (Northern) Italy belonged to the Slavic space in the Middle Ages, In the treatise Staroitalia slavjanská (“Old Italy Slavic”, 1853), Kollar extends the settlement of the Slavs to the whole of Italy, including Sicily. Special attention in the
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Tucker, Mark. "Stanley Dance: “The Funeral Address” (1974)." In The Duke Ellington Reader. Oxford University PressNew York, NY, 1993. http://dx.doi.org/10.1093/oso/9780195054101.003.0079.

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Abstract It was a single honour for an Englishman (and a contributor to this magazine from its first issue) to be called upon to deliver the eulogy to Duke Ellington in New York’s Cathedral Church of St. John the Divine, which is nearly as big as St. Peter’s. That was what happened to Stanley Dance on May 27th, 1974, when Duke Elling ton’s funeral service took place.
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Spink, Ian. "London." In Restoration Cathedral Music 1660-1714. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198161493.003.0025.

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Abstract London’s cathedral was St Paul’s·····a great medieval secular foundation and in 1660 the largest Gothic church in Europe. Just over a mile up-river was Westminster, where the abbey church of St Peter, dissolved at the Reformation, had been re-established in I 560 as a ‘Royal Peculiar’ with Dean and Chapter and a lavish choral and educational foundation. A few hundred yards to the north was the palace of Westminster, where the king had his court and Chapel Royal.
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Pajor, Piotr. "Uwagi o lokalizacji i formie grobu św. Stanisława w średniowieczu." In Studia z dziejów katedry na Wawelu. Ksiegarnia Akademicka Publishing, 2023. http://dx.doi.org/10.12797/9788381389211.02.

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This article summarizes recent findings regarding the location and setting of the tombof St. Stanislaus in Cracow Cathedral prior to the last quarter of the 14th centurywhen the bishop’s relics were placed in a silver reliquary funded by Elizabeth ofPoland. The martyr’s remains were transferred to the cathedral from the Church atSkałka around 1088, and, over time, a cult developed around them. The exact site ofthe original burial is unknown, but sources suggest it was in the form of an earthengrave. During the efforts for Stanislaus’ canonization in the 1240s, Bishop Prandotaretrieved the reli
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Steinberg, Michael. "Benjamin Britten." In Choral Masterworks. Oxford University PressNew York, NY, 2005. http://dx.doi.org/10.1093/oso/9780195126440.003.0007.

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Abstract The War Requiem, commissioned to celebrate the consecration of Saint Michael’s Cathedral, Coventry, was composed in 1961, completed on 20 December that year, and first performed in that cathedral on 30 May 1962. The soloists were Heather Harper, Peter Pears, and Dietrich Fischer-Dieskau, who were joined by the Coventry Festival Chorus; the boys’ choruses of Holy Trinity, Leamington, and Holy Trinity, Stratford; the City of Birmingham Symphony Orchestra; and the Melos Ensemble. The chorus and full orchestra were conducted by Meredith Davies; the composer conducted the chamber orchestra
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Bursell, Rupert D. H. "Ordination and Consecration." In Liturgy, Order and the Law. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198262503.003.0010.

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Abstract Ordination to the office of priest or deacon must take place on the Sunday immediately after the Ember Weeks; alternatively, it must take place on St Peter’s Day, Michaelmas Day or St Thomas’s Day, or upon a day within the week immediately following those days, or upon such other days, being a Sun day, a Holy Day or one of the Ember Days, as the diocesan bishop on urgent occasion shall appoint The ordination must be in the cathedral church of the diocese or in another church or chapel at the discretion of the bishop Any form of Holy Communion which is authorised by Canon B l may be us
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DeLamotte, Eugenia C. "Boundaries of the Self as Romantic Theme: Emily Bronte." In Perils of the Night. Oxford University PressNew York, NY, 1990. http://dx.doi.org/10.1093/oso/9780195056938.003.0005.

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Abstract Before she saw St. Peter’s, Hilda dreamed of it as a Gothic cathedral: “a structure of no definite outline, misty in its architecture, dim and gray and huge, stretching into an interminable perspective, and over-arched by a dome like the cloudy firmament. Beneath that vast breadth and height, as she had fancied them, the personal man might feel his littleness, and the soul triumph in its immensity” (Marble Faun 791). For some time after seeing the real thing, she continued to long for that dim, illimitable interior (791). Gothic romance also dreams of dim, illimitable interiors, focus
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Zych, Ewelina. "Walenty Brzostowski – notariusz Krakowskiej Kapituły Katedralnej w latach 1543-1586." In Studia z dziejów katedry na Wawelu. Ksiegarnia Akademicka Publishing, 2023. http://dx.doi.org/10.12797/9788381389211.08.

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Walenty Brzostowski, a priest from the Przemyśl Diocese, was associated with theneighboring Cracow Diocese for several decades. He was a licensed public notaryand served as a notary of the Cracow Cathedral Chapter from 1543 to 1586. Additionally,he was a parish priest in Raciborowice near Cracow, a village that was partof the chapter’s estate, and was buried there as well. Brzostowski was highly respectedby the chapter, as expressed through the trust and financial support granted to him.He recorded sessions of the chapter, prepared documents, made certified copies, andensured that canonical te
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Nardini, Luisa. "Prosulas for Graduals and Tracts." In Chants, Hypertext, and Prosulas. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197514139.003.0004.

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Prosulas for graduals and tracts display a style that is either strophic or recitational. That these prosulas circulated only in the Italian peninsula shows a predilection for repetitive and simple melodic patterns in peninsular ecclesiastical circles. This preference, which could be fully exploited in prosulas for tracts and graduals, is also reflected in some Latin songs of Italian origins and that can be put in connection with monasteries and cathedral churches. The manuscript Ben35 is the largest testimony for prosula tracts compared to any other Italian source, thus revealing a particular
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