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Journal articles on the topic 'Peter Weiss'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 April 2022

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1

Osterle, Heinz D., Robert Cohen, and Martha Humphreys. "Understanding Peter Weiss." German Quarterly 69, no. 4 (1996): 462. http://dx.doi.org/10.2307/408013.

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2

Stegmann, Vera, Jost Hermand, and Marc Silberman. "Rethinking Peter Weiss." German Studies Review 25, no. 2 (2002): 438. http://dx.doi.org/10.2307/1433073.

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3

Kuhn, Tom, and Robert Cohen. "Understanding Peter Weiss." Modern Language Review 90, no. 3 (1995): 811. http://dx.doi.org/10.2307/3734408.

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4

Weiss, Peter. "Remarks by Peter Weiss." Proceedings of the ASIL Annual Meeting 91 (1997): 6–9. http://dx.doi.org/10.1017/s0272503700065071.

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5

Pariser, David. "Peter Fischli, David Weiss." Leonardo 21, no. 3 (1988): 331. http://dx.doi.org/10.2307/1578674.

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6

Knittel, Von Anton Philipp. "Psychoanalyse und Peter Weiss' Experimentalfilme1." Orbis Litterarum 60, no. 3 (2005): 202–18. http://dx.doi.org/10.1111/j.1600-0730.2005.00834.x.

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7

Blomster, Wes, and Raimund Hoffmann. "Peter Weiss: Malerei, Zeichnungen, Collagen." World Literature Today 59, no. 2 (1985): 265. http://dx.doi.org/10.2307/40141533.

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8

Acosta, Luis A. "El experimento narrativo en la obra temprana de Peter Weiss." Philologia Hispalensis, no. 10 (1995): 55–76. http://dx.doi.org/10.12795/ph.1995.v10.i01.05.

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9

Packalén, Sture. "Peter Weiss und das dialogische Prinzip." Studia Neophilologica 67, no. 2 (1995): 209–27. http://dx.doi.org/10.1080/00393279508588162.

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10

Langston, Richard. "Peter Weiss and the Exilic Body." Modernism/modernity 14, no. 2 (2007): 273–90. http://dx.doi.org/10.1353/mod.2007.0041.

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11

Hesson, Lizabeth C. "Revolution, art and politics: Peter Weiss." Neohelicon 14, no. 2 (1987): 275–85. http://dx.doi.org/10.1007/bf02094691.

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12

Atallah Diyaiy, Ph D. Sabah. "Violence in Peter Weiss's Play Marat /Sade." Alustath Journal for Human and Social Sciences 214, no. 2 (2020): 191–96. http://dx.doi.org/10.36473/ujhss.v214i2.1470.

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Peter Weiss was born in Germany. When Hitler came to power, his family emigrated to Sweden in 1939. Weiss hated war which deprived him of his country, friends and relatives. As a committed writer, he discussed social and political situations. He wrote Marat/ Sade in 1964. The play takes place in a lunatic asylum in 1808. In the play Marquis de Sade hates the corrupt bourgeois society he belongs to. He detects the violence hidden under the slogans of the French Revolution. It is a revolution that is responsible for irrational and sadistic aspects of life. Weiss was frustrated by that kind of cr

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13

Atze, Marcel. "„Los schnell“. Peter Weiss liest H.G. Adler." Monatshefte 103, no. 2 (2011): 276–88. http://dx.doi.org/10.1353/mon.2011.0057.

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14

Landgren, Gustav. ",,Mein Exil, das ich in der Gartenlaube gefunden hatte, setzte sich auf dem Dachboden fort.“ Raum und Erinnerung in Abschied von den Eltern und in Fluchtpunkt1." Literatur für Leser 37, no. 1 (2014): 23–38. http://dx.doi.org/10.3726/90066_023.

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Die Erzählung Abschied von den Eltern (1961) von Peter Weiss ist, wie Axel Schmolke durch Autopsie der Handschriften im Nachlass des Autors in der Berliner Akademie der Künste gezeigt hat, das Ergebnis einer sich über eine Dekade erstreckenden Genese. Zwischen 1950 und 1960 entstehen mehrere Fassungen des Romans sowohl auf Deutsch als auch auf Schwedisch, von denen drei vollständige Versionen überliefert sind.2 Autobiographischer Hintergrund der unmittelbaren Niederschrift von Weiss‘ mehrmals revidiertem Prosastück, das ursprünglich den Titel Textur trug, bildete u.a. der Tod der beiden Eltern

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15

Mckenzie, John R. P. "Peter Weiss and the Politics of ‘Marat-Sade’." New Theatre Quarterly 1, no. 3 (1985): 301–12. http://dx.doi.org/10.1017/s0266464x00001688.

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Peter Weiss, who died in 1982, achieved international recognition as a playwright relatively late in his life – at the age of almost fifty when, in 1964, the Marat-Sade received its premiere in West Germany and in London. Although these productions were followed by a Marxist interpretation in East Germany in the following year, it was Peter. Brook's version for the RSC, later filmed, which shaped most English-speaking theatregoers' perceptions of the play, as a culmination of Brook's exploration of ‘theatre of cruelty’. So what is the philosophy of the Marat-Sade? In this article, John McKenzi

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16

Heise, Eloá. "Os elementos do surrealismo na peça Marat/Sade de Peter Weiss." Pandaemonium Germanicum, no. 1 (November 5, 1997): 45. http://dx.doi.org/10.11606/1982-8837.pg.1997.62727.

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Die Analyse des Dramas Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter der Anleitung des Herrn de Sade (1964) von Peter Weiss zeigt, wie sich Weiss surrealistischer Elemente, z.B. des Themas des Wahnsinns und der alogischen Struktur des Stückes im Stück, bedient hat. Mit diesen Drama hatte er Autor den größten Erfolg des deutschen Theaters auf den Bühnen der Welt nach Brecht.

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17

Kyoumsup Kim. "A Theatrical Aesthetics of Peter Weiss and -Drama." Drama Research ll, no. 35 (2011): 111–47. http://dx.doi.org/10.15716/dr.2011..35.111.

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18

Schwartz, Frederic J. "Peter Weiss: Art and the Historiography of Resistance." Konsthistorisk Tidskrift/Journal of Art History 81, no. 2 (2012): 65–93. http://dx.doi.org/10.1080/00233609.2012.680490.

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19

Lewis, Ward B. "The American Reception of Peter Weiss’ Marat/Sade." Maske und Kothurn 31, no. 1-4 (1985): 65–72. http://dx.doi.org/10.7767/muk.1985.31.14.65.

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20

Hedges, Inez. "The Aesthetics of Resistance: Thoughts on Peter Weiss." Socialism and Democracy 20, no. 2 (2006): 69–77. http://dx.doi.org/10.1080/08854300600691608.

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21

Szewczyk, Grażyna Barbara. "Word and Image. The Artistic Visions of Peter Weiss in His Early Prose." Rocznik Komparatystyczny 9 (2019): 49–60. http://dx.doi.org/10.18276/rk.2018.9-03.

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22

Partyka, Jacek. "Literackie formy graniczne (Weiss – Reznikoff – Grynberg)." Zagłada Żydów. Studia i Materiały, no. 9 (December 1, 2013): 289–309. http://dx.doi.org/10.32927/zzsim.591.

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The article discusses three examples of literature concerning the fate of Jews during World War II, three attempts to bridge the gap between literature and document so as to work out an “optimal” way of writing about the Holocaust. All the texts taken into consideration were written, or rather composed as carefully edited collages of authentic documents. Read together, Peter Weiss’s The Investigation, Charles Reznikoff’s Holocaust and Henryk Grynberg’s Children of Zion illustrate two significant processes: the implication of testimony in ideological causes and the purification of testimony fro

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23

Cohen, Robert, and Silvia Kienberger. "Poesie, Revolte und Revolution: Peter Weiss und die Surrealisten." German Quarterly 69, no. 2 (1996): 226. http://dx.doi.org/10.2307/408362.

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24

Besson, Jean-Louis. "L�Instruction de Peter Weiss�: un�registre de voix." �tudes th��trales N�51-52, no. 2 (2011): 95. http://dx.doi.org/10.3917/etth.051.0095.

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25

Rey, William H. "Kein Ort. Nirgends Der heimatlose Sozialismus des Peter Weiss." Orbis Litterarum 41, no. 1 (1986): 66–90. http://dx.doi.org/10.1111/j.1600-0730.1986.tb00851.x.

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26

Bernard, Christophe. "Historicité et fiction du champ discursif dans Marat-Sade de Peter Weiss." Analyses 40, no. 3 (2010): 195–206. http://dx.doi.org/10.7202/039253ar.

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Cet article interroge, à travers l’observation du concept de l’archive, les rapports entre l’Histoire et le texte de fiction. Marat-Sade, pièce de Peter Weiss, propose un dialogue (théâtralisé par les fous de l’hospice de Charenton) entre deux figures célèbres, l’écrivain et l’homme politique. Le but de l’investigation consiste ici à cerner les modalités et les mécanismes par lesquels Weiss parvient à élaborer son propre champ discursif : en agençant des faits et des éléments historiques discontinus, en modifiant des réalités archivées, en modifiant le contexte d’une action, l’auteur régit et

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27

Sun-Mi Tak. "Peter Weiss’ Stück Die Ermittlung und die Erinnerungskultur der Deutschen." Koreanische Zeitschrift für Germanistik 58, no. 4 (2017): 127–57. http://dx.doi.org/10.31064/kogerm.2017.58.4.127.

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28

Rundell, Richard J., and Roger Ellis. "Peter Weiss in Exile: A Critical Study of His Works." Theatre Journal 41, no. 2 (1989): 267. http://dx.doi.org/10.2307/3207883.

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29

Brod, Anna. "‘Täter-’ und ‘Opfersprache’ in Peter Weiss’ Dokumentar- theaterstück Die Ermittlung." Zeitschrift für Genozidforschung 12, no. 2 (2011): 63–79. http://dx.doi.org/10.5771/1438-8332-2011-2-63.

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30

Cattermole, Carlota. "Virgilio e la strumentalizzazione della ragione nell'Inferno di Peter Weiss." Dante e l'Arte 1 (December 20, 2014): 139. http://dx.doi.org/10.5565/rev/dea.19.

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31

Schlunk, Jurgen E. "Auschwitz and Its Function in Peter Weiss' Search for Identity." German Studies Review 10, no. 1 (1987): 11. http://dx.doi.org/10.2307/1430441.

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32

Pourciau, Sarah. "Infernal Poetics: Peter Weiss and the Problem of Postwar Authorship." Germanic Review: Literature, Culture, Theory 82, no. 2 (2007): 157–78. http://dx.doi.org/10.3200/gerr.82.2.157-178.

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33

Von Silke, Segler-Messner. "Moderne Höllendarstellungen - Primo Levi und Peter Weiss im Zwiegespräch mit Dante." Jahrbuch für Internationale Germanistik 2007, no. 1 (2007): 51–80. http://dx.doi.org/10.3726/82027_51.

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34

Meyerhofer, Nicholas J., and Andrea Heyde. "Unterwerfung und Aufruhr. Franz Kafka im literarischen Werk von Peter Weiss." German Studies Review 21, no. 2 (1998): 406. http://dx.doi.org/10.2307/1432255.

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35

Heidelberger-Leonard, Irene. "Ausgekochte Ästheten, Schriftsteller des Engagements" : Zu Alfred Andersch und Peter Weiss." Revue belge de philologie et d'histoire 68, no. 3 (1990): 752–57. http://dx.doi.org/10.3406/rbph.1990.3739.

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36

Heidelberger-Leonard, Irene. "Der Stellenwert der Divina Cornmedia in der Werkgeschichte von Peter Weiss." Orbis Litterarum 44, no. 1 (1989): 252–66. http://dx.doi.org/10.1111/j.1600-0730.1989.tb00900.x.

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37

Kim, Kyoumsup. "Peter Weiss s Mid-term plays and Actuality of 68 Movement." Korean Society of Culture and Convergence 40, no. 5 (2018): 65–94. http://dx.doi.org/10.33645/cnc.2018.09.40.5.65.

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38

Winkler, Michael, and Genia Schulz. ""Die Asthetik des Widerstands": Versionen des Indirekten in Peter Weiss' Roman." German Studies Review 11, no. 1 (1988): 178. http://dx.doi.org/10.2307/1430890.

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39

Buch, Robert. "The Resistance to Pathos and the Pathos of Resistance: Peter Weiss." Germanic Review: Literature, Culture, Theory 83, no. 3 (2008): 241–66. http://dx.doi.org/10.3200/gerr.83.3.241-266.

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40

Kehr, Pierre, and Alain G. Graftiaux. "Robin N. Kamal, Arnold-Peter Weiss: Comprehensive board review in orthopaedic." European Journal of Orthopaedic Surgery & Traumatology 27, no. 7 (2017): 1035. http://dx.doi.org/10.1007/s00590-017-1994-9.

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41

Kim, Kyeom-seop. "Resistance and Aesthetics: The 68 Movement and Total Theatare of Peter Weiss." Journal of the Humanities 88 (September 30, 2019): 29–62. http://dx.doi.org/10.21211/jhum.88.2.

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42

Poore, Carol, and Maria C. Schmitt. "Peter Weiss, "Die Asthetik des Widerstands." Studien zu Kontext, Struktur und Kunstverstandnis." German Quarterly 61, no. 4 (1988): 605. http://dx.doi.org/10.2307/406293.

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43

Combes, André. "D’Inferno à la Dante-Prosa : Peter Weiss et l’« enfer » ouest-allemand." Germanica, no. 42 (June 1, 2008): 47–79. http://dx.doi.org/10.4000/germanica.513.

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44

Rector, Martin. "Der unbequeme Bündnispartner. Zur selektiven Rezeption von Peter Weiss in der DDR." Studia Germanica Posnaniensia 22 (October 29, 2018): 139–63. http://dx.doi.org/10.14746/sgp.1995.22.10.

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45

Itkin, Alan. "Bring Up the Bodies: The Classical Concept of Poetic Vividness and Its Reevaluation in Holocaust Literature." PMLA/Publications of the Modern Language Association of America 133, no. 1 (2018): 107–23. http://dx.doi.org/10.1632/pmla.2018.133.1.107.

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The scenario of someone gazing at corpses plays an important role in the work of three authors representing three generations of Holocaust literature: Peter Weiss, W. G. Sebald, and Jonathan Littell. Plato and Aristotle used this scenario to address a key question raised by the concept of poetic vividness, which they defined as putting a described scene before the reader's eyes: If literature shows us gruesome sights that we should not desire to see or enjoy seeing, does this make literature a form of voyeurism? Weiss, Sebald, and Littell evoke corpse gazing in the context of the Holocaust to

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46

Langer, Renate. "Mutter Erde. Über ein Motivgeflecht in der "Ästhetik des Widerstands" von Peter Weiss." Studia Germanica Posnaniensia 20 (October 29, 2018): 109–24. http://dx.doi.org/10.14746/sgp.1993.20.11.

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47

Stausberg, Michael. "Religionsvitenskapens Komparative Utfordring – Edited by Joel Haviv, Anders Lisdorf, and Peter Weiss Poulsen." Religious Studies Review 32, no. 2 (2006): 100. http://dx.doi.org/10.1111/j.1748-0922.2006.00053_7.x.

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48

Sebald, W. G. "Die Zerknirschung des Herzens -über Erinnerung und Grausamkeit im Werk von Peter Weiss." Orbis Litterarum 41, no. 3 (1986): 265–78. http://dx.doi.org/10.1111/j.1600-0730.1985.tb01087.x.

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49

Szewczyk, Grażyna Barbara. "Das Wort und das Bild. Peter Weiss‘ künstlerische Visionen in seiner frühen Prosa." Rocznik Komparatystyczny 9 (2019): 49–60. http://dx.doi.org/10.18276/rk.2019.9-03.

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50

Beniston, Judith, and Christoph Weiss. "Auschwitz in der geteilten Welt: Peter Weiss und 'Die Ermittlung' im Kalten Krieg." Modern Language Review 98, no. 3 (2003): 784. http://dx.doi.org/10.2307/3738377.

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