Relevant bibliographies by topics / Pharsalia (Lucanus)

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  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'Pharsalia (Lucanus)'

Author: Grafiati
Published: 4 June 2021
Last updated: 5 February 2022

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Journal articles on the topic "Pharsalia (Lucanus)"

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Alston, Richard. "The fiction of History: recalling the past and imagining the future with Caesar at Troy." Classica - Revista Brasileira de Estudos Clássicos 23, no. 1/2 (September 2, 2010): 143–60. http://dx.doi.org/10.24277/classica.v23i1/2.164.

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This essay considers the nature of historical discourse through a consideration of the historical narrative of Lucan’s Pharsalia. The focus is on the manner in which Lucan depicts history as capable of being fictionalised, especially through the operation of political power. The discourses of history make a historical account, but those discourses are not, in Lucan's view, true, but are fictionalised. The key study comes from Caesar at Troy, when Lucan explores the idea of a site (and history) which cannot be understood, but which nevertheless can be employed in a representation of the past. yet, Lucan also alludes to a ‘true history’, which is unrepresentable in his account of Pharsalus, and beyond the scope of the human mind. Lucan’s true history can be read against Benjamin and Tacitus. Lucan offers a framework of history that has the potential to be post-Roman (in that it envisages a world in which there is no Rome), and one in which escapes the frames of cultural memory, both in its fictionalisation and in the dependence of Roman imperial memory on cultural trauma.
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Vieira, Brunno. "Em que diferem os versos de Virgílio e Lucano." Aletria: Revista de Estudos de Literatura 19, no. 3 (December 31, 2009): 29–45. http://dx.doi.org/10.17851/2317-2096.19.3.29-45.

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Resumo: Perscrutar o ritmo de um poeta pode fornecer uma visão das engrenagens poéticas geralmente encobertas pelo conteúdo sobre o qual os poemas ganham corpo. Com o intuito de estudar as particularidades da poesia do épico latino Lucano (séc. I d. C.), o artigo apresenta uma comparação entre presságios da Farsália (VII 151-67) e das Geórgicas, (I, 474-88) de Virgílio, procurando descrever as diferentes modulações e formalizações de seus conjuntos sintático-prosódicos.Palavras-chave: Lucano, Virgílio, estilo.Abstract: The rhythmical analysis of a poet may provide a powerful view of his poetic gears often hidden by the content on which poems take shape. With the purpose of studying Lucan’s poetic features, this article presents a comparison between both Lucanean and Virgilian omens, trying to describe the different modulations and shaping of their syntactic-prosodic patterns. The excerpts under analysis are Pharsalia (VII, 151-67) and Virgil’s Georgica (I, 474-88).Keywords: Lucan, Virgil, Poetic Style.
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de Armas, Frederick. "Un autor fuera de lugar." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 45, no. 2 (October 28, 2010): 191–213. http://dx.doi.org/10.1075/rro.45.2.02arm.

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This essay deals with the imitation and mutations of the epic genre in Don Quijote. After discussing Cervantes’ literary career as an imitation of Virgil’s cursus, many of the Virgilian elements in the novel are foregrounded. These, however are transformed as they are come in contact with forms and notions derived from Lucan’s Pharsalia. While the knight believes in the ideals of the Virgilian epic, the narrators betray him, presenting a fragmented narrative, mutilated bodies, a de-centered world, a labyrinthine topography and the failures of the protagonist, thus creating a narrative of the defeated. The clash between the unitary, authoritative, and imperial Virgil with the fragmented and republican Lucan serves to create something novel in Cervantes, a new genre that will eventually be called the novel.
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Jessica Seidman. "A Poetic Caesar in Lucan's Pharsalia." Classical Journal 113, no. 1 (2017): 72. http://dx.doi.org/10.5184/classicalj.113.1.0072.

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Śnieżewski, Stanisław. "Consonant Alliteration in Lucan's "Pharsalia", Books I–V." Classica Cracoviensia 20 (March 30, 2018): 191–212. http://dx.doi.org/10.12797/cc.20.2017.20.10.

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In book I M, N alliteration amounts to 24,8%; T, D – 16,5%; S – 10,5%, R – 6,7%. In book II the first place belongs to M, N alliteration – 22,8%; then: T, D – 16,1%; S – 11,8%; M, N, T, D – 5,9%. In book III the predominant allitera­tion is M, N – 19,8%; then: T, D – 15,09%; S – 12,5%; M, N, T, D (TH) – 5,6%. Book IV is atypical, as the number of M, N and T, D alliterations is identical, i. e. 19,1%. S constitutes 11,7%, while M, N, T, D – 6,9%. In Book V the most fre­quent alliteration is M, N – 20,0%, next we have T, D – 19,3%; S – 9,2%; M, N, T, D – 8,2%. Alliteration in books I–V of Lucan`s Pharsalia is mainly used to describe the character and actions of Julius Caesar. The narrator insists on his great energy, his ability to cope with critical situations, his extreme luck and Fortune’s favour during the struggle with the elements. Civil war brings about enormous chaos in the universe. The personified Roma is responsible herself for all the ca­lamities that befall her. Yet alliteration is also used to describe more placid scenes, for example the scenery, such as cities (Iolcos, Brundisium) and rivers (Euphra­tes, Tigris). Sometimes alliteration emphasises certain religious elements, e.g. the sacred grove near Massilia. Alliteration is sporadically used in the account of the exploits of Pompey, Cato and Crassus. It plays an important role in the frequent descriptions of the elements that bring disaster on the army, in particular floods and droughts.
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Vieira, Brunno Vinicius Gonçalves. "Filinto Elísio, tradutor de Lucano: estudo introdutório, edição crítica e notas de uma versão da Farsália (I 1-227)." Nuntius Antiquus 1 (June 30, 2008): 76–95. http://dx.doi.org/10.17851/1983-3636.1..76-95.

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The article presents a critical edition of the first 227 verses of Lucan’s Pharsalia, translated into Portuguese by Filinto Elísio, pseudonym of Francisco Manuel do Nascimento (1734-1819), andshows the translation conceptions underlying the work of this influential poet and translator; it is meant to be a contribution to discussions on the literary translation of classical texts.
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Saylor, Charles. "Lux Extrema: Lucan, Pharsalia 4.402-581." Transactions of the American Philological Association (1974-) 120 (1990): 291. http://dx.doi.org/10.2307/283992.

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Bexley. "Replacing Rome: Geographic and Political Centrality in Lucan's "Pharsalia"." Classical Philology 104, no. 4 (2009): 459. http://dx.doi.org/10.2307/20616388.

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Rossi, Andreola. "The Aeneid Revisited: The Journey of Pompey in Lucan's Pharsalia." American Journal of Philology 121, no. 4 (2000): 571–91. http://dx.doi.org/10.1353/ajp.2000.0057.

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Barrière, Florian. "NOTE TO LUCAN, BELLVM CIVILE 1.599–604." Classical Quarterly 70, no. 2 (December 2020): 774–83. http://dx.doi.org/10.1017/s000983882100001x.

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The Bellum ciuile has been the subject of three major editions in the past thirty years, attributable to D.R. Shackleton Bailey, R. Badalì and G. Luck. The existence of these three works highlights the resurgence of sustained interest surrounding Lucan as of the 1970s, with the publication of two significant works, Lucan: An Introduction by F. Ahl and the collective volume of Entretiens à la fondation Hardt, yet it also demonstrates the difficulty in establishing the text of the Pharsalia.
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Dissertations / Theses on the topic "Pharsalia (Lucanus)"

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Seewald, Martin. "Studien zum 9. Buch von Lucans Bellum Civile : mit einem Kommentar zu den Versen 1 - 733 /." Berlin [u.a.] : de Gruyter, 2008. http://d-nb.info/988316846/04.

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Wiener, Claudia. "Stoische Doktrin in römischer Belletristik das Problem von Entscheidungsfreiheit und Determinismus in Senecas Tragödien und Lucans Pharsalia /." München : K.G. Saur, 2006. http://catalog.hathitrust.org/api/volumes/oclc/65427476.html.

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Pribil, Nathaniel Brent. "Virtue Conquered by Fortune: Cato in Lucan's Pharsalia." BYU ScholarsArchive, 2017. https://scholarsarchive.byu.edu/etd/6625.

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This thesis looks at how the Roman poet Lucan uses the character of Cato to elucidate his beliefs about Fortune and Stoicism. The traditional Stoic view of Fortune views it as a force for good that allows people to improve through hardship. Lucan portrays Fortune as a purely antagonistic force that actively seeks to harm the Roman people and corrupt even good individuals like Cato. Lucan's Fortune arranges events to place Cato in a situation where it is impossible to maintain his virtue. Rather than providing him an opportunity to improve in the civil war, Fortune makes it so that whatever choice Cato makes, he becomes guilty. Brutus' dialogue with Cato in Book 2 of Pharsalia illuminates the position that Cato is in. Brutus looks to Cato as the traditional Stoic exemplar that can forge a path for virtue in civil war. However, Cato admits that joining any side in the civil war would cause him to become guilty. Fortune's support of Caesar and its dominance over contemporary events has forced Cato into this situation. Cato's desert march in Book 9 continues to show Fortune's dominance over Cato by continually denying him opportunities to gain virtue for himself. Lucan's portrayal of Fortune shows his rejection of Stoic teaching about Fortune and the ultimate futility of trying to remain virtuous in a time of civil war.
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Earnshaw, Katharine. "More than epic : A commentary on book 4 of Lucans Pharsalia (Lines 1-253)." Thesis, University of Manchester, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.515139.

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This thesis presents a commentary on the first 253 lines of book 4 of Lucan's epic poem, the Pharsalia, and is split into four parts. Part one forms the main introduction, which outlines the methodology and focus of the commentary; there the question of Lucan's 'epicness' is posed, and the plus quam motif of the poem is related to the passage under discussion. Also contained in part one are sections on the structural format of the commentary, a review of particularly important scholarship, a brief discussion of Lucan's style, and notes on the text. The remaining three parts of the thesis form the commentary proper: each section of commentary is prefaced with an introductory discussion, which outlines key events and themes in that segment of the episode, and discusses Lucan's interaction with a particular type of literature. The introduction to part two is primarily concerned with Lucan's use and/or abuse of historical sources. It compares the version of the episode at Herda provided by Lucan with that narrated by Caesar in his account of the Civil War, and suggests possibilities for differences between the two (such as Lucan's characterization of Caesar). It then briefly outlines the other extant sources which refer to the Herda conflict. and considers the question of whether Lucan was responding directly to Caesar's account, or whether there may have been an intermediary source (such as Livy). The commentary on lines 1-47 follow. The introduction to part three assesses Lucan's response to didactic and philosophical texts. It argues that an underlying dialogue with Virgil's Georgics can be found throughout the episode at Herda, and that this intertextual relationship is established in order to contrast the destructive civil war behaviour of the soldiers with the productive agricultural activity which they could be undertaking. Another section of the introduction considers the similarities between Lucan's deluge scene and those found in Ovid's Metamorphoses and Seneca's Natural Questions. It proposes that Lucan alludes to the cataclysmic imagery of these texts in order to suggest a new world order, which is then undermined when the post-deluvian world is proven to be worse than that which went before. The commentary on lines 48-143 follow. The introduction to part four argues that Lucan deliberately underpins the fraternization scene with the imagery of love, sex and marriage, and that his decision to end the scene with a mass slaughter forms part of a wider concern linking sex, marriage and death within the Pharsalia. It assesses the importance of Concordia as a goddess in social, political and philosophical terms, and concludes that her presence may imply that the kinsmen are in some way participating in a pseudo-marriage ceremony. The commentary on lines 143-253 follow. The commentary demonstrates that throughout the Herda episode Lucan engages with a wide range of texts, and that his decision to respond to genres which are not 'traditionally' epic shows him both as an inheritor of Virgil and Ovid's style of multilayered epic, and as an author pushing the boundaries of epic poetics.
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Roche, Paul, and n/a. "De bello civili, Book 1." University of Otago. Department of Classics, 2006. http://adt.otago.ac.nz./public/adt-NZDU20060911.112204.

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This thesis represents the first full-scale, English commentary on the opening book of Lucan�s epic poem, De Bello Ciuili, in sixty-five years. Its fundamental purpose is to explain the language and content of the Latin text of the book. The subject matter of the thesis beyond the introduction is naturally dependent upon the content of each individual line under consideration, but the following questions may help establish some of the larger issues I have prioritised throughout my response to the Latin text of book one. These questions may be variously relevant to an episode within book one of De Bello Ciuili, or else a sentence, a line, a word, a metrical issue, or a combination of these. How does it help locate the text within the genre of epic? What does it contribute to the overall meaning of the poem? What does it contribute to our understanding of epic narrative technique? What does it contribute to our understanding of Lucan�s poetic usage and technique? How does it interact with the rest of the poem (i.e. what are the structural or intratextual markers advertised and what do they contribute to the meaning of the passage under consideration or the structure of the book or poem as a whole)? How does it interact with its (especially epic) models (i.e. what intertextual markers are at work and how does the invocation of earlier models affect the meaning of the passage under consideration)? How does it behave in relation to what we know of the norms espoused by Classical literary criticism? What are the programmatic issues, themes, and images explored or established by book one?
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Caltot, Pierre-Alain. "Voix du poète, voix du prophète. Poétique de la prophétie dans la Pharsale de Lucain." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040174.

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Fondée sur la polysémie du terme latin uates, notre thèse se propose d’étudier les rapports entre poésie et prophétie dans la Pharsale de Lucain. Depuis l’Antiquité, le prophète est à la fois celui qui annonce l’avenir et celui qui parle au nom d’un tiers, souvent d’un dieu. D’abord, nous proposons une typologie des figures de prophètes dans la Pharsale en les comparant avec les prophètes de la tradition littéraire, en particulier issue de l’épopée et de la tragédie. Trois types de prophètes apparaissent chez Lucain : les prophètes omniscients, les prophètes utilisant une discipline divinatoire (astrologie, haruspicine, enthousiasme…) et les prophètes doués d’une inspiration infernale. Ensuite, la parole prophétique des personnages est comparée à celle, oraculaire, du narrateur épique. Nous proposons une étude des prolepses narratives de l’épopée en lien avec l’histoire de Rome, et en particulier avec l’histoire des guerres civiles. Ainsi, Lucain construit une vision cyclique de l’histoire. Après avoir défini la matière prophétique dans la parole du narrateur, nous analysons son style prophétique du point du vue narratologique et stylistique. Enfin, nous passons d’une poétique à une métapoétique de la prophétie chez Lucain. En effet, les personnages de prophètes constituent des mandataires du poète dont ils sont les porte-voix, au sens étymologique de prophète. Les prophètes lucaniens sont donc chargés de délivrer un Art poétique, conformément à la vision du monde de l’auteur. Cette dernière se traduit par une esthétique de la rupture qui s’applique au macrocosme céleste, au microcosme organique et à l’hexamètre épique
Starting from the double meaning of the latin word uates, this study aims to define the links between poetry and prophecy in Lucan’s Pharsalia. Since Antiquity indeed, the prophet has been both a soothsayer and a person speaking for somebody else, especially for a god. First, we build a typology of the prophetic figures in the Pharsalia and we compare them with literary characters from epic and tragedy. Lucan conjures three kinds of prophets : omniscient ones, prophets who use divinatory technics (e.g. astrology, haruspicy, enthusiasm) and those whose inspiration comes from the Underworld. We then look at the prophetic speeches delivered by the characters against the oracular voice of the epic narrator. We study narrative prolepses of the epic that anticipate Roman history (especially the history of the Civil Wars), and through which Lucan offers a cyclical vision of history. After defining the prophetic matter of the narrative voice, we analyse Lucan’s prophetic manner from a narratological and a stylistic perspective. Lastly, we switch from a poetic definition of prophetic voices in the Pharsalia to a metapoetic study. The prophet characters indeed serve as surrogates of the poet and literally utter his voice, thus referring to the etymology of the word. The role of Lucan’s prophets is therefore to formulate an Ars poetica, in accordance with the poet’s Weltanschauung – a vision articulated by an aesthetics of disruption which encapsulates the celestial macrocosm, the organic microcosm and the epic hexameter
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Loupiac, Annie. "La poétique des éléments dans "La Pharsale" de Lucain." Bruxelles : Latomus Revue d'études latines, 1998. http://catalogue.bnf.fr/ark:/12148/cb372098529.

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Medeiros, Gracilene Felix. "Sagrado e a literatura: uma análise teórica da manifestação da religiosidade Romana na Eneida de Virgílio e na Farsália de Lucano." Universidade Federal da Paraí­ba, 2012. http://tede.biblioteca.ufpb.br:8080/handle/tede/4202.

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Esta dissertação tem por objetivo analisar a presença do sagrado na literatura. Trabalhamos com a hipótese segundo a qual a literatura das civilizações grega e romana pode ser um registro das manifestações de religiosidade através do mito e do rito. Diante da extensa produção literária dessas civilizações, optamos por fazer um recorte dessa literatura, e estabelecemos como objeto de pesquisa a Eneida de Virgílio e a Farsália de Lucano, mas, para isso fez-se necessário começarmos nossa pesquisa a partir das obras de Homero e Hesíodo. Buscamos expor o contexto histórico de Roma com relação a cada obra e suas influências na religiosidade do povo romano. Desta forma, analisamos as obras citadas com relação a sua estrutura formal e aos elementos de religiosidade que foram inseridos em cada uma delas: mitos citados, ritos realizados e manifestações do sagrado encontradas tanto na Eneida quanto na Farsália, e entendemos que nas duas obras, os principais elementos sagrados estão na Jornada do Herói. Com relação aos procedimentos metodológicos, este trabalho foi realizado através de uma pesquisa bibliográfica, seguindo o método qualitativo. Para o desenvolvimento da pesquisa tomamos como fundamentação teórica Mircea Eliade e Joseph Campbell.
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Tisseau, des Escotais Aleth. "Edition, traduction et commentaire du livre IV de la Pharsale de Lucain." Thesis, Sorbonne université, 2020. http://accesdistant.sorbonne-universite.fr/login?url=http://theses.paris-sorbonne.fr/2020SORUL061.pdf.

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La Pharsale de Lucain a été éditée et traduite en français dans son intégralité pour la dernière fois entre 1927 et 1930, par Abel Bourgery, aux éditions des Belles Lettres. Récemment, ces mêmes éditions ayant lancé le projet d’une nouvelle édition du poème, plusieurs livres ont été étudiés ou sont en cours d’étude. La présente thèse se situe dans ce contexte et s’intéresse au livre IV, qui évoque successivement trois épisodes de la guerre civile ayant eu lieu en -49 : la campagne d’Espagne, la mort de Vultéius dans les eaux d’Illyrie et la défaite de Curion en Afrique. La première partie de la thèse est consacrée à l’édition du texte. Elle s’appuie sur 14 manuscrits, sur la tradition indirecte et sur des éditions précédentes. La deuxième partie est dédiée à la traduction et s’attache à combiner respect du texte latin et compréhension aisée du sens pour un lecteur d’aujourd’hui. La troisième partie, enfin, est constituée d’un commentaire linéaire qui explicite le texte, en relève les subtilités et tâche d’appréhender ses influences
Lucan’s Pharsalia was edited and translated in French in its entirety for the last time between 1927 and 1930, by Abel Bourgery, and published by Les Belles Lettres. Recently, this same publisher having launched the project of a new edition of the Pharsalia, several books were or are studied. This thesis was implemented in this context and focuses on Book IV, which relates three episodes of the civil war taking place in 49 BC: the Spanish campaign, Vulteius’ death in the Illyrian sea, and Curion’s defeat in Africa. The first part of the thesis is dedicated to the edition of the text, based on 14 manuscripts, on the indirect tradition, and on previous editions. The second part is devoted to the translation, that tries to combine respect of the latin text and good understanding of the meaning for a contemporary reader. Lastly, the third part is made of a line-by-line commentary to explain the text, highlight its subtleties, and attempt to apprehend its influences
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Kay, Simon Michael Gorniak. "Literary, political and historical approaches to Virgil's Aeneid in early modern France." Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/13837.

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This thesis examines the increasing sophistication of sixteenth-century French literary engagement with Virgil's Aeneid. It argues that successive forms of engagement with the Aeneid should be viewed as a single process that gradually adopts increasingly complex literary strategies. It does this through a series of four different forms of literary engagement with the Aeneid: translation, continuation, rejection and reconciliation. The increasing sophistication of these forms reflects the writers' desire to interact with the original Aeneid as political epic and Roman foundation narrative, and with the political, religious and literary contexts of early modern France. The first chapter compares the methods of and motivations behind all of the sixteenth-century translations of the Aeneid into French; it thus demonstrates shifts in successive translators' interpretations of Virgil's work, and of its application to sixteenth-century France. The next three chapters each analyse adaptation of Virgil's poem in a major French literary work. Firstly, Ronsard's Franciade is analysed as an example of French foundation epic that simultaneously draws upon and rejects Virgil's narrative. Ronsard's poem is read in the light of Mapheo Vegio's “Thirteenth Book” of the Aeneid, or Supplementum, which continues Virgil's narrative and carries it over into a Christian context. Next, Agrippa d'Aubigné's response to Virgilian epic in Les Tragiques is shown to have been mediated by Lucan's Pharsalia and its anti- epic and anti-imperialist interpretation of the Aeneid. D'Aubigné's inversion of Virgil is highlighted through comparison of attitudes to death and resurrection in Les Tragiques, the Aeneid and Vegio's Antoniad. Finally, Guillaume de Salluste du Bartas' combination, in La Sepmaine and La Seconde Sepmaine of the hexameral structure of Genesis with Virgil's narrative of reconciliation after civil war is shown to represent the most sophisticated understanding of and most complex interaction with the Aeneid in sixteenth-century France.
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Books on the topic "Pharsalia (Lucanus)"

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Stoische Doktrin in romischer Belletristik: Das Problem von Entscheidungsfreiheit und Determinismus in Senecas Tragodien und Lucans Pharsalia. Munchen: K.G. Saur, 2006.

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Madness triumphant: A reading of Lucan's Pharsalia. Lanham: Lexington Books, 2012.

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Lucan. Lucan: The Civil War (Pharsalia). Cambridge, MA: Harvard University Press, 1988.

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Die direkten Reden der Massen in Lucans Pharsalia. Frankfurt am Main: P. Lang, 1995.

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Lucano: Un'epica contro l'impero : interpretazione della "Pharsalia". Roma: GLF editori Laterza, 2002.

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Ideology in cold blood: A reading of Lucan's Civil War. Cambridge, Mass: Harvard University Press, 1997.

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39-65, Lucan, ed. Pestes Harenae: Die Schlangenepisode in Lucans Pharsalia (IX 587-949) : Einleitung, Text, Übersetzung, Kommentar. Frankfurt am Main: P. Lang, 2001.

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Lucifora, Rosa Maria. L' ablativo assoluto nella Pharsalia: Riflessioni sul testo e sullo stile di Lucano. Pisa: ETS, 1991.

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1918-, Widdows P. F., ed. Lucan's Civil war. Bloomington: Indiana University Press, 1988.

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39-65, Lucan, ed. Die Ericthoszene in Lukans Pharsalia: Einleitung, Text, Übersetzung, Kommentar. Frankfurt am Main: Lang, 1996.

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Book chapters on the topic "Pharsalia (Lucanus)"

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Gensini, Niccolò. "«A’ quai Lucan seguitava». Su Boccaccio lettore della Pharsalia." In Intorno a Boccaccio / Boccaccio e dintorni 2019, 93–114. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-236-2.06.

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Lucan was one of the most widely read and studied classical authors during the Middle Ages, a reference point for teaching, historiography and literature. The essay attempts to outline Giovanni Boccaccio’s profile as a reader of Pharsalia in the different ages of his literary production and in his critical judgment, placing him in the context of fourteenth-century reception. The different ways of reading Lucan’s masterpiece, from the almost literal imitation of some scenes in the Filocolo, to the punctual references to situations, images and characters in the works of maturity, testifies the inexhaustible attention of Boccaccio towards the poet of «plus quam civilia bella».
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"THE LIFE OF MARCUS ANNAEUS LUCANUS." In Thomas May, Lucan’s Pharsalia (1627), 40–42. Modern Humanities Research Association, 2020. http://dx.doi.org/10.2307/j.ctv19wx7x6.11.

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"LUCAN’S Pharsalia:." In Thomas May, Lucan’s Pharsalia (1627), 47–82. Modern Humanities Research Association, 2020. http://dx.doi.org/10.2307/j.ctv19wx7x6.15.

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"LUCAN’S Pharsalia:." In Thomas May, Lucan’s Pharsalia (1627), 83–115. Modern Humanities Research Association, 2020. http://dx.doi.org/10.2307/j.ctv19wx7x6.16.

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"LUCAN’S Pharsalia:." In Thomas May, Lucan’s Pharsalia (1627), 116–47. Modern Humanities Research Association, 2020. http://dx.doi.org/10.2307/j.ctv19wx7x6.17.

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"LUCAN’S Pharsalia:." In Thomas May, Lucan’s Pharsalia (1627), 148–81. Modern Humanities Research Association, 2020. http://dx.doi.org/10.2307/j.ctv19wx7x6.18.

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"LUCAN’S Pharsalia:." In Thomas May, Lucan’s Pharsalia (1627), 182–218. Modern Humanities Research Association, 2020. http://dx.doi.org/10.2307/j.ctv19wx7x6.19.

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"LUCAN’S Pharsalia:." In Thomas May, Lucan’s Pharsalia (1627), 219–54. Modern Humanities Research Association, 2020. http://dx.doi.org/10.2307/j.ctv19wx7x6.20.

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"LUCAN’S Pharsalia:." In Thomas May, Lucan’s Pharsalia (1627), 255–92. Modern Humanities Research Association, 2020. http://dx.doi.org/10.2307/j.ctv19wx7x6.21.

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"LUCAN’S Pharsalia:." In Thomas May, Lucan’s Pharsalia (1627), 293–333. Modern Humanities Research Association, 2020. http://dx.doi.org/10.2307/j.ctv19wx7x6.22.

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