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Journal articles on the topic 'Peter's Cathedral'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Fuadi Nuriz, M. Adib, Abdullah Muslich Rizal Maulana, Silmi Rahma Pertiwi, Anis Kamila Zulfa, Naeli Nafis Syahda Tarmidzi, and Dianah Nabilah. "Membongkar Makna Keagamaan dalam Estetika Dekorasi: Gereja Katedral Santo Petrus di Bandung." Abrahamic Religions: Jurnal Studi Agama-Agama 3, no. 2 (2023): 239. http://dx.doi.org/10.22373/arj.v3i2.16736.

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This article aims to explore the symbolism contained in St Peter's Cathedral, a historic church in the city of Bandung. Designed by architect Ir. C. P. Wolf Schoemakre and blessed by Mgr Luypen, the construction of St Peter's Cathedral shows a variation of the generally gothic European architectural style, while still incorporating symbolic elements of the Catholic religion in its architectural structure. These symbols not only have a decorative function, but also contain religious values that show the spiritual majesty reflected in the architectural form of St Peter's Cathedral. To uncover th

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SAYERS, JANE. "Peter's Throne and Augustine's Chair: Rome and Canterbury from Baldwin (1184–90) to Robert Winchelsey (1297–1313)." Journal of Ecclesiastical History 51, no. 2 (2000): 249–66. http://dx.doi.org/10.1017/s0022046900004243.

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The arrival of St Augustine in England from Rome in 597 was an event of profound significance, for it marked the beginnings of relations between Rome and Canterbury. To later generations this came to mean relations between the papacy in its universal role, hence the throne of St Peter, and the metropolitical see of Canterbury and the cathedral priory of Christ Church, for the chair of St Augustine was the seat of both a metropolitan and an abbot. The archiepiscopal see and the cathedral priory were inextricably bound in a unique way.Relations with Rome had always been particularly close, both

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Campbell, Ian. "Planning for pilgrims: St Andrews as the second Rome." Innes Review 64, no. 1 (2013): 1–22. http://dx.doi.org/10.3366/inr.2013.0045.

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The planning of the burgh of St Andrews, founded in the twelfth century, with two major streets converging on the cathedral, resembles that of the Vatican Borgo, created in the ninth century. It is proposed that St Andrews was consciously modelled on the Borgo, and that the major dimensions of the cathedral are taken from Old St Peter's and St John Lateran, as part of an unsuccessful campaign to have St Andrews recognised as an apostolic see like its rival Compostela, the only other shrine in western Europe beyond Italy to claim the relics of an apostle.

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Facchini, F., E. Rastelli, and M. G. Belcastro. "Peri mortemcranial injuries from a medieval grave in Saint Peter's Cathedral, Bologna, Italy." International Journal of Osteoarchaeology 18, no. 4 (2008): 421–30. http://dx.doi.org/10.1002/oa.949.

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Harroff-Tavel, Marion. "Address at the memorial service held at St Peter's Cathedral, Geneva 20 December 1996." International Review of the Red Cross 37, no. 317 (1997): 136–39. http://dx.doi.org/10.1017/s0020860400085053.

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There were six of them. Six individuals who with their skills, their hands and their hearts brought shelter, care, comfort and a smile to the wounded of the conflict in Chechnya. They came from Norway, Spain, Canada, the Netherlands and New Zealand, all under the banner of the Red Cross. They worked in the ICRC hospital at Novye Atagi. And they are no longer with us. A seventh lies wounded by the bullet which was intended to kill him. The grief of those who witnessed that carnage is felt by us all.

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Vlasova, Maria. "The image of Pentecost in the iconographic programme of the altar ciborium of Sts Peter and Paul Cathedral in St. Petersburg." St. Tikhons' University Review. Series V. Christian Art 53 (March 29, 2024): 92–109. http://dx.doi.org/10.15382/sturv202453.92-109.

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The article is devoted to the unique monument of Peter the Great Baroque – the altar ciborium of the St. Petersburg Peter and Paul Cathedral. The study presents an analysis of the decoration of the ciborium (1722-1729, I.P. Zarudny). First of all, the connection of the iconographic and iconological program of the monument with the circumstances of the apostolic dedication of the cathedral of the new capital of the Russian Empire in the context of the church reform carried out by Peter I is traced. The synodal reform is proposed to be considered from the point of view of the principles of the s

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Sureda i Jubany, Marc. "Clergy, Spaces and Liturgy at Vic Cathedral: St Peter's Church in the 12th and 13th Centuries." Medievalia 17 (February 15, 2015): 279. http://dx.doi.org/10.5565/rev/medievalia.249.

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Zvezdina, Yuliya. "Images of elephants in the book "Symbols and emblemata" (1705)." St. Tikhons' University Review. Series V. Christian Art 48 (December 30, 2022): 47–58. http://dx.doi.org/10.15382/sturv202248.47-58.

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The article examines images of elephants, reproduced several times on various emblems from the book "Symbols and Emblemata", published in 1705 in Amsterdam by decree of Tsar Peter I. The author compares the details of the emblematic engravings, compares them with the accompanying inscriptions. The image of the first emblem from the book of 1705 and the engravings from its main source – the edition of the emblems of Daniel De La Fey of 1691 is also compared. The quality of the two editions is compared. Attention is paid to the images of the elephant and the semantic interpretation of this image

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McClean, Robert. "Making Wellington: earthquakes, survivors and creating heritage." Architectural History Aotearoa 9 (October 8, 2012): 55–66. http://dx.doi.org/10.26686/aha.v9i.7296.

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Landing at Te Whanganui a Tara in 1840, New Zealand Company settlers lost no time to construct the "England of the South" using familiar building materials of brick, stone, clay and mortar. Within months of settling at Pito-one (Petone), the newly arrived people not only experienced earthquakes, but also flooding of Te Awa kai Rangi (Hutt River). Consequently, the original plan to build the City of Britannia at Pito-one was transferred to Lambton Harbour at Pipitea and Te Aro. The construction of Wellington was severely disrupted by the first visitation occurring on 16 October 1848 when

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10

Marsden, Richard. "Manus Bedae: Bede's contribution to Ceolfrith's bibles." Anglo-Saxon England 27 (December 1998): 65–85. http://dx.doi.org/10.1017/s0263675100004804.

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Bede entered Wearmouth–Jarrow at the age of seven and thereafter, he tells us at the conclusion of his Historia ecclesiastica, spent all his life ‘applying myself entirely to the study of the Scriptures’. He goes on, ‘From the time I became a priest until the fifty-ninth year of my life I have made it my business, for my own benefit and that of my brothers, to make brief extracts from the works of the venerable fathers on the holy scriptures, or to add notes of my own to clarify their sense and interpretation.’ Bede's modest remarks preface an impressive list of his own works, which includes c

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De Hond, Jan. "Een onbekende tekening van Saenredam: het portret van Johannes Petri Junius." Oud Holland - Quarterly for Dutch Art History 113, no. 4 (1999): 187–96. http://dx.doi.org/10.1163/187501799x00364.

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AbstractIn 1910 the print room at Dresden acquired an unsigned portrait drawing of the clergyman Johannes Junius (c.1587-1635). The drawing has been successively attributed to Hendrick Goltzius and Jacob Matham and is currently regarded as the work of Matthias van den Bergh (1617-1665). In this article it is proposed to attribute the drawing to Pieter Saenredam (1597-1665). Junius' portrait was drafted in black chalk. At a later stage this chalk drawing was worked up in pen and brown ink. The ink version differs from the chalk drawing in a few important details. The figure is placed in an oval

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Macarubbo, Prince Wilson. "Tuguegarao’s Saint Peter’s Cathedral: Its History and Conservation." Philippiniana Sacra 54, no. 163 (2019): 499–534. http://dx.doi.org/10.55997/ps3004liv163a4.

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The Saint Peter’s Cathedral (Tuguegarao Cathedral) is the biggest ladrillo church in the Cagayan Valley Region and it is the seat of the Archdiocese of Tuguegarao. It was built under the supervision of Fr. Antonio Lobato de Santo Tomas, OP at the height of the 18th Century. After its construction, this church became a source of competition among the Dominican missionaries of the Cagayan Valley and as a result, Spanish-era churches of some Cagayan Valley towns have copied the façade and other details of the church of Tuguegarao. Thus, making Tuguegarao’s church a model church of the Cagayan Val

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Ratkovčić, Rosana. "Katolička crkva Sv. Petra i dubrovačka kolonija u Starom Trgu kod Trepče." Ars Adriatica 7, no. 1 (2017): 129. http://dx.doi.org/10.15291/ars.1389.

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The construction of a Roman Catholic church dedicated to St Peter in Stari Trg near Trepča can be related to the presence of Catholic migrants, Saxon miners and merchants from Dubrovnik and Kotor, who colonized the area around the rich mine during the medieval period. This article focuses on the role of the Ragusan colony in the construction and furnishing of the Kosovo church. Judging from the remnants of the church, it may be presumed that it was a three-nave structure, with a dome above the last bay of the central nave, same as the cathedrals of Dubrovnik and Kotor, and that a workshop from

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Allen, Joanne. "Nicholas V’s Tribuna for Old St. Peter’s in Rome as a Model for the New Apsidal Choir at Padua Cathedral." Journal of the Society of Architectural Historians 72, no. 2 (2013): 166–88. http://dx.doi.org/10.1525/jsah.2013.72.2.166.

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In 1486 the Padua Cathedral canons requested permission to build a new apsidal choir in “the way and structure of the church of St. Peter in Rome.” The canons were evidently referring to the unfinished Vatican tribuna: a deep vaulted apse at the west end of St. Peter’s. Newly published documents reveal that both Nicholas V and Paul II spent large sums on its construction. The Paduan case shows that the Vatican tribuna was influential in terms of architectural type and function. Although the physical extent of the fifteenth-century work is hard to determine, Bramante’s continuation of the exten

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Lourié, Basil. "Five Anastasiae and Two Febroniae: A Guided Tour in the Maze of Anastasia Legends. Part Two: The Roman Dossier. II. Anastasia Between Bassilla and Petronilla (Concluding Part)." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija 29, no. 6 (2024): 36–58. https://doi.org/10.15688/jvolsu4.2024.6.4.

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In this concluding part of the study of the western hagiographical dossier of St Anastasia, the attention is focused on two main problems: the earliest cult of St Anastasia in Sirmium (replacing the cult of St Bassilla with the cult of St Anastasia) and the cult of Anastasia and Petronilla in the St Andrew church created by Pope Symmachus near St Peter’s cathedral. The development of the cult of St Petronilla (the legendary daughter of Apostle Peter) is related to a specific commemoration of St Peter established by Pope Leo the Great.

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Gryglewski, Piotr. "Wpływ fundacji papieskich na polską architekturę początku XVI wieku. Watykański kontekst mauzoleum prymasa Jana Łaskiego." Roczniki Humanistyczne 68, no. 4 Zeszyt specjalny (2020): 109–38. http://dx.doi.org/10.18290/rh20684-8s.

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The analysis is devoted to the St. Stanislaus chapel erected near Gniezno Cathedral on the initiative of Primate Jan Łaski between 1518 and 1523 (pulled down in the late 18th century). Foundation of this central, free-standing mausoleum plays an important role in the history of the beginnings of Renaissance art in Poland. Its realisation took place simultaneously with construction of the chapel: the mausoleum of King Sigismund I the Old at Wawel. Archbishop Jan Łaski was involved in bringing to Poland Bartolommeo Berrecci, a designer of the royal chapel, who perhaps also participated in prepar

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17

Licht, Meg. ""I Ragionamenti"-Visualizing St. Peter's." Journal of the Society of Architectural Historians 44, no. 2 (1985): 111–28. http://dx.doi.org/10.2307/990024.

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Thirteen architectural drawings by four architects-Bramante, Baldassare Peruzzi, Giuliano da Sangallo, and Antonio da Sangallo the Younger-all dating from the period between early 1505 to 18 April 1506, all except one in the Gabinetto dei Disegni e Stampe of the Uffizi, and all connected with the earliest proposals for the new St. Peter's, are examined to establish their authorship and date and the exact sequence in which they were executed. Beyond that, the chronological alignment of the drawings enables us to follow the process of visualizing and creating a building of an unprecedented type

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18

Pavlov, Nikolay L. "Construction of a Temple with Regard to the Rising Sun Ray." Light & Engineering, no. 04-2021 (August 2021): 100–106. http://dx.doi.org/10.33383/2021-032.

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Using the example of a number of cultural traditions, the author considers a construction of the temple structure along a rising sun ray. There are two main types of temples built according to the rising sun ray: the temples oriented towards the sunrise by their sanctuaries, and the temples oriented towards the sunrise by the entrance portal. Examples of such a construction are given for the temples of Ancient Egypt, Ancient Greece, Orthodox and Catholic Christianity, Hinduism and Shintoism. The first type of temple in Ancient Egypt is shown to represent the birth of the sun in its sanctuary.

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Quattrocchi, Claudia. "“Pro Honore et Libertate Ecclesiae Invicta Fortitude Sustinuit”—The Oratory of St Thomas Becket in the Cathedral of Anagni." Arts 10, no. 4 (2021): 69. http://dx.doi.org/10.3390/arts10040069.

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On the 9th of October, 1170 Pope Alexander III resided in Anagni, which had been the ancient residence of the court of the Popes for at least two centuries. He wrote to two influential local archbishops for help in pacifying King Henry II and Archbishop Thomas Becket, who had been in dispute for six years. Sensing Becket’s looming tragic fate, Alexander III began slowly to encircle the archbishop with rhetoric of the new martyr of Libertas Ecclesiae. When he had to flee from Rome besieged by factions led by Frederick I, the pope found refuge in Segni, where he canonised Thomas Becket on 21 Feb

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Bolton, Brenda M. "Advertise the Message: Images in Rome at the Turn of the Twelfth Century." Studies in Church History 28 (1992): 117–30. http://dx.doi.org/10.1017/s0424208400012419.

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On at least three occasions during the pontificate of Innocent III, Gerald of Wales—failed bishop, celebrated story-teller, and inveterate and inventive pilgrim, made the journey to Rome.There, having already carried out his preliminary research, he was always eager to examine two of the most outstanding images in Rome at close quarters. These two images—the Uronica at the Lateran and the Veronica at St Peter’s—made such a deep impression upon him that his description and explanation of their importance was to form a central role in his Speculum Ecclesiae, which he wrote on his return home. He

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Stevanović, Nebojša. "Prvi i poslednji dani pontifikata pape Benedikta XVI: uporedna bogoslovska analiza." Sabornost XVIII (2024): 59–79. http://dx.doi.org/10.46793/sabornost24.059s.

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The essential idea of the work is reflected in the comparative theological- historical analysis of the first and last days of the pontifical service of Pope Benedict XVI. In this context, the work is divided into several thematic units: after the introductory remarks, the direction of the work begins with the presentation of the basic biographical data of Ratzinger as a witness of great historical and theological changes, with a focus on the beginnings of theo- logical activity at the Second Vatican Council, and most directly in the days of the conclave and the election of the Pope. On those g

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Josephson, Tristan, Marcin B. Stanek, Tallie Ben Daniel, et al. "Book Reviews." Transfers 8, no. 2 (2018): 133–52. http://dx.doi.org/10.3167/trans.2018.080210.

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Tracking the Mobility of Carceral LogicsJennifer Turner and Kimberley Peters, eds., Carceral Mobilities: Interrogating Movement in Incarceration (New York: Routledge, 2017), 256 pp., 9 illustrations, $49.95 (paperback)An Exciting Invitation to Rethink Knowledge MobilitiesLudovic Tournès and Giles Scott-Smith, eds., Global Exchanges: Scholarships and Transnational Circulations in the Modern World (New York: Berghahn Books, 2018), 356 pp., 9 illustrations, $130 (hardback)Theorizing Mobilities between Disability Studies and PalestineJasbir Puar, Th e Right to Maim: Debility, Capacity, Disability

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Gamaliia, Kateryna. "Elements of Art Studies in Medieval Research of Peter Bizzilli." Culture and Arts in the Modern World, no. 23 (June 30, 2022): 93–101. https://doi.org/10.31866/2410-1915.23.2022.260969.

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The purpose of the article is to consider the Professor’s contribution at Odesa University, P. Bizzilli, to the domestic medieval studies formation. The reconstruction of the people’s spiritual universe of the past epoch, initiated by P. Bizzilli, is one of the important components of the methodology of humanitarian research, characteristic of many representatives in modern medieval studies. After the romantics of the nineteenth century, interest in the Middle Ages gained new development in the early twentieth century, which contributed to his research at European universities. Dur

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Champ, Judith F. "Goths and Romans: Daniel Rock, Augustus Welby Pugin, and Nineteenth-Century English Worship." Studies in Church History 35 (1999): 289–319. http://dx.doi.org/10.1017/s0424208400014091.

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The Chant or music used by the Papal choir, and indeed in most Catholic cathedrals and abbey churches is, excepting in some instances, ancient. Gregory the Great collected it into a body and gave it the form in which it now appears, though not the author of it. The chant of the psalms is simple and affecting, composed of Lydian, Phrygian and other Greek and Roman tunes, without many notes, but with a sufficient inflection to render them soft and plaintive or bold and animating…. This ancient music which has long been known by the name of the Gregorian chant, so well adapted to the gravity of d

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Palomar, Teresa, David G. Calatayud, Mohamed Oujja, et al. "From Green to Brown: Characterization of the Fast Alteration of Modern Greenish Enamels in Glass Windows." ChemPlusChem, July 3, 2025. https://doi.org/10.1002/cplu.202500205.

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In 2009‐2014, new glass panels were produced by the Stained‐Glass Studio of Canterbury Cathedral (UK) and installed in St Peter's Church (Little Barrington, Burford), St Lawrence's Church (Mereworth, Kent), and Canterbury Cathedral. After a few years, some spots and stains have appeared on the greenish areas of the panels. The common factor was that the panels were produced using the same green enamel. The present work reports on the studies of the observed alterations on green enamels to propose possible degradation mechanisms. These studies are based on using different analytical techniques

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Moreno, Teresa. "Laser Cleaning of Fifteenth and Early Sixteenth Century A.D. Wax Votive Images from St. Peter's Cathedral, Exeter, England." MRS Proceedings 852 (2004). http://dx.doi.org/10.1557/proc-852-oo2.7.

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ABSTRACTA rare collection of cast votive images (ex-votos ) made of beeswax were found in the 1940s behind the cresting of a screen above the tomb of Bishop Edmund Lacey in the Cathedral Church of St. Peter in Exeter, England. Some of these fragmentary, aged and brittle waxes, dating to the late fifteenth to early sixteenth centuries A.D., served as the basis to further test the cleaning of dirt and accretions using a Q-switched Nd:YAG laser. Because of the low melting point of the wax, observations made of the effects on the wax substrate due to heat emitted from the laser were critical to es

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Quattrocchi, Claudia. ""Pro Honore et Libertate Ecclesiae Invicta Fortitude Sustinuit"—The Oratory of St Thomas Becket in the Cathedral of Anagni." October 13, 2021. https://doi.org/10.3390/arts10040069.

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On the 9th of October, 1170 Pope Alexander III resided in Anagni, which had been the ancient residence of the court of the Popes for at least two centuries. He wrote to two influential local archbishops for help in pacifying King Henry II and Archbishop Thomas Becket, who had been in dispute for six years. Sensing Becket's looming tragic fate, Alexander III began slowly to encircle the archbishop with rhetoric of the new martyr of Libertas Ecclesiae. When he had to flee from Rome besieged by factions led by Frederick I, the pope found refuge in Segni, where he canonised Thomas Becket on 21 Feb

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28

Bethke, Andrew-John. "John William Colenso’s Collection of Psalms and Hymns for St Peter’s Cathedral, Pietermaritzburg: Context, Analysis and Christological Implications." Studia Historiae Ecclesiasticae, December 20, 2021. http://dx.doi.org/10.25159/2412-4265/9603.

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In 1866, Bishop John William Colenso published a collection of hymns which he compiled for use at St Peter’s Cathedral in Pietermaritzburg. He had recently returned to Natal from England after defending himself in the legal debates which surrounded his status as Bishop of Natal. His controversial commentaries on Romans and the Pentateuch had been the catalyst of his denouncement by his metropolitan bishop, Robert Gray. While Colenso had been in England, Gray had visited the Diocese of Natal. While there, he introduced the recently published Hymns Ancient and Modern to parish churches. Colenso

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Ruiz, Jiménez Juan. "Consagración de la mezquita de Córdoba y rescate de las campanas de la catedral de Santiago (1236)." Paisajes sonoros históricos (c.1200-c.1800), December 22, 2024. https://doi.org/10.5281/zenodo.14542866.

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El 29 de junio de 1236, festividad de San Pedro y San Pablo, tuvo lugar la consagración de la mezquita de Córdoba y la restauración de su antigua sede episcopal. En este lugar, se encontraron las campanas de la catedral de Santiago de Compostela que las tropas de Almanzor habían tomado como botín en su saqueo del año 997, las cuales habían sido convertidas en lámparas. El rey Fernando III ordenó fueran restituidas a la catedral compostelana. On 29 June 1236, the feast of Saints Peter and Paul, the mosque of Cordoba was consecrated and its former episcopal see was restored. The bells of the Cat

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Žygas, Kęstutis Paulius. "The Chapel of St. Casimir in Vilnius – A Counter-Reformation Landmark." Art History & Criticism, November 8, 2022. http://dx.doi.org/10.2478/mik-2022-0001.

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Summary The present study takes issue with the accepted view (cf. Vikipedija) that the Chapel of St. Casimir in the Cathedral of Vilnius (1623–1636) resembles the Pauline and the Sistine Chapels in the Basilica of Santa Maria Maggiore in Rome. A closer look and comparison of the dimensions, geometry, materials, and internal décor, however, reveals significant differences. The defining architectural features of the Chapel of St. Casimir do not derive from these Baroque chapels but from multiple Biblical and Early Christian sources. (This study focused on the Chapel’s interior features that surv

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Ruiz, Jiménez Juan. "Campanas, ministriles y luminarias en la festividad de San Pedro en Sevilla (c. 1500-1525)." Paisajes sonoros históricos (c.1200-c.1800), December 27, 2023. https://doi.org/10.5281/zenodo.10436199.

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El tañido de campanas en la torre de la catedral de Sevilla, en consonancia con el de los ministriles y el encendido de las luminarias fue una práctica que debió establecerse en la ciudad c. 1500 y que, con adaptaciones y ciertas interrupciones, se ha conservado hasta nuestros días. The ringing of bells in the tower of Seville Cathedral, in line with that of the minstrels and the lighting of the luminaries was a practice that must have been established in the city c. 1500 and which, with adaptations and certain interruptions, has been preserved to the present day.

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Schaper, Anu. "Johann Valentin Meder ja teised muusikud Riias ja Tallinnas Põhjasõja ja katkulaine ajal 18. sajandi algul / Johann Valentin Meder and Other Musicians in Riga and Tallinn During the Great Northern War and the Plague of the Early 18th Century." Methis. Studia humaniora Estonica 28, no. 35 (2025). https://doi.org/10.7592/methis.v28i35.25567.

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Teesid: Muusikutele ja muusikaelule Riias ja Tallinnas Põhjasõja ajal pole muusikaloos kuigivõrd tähelepanu pööratud. Arhiiviallikad annavad siiski väärtuslikku teavet muusikaelu eri aspektide ja nende muutuste kohta sõja ja katku ajal, võimaldavad järeldusi muusikute toimetulekustrateegiate kohta ja lubavad kaudsemalt arutleda ka muusikute vaimse heaolu üle. Sõja mõju ei olnud üksnes pärssiv, näiteks lahinguvõite tähistati uute muusikateostega. Uurimus keskendub Riia ja Tallinna muusikutele, kellest tuntuim on Johann Valentin Meder (Riia toomorganist, varem töötanud ka kantorina Tallinnas). T

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Brien, Donna Lee. "Disclosure in Biographically-Based Fiction: The Challenges of Writing Narratives Based on True Life Stories." M/C Journal 12, no. 5 (2009). http://dx.doi.org/10.5204/mcj.186.

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As the distinction between disclosure-fuelled celebrity and lasting fame becomes difficult to discern, the “based on a true story” label has gained a particular traction among readers and viewers. This is despite much public approbation and private angst sometimes resulting from such disclosure as “little in the law or in society protects people from the consequences of others’ revelations about them” (Smith 537). Even fiction writers can stray into difficult ethical and artistic territory when they disclose the private facts of real lives—that is, recognisably biographical information—in thei

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Ruiz, Cabello Francisco Miguel. "Condiciones para la contratación de una compañía de ministriles en la ciudad de Écija (1565-1569)." Paisajes sonoros históricos (c.1200-c.1800), December 16, 2023. https://doi.org/10.5281/zenodo.10395413.

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El 9 de julio de 1565 Gaspar Muñoz, representante de una compañía de ministriles procedente de Marchena, presenta al cabildo de Écija las condiciones para firmar un contrato por cuatro años, siendo la primera vez que el concejo astigitano plantea la necesidad de asegurar la presencia de los músicos en los diversos actos y celebraciones municipales. On 9/07/1565 the minstrel Gaspar Muñoz, representative of a company of minstrels coming from Marchena, presented to the town council of Ecija the conditions to sign a contract for four years, being the first time that the council of Ecija raised the

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