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Journal articles on the topic 'Philippine literature (English) – History and criticism'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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1

Halmi, Nicholas. "The Nostalgic Imagination: History in English Criticism." Common Knowledge 27, no. 2 (2021): 318–20. http://dx.doi.org/10.1215/0961754x-8906285.

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Fargnoli, Joseph R., and Rene Wellek. "A History of Modern Criticism: 1750-1950. Vol. 5: English Criticism, 1900-1950." Journal of the Midwest Modern Language Association 20, no. 1 (1987): 118. http://dx.doi.org/10.2307/1315004.

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3

Nemoianu, Virgil, and Rene Wellek. "A History of Modern Criticism 1750-1950. Vol. 5: English Criticism, 1900-1950; Vol. 6: American Criticism, 1900-1950." MLN 101, no. 5 (1986): 1245. http://dx.doi.org/10.2307/2905719.

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Overton, Bill. "Review: Authors and Authority: English and American Criticism 1750–1990." Literature & History 2, no. 1 (1993): 96–97. http://dx.doi.org/10.1177/030619739300200107.

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Hill, Christopher. "Review: Lines of Authority: Politics and English Literary Criticism, 1649–1689." Literature & History 5, no. 2 (1996): 79–80. http://dx.doi.org/10.1177/030619739600500211.

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6

Allison, J. W. F. "HISTORY TO UNDERSTAND, AND HISTORY TO REFORM, ENGLISH PUBLIC LAW." Cambridge Law Journal 72, no. 3 (2013): 526–57. http://dx.doi.org/10.1017/s000819731300069x.

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AbstractThis article considers the contentious invocations of history that have become prominent in debates about English public law. It presents them as uses of history not simply to understand English public law but to reform it, through the reconstruction of historic authorities or reappraisal of historical sources. This article addresses the criticism they have attracted by distinguishing different kinds of orthodox and unorthodox reformist history. It advocates their transparent use and thoroughly deliberative history for reformist purposes in public law. It does so in three distinctive w

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Arong, Marie Rose B. "Nick Joaquin’s Cándido’s Apocalypse: Re-imagining the Gothic in a Postcolonial Philippines." Text Matters, no. 6 (November 23, 2016): 114–26. http://dx.doi.org/10.1515/texmat-2016-0007.

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Nick Joaquin, one of the Philippines’ pillars of literature in English, is regrettably known locally for his nostalgic take on the Hispanic aspect of Philippine culture. While Joaquin did spend a great deal of time creatively exploring the Philippines’ Hispanic past, he certainly did not do so simply because of nostalgia. As recent studies have shown, Joaquin’s classic techniques that often echo the Hispanic influence on Philippine culture may also be considered as a form of resistance against both the American neocolonial influence and the nativist brand of nationalism in the 1950s and 1960s.

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Dillon, John Noël. "CONJECTURES AND CRITICISM IN BOOK 1 OF THECODEX JUSTINIANUS." Classical Quarterly 65, no. 1 (2015): 321–43. http://dx.doi.org/10.1017/s0009838814000640.

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Since 2007, a team of American and British ancient historians has been preparing a new translation of theCodex Justinianus. The ‘Codex Project’ was launched by chief editor Bruce W. Frier; the goal of the project is to create the first reliable English translation of theCodex Justinianuson the basis of the standard edition by Paul Krüger. Since 1932, the notoriously unreliable translation by Scott has remained the only one in English. The new translation by the Codex Project should appear soon.

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Jenkins, E. R. "English South African children’s literature and the environment." Literator 25, no. 3 (2004): 107–24. http://dx.doi.org/10.4102/lit.v25i3.266.

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Historical studies of nature conservation and literary criticism of fiction concerned with the natural environment provide some pointers for the study of South African children’s literature in English. This kind of literature, in turn, has a contribution to make to studies of South African social history and literature. There are English-language stories, poems and picture books for children which reflect human interaction with nature in South Africa since early in the nineteenth century: from hunting, through domestication of the wilds, the development of scientific agriculture, and the chang

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Kane, George. "Textual Criticism and Middle English Texts.Tim William Machan." Speculum 71, no. 4 (1996): 975–78. http://dx.doi.org/10.2307/2865755.

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Bula, Andrew. "Literary Musings and Critical Mediations: Interview with Rev. Fr Professor Amechi N. Akwanya." Journal of Practical Studies in Education 2, no. 5 (2021): 26–31. http://dx.doi.org/10.46809/jpse.v2i5.30.

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Reverend Father Professor Amechi Nicholas Akwanya is one of the towering scholars of literature in Nigeria and elsewhere in the world. For decades, and still counting, Fr. Prof. Akwanya has worked arduously, professing literature by way of teaching, researching, and writing in the Department of English and Literary Studies of the University of Nigeria, Nsukka. To his credit, therefore, this genius of a literature scholar has singularly authored over 70 articles, six critically engaging books, a novel, and three volumes of poetry. His PhD thesis, Structuring and Meaning in the Nigerian Novel, w

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CHEN, Zhongxiang. "Interpretation of the Women in the Biblical Literature." Review of Social Sciences 1, no. 6 (2016): 09. http://dx.doi.org/10.18533/rss.v1i6.36.

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<p>Bible as literature and Bible as religion are comparative. It is without doubt that Bible, as a religious doctrine, has played a great role in Judaism and Christianity. It is meanwhile a whole literature collection of history, law, ethics, poems, proverbs, biography and legends. As the source of western literature, Bible has significant influence on the English language and culture, English writing and modeling of characters in the subsequent time. Interpreting the female characters in the Bible would affirm the value of women, view the feminist criticism in an objective way and agree

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Huisman, Rosemary. "The discipline of English Literature from the perspective of SFL register." Language, Context and Text 1, no. 1 (2019): 102–20. http://dx.doi.org/10.1075/langct.00005.hui.

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AbstractThe paper first traces the history and elaboration of the tertiary discipline English Literature through the 19th and 20th centuries to the present day, with special focus on the axiology, the values, given to the discipline and with a brief account of literary criticism and literary theory. It then refers to the work on registerial cartography in systemic functional linguistics (SFL) and explores the register of the contemporary discipline in first-order field of activity and second-order field of experience, with examples from the language of webpages and exam papers of Australian un

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Waters, Lindsay. "To Become What One Is." boundary 2 48, no. 1 (2021): 251–63. http://dx.doi.org/10.1215/01903659-8821510.

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In the twentieth century, criticism flourished in the academy in the English language from the 1930s to the 1960s, but gradually a hyperprofessionalized discourse purporting to be criticism took its place. The problem was exacerbated because people misunderstand literary theory thinking it superior to criticism. Big mistake. Theory proper begins its life as criticism, criticism that has staying power. Central to criticism as Kant argued is judgment. Judgment is based on feeling provoked by the artwork in our encounters with artworks. This essay talks about the author’s encounter with Mary Gait

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Fairer, D. "Historical Criticism and the English Canon: A Spenserian Dispute in the 1750s." Eighteenth-Century Life 24, no. 2 (2000): 43–64. http://dx.doi.org/10.1215/00982601-24-2-43.

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Brown, Howard Mayer. "Recent Research in the Renaissance: Criticism and Patronage*." Renaissance Quarterly 40, no. 1 (1987): 1–10. http://dx.doi.org/10.2307/2861832.

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The book that everyone in musicology is talking about this year—not just those of us working in the fifteenth and sixteenth centuries—is Joseph Kerman's Contemplating Music (Cambridge, Mass.: Harvard University Press, 1985; called simply Musicology in the English edition). In it, Kerman argues against what he calls positivism, which he defines as a rigid and non-judgmental pursuit of dry facts, and in favor of the higher criticism, by which he seems to mean analysis—or at least some penetrating discussion of the way individual pieces work and what makes them great—informed by a sense of histor

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Teranishi, Masayuki, Aiko Saito, Kiyo Sakamoto, and Masako Nasu. "The role of stylistics in Japan: A pedagogical perspective." Language and Literature: International Journal of Stylistics 21, no. 2 (2012): 226–44. http://dx.doi.org/10.1177/0963947012444034.

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This article surveys the history of English studies and education in Japan, paying special attention to the role of literary texts and stylistics. Firstly, the role of literature and stylistics in Japan is discussed from a pedagogical point of view, including both English as a foreign language and Japanese as a native language. Secondly, the way in which stylistics has contributed to literary criticism in the country is examined, with reference to the history of literary stylistics since 1980. Finally, this article considers further applications of stylistics to language study in Japan, offeri

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Noonkester, Myron C. "The Third British Empire: Transplanting the English Shire to Wales, Scotland, Ireland, and America." Journal of British Studies 36, no. 3 (1997): 251–84. http://dx.doi.org/10.1086/386137.

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During their hegemony in world affairs, the English exported persons, commodities, and texts to regions that they absorbed into a widening pale of influence. Discussion of these ventures has consumed a vast literature. What once seemed to be a simple matter of transporting Protestantism (or convicts) into an overseas wilderness or making distant lands safe for English farming and trade now seems a matter too complex to be captured in a metaphor or an alliterative catchphrase. Yet it remains a matter of historical fascination that a relatively small archipelago off the coast of Europe not only

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19

Chase, Colin. "The Old English Elegies: New Essays in Criticism and Research. Martin Green." Speculum 60, no. 3 (1985): 680–82. http://dx.doi.org/10.2307/2848198.

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Ingelbien, Raphaël. "Single or Return, Ladies? The Politics of Translating and Publishing Heine on Shakespeare." Comparative Critical Studies 16, no. 2-3 (2019): 181–200. http://dx.doi.org/10.3366/ccs.2019.0326.

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This article contrasts two English translations of Heinrich Heine's Shakspeares Mädchen und Frauen (1838), produced by Charles Godfrey Leland (1891) and Ida Benecke (1895), which are now regularly (though randomly) quoted in Shakespeare scholarship. The comparison sheds light on different strategies involved in translating a text as an independent document or as part of a ‘Collected Works’ series. The discrepancies between publication contexts are correlated with differences between domesticating and foreignizing approaches, and with the diverging appreciations of Heine's place within Shakespe

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Reid, Lindsay Ann. "The (lost) tune of ‘Raging Love’ and its reverberations in Isabella Whitney’s Copy of a Letter." Cahiers Élisabéthains: A Journal of English Renaissance Studies 102, no. 1 (2020): 103–20. http://dx.doi.org/10.1177/0184767820913284.

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This article argues that Isabella Whitney’s verse epistles ‘To Her Unconstant Lover’ and ‘The Admonition’ in The Copy of a Letter (c. 1566–67) are enmeshed more thoroughly in the early modern English soundscape than previous criticism has tended to acknowledge. Seeking to enrich current understandings of Whitney’s confluences, this article first examines the vibrant musical sphere in which The Copy of a Letter’s printer-publisher Richard Jones was demonstrably immersed before moving on to explore the more specific implications of an acoustically evocative allusion to ‘Raging Love’ (a now-lost

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Suh, Serk-Bae. "The Location of “Korean” Culture: Ch'oe Chaesŏ and Korean Literature in a Time of Transition." Journal of Asian Studies 70, no. 1 (2011): 53–75. http://dx.doi.org/10.1017/s0021911810003001.

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This essay focuses on Ch'oe Chaesŏ, a leading Korean intellectual, active translator of English literary criticism, and editor in chief of Kokumin Bungaku (National Literature), a prominent Japanese-language journal published in colonial Korea. Ch'oe asserted that the unfolding of history in the twentieth century demanded a paradigmatic transition from liberalism to state-centered nationalism in culture. He also privileged everyday life as allowing people to live as members of communities that ultimately are integrated into the state. By positioning Koreans firmly as subjects of the Japanese s

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Carnochan, W. B. "Lee Morrissey. The Constitution of Literature: Literacy, Democracy, and Early English Criticism. Stanford, CA: Stanford University Press, 2007. Pp. 242. $60.00 (cloth)." Journal of British Studies 47, no. 4 (2008): 932–34. http://dx.doi.org/10.1086/592899.

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Roberts, David. "‘As Rude As You Like – Honest’: Theatre Criticism and the Law." New Theatre Quarterly 19, no. 3 (2003): 265–77. http://dx.doi.org/10.1017/s0266464x03000162.

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In 2001, when David Soul sued the Daily Mirror for printing a defamatory review of his West End show, The Dead Monkey, questions surfaced about the critic's rights and responsibilities under the law. There have been numerous accounts in recent years of the relationships between law and literature, and the general assumption is that critics can claim the defence of ‘fair comment’. However, very little work has been done on the history, rationale, and implications of that defence, or on the actions before Soul's in which aggrieved theatre people have attempted to bring critics to account. David

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Brannigan, John, Marcela Santos Brigida, Thayane Verçosa, and Gabriela Ribeiro Nunes. "Thinking in Archipelagic Terms: An Interview with John Brannigan." Palimpsesto - Revista do Programa de Pós-Graduação em Letras da UERJ 20, no. 35 (2021): 3–28. http://dx.doi.org/10.12957/palimpsesto.2021.59645.

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John Brannigan is Professor at the School of English, Drama and Film at University College Dublin. He has research interests in the twentieth-century literatures of Ireland, England, Scotland, and Wales, with a particular focus on the relationships between literature and social and cultural identities. His first book, New Historicism and Cultural Materialism (1998), was a study of the leading historicist methodologies in late twentieth-century literary criticism. He has since published two books on the postwar history of English literature (2002, 2003), leading book-length studies of working-c

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PARRIS, D. L. "Review. French-Canadian Authors: A Bibliography of their Works and of English-Language Criticism. Kandiuk, Mary." French Studies 47, no. 1 (1993): 113. http://dx.doi.org/10.1093/fs/47.1.113-a.

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Ullyot, Michael. "Augmented Criticism, Extensible Archives, and the Progress of Renaissance Studies." Renaissance and Reformation 37, no. 4 (2015): 179–94. http://dx.doi.org/10.33137/rr.v37i4.22646.

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In the three decades since the rise of New Historicism, Renaissance studies has progressed through extensions of scholars’ archival reach to new objects for new interpretations. The future will bring expansions on a larger scale, like those we now witness in English print archives. Machine-readable transcriptions of some fifty thousand texts now enable scholars to use algorithms that tell us things about them that are true, yet can only be known in the future. This is an argument not for an algorithmic criticism but for an augmented criticism, in which human judgments are the origin and outcom

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ROLLS, ALISTAIR. "Primates in Paris and Edgar Allan Poe’s Paradoxical Commitment to Foreign Languages." Australian Journal of French Studies 58, no. 1 (2021): 76–87. http://dx.doi.org/10.3828/ajfs.2021.07.

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Drawing on recent innovations in detective criticism in France, this article broadens the quest to exonerate Poe’s famous orang-utan and argues that the Urtext of modern Anglo-American crime fiction is simultaneously a rejection of linguistic dominance (of English in this case) and an apologia for modern languages. This promotion of linguistic diversity goes hand in hand with the wilful non-self-coincidence of Poe’s detection narrative, which recalls, and pre-empts, the who’s-strangling-whom? paradox of deconstructionist criticism. Although “The Murders in the Rue Morgue” is prescient, foundin

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Selim, Samah. "Toward a New Literary History." International Journal of Middle East Studies 43, no. 4 (2011): 734–36. http://dx.doi.org/10.1017/s0020743811000973.

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The past twenty years witnessed a dramatic transformation in Arabic literature studies in the United States. In the early 1990s, the field was still almost exclusively a satellite of area studies and largely bound by Orientalist historical and epistemological paradigms. Graduate students—even those wishing to focus entirely on modern literature—were trained to competence in the entire span of the Arabic literary tradition starting with pre-Islamic times, and secondary research languages were still rooted in the philological tradition of classical scholarship. The standard requirement was Germa

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CRAIG, DAVID M. "THE CROWNED REPUBLIC? MONARCHY AND ANTI-MONARCHY IN BRITAIN, 1760–1901." Historical Journal 46, no. 1 (2003): 167–85. http://dx.doi.org/10.1017/s0018246x02002893.

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In the last two decades historians have been increasingly interested in the modernization of the monarchy, and the nature of the republican threat. This review evaluates some of this recent literature. The first section argues that while Walter Bagehot's views about ceremony in The English constitution (1867) have influenced historical writing, these approaches do not yield much information about what the monarchy actually meant to people. The second section turns to the political powers of the monarchy, and examines the wide range of views about what the constitutional limits of royal power w

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Elias, Amy J. "Context Rocks!" Publications of the Modern Language Association of America 134, no. 3 (2019): 579–87. http://dx.doi.org/10.1632/pmla.2019.134.3.579.

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Searching for the phrase “appreciation of literature” in Google's Ngram Viewer shows that the phrase reached its peak usage in English publications between 1936 and 1937 and then nosedived after those years. It's interesting to speculate about what came together at that time. In 1937, DC Thomson published the first issue of The Dandy, one of the best selling comics in the history of British pop culture and the third-longest-running comics in the world; Daffy Duck debuted in the animated short Porky's Duck Hunt, directed by Tex Avery for the Looney Tunes series; and Detective Comics commenced p

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Burney, Fatima. "Strategies of Sound and Stringing in Ebenezer Pocock's West–East Verse." Comparative Critical Studies 17, no. 2 (2020): 319–36. http://dx.doi.org/10.3366/ccs.2020.0365.

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In an effort to capture how Orientalist translations, imitations and criticism of Asian poetry came to inform the idealization of lyric as a universal genre, this paper focuses on the practice of poetic metre in the nineteenth century. How did Victorian conceptions of recitational communities, bounded by shared ‘national’ metres, square against the wealth of translated works that were a major component of Victorian print culture? The amateur Orientalist Ebenezer Pocock explained various metres and musical practices associated with ‘Persian lyrics’ in his book Flowers of the East (1833) and off

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Roberts, David. "Ravishing Strides: Signs of the Peripatetic in Early Modern Performance." New Theatre Quarterly 17, no. 1 (2001): 18–30. http://dx.doi.org/10.1017/s0266464x00014299.

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Actors' feet are accepted as part of their expressive equipment – but doubts are often expressed that this has always been so. The evidence of early English theatre history is adduced to suggest otherwise, while recent treatments of the peripatetic in literary studies argue that the ‘visible walk’ attains prominence only in the Romantic period. But David Roberts argues that, from the emergence of permanent theatres, walking offered a metonymy for performance which persisted throughout the seventeenth century. Cross-dressing highlighted the expressive potential of the feet, while close examinat

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Wolwacz, Andrea Ferras. "TOM PAULIN'S POETRY OF TROUBLES." Organon 34, no. 67 (2019): 1–23. http://dx.doi.org/10.22456/2238-8915.96943.

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This paper is part of my PhD thesis. It examines contemporary Northern Irish Literature written in English with the help of the theoretical approach of Irish Studies. It aims to introduce and make a critique of poetry written by Tom Paulin, a contemporary British poet who is regarded one of the major Protestant Irish writers to emerge from Ulster province. The thread pursued in this analysis relates to an investigation of how ideological discourses and the issues of identity are represented in the poet’s work. The author’s critical evaluation of existing ideologies and identities and his attem

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Trussler, Simon. "English Acting, Interactive Technology, and the Elusive Quality of Englishness." New Theatre Quarterly 12, no. 45 (1996): 3–5. http://dx.doi.org/10.1017/s0266464x0000957x.

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Acting style is arguably the most elusive of the theatre's always ephemeral traces – not least because each generation, while proclaiming its own actors to be more ‘natural’ than their predecessors, has tended in its criticism, as in actors' memoirs, to take style as a ‘given’. Anecdotage and plot synopsis have accordingly taken precedence over analysis of how performers actually worked and appeared on stage – let alone prepared their performances. Here, Simon Trussler introduces a project being launched at Goldsmiths, University of London, where he is Reader in Drama, to utilize the immense s

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Tkachuk, Olena. "MULTICULTURALISM BY CONRAD-EMIGRANT." Polish Studies of Kyiv, no. 35 (2019): 376–80. http://dx.doi.org/10.17721/psk.2019.35.376-380.

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The article is devoted to the problem of the multiculturalism by Joseph Conrad, the English writer and the world classic of the 20th century, who, due to the preservation of his Polish national-cultural identity, and by estrangement from this identity in his artistic consciousness, was able to influence the intellectual and artistic atmosphere in England of his times. In this way, the Polish identity became a background for Conrad’s artistic creativity, and at the same time, universal values and criteria were the key to the successful acculturation in English society in its one of the most eff

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Massai, Sonia. "Stage over Study: Charles Marowitz, Edward Bond, and Recent Materialist Approaches to Shakespeare." New Theatre Quarterly 15, no. 3 (1999): 247–55. http://dx.doi.org/10.1017/s0266464x0001304x.

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The flurry of Shakespearean adaptations in the 1960s and 1970s represents a significant yet largely neglected chapter of recent cultural history. This article assesses two of the more enduring adaptations – Edward Bond's Lear (Royal Court Theatre, 1971) and Charles Marowitz's Measure for Measure (Open Space Theatre, 1975) – in order to show how these controversial texts anticipated later mainstream critical approaches which still affect our reception of Shakespeare in the late 1990s. Several parallels between Marowitz and Bond's adaptations and recent materialist readings of their Shakespearea

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Momma, Haruko. "John D. Niles, Old English Literature: A Guide to Criticism with Selected Readings. (Blackwell Guides to Criticism.) Chichester, UK, and Walden, MA: Wiley Blackwell, 2016. Paper. Pp. xv, 336. $49.95. ISBN: 978-0-6312-2057-2." Speculum 95, no. 2 (2020): 601–2. http://dx.doi.org/10.1086/708045.

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Gemici, Kurtuluş. "South Korea during the Park Chung Hee Era: Explaining Korea’s Developmental Decades." Asian Journal of Social Science 41, no. 2 (2013): 175–92. http://dx.doi.org/10.1163/15685314-12341297.

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Abstract Despite the voluminous literature on South Korea’s rapid economic development and social transformation in the 1960s and 1970s, the literature in English on Park Chung Hee — the political figure who indelibly marked this era — is still lacking. Furthermore, the existing studies approach the subject of Korea’s fateful decades from general theoretical perspectives, such as the developmental state. This approach inevitably flattens out historical particularity in the process. A recent edited volume, The Park Chung Hee Era: The Transformation of South Korea, fills these gaps by bringing p

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Barendse, R. J. "Shipbuilding in Seventeenth-Century Western India." Itinerario 19, no. 3 (1995): 175–95. http://dx.doi.org/10.1017/s0165115300021392.

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The history of Indian shipbuilding is a relatively well-studied topic. There are two strands of literature on Indian shipping. First there is the Indian: R.N. Mukherjee (1923) is, in spite of some minor criticism which could be levelled at it, still the basic work on the topic. Among the more recent contributions should be mentioned those of L. Gopal and J. Qaisar. The second strand is Portuguese. Much of the Portuguese work on ‘Portuguese’ shipbuilding in the sixteenth century deals with shipbuilding in Goa. Now, was this ‘Portuguese’ shipbuilding or ‘Indian’ shipbuilding? ‘European’ and ‘Ind

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Prytoliuk, Svitlana. "CONCEPTUALIZATION OF THE NOTION “MAGICAL REALISM” IN GERMAN LITERATURE." Research Bulletin Series Philological Sciences 1, no. 193 (2021): 252–59. http://dx.doi.org/10.36550/2522-4077-2021-1-193-252-259.

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The article is devoted to the study of magical realism in German literary criticism, the origins of the term and its conceptual principles are considered. The author of the article relies on the research of German scientists, in particular M. Scheffel, D. Kirchner, H. Roland, T.W. Leine, M. Niehaus, J. Schuster and notes the differences and contradictions in the interpretation of the term, the vagueness of the concept and its heterogeneity. It is emphasized that the period of formation of the magic-realistic method of writing in Germany in the historical perspective generally covers the period

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Walhout, M. D. "F. O. Matthiessen and the Future of American Studies." Prospects 22 (October 1997): 1–34. http://dx.doi.org/10.1017/s036123330000003x.

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Now that the Soviet empire has collapsed, it is time for a fresh look at the victims of the oppositional “Cold War criticism” that came to dominate American Studies in the 1980s. Hoping to stem the tide of the Reagan Revolution, the “New Americanists,” as Frederick Crews dubbed the academic heirs of the New Left, instigated a sweeping critique of their own discipline, charging the founders of American Studies with complicity in imperialism abroad and McCarthyism at home. Of all the founders, none was interrogated more thoroughly than F. O. Matthiessen, long regarded as the very model of a crit

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Kinkley, Jeffrey C. "The Monster That Is History: History, Violence, and Fictional Writing in Twentieth-Century China. By David Der-Wei Wang. [Berkeley, Los Angeles and London: University of California Press, 2004. 402 pp. ISBN 0-520-23140-6.]." China Quarterly 182 (June 2005): 439–41. http://dx.doi.org/10.1017/s0305741005270261.

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This celebration of modern Chinese literature is a tour de force, David Wang's third major summation in English. He is even more prolific in Chinese. Wang's command of the creative and critical literatures is unrivalled.Monster's subject is “the multivalence of Chinese violence across the past century”: not 1960s “structural violence” or postcolonial “epistemic violence,” but hunger, suicide, anomie, betrayal (though not assassination or incarceration), and “the violence of representation”: misery that reflects or creates monstrosity in history. Monster thus comments on “history and memory,” l

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Peyre, Henri. "1960: Facing the New Decade." PMLA/Publications of the Modern Language Association of America 115, no. 7 (2000): 1862. http://dx.doi.org/10.2307/463587.

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If ours is a young man's world, it is also a woman's world. Some of us who are fortunate to have women among our graduate students and as young colleagues are extraordinarily impressed by the high level of their work. Indeed, we often wonder if criticism will not make substantial strides forward, blending the cognitive and the affective values, taste and a rational approach, the logic of the intellect and that of the heart, only when women take over a large share of it, as they are now out-numbering men as teachers of English and of languages in many schools. This country witnessed a bold femi

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WEBSTER, SARAH. "Estate Improvement and the Professionalisation of Land Agents on the Egremont Estates in Sussex and Yorkshire, 1770–1835." Rural History 18, no. 1 (2007): 47–69. http://dx.doi.org/10.1017/s0956793306002019.

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The role of land agents in the management and improvement of English landed estates between 1770 and 1850 is examined in this paper. The focus is on the responsibilities of land agents, their contribution to agricultural improvement, and in particular the validity of a thesis of the professionalisation of agents during this period. The Petworth House archives are used to compare the work of two legal agents at Petworth in Sussex with that of a professional land agency firm in Yorkshire, both employed by the third Earl of Egremont (1751–1837). This study suggests that the role of land agents in

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Farkas, Márton. "Lukács in Self-Translation: The Necessity of Contingency in The Soul and the Forms." October 161 (August 2017): 23–41. http://dx.doi.org/10.1162/octo_a_00302.

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A series of meditations on history and criticism, György Lukács's The Soul and the Forms appeared first in Hungarian in 1910 and then in German in 1911—arguably having been translated by the author himself, as a work of mourning. Despite renewed interest in the work, English-language editions have been taken from the German translation and barely consider the Hungarian version. This essay argues that an exemplary skirmish takes place in translation between the Hungarian and the German texts, as Lukács shifts from an Epicurean-Lucretian to a Stoicist view of causality. Not unlike in the early n

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Fergusson, Peter, and Stuart Harrison. "The Rievaulx Abbey Chapter House." Antiquaries Journal 74 (March 1994): 211–55. http://dx.doi.org/10.1017/s0003581500024434.

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The chapter house (figs, i, 2) is the most puzzling of the buildings that survive at Rievaulx Abbey, North Yorkshire — the Cistercians's first foundation in the north of England. A reconstruction based on the ruined remains shows a two storey interior supported on cylindrical columns, lower flanking aisles, and an apsed termination with a hemicycle and surrounding ambulatory (figs. 3, 4). No other chapter house in England or France shares these features. As a consequence the building has been ignored in the literature for the most part, or drawn criticism on account of its divergence from Cist

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Lapidge, Michael. "The archetype ofBeowulf." Anglo-Saxon England 29 (January 2000): 5–41. http://dx.doi.org/10.1017/s0263675100002398.

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It is a cardinal tenet of classical textual criticism that medieval scribes were most prone to error when copying from an unfamiliar system of script. Accordingly a good deal of attention has been given by classical scholars to what happens to a text when it is copied from one system of script to another, and to the characteristic sorts of error which such copying involves. The great French textual critic, Alphonse Dain, even coined a Greek term,metacharakterismos(μεταχαρακτηρισμός), to describe the scribal process of copying, character by character, from one script to anodier. (The Latin equi

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Diaper, Jeremy. "Farming and Agriculture in Literary Modernism." Modernist Cultures 16, no. 1 (2021): 86–113. http://dx.doi.org/10.3366/mod.2021.0321.

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This article seeks to cultivate a better understanding of the influence of agriculture and farming on literary modernism. It begins with a brief analysis of agriculture in the work of Vita Sackville-West and Virginia Woolf, before exploring the significance of farming in relation to Ford Madox Ford, John Middleton Murry and T. S. Eliot. Following on from this initial consideration of literary modernism and agriculture, it then proceeds to investigate Ezra Pound's position within environmental modernism, through exploring the influence of the organic husbandry movement on his social and politic

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Reeve, Michael. "Cuius in Usum? Recent and Future Editing." Journal of Roman Studies 90 (November 2000): 196–206. http://dx.doi.org/10.2307/300207.

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In 1993 Michael Winterbottom remarked that we have reached ‘what may be the last decades of the systematic editing of classical texts’. If he was right, what has been dwindling: capacity, interest, scope, or confidence?When editors' prefaces include such Latin as ‘ad huius operis finem … longdudum exspectatum’ (1983), ‘non solum hominibus, sed ne libris quidem non pepercit’ (1991, of the War), ‘ex Italia, ut Munk Olsen videtur, ortus’ (1997), or ‘latet uel peritus’ (1997, of an untraced manuscript), it is tempting to blame incapacity, and to blame that in turn on a decline of interest in Latin

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