Log in

Relevant bibliographies by topics / Petrarca, Francesco, Authors, Italian / Journal articles

To see the other types of publications on this topic, follow the link: Petrarca, Francesco, Authors, Italian.

Journal articles on the topic 'Petrarca, Francesco, Authors, Italian'

Author: Grafiati

Published: 4 June 2021

Last updated: 6 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 16 journal articles for your research on the topic 'Petrarca, Francesco, Authors, Italian.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Dokuchaev, I. I. "Canzoniere Francesco Petrarch in a new translation by Vladimir Maransman." Voprosy kul'turologii (Issues of Cultural Studies), no. 8 (August 1, 2020): 28–34. http://dx.doi.org/10.33920/nik-01-2008-03.

Full text

Abstract:

The review presents a new book by Corresponding Member of the Russian Academy of Education Vladimir Georgievich Maransman — a translation from Italian of the Book of Songs (Canzoniere) by Francesco Petrarch. This translation is a real event in the history of modern Russian culture, since it turned out to be one of the first full translations into Russian of the main book of the great Italian poet of the Renaissance, the first lyric poet in the history of European poetry — Petrarch, made by one translator. The translation was carried out taking into account the long tradition of Russian transla

APA, Harvard, Vancouver, ISO, and other styles

2

Minskevich, S. L. "Adam Mickiewicz’s strategy in translating Petrarch’s sonnets." Proceedings of the National Academy of Sciences of Belarus, Humanitarian Series 65, no. 2 (2020): 209–17. http://dx.doi.org/10.29235/2524-2369-2020-65-2-209-217.

Full text

Abstract:

The article examines the VII and X ‘Odessan Sonnets’ by Adam Miсkiewicz, which are translations of the СХІІ and LXI sonnets by Petrarch from the ‘Canzoniere’. A comparative analysis of Polish and Italian texts is carried out. The problem of the loss of VII and X ‘Odessan Sonnets’ by Adam Mickiewicz when translating this cycle into other languages is noted. The study of the translation strategy of Adam Mickiewicz suggests that these sonnets can be considered as original author’s works having intertextual connections with CXII and LXI sonnets of Francesca Petrarch. This circumstance opens up the

APA, Harvard, Vancouver, ISO, and other styles

3

Vígh, Éva. "A főnix újjászületése Petrarca Daloskönyvében." Antikvitás & Reneszánsz, no. 2 (January 1, 2018): 77–98. http://dx.doi.org/10.14232/antikren.2018.2.77-98.

Full text

Abstract:

In the history of civilization and ancient literature, from Hesiod, Herodotus, Pliny, Tacito, Ovid to early Christian authors the symbolism of the bird periodically reborn from its ashes continued to survive in the sheets of encyclopedias and bestiaries. The image of the phoenix was transmitted by medieval troubadour poetry in form of rhetorical figures. Francesco Petrarca was not only the renewer of European poetry: he opened a completely singular way even in the interpretation of the unica avis. After having briefly outlined the poetic and spiritual symbolism of the phoenix, the paper focuse

APA, Harvard, Vancouver, ISO, and other styles

4

Spani, Giovanni. "Francesco Petrarca Between the Gotica and Littera Antiqua: the Graphic Reform of Script and the Humanist Aesthetic." Futhark. Revista de Investigación y Cultura, no. 8 (2013): 263–77. http://dx.doi.org/10.12795/futhark.2013.i08.15.

Full text

Abstract:

The present article discusses the fundamental role of Petrarch’s script evolution in the graphic reform carried out by Italian Humanists of the 15th century from the gothic script to humanist miniscule. His exposure to the various scripts in use – from the Tuscan chancery style to the gotica libraria style of universities and monasteries – afforded Petrarch the perspective to develop his own model of writing, one which more capably responded to his philological and practical conception of writing. The contemporary gloss script known as the scriptura notularis, whose essential elements were bas

APA, Harvard, Vancouver, ISO, and other styles

5

Briante, Elisa, Marena Lear, and Gerardo Pisacane. "#LauraSpeaks: Remediations of Pellegra Bongiovanni’s “Risposte”." Semantic Metadata, Humanist Computing, and Digital Humanities 6, no. 1 (2019): 86–117. http://dx.doi.org/10.5399/uo/hsda.6.1.6.

Full text

Abstract:

This paper examines the implications of digital remediation which translates and transforms an older text, endowing it with new life, in relation to the project #LauraSpeaks, a translation and remediation of Pellegra Bongiovanni’s Risposte di Madonna Laura alle rime di Messer Francesco Petrarca, in nome della medesima. Divided into three different sections, it describes the steps involved in this project, from the discovery of the original text and the analysis of Bongiovanni’s contribution within the realm of Petrarchism, moving to a discussion of the translation of her work from Italian to E

APA, Harvard, Vancouver, ISO, and other styles

6

Kowalik, Katarzyna. "Włoska historia jednego gatunku." Fabrica Litterarum Polono-Italica, no. 2 (June 30, 2020): 191–97. http://dx.doi.org/10.31261/flpi.2020.02.14.

Full text

Abstract:

The text is devoted to Giancarlo Alfano and Francesco de Cristofaro’s monograph Il romanzo in Italia published in 2018. The work is an attempt to systematize the information about Italian tradition of the genre which nowadays unquestionably dominates the publishing market. Moreover, it describes the structure of the publication, methodological assumptions adopted by the authors, their objectives, and the way of their realisation. The analysis of these elements shows whether the work discussed can be an important point of reference for future academic works dedicated to Italian novels.

APA, Harvard, Vancouver, ISO, and other styles

7

Albanese, Nicholas. "From the Poet to the Pedant: Models and Counter- Models of Classical Learning in the Renaissance (eng)." Futhark. Revista de Investigación y Cultura, no. 11 (2016): 3–23. http://dx.doi.org/10.12795/futhark.2016.i11.01.

Full text

Abstract:

The figure of the pedante and its presence in Renaissance culture has been observed and analyzed principally by scholars and historians of 16th century theatrical production, who have delineated the contours of the largely unified character in terms of its physical and performative characteristics on the stage. After Arturo Graf’s discussion of the pedant in Renaissance comedy over 130 years ago, it is only in more recent times that theater scholars have turned their interest towards the character even though the wider cultural context and relevance of its appearance outside of the theater has

APA, Harvard, Vancouver, ISO, and other styles

8

Vizmuller-Zocco, Jana. "(Un)Human Relations: Transhumanism in Francesco Verso’s Nexhuman." Quaderni d'italianistica 37, no. 2 (2018): 211–26. http://dx.doi.org/10.33137/q.i..v37i2.29236.

Full text

Abstract:

Transhumanism is an international movement which espouses the idea that any human organ, function, sense, ability, can be augmented and ameliorated with the judicious use of technology. The ethical, cultural, social, biological, economic implications for this view are far-reaching and point to a number of complex questions whose solution eludes researchers so far. One of the possible sources for answers to these is found in science fiction. While transhumanism is a relatively recent phenomenon (last 25 years or so), science fiction published in English that mirrors some of its issues and id

APA, Harvard, Vancouver, ISO, and other styles

9

Stanley, Joseph F. "Negotiating Trade: Merchant Manuals and Cross-Cultural Exchange in the Medieval Mediterranean." Frontiers: The Interdisciplinary Journal of Study Abroad 30, no. 1 (2018): 102–12. http://dx.doi.org/10.36366/frontiers.v30i1.407.

Full text

Abstract:

This essay explores Italian mercantile perceptions of the non-western Mediterranean world during the late Middle Ages. In particular, it analyzes the corpus of merchant manuals known as pratiche della mercatura and argues that the intercultural and cross-confessional material included in these handbooks were vital components that helped facilitate trade across ethno-religious frontiers in the Arab-Turkic regions. This paper opens with an examination of the “traditional” manual genre, with particular emphasis on Francesco Pegolotti’s Libro di divisamenti di paesi (c. 1310-40). Pegolotti and oth

APA, Harvard, Vancouver, ISO, and other styles

10

Klugman, Matthew, and Francesco Ricatti. "‘Roma non dimentica i suoi figli’: love, sacrifice and emotional attachment to football heroes." Modern Italy 17, no. 2 (2012): 237–49. http://dx.doi.org/10.1080/13532944.2012.665289.

Full text

Abstract:

Italian football is renowned as much for the passion of its spectators as it is for the quality of its players, yet these spectators are understudied. Those studies that have been conducted have generally focused on the problems of violence and racism associated with some of the more extreme supporters, the so-called ultras. This paper aims to complement that research by analysing a different aspect of the passions of Italian spectators, namely the emotional ties they create with particular players upon whom they confer a special, hero-like status. Our interest lies not in questioning the legi

APA, Harvard, Vancouver, ISO, and other styles

11

Domenicucci, Maurizio, Demo Eugenio Dugoni, Cristina Mancarella, Alessandro D'Elia, and Paolo Missori. "Vincenzo Quercioli (1876–1939), researcher and pioneer of the atlas fracture." Journal of Neurosurgery: Spine 22, no. 3 (2015): 253–58. http://dx.doi.org/10.3171/2014.11.spine14483.

Full text

Abstract:

A review of early 20th century literature regarding fractures of the atlas led the authors to discover a paper written in Italian by Professor Vincenzo Quercioli in 1908, at that time an assistant surgeon at the University of Siena. The work was published in the journal Il Policlinico, which at that time was directed by Professor Francesco Durante. The paper described the first case of a quadripartite fracture of the atlas, and it accurately reported the mechanism of injury, symptoms, neurological examination, treatment, complications, and cause of death of the patient. Quercioli performed an

APA, Harvard, Vancouver, ISO, and other styles

12

Anfi, lovaS G. "In the shade of “beautiful style”: talking about the chamber vocal music pieces by G. Donizetti." Aspects of Historical Musicology 15, no. 15 (2019): 99–118. http://dx.doi.org/10.34064/khnum2-15.05.

Full text

Abstract:

Background. In 2018, the 170th anniversary of the death of Gaetano Donizetti (1797–1848) was commemorated. G. Donizetti created 74 operas of various genres and themes. He was the head of the Italian opera school in the second half of the 1830s, picking up the baton from G. Rossini and V. Bellini and anticipating G. Verdi’s searching. Having an apparent melodic gift, excellent skills of composing, knowledge of musical theatre, he created his works extremely quickly and easily – up to 3–4 operas per year, which caused repeated critical attacks. Opera works by G. Donizetti got a hard futurity. Th

APA, Harvard, Vancouver, ISO, and other styles

13

Broccia, Michele. "The Sardinian Literary Spring: An Overview. A New Perspective on Italian Literature." Nordicum-Mediterraneum 9, no. 1 (2014). http://dx.doi.org/10.33112/nm.9.1.28.

Full text

Abstract:

This article aims at presenting today’s Sardinian literary scene and how some novelists (Sergio Atzeni, Giulio Angioni, Salvatore Mannuzzu, Salvatore Niffoi, Marcello Fois, Giorgio Todde, Milena Agus, Francesco Abate, Flavio Soriga and Michela Murgia), during the last few decades, drawing their narrative subjects directly from the regional and local culture, are contributing to a new development in Italian literature. These authors’ novels often contain references to Sardinian linguistic, social, anthropological and historical facts. Their success has led literary critics to talk about a Sardi

APA, Harvard, Vancouver, ISO, and other styles

14

Cavalli, Silvia. "An International ‘Non-revue’: Cultural Conflict and the Failure of Gulliver (1964)." Journal of European Periodical Studies 3, no. 1 (2018). http://dx.doi.org/10.21825/jeps.v3i1.8339.

Full text

Abstract:

In the early Sixties, the international literary journal Gulliver involved intellectuals of different nationalities: the French Dionys Mascolo and Maurice Blanchot; the German Hans Magnus Enzensberger; the Italians Elio Vittorini, Francesco Leonetti and Italo Calvino. The distances between them were quite obvious from the start. It was not so much a geographical matter as a different conception of literary patterns and commitment. These difficulties worsened after the construction of the Berlin Wall: the urgency of German writers to reflect upon their historical condition collided with the Fre

APA, Harvard, Vancouver, ISO, and other styles

15

Toftgaard, Anders. "“Måske vil vi engang glædes ved at mindes dette”. Om Giacomo Castelvetros håndskrifter i Det Kongelige Bibliotek." Fund og Forskning i Det Kongelige Biblioteks Samlinger 50 (April 29, 2015). http://dx.doi.org/10.7146/fof.v50i0.41247.

Full text

Abstract:

Anders Toftgaard: “Perhaps even this distress it will some day be a joy to recall”. On Giacomo Castelvetro’s manuscripts in The Royal Library, Copenhagen. In exile from his beloved Modena, Giacomo Castelvetro (1546–1616) travelled in a Europe marked by Reformation, counter-Reformation and wars of religion. He transmitted the best of Italian Renaissance culture to the court of James VI and Queen Anna of Denmark in Edinburgh, to the court of Christian IV in Copenhagen and to Shakespeare’s London, while he incessantly collected manuscripts on Italian literature and European contemporary history.

APA, Harvard, Vancouver, ISO, and other styles

16

Hutcheon, Linda. "In Defence of Literary Adaptation as Cultural Production." M/C Journal 10, no. 2 (2007). http://dx.doi.org/10.5204/mcj.2620.

Full text

Abstract:

   Biology teaches us that organisms adapt—or don’t; sociology claims that people adapt—or don’t. We know that ideas can adapt; sometimes even institutions can adapt. Or not. Various papers in this issue attest in exciting ways to precisely such adaptations and maladaptations. (See, for example, the articles in this issue by Lelia Green, Leesa Bonniface, and Tami McMahon, by Lexey A. Bartlett, and by Debra Ferreday.) Adaptation is a part of nature and culture, but it’s the latter alone that interests me here. (However, see the article by Hutcheon and Bortolotti for a discussi

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!