Academic literature on the topic 'Philadelphia Maritime Museum. Library'

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Journal articles on the topic "Philadelphia Maritime Museum. Library"

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Boxer, C. R. "The Empress of China. By Philip Chadwick Foster Smith. [Philadelphia: Philadelphia Maritime Museum, 1984. 331 pp.]." China Quarterly 103 (September 1985): 543–44. http://dx.doi.org/10.1017/s0305741000030927.

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Sweeney, Dominique. "What is the Australian National Maritime Museum Ilma collection?" Archives and Manuscripts 47, no. 1 (January 2, 2019): 153–63. http://dx.doi.org/10.1080/01576895.2019.1570283.

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Hendrix, Melvin K. "Africana Resources in the National Maritime Museum, Greenwich, England." History in Africa 14 (1987): 389–97. http://dx.doi.org/10.2307/3171852.

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Beginning in the latter part of the sixteenth century British naval and shipping interests gradually emerged as one of the major maritime forces operating in African waters and, by the end of the eighteenth century, British shipping dominated the export slave trade. The establishment of colonial plantation economies in the Americas, the global expansion of British political and commercial interests resulting from the Napoleonic Wars, and the anti-slave trade suppression campaign in the first three-quarters of the nineteenth century all brought British seafarers into intimate association with African peoples. This relationship became more intense with the scramble for colonial territories throughout the continent in the late nineteenth century.As a direct consequence of this extensive political and economic relationship a voluminous amount of documentary material exists. One of the principal depositories of this material is the National Maritime Museum (NMM) of Great Britain located in Greenwich, southeast of Central London. This essay reviews some of the documentary holdings found in the Library of the NMM, resources that scholars might find useful in reconstructing British maritime activities in relation to peoples of African descent. Located within the Museum its holdings include printed books and other printed materials, maps and atlases, rare and original manuscripts, ship's plans and drawings, collections on shipwrecks, piracy, and boats, together with various photographic and art collections. While the Library is free and open to the public, it is helpful to contact the Secretary of the NMM with a letter of introduction prior to a first visit.
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Stallybrass, Peter. "The Library and Material Texts." PMLA/Publications of the Modern Language Association of America 119, no. 5 (October 2004): 1347–52. http://dx.doi.org/10.1632/s0030812900101804.

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For the last three years, roger chartier and i have taught an undergraduate seminar called the history of print Culture in Early Modern Europe and America. Although the content of the course has changed, one feature has been persistent: at least half our classes met in the rare-book libraries of Philadelphia. While we have often held the seminar in Special Collections at the University of Pennsylvania, we have also gone to the Library Company of Philadelphia, the Free Library, and the Rosenbach Museum and Library. This would not have been possible without the extraordinary openness and generosity of the Philadelphia libraries and librarians. But the work of those librarians has not only provided an infrastructure for the course; it has also reshaped what we've worked on and how we teach it.
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Zytaruk, Maria. "America’s first circulating museum: The object collection of the library company of Philadelphia." Museum History Journal 10, no. 1 (December 6, 2016): 68–82. http://dx.doi.org/10.1080/19369816.2017.1257871.

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Middleton, Craig. "Savants and Surgeons." Transfers 5, no. 2 (June 1, 2015): 135–38. http://dx.doi.org/10.3167/trans.2015.050210.

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South Australian Maritime Museum 126 Lipson Street, Port Adelaide, SA 5015, Australia http://samaritimemuseum.com.au/ Admission: AUD 10/8/5 The South Australian Maritime Museum cares for one of South Australia’s oldest cultural heritage collections.2 The core collection, inherited from the Port Adelaide Institute (one of the legion of nineteenth-century mechanics’ institutes providing learning resources to working men), began in 1872. Visiting seafarers spent time in the ins titute’s library, leaving behind crafts or souvenirs picked up in exotic ports of call as a token of thanks. In the 1930s, honorary curator Vernon Smith refi ned the collection to focus solely on nautical material and searched for artifacts to enhance it. Th e collection now comprises over twenty thousand objects.
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Tyacke, Sarah. "Gabriel Tatton's Maritime Atlas of the East Indies, 1620–1621: Portsmouth Royal Naval Museum, Admiralty Library Manuscript, MSS 352." Imago Mundi 60, no. 1 (December 19, 2007): 39–62. http://dx.doi.org/10.1080/03085690701669293.

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Sharov, Konstantin S. "The Problem of Transcribing and Hermeneutic Interpreting Isaac Newton’s Archival Manuscripts." Tekst. Kniga. Knigoizdanie, no. 24 (2020): 134–55. http://dx.doi.org/10.17223/23062061/24/7.

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In the article, the current situation and future prospects of transcribing, editing, interpreting, and preparing Isaac Newton’s manuscripts for publication are studied. The author investigates manuscripts from the following Newton’s archives: (1) Portsmouth’s archive (Cambridge University Library, Cambridge, UK); (2) Yahuda collection (National Library of Israel, Jerusalem, Israel); (3) Keynes collection (King’s College Library, Cambridge University, Cambridge, UK); (4) Trinity College archive (Trinity College Library, Cambridge University, Cambridge, UK); (5) Oxford archive (New’s College Library, Oxford University, Oxford, UK); (6) Mint, economic and financial papers (National Archives in Kew Gardens, Richmond, Surrey, UK); (7) Bodmer’s collection (Martin Bodmer Society Library, Cologny, Switzerland); (8) Sotheby’s Auction House archive (London, UK); (9) James White collection (James White Library, Andrews University, Berrien Springs, Michigan, US); (10) St Andrews collection (University of St Andrews Library, St Andrews, UK); (11) Bodleian collection (Bodleian Library, Oxford University, Oxford, UK); (12) Grace K. Babson collection (Huntington Library, San Marino, California, US); (13) Stanford collection (Stanford University Library, Palo Alto, California, US); (14) Massachusetts collection (Massachusetts Technological Institute Library, Boston, Massachusetts, US); (15) Texas archive (Harry Ransom Humanities Research Centre, University of Texas Library, Austin, Texas, US); (16) Morgan archive (Pierpont Morgan Library, New York, US); (17) Fitzwilliam collection (Fitzwilliam Museum, Cambridge University, Cambridge, UK); (18) Royal Society collection (Royal Society Library, London, UK): (19) Dibner collection (Dibner Library, Smithsonian Institution, Washington D.C., US); (20) Philadelphia archive (Library of the American Philosophical Society, Philadelphia, Pennsylvania, US). There is a great discrepancy between what Newton wrote (approx. 350 volumes) and what was published thus far (five works). It is accounted for by a number of reasons: (a) ongoing inheritance litigations involving Newton’s archives; (b) dispersing Newton’s manuscripts in countries with different legal systems, consequently, dissimilar copyright and ownership branches of civil law; (c) disappearance of nearly 15 per cent of Newton works; (d) lack of accordance of views among Newton’s researchers; (e) problems with arranging Newton’s ideas in his possible Collected Works to be published; (f) Newton’s incompliance with the official Anglican doctrine; (g) Newton’s unwillingness to disclose his compositions to the broad public. The problems of transcribing, editing, interpreting, and pre-print preparing Newton’s works, are as follows: (a) Newton’s complicated handwriting, negligence in spelling, frequent misspellings and errors; (b) constant deletion, crossing out, and palimpsest; (c) careless insertion of figures, tables in formulas in the text, with many of them being intersected; (d) the presence of glosses situated at different angles to the main text and even over it; (e) encrypting his meanings, Newton’s strict adherence to prisca sapientia tradition. Despite the obstacles described, transcribing Newton’s manuscripts allows us to understand Sir Newton’s thought better in the unity of his mathematical, philosophical, physical, historical, theological and social ideas.
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Shigemori Bučar, Chikako. "Picture Postcards Sent from Japan by Austro-Hungarian Navy Members." Tabula, no. 16 (November 29, 2019): 1–22. http://dx.doi.org/10.32728/tab.16.2019.1.

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Many of the old Japanese postcards archived in Slovenia today date from the period between the 1890s and 1920s when Austro-Hungarian Navy members were active and travelled to Japan as a part of their duties. Collectors and users of these postcards were of Slovenian origin. Their postcards were identified in the National and University Library in Ljubljana and in the Maritime Museum “Sergej Mašera” Piran. A postcard in private possession has also been added to the list. The format regulation of postcard printing changed in Japan in 1907 and this is confirmed using the postcards identified in Slovenia. The main motifs of the pictures were of scenery, portraits and individual objects. Among them, the category of scenery is dominated by ports, such as Yokohama, Kobe and Nagasaki, which are later overtaken as they become tourist destinations. The most characteristic postcards from this period around the turn of the century fall under the category of portrait: clothing and hairdos, customs and professions were all the focus of attention. These photos were made in photo studios with the aim of introducing Japan and its culture to Western visitors. As for the category of individual objects, picture postcards of Russian and Japanese warships attract our eyes.
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Mann, Ian, Warwick Funnell, and Robert Jupe. "The liberal contest for double-entry bookkeeping in British Government." Accounting, Auditing & Accountability Journal 29, no. 5 (June 20, 2016): 739–66. http://dx.doi.org/10.1108/aaaj-04-2014-1682.

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Purpose – The purpose of this paper is to contest Edwards et al.’s (2002) findings that resistance to the introduction of double-entry bookkeeping and the form that it took when implemented by the British Government in the mid-nineteenth century was the result of ideological conflict between the privileged landed aristocracy and the rising merchant middle class. Design/methodology/approach – The study draws upon a collection of documents preserved as part of the Grigg Family Papers located in London and the Thomson Papers held in the Mitchell Library in Sydney. It also draws on evidence contained within the British National Archive, the National Maritime Museum and British Parliamentary Papers which has been overlooked by previous studies of the introduction of DEB. Findings – Conflict and delays in the adoption of double-entry bookkeeping were not primarily the product of “ideological” differences between the influential classes. Instead, this study finds that conflict was the result of a complex amalgam of class interests, ideology, personal antipathy, professional intolerance and ambition. Newly discovered evidence recognises the critical, largely forgotten, work of John Deas Thomson in developing a double-entry bookkeeping system for the Royal Navy and the importance of Sir James Graham’s determination that matters of economy would be emphasised in the Navy’s accounting. Originality/value – This study establishes that crucial to the ultimate implementation of double-entry bookkeeping was the passionate, determined support of influential champions with strong liberal beliefs, most especially John Deas Thomson and Sir James Graham. Prominence was given to economy in government.
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Books on the topic "Philadelphia Maritime Museum. Library"

1

Reed, Mary Beth. The Barry-Hayes papers: A descriptive guide. Philadelphia, PA: Philadelphia Maritime Museum Library, 1991.

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Griffith, Lee Ellen. The tale of the mermaid: An essay on the folklore and mythology of the mermaid, accompanied by illustrations of objects from the exhibition. Philadelphia, Pa: Philadelphia Maritime Museum, 1986.

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Museum, Philadelphia Maritime. John Lenthall, naval architect: A guide to plans and drawings of American naval and merchant vessels, 1790-1874 : with a bibliography of works on shipbuilding printed in Great Britain, France, and the United States, 1707-1882, collected by John Lenthall (b. 1807-d.1882). Philadelphia, PA: Philadelphia Maritime Museum, 1991.

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Farr, Gail E. Massachusetts Steam Navigation Company, Salem, Massachusetts, records, 1816-1818 ; Newhall family business papers, 1809-1852: A descriptive guide. Philadelphia, PA: Philadelphia Maritime Museum, 1990.

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North American Textile Conservation Conference (3rd 2002 Philadelphia, Pa.). Strengthening the bond: Science & textiles : preprints, North American Textile Conservation Conference 2002, April 5 and 6, 2002, held at Philadephia Museum of Art, Philadelphia, Pennsylvania, Winterthur Museum, Garden and Library, Winterthur, Delaware. [Philadelphia, Pa.?]: North American Textile Conservation Conference, 2002.

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T, Baer Christopher, and Hagley Museum and Library, eds. Works: Photographs of enterprise. Wilmington, Del: Hagley Museum and Library, 1992.

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7

Jackson, John W. Philadelphia Maritime Museum, 1961-1986. Independence Seaport Museum, 1987.

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Baer, Christopher T. Works: Photographs of Enterprise. Hagley Museum & Library, 1992.

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Baer, Christopher T., and Martin W. Kane. Works: Photographs of Enterprise. Hagley Museum & Library, 1992.

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Book chapters on the topic "Philadelphia Maritime Museum. Library"

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"Maritime Library." In Guide to the Records of Merseyside Maritime Museum, Volume 2, edited by Dawn Littler. Liverpool University Press, 1999. http://dx.doi.org/10.5949/liverpool/9780968128879.003.0010.

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"Rotterdam, Maritiem Museum (Maritime Museum)." In Catalogue of Turkish Manuscripts in the Library of Leiden University and Other Collections in the Netherlands, 258–64. BRILL, 2012. http://dx.doi.org/10.1163/9789004221918_014.

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"Amsterdam, Nederlands Scheepvaartmuseum (Netherlands Maritime Museum)." In Catalogue of Turkish Manuscripts in the Library of Leiden University and Other Collections in the Netherlands, 9–10. BRILL, 2012. http://dx.doi.org/10.1163/9789004221918_004.

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Gilmore, Lois. "Shop My Closet: Virginia Woolf, Marianne Moore, and Fashion Contemporaries." In Virginia Woolf and Her Female Contemporaries. Liverpool University Press, 2016. http://dx.doi.org/10.5949/liverpool/9781942954088.003.0016.

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Woolf’s well-documented fashion angst is read through the lens of fashion contemporaries like Marianne Moore, whose fashion (and literary) identity was supported by family and friends in a kind of female patronage, resulting in her development as a fashion icon celebrated in magazines like Harper’s Bazaar and Vogue, which printed interviews, spreads, and poetry. Keying on the ideas of individuality and identity and working with the extensive Moore collection at the Rosenbach Museum and Library (Philadelphia), this essay examines how the support of Moore’s circle enabled her to navigate and rise above the doubts that beset Woolf ‘s relationship with fashion.
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Kahn, Richard J. "**C225** Chap. 8." In Diseases in the District of Maine 1772 - 1820, edited by Richard J. Kahn, 405–16. Oxford University Press, 2020. http://dx.doi.org/10.1093/med/9780190053253.003.0024.

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Barker explains that the Medical Museum (Philadelphia) and the Medical Repository (New York City) were rare books in Maine that could not conveniently be purchased by young physicians. Because he was known to have an unusually good personal library, Barker was asked to excerpt some of the most extraordinary cases of consumption from those journals. For example, a twenty-year-old West Indian seaman died at New York Hospital with a diagnosis of phthisis pulmonalis manifested by extreme emaciation, cough, catarrh, and fever. On dissection the lungs showed no adhesions, no traces of organic lesions, and no inflammation. The physician was of the opinion that phthisis pulmonalis was “not always attended with tubercles and ulcers,” and that death was due to another cause. He suggested that in some cases the disease yielded to calomel, symptoms disappeared, but the patient still died.
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