Academic literature on the topic 'Philippine Epic poetry'

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Journal articles on the topic "Philippine Epic poetry"

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Alfar, Maria Riza M., Osias Kit T. Kilag, Merry Joice Zecree Lagarbe, Legie Marie M. Benitez, Cries V. Lagnason, and Hanna Vin W. Juezan. "Resilience and Romance: Allegory and Courtly Love in Florante at Laura by Francisco Balagtas." International Journal of Qualitative Research for Innovation, Sustainability, and Excellence (IJQRISE) 1, no. 2 (2024): 1–5. https://doi.org/10.5281/zenodo.11156867.

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Abstract: This study delves into the intricate layers of Francisco Balagtas's epic poem "Florante at Laura," examining its allegorical, formal, and thematic dimensions within the context of Filipino literature. Through an analysis of seminal works, the research explores the allegorical representation of colonialism and resistance, the influence of the Awit form on narrative structure, and the portrayal of courtly love themes. By unveiling the underlying allegorical motifs embedded in Balagtas's work and tracing the evolution of courtly love in Filipino literary tradition, this study contextual
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Javier, Jeffrey B. "Pornotopia." eTropic: electronic journal of studies in the Tropics 21, no. 1 (2022): 373–87. http://dx.doi.org/10.25120/etropic.21.1.2022.3842.

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The poetry sequence “Pornotopia”—in coupling the words “pornography” and “utopia”, a world infused and suffused with desire—is an attempt to respond to the idea of “porno-tropics” where the white conqueror “feminizes the earth as a cosmic breast, in relation to which the epic male hero is a tiny, lost infant, yearning for the Edenic nipple” (McClintock, 1995, p. 22) and connects the “relationship between pornographic fantasies of the tropics and the brutal, often violent facts of conquest” (Balce, 2016, p. 40). “Pornotopia” continues the legacy of literary resistance that uses the linguistic t
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Casan, Hammim B. "Symbols and Images of Peace in the Meranaw Epic Darangen." International Journal of Multidisciplinary: Applied Business and Education Research 5, no. 1 (2024): 63–74. http://dx.doi.org/10.11594/ijmaber.05.01.07.

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A profound relationship exists between literature and peace that transcends centuries and cultures. In the southern Philippines, the Meranaw people consider peace to be more than a mere notion; it is an intrinsic aspect of their cultural and traditional way of life. Furthermore, by applying critical discourse analysis to the symbols and images in the Volume 1 of the Meranaw epic Darangen, this literary research elucidates the significance of peace. This is further supported by Aristotle's Theory of Poetry, Stuart Hall's Cultural Studies, Sigmund Freud's Psychoanalytic Theory, and Karl Marx's M
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Gowey, David. "Feminine Ideals in Indigenous and Spanish Colonial Literatures of Panay Island, Philippines." Ethnohistory 72, no. 2 (2025): 125–58. https://doi.org/10.1215/00141801-11579530.

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Abstract Indigenous Panay Bukidnon people of the Philippines have chanted long narrative poems called sugidanon since at least the sixteenth century. These poems were traditionally performed by binukot (secluded) women and feature binukot women as active characters. This article examines three sugidanon epics alongside two Hiligaynon-language Catholic devotional poems written by Spanish missionaries. These writers appropriated selectively from Panayanon poetry forms, idioms, and gender categories to create a new Christianized Visayan model woman with comparatively lower prestige than her preco
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Books on the topic "Philippine Epic poetry"

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Hugan-an. Hinilawod. PUNLAD Research House, 2000.

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2

Wu, Jiewei. Feilübin shi shi fan yi yu yan jiu: Translation and research of the Philippine epics. Beijing da xue chu ban she, 2013.

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D, Baltazar Saturnino, ed. Epics and ballads of Lam-ang's land & people. UST Pub. House, 2006.

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Womb of water, breasts of earth: An epic poem. National Commission for Culture and the Arts, 2007.

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Sugidanon epics of Panay. University of the Philippines Press, 2014.

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Book chapters on the topic "Philippine Epic poetry"

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Harrison, S. J. "Horace’s Mercury and Mercurial Horace." In Tracking Hermes, Pursuing Mercury. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198777342.003.0011.

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In this piece I have surveyed the various guises under which the god Mercury is presented in the poetry of Horace. Mercury is an important figure in the Odes as inventor of the lyre, a key patron of lyric poetry and divine protector of the poet; though he can be paralleled with the young Caesar at one moment, he is not to be taken as symbolizing him at others, especially in Horace’s account of Philippi in Odes 2.7. References to his epic role as psychopompos serve to generate some particularly elevated moments, while allusions to his role as erotic enabler look to lowlier connections with Roma
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