Relevant bibliographies by topics / Philadelphia Orchestra – History

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Academic literature on the topic 'Philadelphia Orchestra – History'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Philadelphia Orchestra – History"

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LIU, BESS XINTONG. "‘The Timpani Beats Just Hit on My Heart!’ Music, Memory, and Diplomacy in the Philadelphia Orchestra's 1973 China Tour." Twentieth-Century Music 18, no. 3 (2021): 395–418. http://dx.doi.org/10.1017/s1478572221000189.

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AbstractThis article examines the underexplored history of the 1973 Philadelphia Orchestra China tour and retheorizes twentieth-century musical diplomacy as a process of ritualization. As a case study, I consult bilingual archives and incorporate interviews with participants in this event, which brings together individual narratives and public opinions. By contextualizing this musical diplomacy in the Cold War détente and the Chinese Cultural Revolution, I argue for the complex set of relations mobilized by Western art music in 1973. This tour first created a sense of co-dependency between mus
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Boiarsky, Carolyn. "This Is Not Our Fathers' Generation: Web Pages, the Chicago Lyric Opera, and the Philadelphia Orchestra." Journal of Popular Culture 36, no. 1 (2002): 14–24. http://dx.doi.org/10.1111/1540-5931.00028.

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LeVee, Alexis, Duveen Sturgeon, Joanne Mortimer, and Kevin McDonnell. "Abstract PO1-20-07: Valosin-containing protein (VCP)/p97: A novel breast cancer susceptibility gene?" Cancer Research 84, no. 9_Supplement (2024): PO1–20–07—PO1–20–07. http://dx.doi.org/10.1158/1538-7445.sabcs23-po1-20-07.

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Abstract Introduction: Mutations in the valosin-containing protein (VCP, also known as p97) gene are associated with autosomal dominant inclusion-body myopathy with early-onset Paget disease and frontotemporal dementia. VCP is an ATPase that subserves a variety of cellular functions, prominently, organelle biogenesis and ubiquitin-dependent protein degradation. Recently, VCP has also been shown to physically interact with BRCA1 and is postulated to orchestrate the response to DNA double-strand breaks, a critical molecular prelude to homologous recombination DNA repair. Moreover, VCP is also in
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Зейфас, Н. М., А. Б. Ковалев та С. А. Гончарова. "СИМФОНИЧЕСКИЕ ТАНЦЫ: 80 ЛЕТ СПУСТЯ. ЧАСТЬ 1: ПОСВЯЩЕНИЕ ВЕЛИКОМУ ОРКЕСТРУ". АКТУАЛЬНЫЕ ПРОБЛЕМЫ ВЫСШЕГО МУЗЫКАЛЬНОГО ОБРАЗОВАНИЯ, № 2(56) (30 червня 2020). https://doi.org/10.26086/nk.2020.2.56.003.

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За 80 лет, истекших с момента завершения «Симфонических танцев», были предложены самые разнообразные, порой полярно противоположные, трактовки их программного замысла и стилевых истоков. Цель настоящего исследования — уточнить жанровый генезис и музыкально-композиционные прообразы последнего крупного сочинения Рахманинова, опираясь на установленные факты, документальные свидетельства самого автора и его современников, а также на сравнительный анализ комплекса музыкально-выразительных средств. Вопреки сложившемуся мнению «Танцы» задумывались как целостная симфоническая концепция, а стимулом к и
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Liu, Runchao. "Object-Oriented Diaspora Sensibilities, Disidentification, and Ghostly Performance." M/C Journal 23, no. 5 (2020). http://dx.doi.org/10.5204/mcj.1685.

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Neither mere flesh nor mere thing, the yellow woman, straddling the person-thing divide, applies tremendous pressures on politically treasured notions of agency, feminist enfleshment, and human ontology. — Anne Anlin Cheng, OrnamentalismIn this (apparently) very versatile piece of clothing, she [Michelle Zauner] smokes, sings karaoke, rides motorcycles, plays a killer guitar solo … and much more. Is there anything you can’t do in a hanbok?— Li-Wei Chu, commentary, From the Intercom IntroductionAnne Anlin Cheng describes the anomaly of being “the yellow woman”, women of Asian descent in Western
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Books on the topic "Philadelphia Orchestra – History"

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Welsh, Mary Sue. A Formidable Arena. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037368.003.0002.

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This chapter details the history of the Philadelphia Orchestra, considered one of the greatest orchestras in the world. Founded in 1900, the Philadelphia Orchestra was led during its early years by two German-speaking conductors, Fritz Scheel (1900–1907) and Carl Pohlig (1907—12). Maestro Scheel made a good start on developing an organization of distinction, but he succumbed to an untimely illness in 1907. Unfortunately, the man who succeeded him deflated many of his predecessor's gains, and the orchestra became a competent but stiff ensemble that inspired strained admiration from its own audi
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Welsh, Mary Sue. One Woman in a Hundred: Edna Phillips and the Philadelphia Orchestra. University of Illinois Press, 2013.

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One woman in a hundred: Edna Phillips and the Philadelphia Orchestra. University of Illinois Press, 2013.

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One Woman in a Hundred: Edna Phillips and the Philadelphia Orchestra. University of Illinois Press, 2012.

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Book chapters on the topic "Philadelphia Orchestra – History"

1

McCutchan, Ann. "William Balcom." In The Muse that Sings. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195127072.003.0003.

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Abstract William Bolcom has always been attracted to, as he puts it,”picking up a thread from our American musical history, and taking it to the next step:’ in Seattle, Bolcom began his musical training as a pianist and entered the University of Washington at age eleven to study composition with John Verrall. He later studied with Darius Milhaud in California and Paris and earned a master’s degree from Mills College and a doctor of music degree from Stanford University. Among his many honors is the 1988 Pulitzer Prize in music. He has been commissioned by the New York Philharmonic, the Philade
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Malone, Mark Hugh. "Dawson the Composer." In William Levi Dawson. University Press of Mississippi, 2023. http://dx.doi.org/10.14325/mississippi/9781496844798.003.0004.

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As a composer, Dawson strove to be the voice of his people, using the culturally rich tones and drawing on his own history of musical experiences as a child in Anniston, Alabama. While a student at Tuskegee Institute, Dawson learned of Antonin Dvořák’s selection of African American folk songs as the “true” essence of an American musical sound and embarked on a mission to set the Folk Song of the American Negro (which many refer to as “spirituals”) for choirs and instruments. During his constant effort to study the history of music first created in America by his enslaved ancestors, Dawson comp
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Heyman, Barbara B. "A New Opera House." In Samuel Barber. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190863739.003.0018.

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The commission that was one of the greatest tributes to Barber’s career turned out to be his nemesis. Antony and Cleopatra, written for the opening of the new Metropolitan Opera House at Lincoln Center in New York, was handicapped by the inflated Franco Zeffirelli production, with its problematic paraphernalia, including camels and goats and a malfunctioning pyramid, which eclipsed serious evaluation of the music. This chapter narrates how the opera based on Barber’s favorite Shakespeare play came to life, how he handpicked the major characters ̶—Leontyne Price for Cleopatra and Justino Díaz f
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