Relevant bibliographies by topics / Phillip Zarrilli's actor training

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  1. Journal articles
  2. Dissertations / Theses

Academic literature on the topic 'Phillip Zarrilli's actor training'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "Phillip Zarrilli's actor training"

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Daboo, Jerri. "Konstantin Stanislavsky Michael Chekhov Vsevolod Meyerhold Jacques Lecoq." Theatre Survey 47, no. 1 (2006): 146–50. http://dx.doi.org/10.1017/s004055740638009x.

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The Routledge Performance Practitioners series, edited by Franc Chamberlain, is a new set of introductory guides to a range of key figures in the development of twentieth-century performance practice. Each book focuses on a single practitioner, examining his or her life, historical context, key writings, and productions, and a selection of practical exercises. These concise volumes are intended to offer students an initial introduction to the practitioner and to “provide an inspiring spring-board for future study, unpacking and explaining what can initially seem daunting” (Merlin, ii). The lis
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LOUKES, REBECCA. "Phillip Zarrilli's Knowledges: ‘About’, ‘In’, ‘For’." Theatre Research International 45, no. 3 (2020): 351–53. http://dx.doi.org/10.1017/s0307883320000383.

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There are recurring themes in Zarrilli's long career of writing about the processes of performance, and his most recent book (Toward) A Phenomenology of Acting (2020) brings together these concerns in what could be seen as a culmination of his life's work – dissolving the boundaries between the studio, the stage and the theorization of these processes. We could look briefly over the entirety of his written contribution to theatre research – from his meticulous studies of kalaripayattu and kathakali dance drama, to his groundbreaking edited collection Acting (Re)considered and the innovative co
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McIvor, Charlotte. "Intercultural Actor and Performer Training. Edited by Phillip B. Zarrilli, T. Sasitharan and Anuradha Kapur. London and New York: Routledge, 2019. Pp. 286. £96.00 Hb; £27.99 Pb; £27.99 eBook." Theatre Research International 46, no. 1 (2021): 96–97. http://dx.doi.org/10.1017/s0307883320000644.

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Zarrilli, Phillip B. "Embodying, Imagining, and Performing Displacement and Trauma in Central Europe Today." New Theatre Quarterly 24, no. 1 (2008): 24–40. http://dx.doi.org/10.1017/s0266464x08000031.

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This article provides an illustrated description and analysis of Speaking Stones – a collaborative performance commissioned by Theatre Asou of Graz, Austria, with UK playwright Kaite O'Reilly and director Phillip Zarrilli as a response to the increasingly xenophobic and reactionary realities of the politics of central Europe. The account interrogates the question, the dramaturgical possibilities, and the performative premise which guided the creation of Speaking Stones. Phillip Zarrilli is internationally known for training actors through Asian martial arts and yoga, and as a director. In 2008
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Zarrilli, Phillip B. "Psychophysical Approaches and Practices in India: Embodying Processes and States of ‘Being–Doing’." New Theatre Quarterly 27, no. 3 (2011): 244–71. http://dx.doi.org/10.1017/s0266464x11000455.

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This essay articulates a South Asian understanding of embodied psychophysical practices and processes with a specific focus on Kerala, India. In addition to consulting relevant Indian texts and contemporary scholarly accounts, it is based upon extensive ethnographic research and practice conducted with actors, dancers, yoga practitioners, and martial artists in Kerala between 1976 and 2003. During 2003 the author conducted extensive interviews with kutiyattam and kathakali actors about how they understand, talk about, and teach acting within their lineages. Phillip Zarrilli is Artistic Directo
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CLARKE, ALISSA. "‘It's Never about Me, It's Always about You’: Generosity in Zarrilli's Training Space." Theatre Research International 45, no. 3 (2020): 344–47. http://dx.doi.org/10.1017/s030788332000036x.

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In his extraordinary essay ‘The Metaphysical Studio’, Phillip Zarrilli advocated for the actor's psychophysical exploration of risky uncertainties and unknown possibilities in the ‘spatio-temporal realm between presence and absence, between “what is” and “what is not” – this liminal realm between’. It was typical of Zarrilli that when he received confirmation that his cancer had returned for the third and final time, he both responded pragmatically and perceived the experience as a philosophically interesting inhabitation of ‘that liminal place between’. Just as ‘The Metaphysical Studio’ empha
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Petzke, Ingo. "Alternative Entrances: Phillip Noyce and Sydney’s Counterculture." M/C Journal 17, no. 6 (2014). http://dx.doi.org/10.5204/mcj.863.

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Phillip Noyce is one of Australia’s most prominent film makers—a successful feature film director with both iconic Australian narratives and many a Hollywood blockbuster under his belt. Still, his beginnings were quite humble and far from his role today when he grew up in the midst of the counterculture of the late sixties. Millions of young people his age joined the various ‘movements’ of the day after experiences that changed their lives—mostly music but also drugs or fashion. The counterculture was a turbulent time in Sydney artistic circles as elsewhere. Everything looked possible, you sim
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Dowse, Jill Francesca. ""So what will you do on the plinth?”: A Personal Experience of Disclosure during Antony Gormley’s "One & Other" Project." M/C Journal 12, no. 5 (2009). http://dx.doi.org/10.5204/mcj.193.

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Who can be represented in art? How can we make it? How can we experience it? [...] It has provided an open space of possibility for many to test their sense of self and how they might communicate this to a wider world. (Gormley)On Friday 17 July 2009, from 12.00 am to 1.00 am, I was on the Fourth Plinth in Trafalgar Square, London, as part of British sculptor Antony Gormley’s One & Other project. Over a period of 100 days, 2,400 people were randomly selected (from 34,000 applicants) to occupy this site for sixty minutes each. Gormley’s sculptures have mostly focused on explorations of the
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Dissertations / Theses on the topic "Phillip Zarrilli's actor training"

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Garre, Rubio Soledad Pilar. "Shifting paradigms of practice in 'Interpretación Gestual' : integrating bodymind training with Michael Chekhov's acting techniques within the context of training professional actors in Spain." Thesis, University of Exeter, 2012. http://hdl.handle.net/10871/8281.

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This thesis examines the implementation of an actor-training programme in the context of Spanish drama schools during 2004-2005. Reflecting through the student's practice as well as my own practice as a teacher, actor and director, I investigate how a bodymind training based on martial arts disciplines and designed by Phillip Zarrilli may contribute to understand the theory and the practice of an actor's use of the imagination as Michael Chekhov proposes it. Core questions arise from the evaluation of what is the professional knowledge that the integration of both systems of training brings to
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