Academic literature on the topic 'Philip (Philip John) Criticism and interpretation'
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Journal articles on the topic "Philip (Philip John) Criticism and interpretation"
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Boatner-Doane, Charlotte. "Sarah Siddons and the Romantic Hamlet." Nineteenth Century Theatre and Film 44, no. 2 (November 2017): 212–35. http://dx.doi.org/10.1177/1748372718763621.
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This paper considers Sarah Siddons’s cross-gender performances as Hamlet in relation to critical fascination with the character’s interiority in the early Romantic era. An examination of the responses to Siddons’s Hamlet in the context of late eighteenth- and early nineteenth-century studies of the play reveals that Siddons’s contemporaries saw the actress’s femininity and acting methods as particularly effective for conveying the sensibility and irresolution that became increasingly associated with Hamlet in literary criticism of the period. In particular, the responses to Siddons’s performances emphasise Hamlet’s first encounter with his father’s Ghost, a scene often considered the focal point of definitive performances by actors like Thomas Betterton, David Garrick, and Siddons’s brother, John Philip Kemble. The fact that these commentators describe Siddons’s Hamlet as superior to her brother’s and praise her reactions in the Ghost scene suggests that Siddons succeeded in creating a dramatic interpretation of the character that aligned with the Romantic focus on Hamlet’s inner life.
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Kłakulak-Torba, Weronika. "Specifics of religiocity and temporal perspectives by Philip Zimbardo and John Boyd." Educational Psychology 54, no. 12 (December 31, 2017): 165–81. http://dx.doi.org/10.5604/01.3001.0011.7870.
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Religiocity, being an immanent part of an individual’s personality, influences numerous aspects of psychological functioning. One of them is a temporal dimension of human existence. Being a member of a religious community in times of growing secularity encourages a reflection on motivation and specifics of religiosity of people engaged. The aim of current work is to verify the relationship between religiosity and temporal perspectives and to characterize the religiosity of young Catholics belonging to the three most popular in Poland religious communities. There were 172 participants. They filled in a questionnaire „Your religiosity”, measuring religious orientations or a „Religion Centralism” scale, which describes religion in five dimensions. Every participant also filled in a time perspective questionnaire. The analysis revealed a negative correlation between past-negative tmeporal perspective and religious engagement. An unexpected result was a positive correlation between a social aspect of religious orientation and transcendental future. Additionally, religion centralism correlated negatively with a deviant factor of temporal perspective balance. Based on the obtained results it can be suggested that among all temporal perspectives, the qualitative interpretation of one’s own past has the biggest influence on religious engagement. Another conclusion is that an important factor of religious activity is a possibility of meeting affiliation needs. Conducted analysis also allowed conclusions on the specifics of the religiosity of young Catholics.
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Nikhilesh & Prof. Indu Prakash Singh. "Alienation in The Poetry of Philip Larkin and British Poetry." Creative Saplings 1, no. 9 (December 25, 2022): 12–25. http://dx.doi.org/10.56062/gtrs.2022.1.9.184.
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It is said in the Norton Introduction to Literature that "poetry gives a vocabulary for emotion." Peter Howarth argues in his book British Poetry in the Age of Modernism that the social progress that has taken place in modern times has left obvious imprints upon the poetic form. This author is of the opinion that, as a result of advances in scientific knowledge, poetry has advanced, both in terms of its form and its meaning. In his book "The Use of Poetry and the Use of Criticism," Thomas Stern Eliot provides evidence in favour of this viewpoint by confirming that political and socio-historical existence may be analyzed via poetry. In doing so, Eliot anticipates Howarth's interpretation of this concept. When Philip Arthur Larkin says that he works as diligently as possible not just to analyze the social climate throughout his poems but also to discover measures to soothe the traumas endured in the second half of the twentieth century, one can really agree with him. This British poet places the social unrest that occurred during the World Wars in the forefront by adopting such a position, and from this point on, his attention is kept on the existential quest that was manifested in the post-war period when many British citizens were intrigued about their material renovation. This is because the poet believes that the conflicts between the sexes were the root cause of the social unrest.
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Pak, G. Sujin. "Contributions of Commentaries on the Minor Prophets to the Formation of Distinctive Lutheran and Reformed Confessional Identities." Church History and Religious Culture 92, no. 2-3 (2012): 237–60. http://dx.doi.org/10.1163/18712428-09220003.
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The essay explores the question of the evidence of distinct Lutheran and Reformed confessional practices of exegesis particularly concerning interpretations of Old Testament prophecy. It begins by outlining differences in Martin Luther and John Calvin’s practices of christological exegesis and vision of sacred history in their interpretations of the Minor Prophets. Next, it traces the evolution of these differences in a set of figures from the next generation of Lutheran and Reformed exegetes in order to discern whether consistent patterns emerge to indicate ways in which biblical interpretation shaped confessional identity. Through a survey of commentaries on the Minor Prophets by a set of next generation Lutherans (Philip Melanchthon, Aegidius Hunnius, Lucas Osiander, and Nicolas Selnecker) and next generation Reformed (David Pareus, Lambert Daneau, Johannes Drusius, and Johannes Piscator) the author provides a picture of how biblical interpretation did indeed play a significant role in the formation and expression of confessional identity in the late sixteenth and early seventeenth centuries.
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Modlińska-Piekarz, Angelika. "The Doctrine of Justification in the Neo-Latin Biblical Poetry of Silesian Reformation Poets and their Interpretation of the Biblical Theme of the Fall of the First Parents." Journal of Early Modern Christianity 8, no. 2 (November 1, 2021): 171–92. http://dx.doi.org/10.1515/jemc-2021-2011.
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Abstract The aim of this article is to analyze a selection of works by Silesian Protestants who, in poetic form, explained the biblical theme of the fall of the first parents in the context of the Reformation teaching on justification. The article consists of three parts. The first gives a short presentation of the literary phenomenon of neo-Latin poetic alterations of various books, fragments, and biblical themes by Silesian poets who were active in this literary field from the mid-sixteenth century to the mid-seventeenth century. The scale, area and time frame of the mass distribution of this literature are presented here, and it is noted that it was created as a result of the cultural and educational influence of the leading teacher of the Lutheran Reformation, viz. Philip Melanchthon. The second part of the article provides a theological explanation of the biblical story of the fall of the first parents, or original sin, in the context of the doctrine of justification as interpreted by Martin Luther, Philip Melanchthon, Huldrych Zwingli, and John Calvin. The third part discusses how some Silesian poets like Thomas Mawer (1536–1575), Laurentius Fabricius (1539–1577), Melchior Ostius (1569–1637) and Fridericus Wolbertus (active at the turn of the sixteenth and seventeenth centuries) presented the doctrine of justification in poems describing the fall of Adam and Eve. The conclusions emphasize the importance of this type of work for the spread of the Reformation doctrine of justification, which opened the peaceful path to ideological and religious discussions in Central and Eastern Europe at that time.
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Rouwhorst, Gerard. "The Mystical Body Falling Apart?" Religion & Theology 23, no. 1-2 (2016): 35–56. http://dx.doi.org/10.1163/15743012-02301007.
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This article deals with some important changes that occurred in the ritual of the Eucharist and its theological interpretation between Late Antiquity and the twelfth and thirteenth centuries. These had been studied especially by Henri de Lubac in his book Corpus Mysticum. It is quite common – especially among liturgical historians – to present these processes in a purely negatively light and to interpret them in terms of liturgical decline and disintegration, in particular emphasizing the purported loss of the communal, ecclesial character of the Eucharist. This view has been criticized persuasively by other historians (Gary Macy; Eamon Duffy). While taking this criticism seriously, an attempt is made to sketch a differentiated picture of these developments. Making use in particular of mediaeval liturgical commentaries that have received relatively little attention in research, it is argued that the developments are illustrative of some processes which, according to Philip Sheldrake, profoundly affected the approach to spiritual life in the eleventh and twelfth centuries and attest a remarkable reconfiguration in the relations between liturgy, theology and spirituality.
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Ledstam, Maria, and Geir Afdal. "Negotiating Purity and Impurity of Religion and Economy: An Empirical Contribution to Kathryn Tanner’s Christianity and the New Spirit of Capitalism." Religions 11, no. 11 (November 5, 2020): 588. http://dx.doi.org/10.3390/rel11110588.
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Kathryn Tanner’s book Christianity and the new Spirit of Capitalism generated an interesting debate about the relationship between Christianity and capitalism, as exemplified by the four review essays—by David Cloutier, Nicole M. Flores, Philip Goodchild, and John E. Thiel, respectively—published in Modern Theology in 2019. While the responses contain many interesting critical points, this article focuses on two particular trajectories in the debate that indirectly demand an empirical engagement with Tanner’s work. One strand of criticism charges that Tanner offers too generic examples of the economic reality that she examines, while her description of Christianity is too specific without being contextualized. The second strand argues that Tanner makes a dichotomy between a religious project and an economic project, which leads to the construction of a “pure” Christian conduct. This article continues this debate by fleshing out the issues of purity and impurity through an empirical study of two Christian networks, the Economy of Communion and Business as Mission. Using Bruno Latour’s account of modernization, the main finding is that the two logics, purity and impurity, continually configure the relationship between religion and economy. We further discuss these findings in relation to Tanner and her critics, and argue that theological ethical studies of the relationship between Christianity and economy would benefit from starting with empirical studies of the actual intertwining of religion and economy. Tanner convincingly argues that in order to challenge capitalism one has to work for structural, political changes and not only improve conditions within the economic system. However, this does not necessarily imply the use of pure and abstract normative principles. Normative ethical insights that are developed through analyses of everyday religious–economic practices may turn out to be as convincing.
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Makarov, Dmitrii I. "“Today, when the Times Are too Late…”: Theodore Metochites on the Strengths and Weaknesses of the Speech Communication Process." Античная древность и средние века 48 (2020): 136–55. http://dx.doi.org/10.15826/adsv.2020.48.009.
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This paper suggests a translation from the Byzantine Greek and an interpretation of two passages from Theodore Metochites’ (ca. 1270–1332) works addressing the strength and weakness of our word and the communication based on it. The third translated passage is taken from Ps.-Lucian’s Encomium to Demosthenes, which interprets one of Metochites’ texts. Using examples and reasoning, the megas logothete demonstrated the highs and lows, the strength and weakness of our speech acts (in the meaning of John Searle’s and other modern theories). If Demosthenes’ word was like “hammered” and in this form formed a formidable threat to Philip of Macedonia, despite he defeated the Hellenes at Cheronea, the first third of the fourteenth century Byzantines, intellectuals in particular, were totally unable to make themselves understand each other. To put it another way, there were great difficulties with bringing specific information, feelings or emotions to another person, or, in short, with making clear to someone else all the propositions of the one’s discursive intellect, notwithstanding the fact that one can both explain and mentally represent to him-/herself the matter of reflection. However, one is forceless to turn the above-said into clear-cut utterances. Such a communication crisis within the Byzantine society on the eve of the Hesychasm controversy evidently turned out to be a verge of the general civilization crisis. In this regard, Metochites’ works made a contribution into the overcoming of the crisis, as he constantly summoned to a dialogue between generations of not only his contemporaries, but also of their predecessors and descendants. Discussing the reciprocal unity of word and image/icon, Metochites expressed the Byzantine culture’s in-depth archetypes, particularly its centuries-long creative principle of iconicity in its approach to the Umwelt. This paper suggests parallels to Metochites’ ideas in the Byzantine hagiography of the eighth and fourteenth century (Stephen the Deacon, Theoktistos the Stoudite) and some pieces of reflection to sound in tune with Metochites, which originate from the works of great twentieth-century philosophers Friar Florenskii and Ludwig Wittgenstein.
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Fowler, Don. "Gillian Binks, John Dyke, Philip Dagnall (Centre for Environmental Interpretation, Manchester Polytechnic) with Dai Morgan Evans & Geoff Wainwright. Visitors welcome: a manual on the presentation and interpretation of archaeological excavations. x + 162 pages, many illustrations. 1988. London: HMSO for English Heritage; ISBN 0-11-701210-6 paperback £25." Antiquity 63, no. 238 (March 1989): 174–75. http://dx.doi.org/10.1017/s0003598x00075736.
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ملكاوي, أسماء حسين. "عروض مختصرة." الفكر الإسلامي المعاصر (إسلامية المعرفة سابقا) 15, no. 59 (January 1, 2010): 200–189. http://dx.doi.org/10.35632/citj.v15i59.2647.
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القرآن الكريم والقراءة الحداثية دراسة تحليلية نقدية لإشكالية النص عند محمد أركون، الحسن العباقي، دمشق: صفحات للدراسات والنشر، 2009م، 320 صفحة.
أزمة الحضارة العربية المترددة، أبو يعرب المرزوقي، الدوحة: الدار العربية للعلوم ناشرون، مركز الجزيرة للدراسات، 2009م، 71 صفحة.
العولمة وأزمة الليبرالية الجديدة - الكتاب الثاني، محمد عابد الجابري، بيروت: الشبكة العربية للأبحاث والنشر، 2009م، 392 صفحة.
أزمة القيم من مأزق الأخلاقيات إلى جماليات الوجود، جمال مفرج، بيروت: الدار العربية للعلوم ناشرون، 2009م، 95 صفحة.
التعليم وأزمة الهوية الثقافية، محمد عبد الرؤوف عطية، القاهرة: مؤسسة طيبة للنشر والتوزيع، 2009م، 334 صفحة.
Media, Religion and Conflict, By Lee Marsden, and Heather Savigny, London: Ashgate Publishing; Har/Ele edition (October 30, 2009), 184 pages.
Muslims and Media Images: News versus Views, By Ather Farouqui, Oxford University Press, New York: USA (October 11, 2009), 368
Arab News and Conflict: A Multidisciplinary Discourse Study (Discourse Approaches to Politics, Society and Culture),By Samia Bazzi, John Benjamins Pub Co (October 15, 2009), 240 pages.
Terror Post 9/11 and the Media (Global Crises and the Media), By David L. Altheide, Peter Lang Publishing; First printing edition (July 15, 2009), 232 pages.
Al-Ghazali, Averroes and the Interpretation of the Qur'an: Common Sense and Philosophy in Islam (Culture and Civilization in the Middle East), By Avital Wohlman, Routledge; 1 edition (December 25, 2009), 130 pages.
Al- Ghazali's Philosophical Theology, By Frank Griffel, New York: Oxford University Press, USA (May 28, 2009), 424 pages.
The Qur'an in Its Time (So as Middle East Issues), By Werner Daum, Al Saqi (September 24, 2009), 224 pages.
The East-West dichotomy, By Thorsten Pattberg, New York: LoD Press, (August 18, 2009), 276 pages.
Understanding Muslim Identity: Rethinking Fundamentalism, By Gabriele Marranci, Palgrave Macmillan; 1 edition (February 17, 2009), 242 pages.
God's Continent: Christianity, Islam, and Europe's Religious Crisis (The Future of Christianity), By Philip Jenkins, Oxford University Press, USA; Reprint edition (April 6, 2009), 352 pages.
Was Jesus a Muslim?: Questioning Categories in the Study of Religion, By Robert F. Shedinger, Fortress Press (May 1, 2009), 192 pages.
A Deadly Misunderstanding: A Congressman's Quest to Bridge the Muslim-Christian Divide, By Mark D. Siljander, HarperOne; 1 edition, (October 7, 2008), 272 pages.
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Dissertations / Theses on the topic "Philip (Philip John) Criticism and interpretation"
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Jorgensen, Michael R. "John Philip Sousa's operetta El capitan : a historical, analytical and performance guide." Virtual Press, 1994. http://liblink.bsu.edu/uhtbin/catkey/955086.
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This dissertation provides a guide to John Philip Sousa's operetta El Capitan through investigating its historical significance, compositional distinctives, and performance practice. Chapter one introduces the nature and scope of the work by presenting a statement of the problem, the need and significance for the study, and its delimitations.The historical section of this document traces the genesis and process of the actual composition of the work, including identifying pieces borrowed from other Sousa works as well as consideration of Sousa's sketchbooks and other sources for compositional techniques. This section also presents a synopsis and performance history of the operetta, as well as biographies of the composer, lyricist, librettist, and major stage performers.The second part of the dissertation explores Sousa's compositional techniques and how harmonic, melodic and rhythmic considerations advance the plot of the operetta and illuminate character motivation. A comparison is made between the original and published scores for discrepancies.The performance guide includes interviews with key personnel involved in the 1973 Minnesota Opera production of El Capitan. This section closes with an appraisal of the strengths, weaknesses, and potential for successful revival of the work.The appendices provide information on El Capitan in print and recording, the original libretto, copies of programs from significant productions of the operetta, a partial listing of performances of the work between 1970 and 1994, and a description of the roles by voice type. The appendix also includes a transcription of the stage directions found in a stage manager's guide to El Capitan located in the Tams-Witmark collection at the University of Wisconsin.School of Music
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Traves, Julie. "Writing himself and others : Philip Roth and the autobiographical tradition in Jewish-American fiction." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26763.
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Philip Roth's parody of autobiography in the Zuckerman series is part of a larger debate concerning the problems of Jewish art. As Roth manipulates personal and personified autobiography, he both underlines and undermines Jewish traditions of reading and writing. To be sure, Zuckerman's struggle for artistic identity articulates a long-standing Jewish concern with the tensions of collective representation. It is from a culture consistently threatened by alienation and extermination that Roth finds his terms of reference. Zuckerman and his creator are subject to a whole discourse of Jewish textuality: to Jewish notions about the relationship between the individual and the group; between fact and fiction and between aesthetics and morality.However, the Zuckerman books are at once part of a continuum of Jewish culture and a unique response to the pressures of contemporary American Judaism. Through his humorous manipulations of autobiographical fiction, Roth finally counter-turns the very compasses by which he has oriented himself. He offers a potent commentary on the fatuity of Jewish "facts" and on the fictitious nature of the collectivized Jewish voice. For Roth, it is not only the Jew's experience, but his/her imagination, his/her individual frame of understanding, that determines ethnic identity. In the end, Roth challenges the cohesion of the Jewish cultural text. He places himself in a house of mirrors, where life and art, self and group, Jewish reverence and Jewish rebellion, endlessly reflect off one another.
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Robertson, Lynsey E. "An analysis of the correspondence and hagiographical works of Philip of Harvengt." Thesis, University of St Andrews, 2008. http://hdl.handle.net/10023/526.
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For every famous author of the twelfth-century renaissance, there are numerous lesser-known writers. Despite being overshadowed by more brilliant scholars or those closer to the centre of important events, their voices add depth to the study of the intellectual history of this period. A founding member of one of the earliest Premonstratensian houses; a highly-educated and prolific author, much in demand as a hagiographer; and a vigorous defender of the clerical order, Philip of Harvengt is one such writer, and a worthy subject for study. This thesis examines two bodies of Philip’s works – his letters and his hagiographical writings – analysing the predominant and recurrent concerns and ideals expressed in them, and the means by which they are expressed. The letters are carefully crafted works, examples of the literary labour which Philip writes is incumbent upon the cleric. The first part of this thesis approaches these letters in chapters on four themes: the role of the ecclesiastical prelate; the importance of learning; the relationship between religious orders; and Philip’s use of the motif of friendship. His hagiographical works, too, are examples of literary artistry, to move as well as to educate the audience. In the second part of the thesis, these will be discussed individually, with the first chapter analysing his vita of Oda, a nun attached to his own house, whom he portrays as a martyr. The succeeding chapters consider Philip’s rewritings of earlier vitae, and show how he managed his sources in order to produce vitae depicting their subjects according to his ideal model of sanctity. Philip’s letters express concerns shared by contemporaries, reflecting anxieties surrounding roles and ideal forms of living in a period immediately following the first fervour of religious renewal. His hagiographies articulate ideals of sanctity, clarifying these when they are not made sufficiently explicit in earlier works, for the better edification of an audience pursuing this vita perfecta. Both letters and hagiographies are designed to exhort and instruct the reader or listener: above all, Philip is a teacher.
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Wu, Chia-Ying (Charles). "Musical and Dramatic Functions of Loops and Loop Breakers in Philip Glass's Opera The Voyage." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849734/.
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Philip Glass's minimalist opera The Voyage commemorates the 500th Anniversary of Christopher Columbus's discovery of America. In the opera, Philip Glass, like other composers, expresses singers' and non-singers' words and activities by means of melodies, rhythms, chords, textures, timbres, and dynamics. In addition to these traditional musical expressions, successions of reiterating materials (RMs, two or more iterations of materials) and non reiterating materials (NRMs) become new musical expressions. However, dividing materials into theses two categories only distinguishes NRMs from RMs without exploring relations among them in successions. For instance, a listener cannot perceive the functional relations between a partial iteration of the RM and the NRM following the partial RM because both the partial RM and the NRM are NRMs. As a result, a listener hears a succession of NRM followed by another NRM. When an analyst relabels the partial RM as partial loop, and the NRM following the partial RM as loop breaker, a listener hears the NRM as a loop breaker causing a partial loop. The musical functions of loops and loop breakers concern a listener's expectations of the creation, sustaining, departure, and return to the norm in successions of loops and loop breakers. When a listener associates the satisfaction and dissatisfaction of these expectations with dramatic devices such as incidents, words in dialogues and soliloquies, and activities by singers and non-singers, loops and loop breakers in successions become dramatically functional. This dissertation explores the relations among musical and dramatic functions of loops and loop breakers in Glass's musical commemoration of Columbus.
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Ortlieb, Lalaine Arbuthnot. "Authenticating voice : authenticating culture." Honors in the Major Thesis, University of Central Florida, 1999. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/85.
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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.Bachelors
Arts and Sciences
English
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Davies, Ben. "Exceptional intercourse : sex, time and space in contemporary novels by male British and American writers." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/2582.
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This thesis provides a theory of exceptional sex through close readings of contemporary novels by male British and American writers. I take as my overriding methodological approach Giorgio Agamben’s theory of the state of exception, which is a juridico-political state in which the law has been suspended and the difference between rule and transgression is indistinguishable. Within this state, the spatiotemporal markers inside and outside also become indeterminable, making it impossible to tell whether one is inside or outside time and space. Using this framework, I work through narratives of sexual interaction – On Chesil Beach, Gertrude and Claudius, Sabbath’s Theater, and The Act of Love – to conceptualise categories of sexual exceptionality. My study is not a survey, and the texts have been chosen as they focus on different sexual behaviours, thereby opening up a variety of sexual exceptionalities. I concentrate on male writers and narratives of heterosexual sex as most work on sex, time and space is comprised of feminist readings of literature by women and queer work on gay, lesbian or trans writers and narratives. However, in the Coda I expand my argument by turning to Emma Donoghue’s Room, which, as the protagonist has been trapped for the first five years of his life, provides a tabula rasa’s perspective of exceptionality. Through my analysis of exceptionality, I provide spatiotemporal readings of the hymen, incest, adultery, sexual listening and the arranged affair. I also conceptualise textual exceptionalities – the incestuous prequel, auricular reading and the positionality of the narrator, the reader and literary characters. Exceptional sex challenges the assumption in recent queer theory that to be out of time is ‘queer’ and to be in time is ‘straight’. Furthermore, exceptionality complicates the concepts of perversion and transgression as the norm and its transgression become indistinct in the state of exception. In contrast, exceptionality offers a new, more determinate way to analyse narratives of sex.
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Cheadle, Brian Douglas. "The idea of the golden world : a study of the nature of imaginative enlargement, with particular reference to Sir Philip Sidney." Thesis, 2015. http://hdl.handle.net/10539/16500.
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Phillips, John Alan. "Bruckner's ninth revisited : towards the re-evaluation of a four-movement symphony / by John Alan Phillips." 2002. http://hdl.handle.net/2440/21827.
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Bibliography: p. 726-753.2 v. (753 p. ; [551] p.) : music ; 30 cm.
Title page, contents and abstract only. The complete thesis in print form is available from the University Library.
Thesis (Ph.D.)--University of Adelaide, Elder School of Music
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Dörpinghaus, Jens. "Soziale Netzwerke im frühen Christentum nach der Darstellung in Apg 1-12." Diss., 2020. http://hdl.handle.net/10500/26609.
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Text in German with summaries in German and EnglishIncludes bibliographical references (leaves 197-211)
Biblical studies in New Testament are generating considerable interest in the investigation of historical groups, for example by using prosopographic approaches. This thesis presents a new approach to reconstruct the early Christian network in Acts 1-12. We consider the social network analyses (SNA), critical spatiality and Proximal Point Analyses (PPA). Although these approaches show interesting results, they suffer from a global distance measure. Thus, we introduce a novel approach combining SNA and critical spatiality to analyse geographic and social distances. This method represents a valuable alternative to traditional theological tools for answering exegetical questions concerning the social network in Acts 1-12 offering ways for re-thinking and re-interpretation. The network represents the first fulfillment of the promise given in Acts 1:8. Moreover, it allows us to distinguish between protagonists and their influence. Using different distance measurements, we were not only able to describe the high level of solidarity in this network but could also find strong evidences for Peter, Philip and Barnabas being key figures. Acts 1-12 describes mission as led by God and performed by different people with Jerusalem as the centre of activity. This mission is both peripheral and open to people with diverse social, religious and geographic backgrounds. In the novel network of people belonging to the body of Christ human leadership is not important. It was not possible to apply this method to all exegetical questions due to the fact that there are only limited historic sources available.
In der neutestamentlichen Wissenschaft wurden verschiedene Methoden wie die Prosopographie zur Erforschung bestimmter Personenkreise verwendet. Diese Arbeit beschäftigt sich mit der Rekonstruktion des frühchristlichen sozialen Netzwerks nach der Darstellung in Apg 1-12. Dazu wird die Methode der sozialen Netzwerkanalyse (SNA), der critical spatiality sowie die Proximal Point Analyse (PPA) verwendet. Dabei werden die methodischen Ansätze von verschiedenen historischen Netzwerkanalysen zusammengetragen und durch eine Verknüpfung von SNA und critical spatiality eine einheitliche Herangehensweise hergeleitet, die auch geographische wie soziale Distanzen darstellen kann. Dabei finden sich in Apg 1-12 sowohl exegetische Fragestellungen, auf die diese Methode aufgrund der schlechten Quellenlage nicht angewendet werden kann, als auch Fragestellungen, die mit dieser Methode unter neuen Gesichtspunkten interpretiert werden kann. So lässt sich im rekonstruierten Netzwerk von Apg 1-12 der erste Abschnitt der Erfüllung der Verheißung aus Apg 1,8 erkennen. Außerdem hilft die SNA, die einzelnen Akteure und ihr Handeln in der Apg besser zu würdigen. So ist ein eigenes Kapitel nicht nur Petrus, sondern auch Philippus und Barnabas gewidmet. Apg 1-12 stellt eine Mission dar, deren alleiniger Urheber Gott ist und die von verschiedensten Menschen mit der Stadt Jerusalem als Zentrum überwiegend dezentral und offen für verschiedene soziale, religiöse und geographische Hintergründe ausgeführt wird. Sie zeichnet ein besonderes Bild vom urchristlichen sozialen Netzwerk, das wenig menschliche Leitung beinhaltet und sich qualitativ unterscheidet. Die Analyse mit verschiedenen Zentralitätsmaßen zeigt ebenfalls die starke Verbundenheit der urchristlichen Gemeinschaft und den signifikanten Beitrag mehrerer Personen
New Testament
M. Th. (New Testament)
Books on the topic "Philip (Philip John) Criticism and interpretation"
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The fiction of Philip Roth and John Updike. Carbondale [Ill.]: Southern Illinois University Press, 1985.
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Douglas, Brooks-Davies, ed. Silver poets of the sixteenth century: Wyatt, Surrey, Ralegh, Philip Sidney, Mary Sidney, Michael Drayton, and Sir John Davies. London: J.M. Dent, 1992.
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Fienberg, Nona. Elizabeth, her poets, and the creation of the courtly manner: A study of Sir John Harington, Sir Philip Sydney, and John Lyly. New York: Garland, 1988.
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Philip Roth. Ipswich, Massachusetts: Salem Press, a division of EBSCO Publishing, 2013.
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Burnett, Andrew, and Marion Archibald. "John Philip Cozens Kent 1928–2000." In Proceedings of the British Academy, Volume 115 Biographical Memoirs of Fellows, I. British Academy, 2003. http://dx.doi.org/10.5871/bacad/9780197262788.003.0013.
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John Kent FBA, Keeper of Coins and Medals in the British Museum from 1983 to 1990, was the world's leading authority on the coinage of the late Roman Empire and presented the coinage of that complicated period in a modern and systematic way. He published The Roman Imperial Coinage (RIC) volumes VIII and X. Kent studied the Merovingian coins from the Sutton Hoo Mound 1 ship burial and was able to provide evidence towards a revised interpretation of the mound's historical context. Obituary by Andrew Burnett and Marion Archibald.