Academic literature on the topic 'Petits frères (Motion picture)'

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Journal articles on the topic "Petits frères (Motion picture)"

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Thomas, Peter. "Anywhere But the Home: The Promiscuous Afterlife of Super 8." M/C Journal 12, no. 3 (2009). http://dx.doi.org/10.5204/mcj.164.

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Consumer or home use (previously ‘amateur’) moving image formats are distinguished from professional (still known as ‘professional’) ones by relative affordability, ubiquity and simplicity of use. Since Pathé Frères released its Pathé Baby camera, projector and 9.5mm film gauge in 1922, a distinct line of viewing and making equipment has been successfully marketed at nonprofessional use, especially in the home. ‘Amateur film’ is a simple term for a complex, variegated and longstanding set of activities. Conceptually it is bounded only by the negative definition of nonprofessional (usually inte
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Books on the topic "Petits frères (Motion picture)"

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Goumane, Dembo. Dembo story. Hachette, 2006.

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Jarrige, Bernard La. Mémoires d'un comédien au XXe siècle: Trois petits tours. Harmattan, 2009.

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Couderc, J. J. Les petits maîtres du burlesque américain, 1909-1929. CNRS editions, 2000.

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Lathière, Marcel. Appelez-moi Lathière: Souvenirs. Artena, 2007.

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Matilde, Tortora, ed. Au pays noir: Film Pathé en pochette, 1903-1905 = les films Pathé en pochette, 1903-1905. La Mongolfiera, 2002.

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Annaud, Jean-Jacques. Two brothers: A fable on film and how it was told. Newmarket Press, 2004.

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L'Amérique des frères Coen. CNRS éditions, 2012.

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Des cinémas dans la ville: Caen, des frères Lumière au nouveau millénaire. Éditions Cahiers du temps, 2010.

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Pathé: À la conquête du cinéma (1896-1929). Tallandier, 2014.

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As Seen On TV. PHOENIX (ORIO), 2006.

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Book chapters on the topic "Petits frères (Motion picture)"

1

O'Brien, Charles. "Motion Picture Color and Pathé-Frères." In A Companion to Early Cinema. Blackwell Publishing Ltd., 2012. http://dx.doi.org/10.1002/9781118274453.ch16.

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Lupack, Barbara Tepa. "Seeking “Old Opportunity”." In Silent Serial Sensations. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501748189.003.0002.

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This chapter details how Ted Wharton got into the entertainment business. The early years that Ted spent on and behind the stage gave him an invaluable introduction to virtually all aspects of the entertainment industry, especially to the performance and production of melodrama. They also taught him the technical and improvisational skills that would serve him well as he graduated from vaudeville performance and legitimate stage acting to direction of film shorts and production of serials, particularly since he was often experimenting as he developed the conventions and devices that would beco
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