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Journal articles on the topic 'Phallocentrism'

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1

Seudin, Moreen Gorgees, and Saman Abdulqadir Hussein Dizayi. "Women, Nature, and Culture: Patriarchy and Phalloecntrism in Margaret Atwood's Oryx and Crake and The Year of the Flood." Twejer 4, no. 1 (2021): 1209–54. http://dx.doi.org/10.31918/twejer.2141.28.

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This paper tackles patriarchy and phallocentrism's concepts by shedding light on women, culture, and nature. Margaret Atwood's novels Oryx and Crake and The Year of the Flood are examined in terms of the concepts mentioned above. Atwood's novels and literary works can be examined in light of the concepts of patriarchy and phallocentrism based on environmental ethics. Through the study of these two novels, this paper attempts to elicit the signs regarding the cultural-ecological discourses and women's conditions as they are trapped in a male-centered society. Besides, it stresses nature's condi
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2

Hill, Rebecca. "Interval, Sexual Difference: Luce Irigaray and Henri Bergson." Hypatia 23, no. 1 (2008): 119–31. http://dx.doi.org/10.1111/j.1527-2001.2008.tb01168.x.

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Henri Bergson's philosophy has attracted increasing feminist attention in recent years as a fruitful locus for re-theorizing temporality. Drawing on Luce Irigaray's well-known critical description of metaphysics as phallocentrism, Hill argues that Bergson's deduction of duration is predicated upon the disavowal of a sexed hierarchy. She concludes the article by proposing a way to move beyond Bergson's phallocentrism to articulate duration as a sensible and transcendental difference that articulates a nonhierarchical qualitative relation between the sexes.
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3

Hill, Rebecca. "Phallocentrism in Bergson: Life and Matter." Deleuze Studies 2, Suppl (2008): 123–36. http://dx.doi.org/10.3366/e1750224108000391.

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Henri Bergson's philosophy presents the relationship between life and matter in both dualistic and monistic terms. Life is duration, a rhythm of incalculable novelty that approaches pure creative activity. In stark contrast, matter is identified with the determinism of homogeneous space. After Time and Free Will, Bergson concedes some share of duration to matter. In this context, his dualism can be understood as a methodological step towards the articulation of a monistic metaphysics of duration. This article suggests that the distinction between life and matter is also motivated by an unconsc
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Al-Fartoosi, Rana Ali Mhoodar. "The Duality of Voyeuristic and Phallocentric Tokens in K.S. Maniam’s “Mala”." International Journal of Linguistics, Literature and Translation 4, no. 11 (2021): 33–39. http://dx.doi.org/10.32996/ijllt.2021.4.11.4.

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This paper attempts to examine the Notions of voyeuristic and phallocentric tokens in K.S. Maniam’s “Mala.” In essence, the study tries to scrutinize the inherent relationship between males and females through psychic drives. These drives are mainly motivated by social milieus which control the behaviors of males and females. Therefore, males and females abide by the social manners that make them different from each other. Accordingly, my study will analyze the characters of Maniam’s “Mala.” It will specifically concentrate on female behaviors and how they are depicted in a patriarchal way. Fu
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Van Der Tuin, Iris. "“A Different Starting Point, a Different Metaphysics”: Reading Bergson and Barad Diffractively." Hypatia 26, no. 1 (2011): 22–42. http://dx.doi.org/10.1111/j.1527-2001.2010.01114.x.

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This article provides an affirmative feminist reading of the philosophy of Henri Bergson by reading it through the work of Karen Barad. Adopting such a diffractive reading strategy enables feminist philosophy to move beyond discarding Bergson for his apparent phallocentrism. Feminist philosophy finds itself double bound when it critiques a philosophy for being phallocentric, because the setup of a master narrative comes into being with the critique. By negating a gender-blind or sexist philosophy, feminist philosophy only reaffirms its parameters, and setting up a master narrative costs femini
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Rasmussen, Barbara. "Re-producing “James”: Marxism, Phallocentrism and “Washington Square”." Journal of American Studies 23, no. 1 (1989): 63–67. http://dx.doi.org/10.1017/s0021875800019186.

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7

Romero, Rolando J. "Legends of the Fall: Phallocentrism and Democracy in Mexico." Discourse 26, no. 1 (2004): 111–26. http://dx.doi.org/10.1353/dis.2005.0021.

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8

Gibson, Diane, and Judith Allen. "Parasitism and phallocentrism in social provisions for the aged." Policy Sciences 26, no. 2 (1993): 79–98. http://dx.doi.org/10.1007/bf01001816.

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9

Zukic, Naida. "Embodied ambivalence: Reiterating and transforming phallocentrism in The Pillow Book." Text and Performance Quarterly 22, no. 3 (2002): 181–95. http://dx.doi.org/10.1080/10462930216613.

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10

Peleg-Sagy, T., A. Gelbard, M. Weber, E. Stoler, D. Joel, and D. Joel. "Lesbians Have More Fun: Phallocentrism and Its Effects on Desire And Satisfaction in Women." Klinička psihologija 9, no. 1 (2016): 37. http://dx.doi.org/10.21465/2016-kp-op-0020.

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Objective: to study sexual desire, satisfaction, and orgasm in women who have sex with men (WSM) and women who have sex with women (WSW), as a function of the practices used and the mutuality of the sexual activity. Design and Method: 1000 women (WSM=878, WSW=122) completed a selfreport online questionnaire regarding sexual desire, sexual practices, and frequency of solitary and partnered orgasms. Results: There was no difference between the two groups on the frequency of orgasm during solitary sex. Compared to WSM, WSW reported having more sexual desire, more mutual and varied partnered sex,
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Kim, Kwangsoon. "Frantz Fanon’s Psychoanalytic Investigation of Colonial Relations and Its Phallocentrism in Black Skin, White Masks." Criticism and Theory Society of Korea 22, no. 1 (2017): 279–98. http://dx.doi.org/10.19116/theory.2017.22.1.279.

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12

Le, Vincent. "Slave, Sister, Sexborg, Sphinx: Feminine Figurations in Nick Land's Philosophy." Hypatia 34, no. 2 (2019): 329–47. http://dx.doi.org/10.1111/hypa.12464.

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Given that Nick Land is one of the central influences on certain strands of accelerationism, xenofeminism, and inhumanism, it is important to understand how he himself first developed and deployed the concepts of acceleration, the feminine, and the inhuman, which others would go on to appropriate for their own purposes. This article will trace the four feminine figures throughout Land's philosophical trajectory, which he sees as agents for accelerating the transcendental critique of both anthropocentrism and phallocentrism: the slave turned lesbian; the sister; the sexborg; and the Sphinx. Hav
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Christine Grogan. "“Naw You Ain’t No Man”: Rereading the Patriarchal Phallocentrism in the Trueblood Episode of Ellison’s Invisible Man." Feminist Studies in English Literature 21, no. 1 (2013): 39–66. http://dx.doi.org/10.15796/fsel.2013.21.1.002.

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14

Alliez, Éric. "Duchamp Within and Against Lacan." Theory, Culture & Society 37, no. 7-8 (2020): 329–53. http://dx.doi.org/10.1177/0263276420959415.

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Critical reception of Marcel Duchamp since the 1970s has tended to elevate him into the very figure of the Artist he sought to attack. One aspect of this domestication has involved neglecting Duchamp’s fin de siècle ‘eroticism’ with its sexual innuendos and double-entendres. Yet this very readymade vulgarity allows us to recover a Duchamp still capable of disrupting the genres of Art and the gendered Artist, by revealing a theory embedded in his work which continually reverses and displaces phallocentrism in a game consisting of the confusion of genders and genres. We argue that Duchamp’s disr
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Gustafson, Ryan. "Abolition, Phallocentrism, and the Mondialisation of Psychoanalysis: A Review of Derrida’s Psychoanalytic Argument in The Death Penalty: Volume II." Undecidable Unconscious: A Journal of Deconstruction and Psychoanalysis 4, no. 1 (2017): 129–40. http://dx.doi.org/10.1353/ujd.2017.0005.

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Hantel, Max. "Toward a Sexual Difference Theory of Creolization." Journal of French and Francophone Philosophy 22, no. 1 (2014): 1–18. http://dx.doi.org/10.5195/jffp.2014.640.

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In lieu of an abstract, here is the opening paragraph from the essay:Throughout his work, Édouard Glissant rigorously describes the process of creolization in the Caribbean and beyond. His later work in particular considers creolization through the planetary terms of Relation, “exploded like a network inscribed within the sufficient totality of the world.” As his philosophical importance rightfully grows, many note the dual risk of overgeneralization and abstraction haunting continued expansion of his geographical and theoretical domain. In light of that danger, this essay examines how questio
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Olusegun-Joseph, Yomi. "The “African male literary tradition” and revisionist polemics in Isidore Okpewho’s writing." Tydskrif vir Letterkunde 58, no. 2 (2021): 90–102. http://dx.doi.org/10.17159/tl.v58i2.10359.

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African literature has been very polemically, but usefully engaged, by feminists and other concerned gender stakeholders in the past three decades on the note that its foundational discursive platform of representation is patriarchal, largely representing the female body as ‘absent’ and ‘other’ in the imaginative landscape of canonical African(ist) expression. While these critical efforts have significantly succeeded in interrogating phallocentrism in African male writing, they have, however, failed to recognize several masculinist indicators in the latter that have purposively undermined the
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18

Romanskaitė, Diana. "An Inquiry into the Theory of the Matrix: Subjectivity, Gaze, and Desire in Kristina Inčiūraitė’s Video the Meeting (2012)." Art History & Criticism 15, no. 1 (2019): 83–95. http://dx.doi.org/10.2478/mik-2019-0006.

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Summary This article deals with the Matrix theory of subjectivity, gaze, and desire by feminist scholar Bracha Lichtenberg Ettinger. Matrixial framework is explored in comparison to Lacanian psychoanalysis. The essay denotes the differences between split Lacanian model of the subject and Matrixial subjectivity based on plurality and continuity. I argue that Lacanian model which grounds the subject in fundamental lack and loss of corporal reality is insufficient for explaining specifically feminine experience in terms of temporality and collective memory, whereas the Matrix theory provides a co
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Matthews, Malcolm. "Posthumanism and Miss Representation: Scarlett Johansson Is Getting Under the Skin of Men." Journal of Posthuman Studies 2, no. 2 (2018): 166–83. http://dx.doi.org/10.5325/jpoststud.2.2.0166.

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ABSTRACT Four recent Scarlett Johansson films—Under the Skin, Her, Lucy, and Ghost in the Machine—work in tandem as a subversive, reactionary form of phallocentrism both disguised as and in repudiation of a posthuman ontology that heralds the obsolescence of man. These films, far from being feminist manifestos, are, upon closer examination, a male reaction to the perceived existential threat posed by posthumanism to masculinity, itself. Central to what Rosi Braidotti refers to as the “posthuman predicament” is Scarlett Johansson, whom I will address, not as a singular entity, but as a multipli
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20

Jansdotter Samuelsson, Maria. "The Final Apocalypse of Phallocentrism: Irigarayan Openings to the Matrix of Male Desire and Correction of the Non-male Subject in the Book of Revelation." Feminist Theology 21, no. 1 (2012): 101–15. http://dx.doi.org/10.1177/0966735012451834.

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21

Blum, Virginia, and Heidi Nast. "Where's the Difference? The Heterosexualization of Alterity in Henri Lefebvre and Jacques Lacan." Environment and Planning D: Society and Space 14, no. 5 (1996): 559–80. http://dx.doi.org/10.1068/d140559.

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It has been largely overlooked that Henri Lefebvre in his book The Production of Space draws heavily upon Lacanian psychoanalytic accounts of the emergence of subjectivity in theorizing political relations, Lefebvre implicitly repudiates at the same time that he builds upon Lacan's distinctions between real, imaginary, and symbolic registers of subjectivity. For Lefebvre, Lacan's registers give primacy to visuality and heterosexualized familial dynamics while lived material, spatial, and political experience arc incidental to subject formation and systems of meaning Lefebvre transforms Lacan's
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22

Ara Anel, Alba. "Confluencias entre la tesis posmoderna de “la muerte del sujeto” y el pensamiento de Luce Irigaray = Convergences between Postmodern Thesis on 'The Death of the Subject' and the Thought of Luce Irigaray." FEMERIS: Revista Multidisciplinar de Estudios de Género 4, no. 3 (2019): 203. http://dx.doi.org/10.20318/femeris.2019.4936.

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Resumen. El pensamiento posmoderno es uno de los movimientos filosóficos con más repercusión en la época actual. El feminismo de la diferencia, corriente que surge en los años 60 y 70, confluye en muchos de sus puntos con los generalmente atribuidos a la posmoder­nidad. En el presente artículo se ponen en diálogo ambas corrientes a partir de la revisión de algunos de los planteamientos de la teórica feminista Luce Irigaray que remiten a la posterior­mente teorizada “muerte del sujeto”, uno de los ejes del pensamiento posmoderno. Esta tesis se traduce en Irigaray como la crítica a la construcci
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23

Smith, Shirley. "Some Thoughts on Phallocentric Bias." British Journal of Psychotherapy 5, no. 3 (1989): 447–54. http://dx.doi.org/10.1111/j.1752-0118.1989.tb01102.x.

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24

Brassard, Christina, Christina Chung, and Guillaume Girard. "Les représentations des pratiques sexuelles : du phallocentrisme au queer en passant par les réseaux sociaux." Voix Plurielles 15, no. 2 (2018): 64–66. http://dx.doi.org/10.26522/vp.v15i2.2074.

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Redondo, Dennis. "Recursos de legitimación en torno a prácticas encubiertas de dominación masculina en la sociedad costarricense. Subterfugios de una hegemonía en declive/Legitimation Resources Around Male Domination Practices in Costa Rican Society. Subterfuges of a Declining Hegemony." Revista Costarricense de Psicología 38, no. 2 (2019): 125. http://dx.doi.org/10.22544/rcps.v38i02.02.

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<p><strong>Español</strong></p><p>A través de las siguientes líneas, se pretende, con un recorrido por algunos términos y autores característicos de los estudios de hombres y masculinidades, explorar elementos con respecto a manifestaciones y dinámicas de dominación masculina actual. Primero, es importante revisar algunos conceptos, en especial, desde la teoría del sexismo ambivalente de Glick y Fiske, seguido de algunas derivaciones de este planteamiento para el correspondiente análisis. De forma posterior, se esboza cómo el machismo se conserva institucionalment
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Rocha, Natasha Fernanda Ferreira, and Luiz Henrique Moreira Soares. "Vivência e (re)existência à margem do cânone: Olhos d’água, de Conceição Evaristo." Scriptorium 4, no. 1 (2018): 20. http://dx.doi.org/10.15448/2526-8848.2018.1.31418.

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A literatura contemporânea brasileira tem se configurado como território que congrega disputas e jogos de poder, espaço de produção de contradições e desconstruções constantes. Assim, destaca-se o fato de que o monopólio da produção artística não se encontra mais estritamente ligado a grandes padrões econômicos – se, por um lado, a literatura, em sua maioria, ainda é produzida pelos mesmos rostos/experiências, por outro, a nova literatura procura ser democrática e “aposta na instituição de um sistema literário partilhado, que reconhece novas subjetividades e novos atores no mundo da cultura, e
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Willis, Malachi, Kristen N. Jozkowski, Wen-Juo Lo, and Stephanie A. Sanders. "Are Women’s Orgasms Hindered by Phallocentric Imperatives?" Archives of Sexual Behavior 47, no. 6 (2018): 1565–76. http://dx.doi.org/10.1007/s10508-018-1149-z.

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Sydie, R. A. "The Phallocentric Gaze: Leon Battista Alberti and Visual Art." Journal of Historical Sociology 10, no. 3 (1997): 310–41. http://dx.doi.org/10.1111/1467-6443.00042.

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Onyemelukwe, Ifeoma Mabel. "Le Phallocentrisme vis-a-vis du Pouvoir Feminin dans les Proverbes Awka." UJAH: Unizik Journal of Arts and Humanities 20, no. 1 (2019): 182. http://dx.doi.org/10.4314/ujah.v20i1.9.

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Wilson, Tamar Diana. "Pharaonic Circumcision Under Patriarchy and Breast Augmentation Under Phallocentric Capitalism." Violence Against Women 8, no. 4 (2002): 495–521. http://dx.doi.org/10.1177/10778010222183189.

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Hanafin, Patrick. "Defying the female: The Irish constitutional text as phallocentric manifesto." Textual Practice 11, no. 2 (1997): 249–73. http://dx.doi.org/10.1080/09502369708582277.

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32

Parr, Adrian. "The Art of Privacy: Assaulting the Phallocentric Organization of Capital." Women: A Cultural Review 16, no. 3 (2005): 321–39. http://dx.doi.org/10.1080/09574040500321362.

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Ussher, Jane M. "Sexing the Phallocentric Pages of Psychology: Repopulation is Not Enough." Theory & Psychology 4, no. 3 (1994): 345–52. http://dx.doi.org/10.1177/0959354394043003.

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Couture, Denise. "L’antiféminisme du « nouveau féminisme » préconisé par le Saint-Siège." Articles 25, no. 1 (2012): 15–35. http://dx.doi.org/10.7202/1011114ar.

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Dans son discours contemporain, le Saint-Siège s’attaque au féminisme qu’il juge dangereux et menaçant. Il a élaboré un discours phallocentrique exemplaire, nouveau et adapté à son temps, qui réutilise des concepts féministes en inversant leur signification. La stratégie de camouflage de son propre phallocentrisme fonctionne en partie : elle réussit à éviter l’opposition d’un auditoire, tant catholique que citoyen, pour qui la thèse de la subordination sociale des groupes des femmes aux groupes des hommes est inaudible et inacceptable. En ce sens, le discours du Saint-Siège correspond bien à u
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Fiaveh, Daniel Yaw. "Phallocentricism, female penile choices, and the use of sex toys in Ghana." Sexualities 22, no. 7-8 (2018): 1127–44. http://dx.doi.org/10.1177/1363460718781975.

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Although the penis forms an important aspect of sexual practices, we know little about how women and men construct the penis in relation to sex and gender in Africa. In this exploratory study from urban Ghana with 34 interviewees, I argue that the changing notions of sex and the penis, in terms of the form they take and in terms of ownership, offer women and men the space to negotiate sexual scripts and to highlight women’s penile preferences. The findings show that while women and men emphasize a biological representation of the penis (due to cultural and religious values), there are nuanced
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Clark, Janine Natalya. "The Vulnerability of the Penis: Sexual Violence against Men in Conflict and Security Frames." Men and Masculinities 22, no. 5 (2017): 778–800. http://dx.doi.org/10.1177/1097184x17724487.

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Sexual violence remains a persistent scourge of war. The use of sexual violence against men in armed conflict, however, remains underresearched and is often sidelined. As an explanation, this interdisciplinary article situates the issue of sexual violence against men within a new analytical framework. It does so through a focus on the core subtext which this violence reveals—the vulnerability of the penis. Highlighting critical disconnects between what the penis is and what it is constructed as being, it argues that the vulnerable penis destabilizes the edifice of phallocentric masculinity, an
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Tourage, Mahdi. "Phallocentric esotericism in a tale from Jalal al-Din Rumi'sMasnavi-yi Ma‘navi." Iranian Studies 39, no. 1 (2006): 47–70. http://dx.doi.org/10.1080/00210860500470193.

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이강임. "Deconstruction of the Phallocentric Myth displayed in Lee Youn-Taek's ‘Nationalist Theatre’." Journal of korean theatre studies association ll, no. 31 (2007): 77–133. http://dx.doi.org/10.18396/ktsa.2007..31.003.

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Lim, Jee Hee. "Satirizing Phallocentric Capitalism in South Korea: Modification and Commodification of the Female Body." Film Matters 5, no. 2 (2014): 36–40. http://dx.doi.org/10.1386/fm.5.2.36_1.

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Rose, Gillian. "Distance, Surface, Elsewhere: A Feminist Critique of the Space of Phallocentric Self/Knowledge." Environment and Planning D: Society and Space 13, no. 6 (1995): 761–81. http://dx.doi.org/10.1068/d130761.

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In this paper I focus on a particular subjectivity and a particular spatiality. The subjectivity is that of dominant Western masculinities. The spatiality is the specific organisation of space through which that subjectivity is constituted and through which it sees the world, a problematic described here as a space of self/knowledge. The importance of a particular organisation of space to this particular subjectivity is introduced through the work of Irigaray, and elaborated with reference to Mulvey's account of the Lacanian mirror stage. Both Mulvey and Irigaray emphasise the importance of a
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Mackinlay, Elizabeth. "“I Am Woman Hear Me Draw”." Departures in Critical Qualitative Research 6, no. 2 (2017): 25–47. http://dx.doi.org/10.1525/dcqr.2017.6.2.25.

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“I am woman hear me draw,” wrote Australian feminist cartoonist Judy Horacek in 2002, whose work draws attention to the capacity of cartoons to de/story masculinist versions of the world. Taking a critical autoethnographic approach, a series of black-and-white line drawings are explored in this paper as the kind of l'ecriture feminine (feminine writing) work that Hélène Cixous speaks of—writing that aims to release the subject away from the stagnant confines of phallocentric thought to create new forms of feminist post-academic writing.
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Kyungsook Kim. "An Unfulfilled Subversion of Phallocentric Authority: The Wife of Bath’s “Wikked” Speech and Experience." New Korean Journal of English Lnaguage & Literature 49, no. 2 (2007): 69–82. http://dx.doi.org/10.25151/nkje.2007.49.2.004.

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Straus, Barrie Ruth. "The Subversive Discourse of the Wife of Bath: Phallocentric Discourse and the Imprisonment of Criticism." ELH 55, no. 3 (1988): 527. http://dx.doi.org/10.2307/2873182.

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Ringrose, Jessica, Sophie Whitehead, Kaitlyn Regehr, and Amelia Jenkinson. "Play-Doh Vulvas and Felt Tip Dick Pics: Disrupting phallocentric matter(s) in Sex Education." Reconceptualizing Educational Research Methodology 10, no. 2-3 (2019): 259–91. http://dx.doi.org/10.7577/rerm.3679.

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In this paper, we explore our experiences working as team comprised of researchers, teacher, and founder and director of a sex education non-profit organisation, who have formed an intra-activist research and pedagogical assemblage to experiment with relationship and sexuality education (RSE) practices in England’s secondary schools. We draw upon phEmaterialism theory and socially engaged, participatory arts-based research methodologies and pedagogies to explore two examples of arts-based activities that have been developed to de-center humanist, male-dominated, phallocentric, penile-oriented
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Myler, Kerry. "Doris Lessing, Antipsychiatry, and Bodies that Matter." Twentieth-Century Literature 65, no. 4 (2019): 437–60. http://dx.doi.org/10.1215/0041462x-7995634.

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In The Golden Notebook (1962), The Four-Gated City (1969), and Briefing for a Descent into Hell (1971), Doris Lessing examines the inadequacies of traditional models of madness and considers in their stead an antipsychiatric model championed by R. D. Laing. While ostensibly the three novels strive to conceive of madness in terms of Laing’s antipsychiatric thought, this article will argue that they in fact serve to reveal that Laing’s “lived body” (but gender-neutral) theory of schizophrenia failed to account for the discursively constructed, “inscribed” bodies of Lessing’s female characters. L
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FitzRoy, Lee. "Stepping into a Feminist Minefield: Women Sex Offenders." Australian Journal of Primary Health 4, no. 3 (1998): 185. http://dx.doi.org/10.1071/py98047.

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This article seeks to initiate discussion on the issue of women, specifically mothers, who perpetrate sexual violence against children and explore some tentative theorisations as to how we can understand this complex form of sexual violence. The analysis and discussion will be located within a feminist contextual framework that draws upon contemporary feminist and postmodern theory. Within this discussion, the article will be drawing on the understanding of such violence from the experiences of victim/survivors, other practitioners and a broad range of theorists. In exploring the issue, the ar
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Anih, Uchenna Bethrand. "Between the Subversive Pen and the Blasphemous Microphone." Matatu 48, no. 2 (2016): 253–66. http://dx.doi.org/10.1163/18757421-04802002.

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Iconoclasm is a term that has been used to characterize any subversive, transgressive, and blasphemous adventure. There is abundant evidence that the African female creative impulse is geared towards subverting the existing social order as dominated and controlled by men. The two African female artists whose works are analysed in this study employ vivid sexual imagery to challenge the hegemony of male-oriented discourse. This essay examines the iconoclastic tendencies to be found in the Cameroonian Calixthe Beyala’s Amours sauvages and the Nigerian Saint Janet’s Faaji Plus. It concludes that a
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Shor, Francis. "Guns and Gender Roles in Dystopian Settings." Utopian Studies 33, no. 1 (2022): 76–89. http://dx.doi.org/10.5325/utopianstudies.33.1.0076.

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ABSTRACT Dystopian settings are often dominated by fear and despair. As instruments and symbols of fear, guns, especially deployed in gendered ways, reinforce the dystopian setting. This article explores how guns and gender roles are represented in three dystopian novels (The Turner Diaries, The Road, and Parable of the Sower) and three dystopian films (Zardoz, The Terminator, and The Road). Examining how phallocentric aggression and toxic masculinity shape how guns are wielded by a number of characters in several of these films and novels, the article also suggests how critical dystopias offe
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Nazlipinar Subasi, Muzaffer Derya. "A NON-PHALLOCENTRIC FEMININE WRITING PRACTICE IN VIRGINIA WOOLF AND ERENDIZ ATASU THROUGH THE ‘ALL-ENCOMPASSING FEMALE LANGUAGE’." Idil Journal of Art and Language 6, no. 33 (2017): 1443–59. http://dx.doi.org/10.7816/idil-06-33-01.

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Chiweshe, Manase. "One of the boys: female fans’ responses to the masculine and phallocentric nature of football stadiums in Zimbabwe." Critical African Studies 6, no. 2-3 (2014): 211–22. http://dx.doi.org/10.1080/21681392.2014.940077.

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