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Journal articles on the topic 'Phantastik'

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Published: 4 June 2021
Last updated: 25 April 2022

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1

Vasilev, Christo, and Maja Boskovic-Stulli. "Pjesme, price, fantastika (Lieder, Erzahlungen, Phantastik)." Jahrbuch für Volksliedforschung 38 (1993): 244. http://dx.doi.org/10.2307/849030.

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2

Krummacher, Friedhelm. "Phantastik und Kontrapunkt: Zur Kompositionsart Frescobaldis." Die Musikforschung 48, no. 1 (September 22, 2021): 1–14. http://dx.doi.org/10.52412/mf.1995.h1.1056.

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In seiner <Musurgia universalis> (1650) unterscheidet Athanasius Kircher acht Kompositionsstile, darunter den Stylus phantasticus, der als Lehre einer Art des Kontrapunkts definiert ist. Inwieweit diesem Stilbegriff so verschiedene Gattungen wie Fantasia und Toccata zuzuweisen sind, wird anhand von Frescobaldis <Fantasie a quattro> (1608) und seinen beiden Toccatenbüchern (1615/16 und 1627) näher untersucht. Ist die Fantasia als Ansatz konstanter Thematisierung verstehbar, so erscheint die Toccata umgekehrt als Versuch athematischen Komponierens. Beide Genera sind nicht nur abstrakt durch die verborgene Ratio der Harmonie im kontrapunktischen Kontext verbunden. Sie repäsentieren vielmehr konkret den Stylus phantasticus als polare Möglichkeiten einer frei disponierten Instrumentalmusik. bms online (Wagner, Dorothea)
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3

Durst, Uwe, and Winfried Freund. "Deutsche Phantastik: Die phantastische deutschsprachige Literatur von Goethe bis zur Gegenwart." German Studies Review 24, no. 2 (May 2001): 390. http://dx.doi.org/10.2307/1433492.

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4

ELGOHARY, Baher. "DIE PHANTASTIK IN DER DEUTSCHEN GEGENWARTSLITERATUR AM BEISPIEL VON MICHAEL ENDES 'UNENDLICHER GESCHICHTE'." Kairoer Germanistische Studien 6, no. 1 (September 1, 1991): 569–74. http://dx.doi.org/10.21608/kgs.1991.182142.

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5

Konstan, David. "Fantasía epicúrea." ΠΗΓΗ/FONS 5, no. 1 (December 18, 2020): 1. http://dx.doi.org/10.20318/fons.2020.5049.

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En este artículo, examino el papel de la phantasia en la teoría epicúrea de la percepción y el pensamiento. Aprovechando de los fragmentos, recién editados, de la Peri phuseôs de Epicuro, y de nuevas interpretaciones de la función de phantasia según Aristóteles, además de textos transmitidos de Epicuro y de Lucrecio, considero problemas altamente discutidos tales como la manera en que los eidôla o simulacra se reducen de tamaño para que puedan entrar en el ojo, y los canales por los cuales se transmiten desde el ojo a la mente. Trato también de la naturaleza de la phantastikê epibolê , es decir, “la proyección de la phantasia ”, y su función en las actividades de pensar y recordar.
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6

Nix, Angelika. "Stephanie Reinbold: Unzuverlässiges Erzählen in der modernen schwedischen kinderliterarischen Phantastik." European Journal of Scandinavian Studies 51, no. 2 (October 1, 2021): 409–12. http://dx.doi.org/10.1515/ejss-2021-2051.

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7

Ullrich, Heiko. "Roland Berbig / Walter Erhart / Monika Sproll / Jutta Weber (Hg.): Phantastik und Skepsis. Adelbert von Chamissos Lebensund Schreibwelten." Zeitschrift für interkulturelle Germanistik 8, no. 1 (April 25, 2017): 177–81. http://dx.doi.org/10.14361/zig-2017-0113.

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8

Innerhofer, Roland. "Vom Fliegen, Fallen und Landen. : Science Fiction in zwei nachgelassenen Prosatexten Georg Heyms." Literatur für Leser 41, no. 3 (January 1, 2021): 199–210. http://dx.doi.org/10.3726/lfl.2018.03.04.

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Science Fiction war von Anfang an eine proteische, schwer abgrenzbare Gattung. Lange bevor sich die Gattungsbezeichnung seit Ende der 1920er Jahre in den Vereinigten Staaten durchsetzte, bildete sich spätestens seit der zweiten Hälfte des 19. Jahrhunderts eine literarische Gattung heraus, die unter verschiedenen Bezeichnungen naturwissenschaftliche Entdeckungen und technische Erfindungen fiktional verarbeitete und ihre Ergebnisse in die Zukunft projizierte. Im Prozess der Gattungskonstitution ist ein vielgestaltiges Amalgamierungsverfahren zu beobachten, bei dem ältere Gattungen wie die Utopie, der phantastische Reiseroman, der Planetenroman, der Kriminalroman oder der Schauerroman miteinander neu kombiniert und mit technischen Zukunftsvisionen verbunden wurden. Besonders in der Zeit um 1900 waren die Schnittmengen zwischen Science Fiction, Phantastik und Esoterik beträchtlich und die Grenzen zwischen ihnen fließend. Dementsprechend bilden Autorinnen oder Autoren, die ausschließlich oder hauptsächlich Science Fiction schrieben, die Ausnahme. Nicht so sehr mit einer ,Genreliteratur‘ und ihren Autoren haben wir es in der Frühzeit der Science Fiction zu tun, sondern mit Science-Fiction-Diskursen und -Motiven, die in verschiedenartigen Texten eingeflochten sind. Vor diesem Hintergrund wollen wir zwei nachgelassene, 1911 entstandene Prosatexte von Georg Heym näher betrachten.
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9

Née, Aurélie Le. "Marie-Thérèse Mourey/Evelyne Jacquelin (Hg./Dir.), Phantastik und Gesellschaftskritik im deutschen, niederländischen und nordischen Kulturraum / Fantatisque et approches critiques de la société. Espaces germaniques, néerlandophones et nordiques." Germanica, no. 69 (December 1, 2021): 231–34. http://dx.doi.org/10.4000/germanica.14601.

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10

Muyskens, Mark. "pHantastic Fluorescence." Journal of Chemical Education 83, no. 5 (May 2006): 768A. http://dx.doi.org/10.1021/ed083p768a.

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11

Burke, Kathrin F., and Nicole I. Stacy. "Phantastic phagocytes." Veterinary Clinical Pathology 47, no. 3 (August 14, 2018): 340–41. http://dx.doi.org/10.1111/vcp.12650.

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12

Gossin, Pamela. "John S. Partington (Editor). H. G. Wells in Nature, 1893–1946: A Reception Reader. (Arbeiten zur Literarischen Phantastik, 3.) x + 514 pp., bibl. Frankfurt: Peter Lang, 2008. $115.95 (paper)." Isis 100, no. 4 (December 2009): 933–34. http://dx.doi.org/10.1086/652080.

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13

Yang, Misti. "Phantastic, Impressive Rhetoric." Philosophy & Rhetoric 54, no. 4 (December 1, 2021): 374–96. http://dx.doi.org/10.5325/philrhet.54.4.0374.

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ABSTRACT This article develops a theory of rhetorical impression through a critical genealogy of the term phantasia. The genealogy demonstrates cause for understanding phantasia as impression, not image. I trace phantasia as impression through the work of Plato and Aristotle but ultimately argue that the stoics offer the most productive leads for thinking through impressions, materiality, and sensations together. Specifically, I demonstrate how the stoics' concept of lekton can productively mediate the relationship between rhetoric, materiality, imagination, and idealism. In the closing section, I suggest how a theory of rhetorical impression can address lacunae in existing new materialist approaches.
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14

Aronson, Jeff. "Phantastica." BMJ 334, no. 7590 (February 22, 2007): 429.2–429. http://dx.doi.org/10.1136/bmj.39132.459236.94.

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15

Dünkelsbühler, Ulrike Oudée. "Phantasie." Die Philosophin 9, no. 17 (1998): 102–6. http://dx.doi.org/10.5840/philosophin917102106.

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16

Hermsen, Joke J. "Phantasie." Die Philosophin 9, no. 17 (1998): 10–35. http://dx.doi.org/10.5840/philosophin9171035.

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17

Deuber-Mankowsky, Astrid. "Phantasie." Die Philosophin 9, no. 17 (1998): 109–15. http://dx.doi.org/10.5840/philosophin917109115.

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18

Wenk, Silke. "Phantasie." Die Philosophin 9, no. 17 (1998): 116–18. http://dx.doi.org/10.5840/philosophin917116118.

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19

Wischermann, Ulla. "Phantasie." Die Philosophin 9, no. 17 (1998): 118–21. http://dx.doi.org/10.5840/philosophin917118121.

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20

Chołuj, Bożena. "Phantasie." Die Philosophin 9, no. 17 (1998): 121–24. http://dx.doi.org/10.5840/philosophin917121124.

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21

Lehmann, Ann-Sophie. "Phantasie." Die Philosophin 9, no. 17 (1998): 36–53. http://dx.doi.org/10.5840/philosophin9173653.

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22

Košenina, Inka Arroyo. "Phantasie." Die Philosophin 9, no. 17 (1998): 54–74. http://dx.doi.org/10.5840/philosophin9175474.

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23

Annuß, Evelyn. "Phantasie." Die Philosophin 9, no. 17 (1998): 84–90. http://dx.doi.org/10.5840/philosophin9178490.

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24

Bechen, Johanna Gisela. "Phantasie." Die Philosophin 9, no. 17 (1998): 91–94. http://dx.doi.org/10.5840/philosophin9179194.

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25

Schmitz, Bettina. "Phantasie." Die Philosophin 9, no. 17 (1998): 94–97. http://dx.doi.org/10.5840/philosophin9179497.

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26

Echtermann, Andrea. "Phantasie." Die Philosophin 9, no. 17 (1998): 97–99. http://dx.doi.org/10.5840/philosophin9179799.

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27

Hermsen, Joke J. "Phantasie." Die Philosophin 9, no. 17 (1998): 10–35. http://dx.doi.org/10.5840/philosophin_1998_0009_0017_0010_0035.

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28

Lehmann, Ann-Sophie. "Phantasie." Die Philosophin 9, no. 17 (1998): 36–53. http://dx.doi.org/10.5840/philosophin_1998_0009_0017_0036_0053.

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29

Košenina, Inka Arroyo. "Phantasie." Die Philosophin 9, no. 17 (1998): 54–74. http://dx.doi.org/10.5840/philosophin_1998_0009_0017_0054_0074.

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30

Annuß, Evelyn. "Phantasie." Die Philosophin 9, no. 17 (1998): 84–90. http://dx.doi.org/10.5840/philosophin_1998_0009_0017_0084_0090.

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31

Bechen, Johanna Gisela. "Phantasie." Die Philosophin 9, no. 17 (1998): 91–94. http://dx.doi.org/10.5840/philosophin_1998_0009_0017_0091_0094.

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32

Schmitz, Bettina. "Phantasie." Die Philosophin 9, no. 17 (1998): 94–97. http://dx.doi.org/10.5840/philosophin_1998_0009_0017_0094_0097.

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33

Echtermann, Andrea. "Phantasie." Die Philosophin 9, no. 17 (1998): 97–99. http://dx.doi.org/10.5840/philosophin_1998_0009_0017_0097_0099.

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34

Dünkelsbühler, Ulrike Oudée. "Phantasie." Die Philosophin 9, no. 17 (1998): 102–6. http://dx.doi.org/10.5840/philosophin_1998_0009_0017_0102_0106.

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35

Deuber-Mankowsky, Astrid. "Phantasie." Die Philosophin 9, no. 17 (1998): 109–15. http://dx.doi.org/10.5840/philosophin_1998_0009_0017_0109_0115.

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36

Wenk, Silke. "Phantasie." Die Philosophin 9, no. 17 (1998): 116–18. http://dx.doi.org/10.5840/philosophin_1998_0009_0017_0116_0118.

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37

Wischermann, Ulla. "Phantasie." Die Philosophin 9, no. 17 (1998): 118–21. http://dx.doi.org/10.5840/philosophin_1998_0009_0017_0118_0121.

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38

Chołuj, Bożena. "Phantasie." Die Philosophin 9, no. 17 (1998): 121–24. http://dx.doi.org/10.5840/philosophin_1998_0009_0017_0121_0124.

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39

Moix, Luis-M. "« Phantasia »." Imaginaire & Inconscient 5, no. 1 (2002): 67. http://dx.doi.org/10.3917/imin.005.0067.

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40

Scheiter, Krisanna M. "Images, Appearances, and Phantasia in Aristotle." Phronesis 57, no. 3 (2012): 251–78. http://dx.doi.org/10.1163/156852812x641272.

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Abstract Aristotle’s account of phantasia in De Anima 3.3 is notoriously difficult to decipher. At one point he describes phantasia as a capacity for producing images, but then later in the same chapter it is clear phantasia is supposed to explain appearances, such as why the sun appears to be a foot wide. Many commentators argue that images cannot explain appearances, and so they claim that Aristotle is using phantasia in two different ways. In this paper I argue that images actually explain perceptual appearances for Aristotle, and so phantasia always refers to images. I take a new approach to interpreting DA 3.3, reading it alongside Plato’s Theaetetus and Sophist. In the Theaetetus, Socrates explains how memory gives rise to perceptual appearance. I claim that Aristotle adopts Socrates’ account of perceptual appearance, but what Socrates calls memory, Aristotle calls phantasia.
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41

Motte, Hans, and Tom Beeckman. "A pHantastic ammonium response." Nature Plants 6, no. 9 (September 2020): 1080–81. http://dx.doi.org/10.1038/s41477-020-00765-1.

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42

White, Kevin. "The Meaning of Phantasia in Aristotle's De Anima, III, 3–8." Dialogue 24, no. 3 (1985): 483–505. http://dx.doi.org/10.1017/s0012217300040348.

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Aristotle's account of phantasia in De anima, III, 3, occurs at a critical juncture of his inquiry into the nature and properties of the soul. Having just completed a long discussion of sensation (II, 5-III, 2), and wishing now to turn to a consideration of the power of thought (nous), which he regards both as distinct from and as analogous to sensation, he suggests that an explanation of phantasia is necessary at this point, since there is no thought without phantasia, just as there is no phantasia without sensation.1 But while this sketch of a complex dependency among the soul's cognitive powers makes clear the importance of phantasia and the need for some explanation of it, the intermediate place of phantasia in the discussion and the incidental way in which it is introduced are indications that Aristotle does not treat it for its own sake, but rather is compelled to turn to a consideration of it by the exigencies of the subject-matter at hand. The analysis of sensation, the characteristic power of animals, could, it seems, be adequately carried out with little reference to phantasia, even though Aristotle is elsewhere led to stress the closeness, and even, in some respect, the identity of these two powers; the discussion of thought, on the other hand, and specifically of the human thought which is Aristotle's concern in De anima, III, 4–8, apparently requires a special preliminary treatment of phantasia.
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43

Balick, Michael J. "Plants phantastica." Nature 384, no. 6606 (November 1996): 229–30. http://dx.doi.org/10.1038/384229a0.

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44

Garlipp, P. "Pseudologia phantastica." Nervenheilkunde 30, no. 10 (2011): 823–27. http://dx.doi.org/10.1055/s-0038-1628431.

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ZusammenfassungDie Pseudologia phantastica wurde von Delbrück 1871 erstmals beschrieben. Sie zeichnet sich dadurch aus, dass jemand nicht wahrheitsgemäße Aussagen zu einer Fantasiegeschichte entwickelt, um hierdurch einen subjektiven Gewinn, beispielsweise Aufmerksamkeit, zu erzielen. Die Umgebung wird durch diese Unwahrheiten manipuliert. Die Pseudologie ist nicht selten Symptom einer narzisstischen oder histrionischen Persönlichkeitsstörung. Eine Kasuistik und die Begriffsgeschichte der Pseudologie werden geschildert, differenzialdiagnostische Aspekte und die Relevanz für die klinische Praxis diskutiert.
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45

RUSTEMEYER, DIRK. "Organisierte Phantasie." Vierteljahrsschrift für wissenschaftliche Pädagogik 88, no. 2 (November 24, 2012): 352–58. http://dx.doi.org/10.1163/25890581-088-02-90000015.

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46

RUSTEMEYER, DIRK. "Organisierte Phantasie." Vierteljahrsschrift für wissenschaftliche Pädagogik 88, no. 2 (November 24, 2012): 352–58. http://dx.doi.org/10.30965/25890581-088-02-90000015.

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47

Lefebvre, René. "L'imagination, produit d'une métaphore?" Dialogue 38, no. 3 (1999): 469–90. http://dx.doi.org/10.1017/s0012217300046849.

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AbstractIt would be contradictory to ask phainesthai to support both the strict sense (M. Schofield, M. Nussbaum), and metaphorical use (Simplicius) of phantasia. De anima, 428a2, raises many issues. When discovering imagination, Aristotle himself seems to use the word phantasia metaphorically.
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48

Vrbancic, Mario. "Burroughs's Phantasmic Maps." New Literary History 36, no. 2 (2005): 313–26. http://dx.doi.org/10.1353/nlh.2005.0037.

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49

Waites, Richard, and Andrew Hudson. "TheHandlebarsgene is required withPhantasticafor dorsoventral asymmetry of organs and for stem cell activity inAntirrhinum." Development 128, no. 11 (June 1, 2001): 1923–31. http://dx.doi.org/10.1242/dev.128.11.1923.

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In angiosperms, individual lateral organs and whole flowers may develop asymmetrically along their dorsoventral axes. Dorsoventral asymmetry of Antirrhinum leaves requires activity of the Phantastica gene and other factors acting redundantly with it. We describe the effects of a mutation in the Handlebars gene, identified as an enhancer of the phantastica mutant phenotype. Genetic analysis suggests that Handlebars functions redundantly with Phantastica to promote dorsal fate in lateral organs and to maintain activity of stem cells within shoot apical meristems. Handlebars appears dispensable in vegetative development but is needed for asymmetry of petals along the dorsoventral axis of the flower as a whole. This suggests that common mechanisms may control dorsoventral asymmetry in lateral organ primordia and in floral meristems.
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50

Sainsbury, Frank, Alexander D. Tattersall, Michael J. Ambrose, Lynda Turner, T. H. Noel Ellis, and Julie M. I. Hofer. "A crispa null mutant facilitates identification of a crispa-like pseudogene in pea." Functional Plant Biology 33, no. 8 (2006): 757. http://dx.doi.org/10.1071/fp06090.

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The genomes of several legume species contain two Phantastica-like genes. Previous studies on leaf development have found that Phantastica confers leaf blade adaxial identity in plant species with simple leaves and leaflet adaxial identity in pea (Pisum sativum L.), a legume with compound leaves. Previous characterisation of the phantastica mutant of pea, crispa, showed it had radialised leaflets, but stipules were not radialised. This suggested either that mutation of a second redundant gene was required for radialisation of stipules, or, that a null mutation was required. Previously characterised crispa mutants may not have exhibited radialised stipules because they were weak alleles. In this work we show that pea has a second Phantastica-like gene, which lies on a different chromosome to Crispa. The second gene was found to be a pseudogene in several genotypes of pea, therefore it would not have a role in conferring stipule adaxial identity. A new deletion mutant, crispa-4 was identified. The mutant has radialised stipules and leaflets, showing that Crispa confers adaxial identity on both these organs in pea. The nucleotide sequence data reported here are in the EMBL and GenBank Nucleotide Databases under the accession numbers DQ486060 (JI 2822), DQ486061 (JI 15), DQ486062 (JI 281) and DQ486063 (JI 399).
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