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1

Shary, Timothy. "Incorporating Images: Film and the Rival Arts Brigitte Peucker." Film Quarterly 50, no. 2 (1996): 52–54. http://dx.doi.org/10.2307/1213427.

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2

Shary, Timothy. ": Incorporating Images: Film and the Rival Arts . Brigitte Peucker." Film Quarterly 50, no. 2 (1996): 52–54. http://dx.doi.org/10.1525/fq.1996.50.2.04a00110.

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3

Guerin, Frances. "Aesthetic Spaces: The Place of Art in Film by Brigitte Peucker." Film Quarterly 73, no. 1 (2019): 107–9. http://dx.doi.org/10.1525/fq.2019.73.1.107.

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4

ALFREY, CLAIRE. "THE MATERIAL IMAGE: ART AND THE REAL IN FILM BY BRIGITTE PEUCKER." Art Book 14, no. 4 (2007): 72. http://dx.doi.org/10.1111/j.1467-8357.2007.00889_1.x.

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5

Rudy, A. S., A. M. Skundin, A. A. Mironenko, and V. V. Naumov. "Current Effect on the Performances of All-Solid-State Lithium-Ion Batteries—Peukert’s Law." Batteries 9, no. 7 (2023): 370. http://dx.doi.org/10.3390/batteries9070370.

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The results from measuring the capacity of thin-film solid-state lithium-ion batteries (SSLIBs) Ti|Si@O@Al|LiPON|LiCoO2|Ti, Ti|Si@O@Al|LiPON|LixV2O5|Ti, and Ti|LiPON|LiCoO2|Ti at different charge currents are reported. It is shown that the dependence of the capacity on the current density Q(j) follows Peukert’s law, which is characterized by a low value of Peukert’s exponents in the region of low currents and a high value of the exponents in the region of high currents. Peukert’s exponent for the anode-free cell remains constant through the entire range of current density variation. A model fo
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6

Grbić, Gordana, Ambros Hänggi, Igor Gajić, Slavica Vaselek, and Slobodan Ivković. "SPIDERS (ARANEAE) OF THE DELIBLATO SANDS (SERBIA)." Acta entomologica serbica 24, no. 1 (2019): 79–93. https://doi.org/10.5281/zenodo.3249916.

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The Special Nature Reserve &ldquo;Deliblato Sands&rdquo; in Serbia is the largest European continental sand area situated between the Danube River and western Carpathian slopes. Forestation, agriculture and fire are the main threats to this landscape. While plants and vertebrates are well known in this area, spiders were researched for the first time. Collecting with pitfall traps, sweep nets and beating in four different habitat types during a whole vegetation period yielded 1120 adult specimens and 96 species. Eight species represent first records for the Serbian fauna: <em>Atypus muralis</e
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7

Bertho, Elara. "BOURLET (Mélanie) et GUILLEMAIN (Franck), Bakary Diallo. Mémoires peules. Film documentaire. France : CNRS-images, CNRS, LLACAN, 2016, 72 min." Études littéraires africaines, no. 41 (2016): 166. http://dx.doi.org/10.7202/1037808ar.

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8

Rahmasari, Titalia D., Bagas N. Parahita, and Danang Purwanto. "Strategi Pelestarian Kesenian Tradisional Dongkrek Melalui Kegiatan Ekstrakurikuler." Indonesian Journal of Social Science Education (IJSSE) 5, no. 2 (2023): 121. http://dx.doi.org/10.29300/ijsse.v5i2.4029.

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Based on data from the Central Bureau of Statistics for 2021, the comparative results of the Indonesian people's interest in watching dance are still very low compared to their interest in watching film and music. This is also felt by the fate of Dongkrek Art, which is currently on the verge of worry because every year there is always news of the lack of participation of the younger generation. So efforts to preserve this art involve students in Dongkrek Art activities. Specifically, this research was conducted to examine the cultural strategy implemented by Balerejo 1 Public Middle School, Ma
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9

Nano, C. E. M., A. E. Bowland, T. J. Nano, S. Raghu, and C. R. Pavey. "Demographic hurdles to persistence in Acacia peuce (F. Muell.): Effects of resources, fire and browsing on a threatened keystone tree species from arid Australia." Journal of Arid Environments 80 (May 2012): 17–26. http://dx.doi.org/10.1016/j.jaridenv.2011.12.009.

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10

Géry, Catherine. "Qui a peur de Lady Macbeth ? Lady Macbeth du district de Mtsensk de N. S. Leskov et ses adaptations au XXe siècle." Slovo 41, no. 1 (2013): 129–59. https://doi.org/10.3406/slovo.2013.1489.

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La fin des années 1920 et le début des années 1930 en Union soviétique ont été fructueuses en ce qui concerne l’adaptation de la nouvelle de Leskov Lady Macbeth du district de Mtsensk (1864), comme en témoignent le film de Česlav Sabinskij Katerina Izmajlova, les lithographies du peintre Boris Kustodiev et surtout l’opéra éponyme de Dmitri Šostakovič. En ce qu’elle est interprétation et commentaire, l’adaptation propose toujours une révision et une re-sémantisation de son modèle ; elle favorise donc un renouvellement de son approche critique. Dans le cas de Lady Macbeth du district de Mtsensk,
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11

Pireyre, Raphaëlle. "Flow, le chat qui n’avait plus peur de l’eau de Gints Zilbadolis, film d’animation letton (1 h 25), à partir de 8 ans. • Sortie le 30 octobre." Études Octobre, no. 10 (2024): 113–14. http://dx.doi.org/10.3917/etu.4319.0117.

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12

Baetens, Jan. "The Material Image: Art and the Real in Film by Brigitte Peucker. Stanford University Press (Cultural Memory in the Present), Stanford, CA, U.S.A., 2007. 272 pp. Trade, paper. ISBN: 0-8047-5431-6; 0-8087-5430-6." Leonardo 41, no. 1 (2008): 80–81. http://dx.doi.org/10.1162/leon.2008.41.1.80.

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13

Нуретдинова, Алсу Ренатовна. "СФЕРОКОНИЧЕСКИЕ СОСУДЫ ЦАРЕВСКОГО ГОРОДИЩА". Археология Евразийских степей, № 4 (29 вересня 2021): 130–40. http://dx.doi.org/10.24852/2587-6112.2021.4.130.140.

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Сфероконические сосуды – особая категория посуды полифункционального назначения, часто встречающаяся на средневековых поволжских памятниках археологии. В статье рассматриваются основные типы сфероконусов Царевского городища, хранящиеся в Археологическом музее Казанского федерального университета, Волгоградском областном краеведческом музее, Государственном Эрмитаже, а также форма из камня для изготовления конусообразных сосудов. Обзор этих изделий в контексте изучения сфероконических сосудов с других золотоордынских памятников позволяет установить особенности их бытования на нижневолжских памя
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14

Patton, Felix, Petra Campbell, and Edward Parfet. "Establishing a monitoring system for black rhinos in the Solio Game Reserve, central Kenya." Pachyderm 43 (December 31, 2007): 87–95. http://dx.doi.org/10.69649/pachyderm.v43i.130.

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Solio Game Reserve in central Kenya was the first black rhino (Diceros bicornis) sanctuary in the country. In 1970 five remnant individuals were moved into it for safekeeping against poachers. Eighteen further introductions and subsequent births in good habitat with no human interference led to rapid population increase, and the reserve has since become the source of 67 rhinos to assist in stocking new sanctuaries. In 2000, when the reserve had the highest density of rhinos in Kenya, poachers attacked Solio and nine black rhinos were killed in a five-year period. A security and monitoring syst
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15

Rahayu, Istie Sekartaning, Diardana Prima Sintasari, and Raeh Niken Baghiroh. "PENGARUH MEDIA FILM ANIMASI TERHADAP KETERAMPILAN MENULIS TEKS EKSPLANASI SISWA KELAS VIII SMP PGRI 428 PEUSAR TAHUN PELAJARAN 2024-2025." Jurnal Pendidikan dan Sains (JUPISI) 4, no. 1 (2024). https://doi.org/10.63494/jupisi.v4i1.203.

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Abstrak: Berdasarkan studi di lapangan yang dilakukan oleh penelitian ternyata ada keterbatasan fasilitas seperti belum adanya media pembelajaran atau elektronik seperti proyektor, laptop dan sebagainya. Sebagian besar guru saat ini masih menggunakan pendekatan lama, seperti ceramah dan CBSH (Catatan Buku Sampai Habis). Tujuan dari penelitian ini adalah (1) untuk menjelaskan bagaimana film animasi digunakan dalam pembelajaran menulis teks eksplanasi siswa kelas VIII SMP PGRI 428 Peusar dan (2) menganalisis pengaruh media fim animasi terhadap keterampilan menulis teks eksplanasi siswa kelas VII
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16

Zhong, Isabel, and Kate Flowers. "Analyzing the Impact of Iridescence Strength on Animal Shape Recognition Using Computer Vision." Journal of Student Research 9, no. 1 (2020). http://dx.doi.org/10.47611/jsrhs.v9i1.1161.

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Iridescence, commonly found in nature, is the quality of a material to change colors depending on its interaction with light. For example, certain species of beetles distract predators with their iridescent exoskeletons that flash different colors depending on the angle the predator looks at them. Iridescent flowers, however, attract pollinators through their noticeable changes in color. Thus, it seems that iridescence can serve two contrasting purposes: concealment and attraction. The purpose of this project is to test whether different strengths in iridescence can impact its recognizability
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17

May, Lawrence. "Confronting Ecological Monstrosity." M/C Journal 24, no. 5 (2021). http://dx.doi.org/10.5204/mcj.2827.

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Introduction Amidst ecological collapse and environmental catastrophe, humankind is surrounded by indications that our habitat is turning against us in monstrous ways. The very environments we live within now evoke existential terror, and this state of ecological monstrosity has permeated popular media, including video games. Such cultural manifestations of planetary catastrophe are particularly evident in video game monsters. These virtual figures continue monsters’ long-held role in reflecting the socio-cultural anxieties of their particular era. The horrific figures that monsters present pl
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18

Whiting, Sam, Tully Barnett, and Justin O'Connor. "‘Creative City’ R.I.P.?" M/C Journal 25, no. 3 (2022). http://dx.doi.org/10.5204/mcj.2901.

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The Creative City Unlike the terms ‘creative industries’, which nobody ever quite understood, and ‘creative class’, about which actual ‘creatives’ were always ambiguous, the ‘creative city’ has been an incredibly successful global policy meme, to which cities across the world continue to aspire. From the early 1990s, faced with de-industrialisation, rising unemployment, and the increased global mobility of capital, professionals, and consumer-tourists, the ‘creative city’ became an essential part of the new urban imaginary for politicians, planners, local growth coalitions, and advocates and p
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