Academic literature on the topic 'Peter Høeg'

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Journal articles on the topic "Peter Høeg"

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Humpál, Martin. "Det Identitetsløse Menneske Etter Modernismen Og Postmodernismen: Noen Eksempler Fra Nordisk Litteratur." Folia Scandinavica Posnaniensia 14, no. 1 (2012): 25–33. http://dx.doi.org/10.2478/v10252-012-0003-5.

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ABSTRACT The author of this article attempts to show how the theme of lack of identity figures in Scandinavian literature of the recent decades, especially in postmodernism, and partially also later. The absence of identity was a considerably frequent theme in modernism. According to many modernists the lack of identity was characteristic of the people of the twentieth century, and modernists usually regarded this phenomenon as tragic. This changed in the 1960s. Some modernist writers of the 1960s began to view the absence of identity in a more conciliatory way: their works featured a greater
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Schiedermair, Joachim. "Opprør på det mørke kontinentet – Kjønn, mimikry og kolonial motstand hos Verner von Heidenstam og Peter Høeg." Edda 97, no. 03 (2010): 260–68. http://dx.doi.org/10.18261/issn1500-1989-2010-03-04.

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Kent, Neil. "Miss Smilla's Feeling for Snow. 1994. Peter Høeg. London: HarperCollins. 410 p, soft cover. ISBN 0-00-654783-4. £5.99." Polar Record 31, no. 178 (1995): 359. http://dx.doi.org/10.1017/s0032247400014029.

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Jacobsen, Ronald. "The role of knowledge systems in the linguistic construction of action scenes in novels and their translations." HERMES - Journal of Language and Communication in Business 18, no. 34 (2017): 199. http://dx.doi.org/10.7146/hjlcb.v18i34.25805.

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What makes one translation better than another? This paper argues that the best is the one that best mirrors the levels of organisation found in the source text while at the same time achieving coherence on as many of them as possible. For instance, in the English translation of Peter Hoeg’s novel Smilla’s Sense of Snow, the original Danish sentence which contains a BE-perfect, Med Esajas i sin kiste er kommet et følge [‘With Isaiah in his coffin is come a procession’] (Høg 1993: 11) is translated as: A procession follows Isaiah in his coffin (Hoeg 1993: 4). This translation may achieve grammati
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Haarder, Jon Helt. "Hullet i nullerne. Ind og ud af kunsten med performativ biografisme." Passage - Tidsskrift for litteratur og kritik 25, no. 63 (2010). http://dx.doi.org/10.7146/pas.v25i63.6370.

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Jon Helt Haarder: “The Hole in the 00s: In and Out of Art with Performative Biographism”The hole mentioned in the title refers to the breaking down of barriers between art and life. This project of the historical avant-garde as it has resurfaced in the relational art practices of the 1990s is used as one way of framing a dominating trend in Scandinavian literature around the turn of the century: “Performative biographism” is suggested as a label for the widespread use of biographical or autobiographical material for artistic purposes. Authors and texts treated or mentioned include work by Pete
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Bergenholtz, Henning, and Loránd-Levente Pálfi. "Danmarks første nationalordbog. Om Videnskabernes Selskabs Ordbog I-VIII (1793-1905)." Fund og Forskning i Det Kongelige Biblioteks Samlinger 47 (May 19, 2014). http://dx.doi.org/10.7146/fof.v47i0.41209.

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The Academy of Science and Letters Dictionary is undoubtedly the Danish dictionary that has had the longest (two centuries), most problematic genesis, and the one most characterised by personal intrigues. This contribution is the first ever to offer a reasonably impartial analysis of selected dictionary entries from the work in connection with a highly detailed review of what was decidedly the most complicated affair in the history of Danish lexicography. We make use of the selective historiographical method that critically selects particularly relevant data and reproduces them in a judgmental
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Dissertations / Theses on the topic "Peter Høeg"

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Patchay, Sheenadevi. ""The struggle of memory against forgetting" contemporary fictions and rewriting of histories." Thesis, Rhodes University, 2008. http://hdl.handle.net/10962/d1002253.

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This thesis argues that a prominent concern among contemporary writers of fiction is the recuperation of lost or occluded histories. Increasingly, contemporary writers, especially postcolonial writers, are using the medium of fiction to explore those areas of political and cultural history that have been written over or unwritten by the dominant narrative of “official” History. The act of excavating these past histories is simultaneously both traumatic and liberating – which is not to suggest that liberation itself is without pain and trauma. The retelling of traumatic pasts can lead, as is po
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Talafantová, Kristýna. "Postmodernismus a magický realismus v Høegově Představách o dvacátém století (Forestillingen om det tyvende århundrede)". Pokus o terminologické vymezení." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-343862.

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1 Abstract The thesis examines the relationship of the literary phenomena magical realism and postmodernism. The starting point of the thesis is the statement that both the terms embody various common features (ideological, thematic). The author targets the definition of both styles and their genealogical delimitation in the first part. In the second part, the author relates these two terms to the particular work - the novel The History of Danish Dreams of the danish author Peter Høeg. It is possible to find demonstrable principles of both magical realism and postmodernism in this wider prose.
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Schröder, Ulrich [Verfasser]. "Der Stellenwert des ökologischen Diskurses in der neuesten dänischen Literatur anhand ausgewählter Erzähltexte aus dem Werk von Vagn Lundbye und Peter Høeg / vorgelegt von Ulrich Schröder." 2006. http://d-nb.info/995519609/34.

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Patchay, Sheenadevi. ""The struggle of memory against forgetting" : contemporary fictions and rewriting of histories /." 2007. http://eprints.ru.ac.za/1296/.

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Books on the topic "Peter Høeg"

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1957-, Høeg Peter, ed. Smilla's sense of snow: The making of a film by Bille August adapted from the novel by Peter Høeg. Noonday Press, Farrar, Straus and Giroux, 1997.

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Abens poetik: Portræt af Peter Høegs forfatterskab. Spring, 2005.

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Bojsen-Møller, Jutta. Fortællinger om det tyvende århundrede: Peter Høegs forfatterskab. Munksgaard, 1998.

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Trolle, Karin. Frøken Smillas fornemmelse for sne: Bogen om Bille Augusts film efter Peter Høegs roman. Munksgaard, 1996.

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Bjøndal, Jan. Kast dit brød paa vandet--: En analyse av Olav Duuns Juvikfolke, Tarjei Vesaas' Kimen, Johan Borgens Lillelord-trilogi, Bergljot Hobæk Haffs Heksen, Åge Rønnings Kolbes reise, Peter Høegs De måske egnede. Solum, 1998.

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Helge, Schenstrøm, Weiler-Streichsbier Doris, Ellermann Heike, and Landesmuseum für Kunst- und Kulturgeschichte Oldenburg., eds. "Es ist nichts, nur Papier, und doch ist es die ganze Welt" (Peter Høeg): Papiertheater aus der Sammlung Helge Schenstrøm : Katalog zur Ausstellung im Landesmuseum Oldenburg vom 6. September 1998 bis 28. Februar 1999. Das Landesmuseum, 1998.

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Abens poetik: Portræt af Peter Høegs forfatterskab. Forlaget Spring, 2005.

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Book chapters on the topic "Peter Høeg"

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Detering, Heinrich. "Høeg, Peter." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4574-1.

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Hoff, Karin, and Lutz Rühling. "Peter Høeg." In Kindler kompakt: skandinavische literatur 20. jahrhundert. J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04361-0_57.

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Heede, Dag. "Høeg, Peter: De måske egnede." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4577-1.

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Heede, Dag. "Høeg, Peter: Forestilling om det tyvende århundrede." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4575-1.

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Heede, Dag. "Høeg, Peter: Frøken Smillas fornemmelse for sne." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4576-1.

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Öhrström, Lars. "The Emperor and Miss Smilla." In The Last Alchemist in Paris. Oxford University Press, 2013. http://dx.doi.org/10.1093/oso/9780199661091.003.0013.

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Biking south from Avignon, brief residence of the popes in southern France, towards Arles, town of bulls and van Gogh, should be a leisurely experience in the smiling Provencal landscape, making no undue demands on one’s physical abilities. That is, providing you stay away from the only obstacle on the way—the fortified hilltop village of Les Baux-de-Provence. An odd (some would say suspect) error of navigation brought us to the top one sunny day in September many years ago, but this detour proved to be well worth the effort. Both the village and the view are spectacular, and well justified claims to fame for Les Baux. However, Les Baux is, or should be, famous for another thing, the ore known as bauxite, discovered in the vicinity of the village by Pierre Berthier in 1821. Through the bauxite ore there is a curious connection between this sunny place of cicadas and pastis in the afternoon shade, and the Greenlandic adventures of Smilla Qaaviqaaq Jaspersen. These adventures that, told in the novel Miss Smilla’s Feeling for Snow, propelled Danish author Peter Høeg to international fame and fortune in 1992. In this bestselling novel, that can be described both as a thriller and as a ‘post-feminist’ critique of Danish colonialism, the mysterious doings of the Cryolite Company of Greenland plays a major role, as does Smilla’s profound knowledge of the solid-state properties of water. A former glaciologist of Danish–Greenlandic origins, she investigates the death of a neighbour’s six-year-old child after a fall from a snow-covered roof, which is dismissed by the police as an accident. She finds herself rummaging in the archives of the Cryolite Company in Copenhagen, examining forensic evidence, and finally joining the crew of an ill-fated expedition to a remote part of Greenland. At first sight, the common denominator between bauxite and cryolite is aluminium. As such, this is not so remarkable: aluminium, right under boron in the Periodic Table, is present in many minerals and ores, and is the third most abundant element in the earth’s crust.
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