Academic literature on the topic 'Philippine Writing'

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Journal articles on the topic "Philippine Writing"

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Arong, Marie Rose B. "Nick Joaquin’s Cándido’s Apocalypse: Re-imagining the Gothic in a Postcolonial Philippines." Text Matters, no. 6 (November 23, 2016): 114–26. http://dx.doi.org/10.1515/texmat-2016-0007.

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Nick Joaquin, one of the Philippines’ pillars of literature in English, is regrettably known locally for his nostalgic take on the Hispanic aspect of Philippine culture. While Joaquin did spend a great deal of time creatively exploring the Philippines’ Hispanic past, he certainly did not do so simply because of nostalgia. As recent studies have shown, Joaquin’s classic techniques that often echo the Hispanic influence on Philippine culture may also be considered as a form of resistance against both the American neocolonial influence and the nativist brand of nationalism in the 1950s and 1960s. Despite the emergence of Gothic criticism in postcolonial writing, Joaquin’s works have rarely received the attention they deserve in this critical area. In this context, this paper explores the idea of the Gothic in Joaquin’s writing and how it relates to Joaquin being the “most original voice in postcolonial Philippine writing.” In 1972, the University of Queensland Press featured Joaquin’s works in its Asian and Pacific writing series. This “new” collection, Tropical Gothic (1972), contained his significant early works published in Prose and Poems (1952) plus his novellas. This collection’s title highlights a specific aspect of Joaquin’s writing, that of his propensity to use Gothic tropes such as the blending of the real and the fantastic, or the tragic and the comic, as shown in most of the stories in the collection. In particular, I examine how his novella (Cándido’s Apocalypse) interrogates the neurosis of the nation—a disconnection from the past and its repercussions on the present/future of the Philippines.
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Juan, E. San. "Bakhtin and Philippine Writing in English." World Literature Today 71, no. 3 (1997): 541. http://dx.doi.org/10.2307/40152833.

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Guillermo, Ramon G., and Myfel Joseph D. Paluga. "Barang king banga: A Visayan language reading of the Calatagan pot inscription (CPI)." Journal of Southeast Asian Studies 42, no. 1 (January 14, 2011): 121–59. http://dx.doi.org/10.1017/s0022463410000561.

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The Calatagan pot, with an inscription around its rim, is one of the very few existing archeological evidences of ancient writing in the Philippines. It was discovered in Calatagan, Batangas and bought by the Philippine National Museum in 1961. Having since eluded decipherment, the present paper proposes a strategy which combines traditional palaeographic techniques and cryptographic methods. By means of this procedure, a tentative decipherment of the inscription is proposed here. The preliminary results show that the inscription is some kind of ancient spell or charm written in a central Philippine language with a Javanese admixture.
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Santos, Hector. "Extinction of a Philippine script." South Pacific Journal of Psychology 10, no. 1 (1999): 33–38. http://dx.doi.org/10.1017/s0257543400000973.

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ABSTRACTThe Spanish colonizers found a writing system in place when they established a permanent settlement in Manila in 1571. They took advantage of the widespread literacy in this indigenous script, which had spread by then from Manila to most of Luzon and parts of the Visayas, to help convert the inhabitants to Christianity by publishing a catechism printed in the script. Yet within a century, the use of the script had almost vanished. This paper explores the factors that led to the loss of literacy in the indigenous writing system.
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Pino, Rodney, Renier Mendoza, and Rachelle Sambayan. "A Baybayin word recognition system." PeerJ Computer Science 7 (June 16, 2021): e596. http://dx.doi.org/10.7717/peerj-cs.596.

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Baybayin is a pre-Hispanic Philippine writing system used in Luzon island. With the effort in reintroducing the script, in 2018, the Committee on Basic Education and Culture of the Philippine Congress approved House Bill 1022 or the ”National Writing System Act,” which declares the Baybayin script as the Philippines’ national writing system. Since then, Baybayin OCR has become a field of research interest. Numerous works have proposed different techniques in recognizing Baybayin scripts. However, all those studies anchored on the classification and recognition at the character level. In this work, we propose an algorithm that provides the Latin transliteration of a Baybayin word in an image. The proposed system relies on a Baybayin character classifier generated using the Support Vector Machine (SVM). The method involves isolation of each Baybayin character, then classifying each character according to its equivalent syllable in Latin script, and finally concatenate each result to form the transliterated word. The system was tested using a novel dataset of Baybayin word images and achieved a competitive 97.9% recognition accuracy. Based on our review of the literature, this is the first work that recognizes Baybayin scripts at the word level. The proposed system can be used in automated transliterations of Baybayin texts transcribed in old books, tattoos, signage, graphic designs, and documents, among others.
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Caballero, Juvanni A., and Mark Anthony J. Torres. "The Bangsamoro Peace Process and Peacebuilding in Mindanao: Implications to Philippine Studies and National Development." Khazar Journal of Humanities and Social Sciences 19, no. 3 (October 2016): 29–38. http://dx.doi.org/10.5782/2223-2621.2016.19.3.29.

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This paper is all about how integral Mindanao is to the Philippines. As such, Mindanao studies should not only be at the periphery of Philippine studies. The recent developments in Mindanao should be enough reason for scholars to devote significant amount of their attention to the region. After all, the peace processes in Mindanao, both vertical and horizontal, have generated a constellation of issues and questions for them to delve and study. More critically, this paper interrogates the gaps in Mindanao and Philippine studies, arguing that scholars can contribute to the success of the peace processes not only by engaging in research but also by initiating extension activities with research components. Here, I will discuss, as an example, initiatives from the academe (e.g., the partnership on peacebuilding between the University of Hawaii and Mindanao State University, under the aegis of the United States Institute of Peace) that complements the vertical peace process.Finally, the paper is an invitation for scholars to help steer the boat of Philippine Studies towards the direction of peace-building by writing articles on Mindanao using a peace lens.
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VECALDO, Rudolf, Jay Emmanuel ASUNCION, and Mark ULLA. "From Writing to Presenting and Publishing Research Articles: Experiences of Philippine Education Faculty-Researchers*." Eurasian Journal of Educational Research 19, no. 81 (May 29, 2019): 1–18. http://dx.doi.org/10.14689/ejer.2019.81.9.

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SERQUIÑA, OSCAR TANTOCO. "Documenting Theatrical and Performative Philippines: Possibilities of a Task and a Practice." Theatre Research International 44, no. 02 (July 2019): 196–99. http://dx.doi.org/10.1017/s0307883319000063.

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The writing of theatre history has been a challenging intellectual commitment in the Philippines. This mode of inquiry and inscription largely manifests more as a strand of general historiography than as a systematized and specialized critical practice in Philippine academe. No wonder, then, that Philippine theatre histories primarily come from academics whose disciplinary backgrounds are not solely in theatre arts per se but in a range of different but intersecting disciplines, such as film, literature, dance, anthropology, history and music. These historians have accounted for the medium's forms, geographies of production and performance, material aspects, lead practitioners, groups or organizations, and historical periods. They have thus far yielded a congeries of print materials: from the encyclopedia to the anthology or reader, the survey, up to the full-length book manuscript. More recently, theatre histories have also appeared in online catalogues or digital repositories.
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Martin, Isabel Pefianco. "Longfellow's legacy: education and the shaping of Philippine writing." World Englishes 23, no. 1 (February 2004): 129–39. http://dx.doi.org/10.1111/j.1467-971x.2004.00339.x.

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Dimaculangan, Nimfa G., and Leah E. Gustilo. "Lexical Patterns in the Early 21st Century Philippine English Writing." Advanced Science Letters 23, no. 2 (February 1, 2017): 1094–98. http://dx.doi.org/10.1166/asl.2017.7505.

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Dissertations / Theses on the topic "Philippine Writing"

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Thomas, Krishna Ignalaga. "Lola's story : writing comfort women in World War II history of the Philippines /." View online, 2008. http://repository.eiu.edu/theses/docs/32211131400061.pdf.

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Dimacali, Timothy James M. "From the sea to the stars : the forgotten journeys of the Philippines' ancient explorers." Thesis, Massachusetts Institute of Technology, 2018. http://hdl.handle.net/1721.1/119910.

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Thesis: S.M. in Science Writing, Massachusetts Institute of Technology, Department of Comparative Media Studies/Writing, 2018.
This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.
Cataloged from student-submitted PDF version of thesis.
Includes bibliographical references (pages 28-30).
Linguistic, genetic, and archaeological evidence indicate that the Philippines has been inhabited by humans for many thousands of years. By what means the earliest settlers arrived in the archipelago is still a mystery, but a growing body of evidence points to the likelihood that they possessed seafaring technology. If so, then modern Filipinos -- who are even now making their first tentative steps into space -- are heirs to a rich heritage of exploration, the story of which has yet to be fully told.
by Timothy James M. Dimacali.
S.M. in Science Writing
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Garcia, Ivonne Marie. "Anticipating 1898: Writings of U.S. Empire on Puerto Rico, Cuba, the Philippines, and Hawai'i." The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1213285119.

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McArthur, Richardson Sar Eve. "Writing the contemporary : the banal and the infra-ordinary in the works of Jean-Philippe Toussaint and Nicholson Baker." Thesis, University College London (University of London), 2008. http://discovery.ucl.ac.uk/1446060/.

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Fhis comparative study of Nicholson Baker and Jean-Philippe Toussaint addresses the importance of the everyday in contemporary literature and theory. I examine the contemporary in the contexts of knowledge, identity, politics, media, history, urban space, and psychology. What emerges is a consensus of pessimism concerning the contemporary subject in an increasingly homogenised, narcissistic, a-historical, information-saturated yet unmappable world. There are dissenting voices, however, some of which designate the everyday as a realm that escapes hegemonic culture. I undertake an exploration of contemporary literature, which exhibits a preoccupation both with pessimistic subject predicaments and with the everyday, in particular an approach to the latter which is akin to Perec's 'infra-ordinary. My subsequent analysis of Toussaint and Baker yields some contradictions: the infra-ordinary seems both conceptually close to, and yet antithetical to the banal, itself integral to the everyday. To resolve this tension, a deeper understanding of the banal is required, and I make use of Sami-Air to this end. Sami-Ali's psychoanalytic theory reveals the banal to be a critical distillation of the pessimistic subject predicaments I initially identified. The infra-ordinary, however, while close to the banal, ultimately opposes it. I argue that the infra-ordinary and the banal are thus opposing subsets of the everyday, optimistic and pessimistic construals of the same reality. I then question whether for Toussaint and Baker, the presence of the banal, in both form and content, renders their own texts banal. The answer is no: while sometimes employing a banal aesthetic, and negotiating and drawing on the banal, ultimately their texts counter and oppose it, through the use of the infra-ordinary and by other means. I conclude that Toussaint and Baker are quintessentially contemporary, both in their negotiation of the banal and the infra-ordinary, and in their development of a post-postmodern, or 'neo-realist' contemporary form.
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Errington, Ellen Joyce. "From non-literate to literate practice, the process and effects of introducing a writing system in a cultural community of the Republic of the Philippines." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape10/PQDD_0003/MQ40644.pdf.

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Foulkes, Michael James. "An analysis of writing as a career in seventeenth-century France based on a comparative study of the career histories of Jean Racine, Philippe Quinault and Edme Boursault." Thesis, Durham University, 2017. http://etheses.dur.ac.uk/12116/.

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This study analyses the careers of Racine, Quinault and Boursault to evaluate the effectiveness of strategies authors in seventeenth-century France employed to promote their careers. The literary, social, economic and political context in which they worked is explored by building on key biographical works and on studies of l’âge classique. The professional status of a writer is examined, developing work by Alain Viala. Pierre Bourdieu’s concept of forms of capital provides a framework to analyse the writers’ pursuit of capital during their careers. Building on research by Erving Goffmann and Stephen Greenblatt, the authors’ use of self-fashioning is explored, as is their manipulation of their images as honnêtes hommes and hommes de lettres. The impact of patronage in enabling authors to ensure financially sustainable careers and the ways they appealed to potential patrons is examined. Research by Sharon Kettering and Peter Shoemaker, among others, is extended by the application of theories of patronage to the practice of the case study authors. This thesis develops research into literary polemics with a particular focus on the deliberate employment and strategic manipulation of controversy for self-promotion, illustrated by disputes engaged in by the three authors. The methods writers employed to gain professional legitimacy through the institutions of the monarchy, the Académie française and the literary salons are scrutinised and the impact of changes in the theatre-going public is reviewed. The research concludes that, at this period, writing could provide a viable career and offer opportunities for social advancement, but the findings demonstrate that successful writers needed to manage their careers strategically. They had to be versatile in their writing to respond to public tastes, sensitive to expectations of behaviour in order to obtain patronage and accumulate capital and willing to adopt a range of techniques of self-promotion to build and secure their reputations.
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Tagaro, Andersson Anna. "Jag uppfinner en plats i dikten där vi kan vara tillsammans : En litterär studie i förlusten av ett modersmål." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-162383.

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The objective of this thesis is to examine how the bereavement of a mother tongue in various ways affects a person and how literature discusses this experience. How does literature reflect it and is it possible to identify any specific and recurring themes? Are there any similarities between the experience of migration and the experience of colonialism? What purpose does writing serve in this and how to describe the impact of language? Hopefully this thesis will contribute to a better understanding of the situation for newly arrived people and for persons living in Sweden with Swedish as a second language. The thesis has a postcolonial perspective as the focus is fiction dealing with a relocation from east to west. Earlier research and writings that has inspired is in particular the works by the two postcolonial theorists Franz Fanon and Sara Ahmed. The main source material for the study is literary works, e.g. the works of Jila Mossaed, Theodor Kallifatides, Athena Farrokhzad, Burcu Sahin and Yoko Tawada. The thesis is intentionally written in the form of an essay, suggesting the power of language and storytelling. The main objective of the thesis is to describe, rather than to arrive at a conclusion. One main focus is the author’s personal relation to the subject and to the Philippines and its colonial past. The literary works addressed in this study suggests that literature dealing with migration and language bereavement mainly focuses on a discussion about the relation between the native tongue and the new language, the relation between the metaphysical body and the new geographical location, about feelings of speechlessness and alienation that becomes physical. All these concurrent themes can be used as tools to define an experience that in many aspects is inconceivable. The thesis also identifies similarities between colonialism and migration, as both raise the question of inherit right to a place and a lifelong search for a place to call home. In this effort, writing is important and may function as an emancipatory lever to create new places.
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Zhao, Jia. "Le roman ironique depuis 1980 : Kundera, Echenoz, Chevillard, Toussaint." Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030160.

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L’ironie est de retour. Nous assistons aujourd’hui à une production abondante d’œuvres littéraires et artistiques qui sont caractérisées par une "légèreté méditative". Cette ironie est souvent qualifiée d’ironie postmoderne du fait de ses liens avec l’ensemble des symptômes culturels de la société postmoderne. L’ironie postmoderne s’est affirmée dans la création littéraire hexagonale avec l’ascension d’une nouvelle génération d’écrivains des Editions de Minuit dont les plus représentatifs sont Jean Echenoz, Eric Chevillard et Jean-Philippe Toussaint. S’y ajoute Milan Kundera, auteur appartenant à une autre génération et à une autre culture. Chez ces écrivains, l’ironie est non seulement utilisée comme un moyen de mise à distance de l’écriture, elle exprime aussi une vision du monde que l’on pourrait appeler le "désenchantement rieur". Nous creusons dans notre étude le rapport de l’ironie avec la question de l’existence. L’ironie est d’abord une conscience clivée. Cet état de conscience se concrétise dans un mode de discours qui s’offre à la fois comme l’extériorisation de la conscience clivée et un moyen de se procurer une vue d’ensemble. Les questions que nous voulons approfondir dans la présente étude sont les suivantes : où nous situons-nous dans ce long processus de séparation ? que devient le sujet, son action et sa manière d’être dans le monde ? quel est le mode de discours dérivé de la conscience de ce sujet contemporain ? Nous essayons d’y répondre, à partir de nos réflexions sur le phénomène de l’ironie dans la représentation littéraire contemporaine
Irony is back. Today, we are witnessing a burst of literary and artistic productions which are characterized by "thoughtful lightness". The irony is often described as postmodern irony because of his bonds with the entire cultural symptom of the postmodern society. With the rise of writers of a new generation of Editions de Minuit among whom Jean Echenoz, Eric Chevillard and Jean-Philippe Toussaint are predecessors, the postmodern irony has asserted itself in French literary creation to which added Milan Kundera who is a writer of another generation and of another culture. Irony of these writers is not only used as a way to distance from the writing, but also a vision of the world that we would call it the "cheerful disenchantment". We explore the relationship of irony and question of existence in our research. First of all, irony is a cleaved conscience. Such conscience state has come true in a mode of speech as exteriorization of the cleaved conscience and a way of obtaining an overview. In this research, we would like to go into detail the following questions: where shall we be situated is the long process of separation? What have the subject, his action and his way of being become? Which is the mode of speech that is derived of the conscience of this contemporary subject? We try to answer these questions with our reflections brought to the irony phenomenon in the contemporary literary representation
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Hoyos, Camilo. "La imagen literaria de París. Desde Mercier, Baudelaire y el surrealismo hasta Rayuela de Julio Cortázar." Doctoral thesis, Universitat Pompeu Fabra, 2010. http://hdl.handle.net/10803/7453.

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El propósito de nuestra investigación es analizar la imagen del París surrealista para luego ver su posterior recepción y variación por parte de Julio Cortázar en Rayuela. Los criterios analíticos de nuestra investigación constan en la importancia de la promenade y la visión en la construcción de la imagen de la ciudad a manera de espacio interior. Para comprender los orígenes e inserción en la tradición por parte de los surrealistas, fue necesario establecer los orígenes de las poéticas urbanas de la ciudad de París a finales del siglo XVIII, comprender el auge de París como tema literario a mediados del siglo XIX, analizar la importancia de la tradición noctámbula y la incidencia de Baudelaire en el París moderno para situar a los surrealistas en su manera de comprender la ciudad como un espacio psíquico e interior. Por último, comprenderemos los distintos elementos surrealistas de la construcción de París en Rayuela de Cortázar gracias a los textos escritos durante su período de interés surrealista (1947-1949) y su posterior variación en Rayuela.
The purpose of our investigation is to analyze the image of Paris forged in four Surrealist texts published between 1926-1928 in order to understand the Surrealist elements that allowed Julio Cortázar to forge his own image of the city in the novel Rayuela. Our analytical criteria are the importance of the regard and the promenade in the construction of the city as an interior and personal space. To understand the importance of the Surrealist production, it was necessary to visit the origins of Paris as a literary text in the late eitheenth century, the importance of the tradition noctámbule in the XIXth century, the incidences of Baudelaire's work regarding the modern Paris and the change of century that allowed the Surrealist movement to understand the city as an interior and psychic space. Through the establishment of certain criteria and images, we analyzed Paris in Cortázar's novel Rayuela as a Surrealist product, even if Cortázar himself never felt as as a Surrealist writer.
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Martin, Aida Ramiscal. "Teaching writing as a tool for learning with adult ESL students : a case study." Thesis, 1990. http://hdl.handle.net/10125/9560.

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Books on the topic "Philippine Writing"

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Emergent literature: Essays on Philippine writing. Diliman, Quezon City: University of the Philippines Press, 2001.

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Ladlad 3: An anthology of Philippine gay writing. Pasig, Philippines: Anvil, 2007.

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Ordoñez, Elmer A. The other view: Notes on Philippine writing and culture. Manila: Published for the U.P. Creative Writing Center by Kalikasan Press, 1989.

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Writing and national liberation: Essays in critical practice. Diliman, Quezon City: University of the Philippines Press, 1991.

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The best of ladlad: An anthology of Philippine gay writing. Mandaluyong City, Philippines: Published and exclusively distributed by Anvil Publishing, Inc., 2014.

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The knowing is in the writing: Notes on the practice of fiction. Diliman, Quezon City: University of the Philippines Press, 2006.

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Juan, E. San. Reading the West/writing the East: Studies in comparative literature and culture. New York: P. Lang, 1992.

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Environmental Science for Social Change (Philippines). Magkinanau kuy: Pagbasa daw pagsulat. Diliman, Quezon City: Environmental Science for Social Change, 1998.

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Lim, Shirley. Nationalism and literature: English-language writing from the Philippines and Singapore. Quezon City: New Day Publishers, 1993.

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Leon, Bayani Mendoza de. Baybayin, the ancient script of the Philippines: A concise manual. Paramus, N.J., U.S.A: Bycynthium Treasures, 1992.

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Book chapters on the topic "Philippine Writing"

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Amorao, Amanda Solomon. "Writing Against Patriarchal Philippine Nationalism: Angela Manalang Gloria’s “Revolt from Hymen”." In The Southeast Asian Woman Writes Back, 19–40. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-7065-5_2.

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Hemley, Robin. "The problem of memoir in the Philippines." In Teaching Creative Writing in Asia, 146–56. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003133018-12.

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WuMing, Scott. "Writing Boys’ Love Comics in the Philippines." In Women’s Manga in Asia and Beyond, 85–89. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-97229-9_6.

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Mosquera Valderrama, Irma, and Mirka Balharová. "Tax Incentives in Developing Countries: A Case Study—Singapore and Philippines." In Taxation, International Cooperation and the 2030 Sustainable Development Agenda, 119–47. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-64857-2_7.

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AbstractThe aim of this chapter is twofold. The first aim is to analyse the main features of the tax incentives in developing countries with a case study of two countries, Singapore and the Philippines. Singapore has been regarded in literature as one of the countries that has successfully attracted foreign direct investment; however, it is not yet clear whether this is the result of tax incentives or any other measure. The Philippines is at the time of writing in the process of introducing a comprehensive tax reform program (CTRP) that aims to redesign the tax incentives to become more competitive in the region and to achieve social and economic growth. These countries also belong to the same region (i.e. South East Asia), and therefore, the comparison of the incentives in these countries can also contribute to best practices in the region. Following this comparison, the second aim of this chapter is to evaluate the tax incentives granted in Singapore and the Philippines taking into account a new proposed evaluative framework for tax incentives in light of the Sustainable Development Goals (SDGs).
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Villaescusa Illán, Irene. "Transcultural Orientalism: Re-Writing the Orient from Latin America and the Philippines." In Transcultural Nationalism in Hispano-Filipino Literature, 45–75. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-51599-7_2.

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"Writing about Food: Savor the Word, Swallow the World." In Tikim: Essays on Philippine Food and Culture, 1–5. BRILL, 2019. http://dx.doi.org/10.1163/9789004414792_002.

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Suarez, Harrod J. "Excessive Writing and Filipina Time." In The Work of Mothering. University of Illinois Press, 2017. http://dx.doi.org/10.5622/illinois/9780252041440.003.0003.

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Chapter One examines Nick Joaquin’s novella, The Woman Who Had Two Navels (which was published before the longer novel version with the same title) and two short stories from Mia Alvar’s In the Country in order to consider the critical role that writing plays in navigating the diasporic maternal. Joaquin’s novella mourns the failure of the Philippine revolution, which becomes metaphorized through a discussion about language. Alvar’s stories address both the prospects and limits of writing: “In the Country” depicts the lives of journalists working against the Marcos regime and the deleterious effects of subversive, embodied writing on the family. In “A Contract Overseas,” Alvar challenges us to think about what it means to imagine and creatively write about life abroad.
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Schellenberg, Ryan S. "I Have Learned to Be Content." In Abject Joy, 130–50. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190065515.003.0005.

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Chapter 4 takes up Paul’s assertion in Philippians 4:11 that he is satisfied (autarkēs) even in prison. Although often read in relation to Stoic ideals, Paul’s claim in fact reflects a much more broadly attested moral ideal; philosophical discourses of autarky are not its source but coincidental products. Comparison with modern prison writing and ethnography invites a redescription of Paul’s rhetoric as an affective practice of survivalist dissent. As with other prisoners, for Paul to assert that he is satisfied in prison is to exercise his residual agency and thus perform an unabjected self, even as the hard somatic fact of his deprivation leaves him eager for relief and dependent on his Philippian addressees.
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"35. Writings." In The "Coutumes de Beauvaisis" of Philippe de Beaumanoir, 381–94. University of Pennsylvania Press, 1992. http://dx.doi.org/10.9783/9781512800029-039.

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Weaver, William P. "Institutiones Rhetoricae Philippi Melanchthonis." In Principal Writings on Rhetoric, edited by William P. Weaver, Stefan Strohm, and Volkhard Wels. Berlin, Boston: De Gruyter, 2017. http://dx.doi.org/10.1515/9783110561197-007.

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Conference papers on the topic "Philippine Writing"

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"A Corpus-Based Analysis of Students’ Composition Writing." In Multi-Disciplinary Manila (Philippines) Conferences Jan. 23-24, 2017, Manila (Philippines). Universal Researchers (UAE), 2017. http://dx.doi.org/10.17758/uruae.ed0117323.

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2

"The Future Moro Esl Teachers In Focus: The Use of Cohesive Devices in Their L2 Narrative Writing." In Multi-Disciplinary Manila (Philippines) Conferences Jan. 23-24, 2017, Manila (Philippines). Universal Researchers (UAE), 2017. http://dx.doi.org/10.17758/uruae.ed0117322.

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3

Hikmah, Nur, Akmal Akmal, and Francia Buffe. "Writing Skills of Junior High School Students of the University of Saint Anthony, Iriga City, Philippines." In Proceedings of the 2019 Ahmad Dahlan International Conference Series on Education & Learning, Social Science & Humanities (ADICS-ELSSH 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/adics-elssh-19.2019.8.

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