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Relevant bibliographies by topics / Phillips, Caryl. Phillips, Caryl

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Academic literature on the topic 'Phillips, Caryl. Phillips, Caryl'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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Journal articles on the topic "Phillips, Caryl. Phillips, Caryl"

1

King, Bruce, and Bénédicte Ledent. "Caryl Phillips." World Literature Today 77, no. 1 (2003): 87. http://dx.doi.org/10.2307/40157816.

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Birat, Kathie. "Caryl Phillips." Commonwealth Essays and Studies 40, no. 1 (September 1, 2017): 5–10. http://dx.doi.org/10.4000/ces.4433.

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Birbalsingh, F. "Interview with Caryl Phillips." Caribbean Quarterly 37, no. 4 (December 1991): 40–46. http://dx.doi.org/10.1080/00086495.1991.11671739.

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Čatić, Emina, and I. Murat Öner. "Lives Fractured: Re/Naming and Identity in the Writing of Caryl Phillips." Romanian Journal of English Studies 16, no. 1 (November 1, 2019): 32–41. http://dx.doi.org/10.1515/rjes-2019-0005.

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AbstractThe novels of Caryl Phillips often deal with the experiences and identities of those displaced and marginalized by society. Caryl Phillips is well known for employing different textual strategies such as spatiotemporal fragmentation, intertextuality, naming, and point of view shifts in order to portray the struggles and suffering of his characters. The aim of this article is to examine how Phillips uses naming of his characters to depict the effects exile, slavery and other forms of oppression may have on their lives and identities. In order to accomplish this, different characters from Phillips’s novels Cambridge (1991), The Nature of Blood (1997), Crossing the River (1993) and Higher Ground (1989) will be discussed. The analysis of the characters will draw upon three concepts of naming first proposed by Bénédicte Ledent (2002): anonymity, (re)naming and name alteration.

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Rahbek, Ulla. "Caryl Phillips and the Heroic." ariel: A Review of International English Literature 48, no. 3-4 (2017): 77–101. http://dx.doi.org/10.1353/ari.2017.0027.

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Ward, Abigail. "An Interview with Caryl Phillips." Contemporary Literature 53, no. 4 (2012): 628–45. http://dx.doi.org/10.1353/cli.2012.0034.

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Mardorossian, Carine. "Nature-Function in Caryl Phillips' Cambridge." ariel: A Review of International English Literature 48, no. 3-4 (2017): 187–207. http://dx.doi.org/10.1353/ari.2017.0030.

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Pitts, Johny. "Daffodils: A Meeting with Caryl Phillips." ariel: A Review of International English Literature 48, no. 3-4 (2017): 37–47. http://dx.doi.org/10.1353/ari.2017.0033.

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Phillips, Caryl, Kathie Birat, and Bénédicte Alliot. "Pitt à pawol de Caryl Phillips. Entretien." Cahiers Charles V 31, no. 1 (2001): 129–40. http://dx.doi.org/10.3406/cchav.2001.1320.

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Bell, C. Rosalind. "Worlds Within: An Interview With Caryl Phillips." Callaloo 14, no. 3 (1991): 578. http://dx.doi.org/10.2307/2931461.

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Dissertations / Theses on the topic "Phillips, Caryl. Phillips, Caryl"

1

Choi, Sze-wai Tony. "A study of tense and aspect in Caryl Phillips crossing the river." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21161525.

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Le, François Frédéric. "Figures de l'exil dans l'œuvre de Caryl Phillips." Antilles-Guyane, 2008. http://www.theses.fr/2008AGUY0247.

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Consacrée à l’œuvre de l’écrivain anglo-caribéen Caryl Phillips, cette thèse met en relation ses textes autobiographiques, dramatiques et romanesques. Nous avons voulu montrer comment le sentiment d’appartenir a deux cultures différentes pouvait influer sur son écriture. Notre corpus est constitue de trois pièces de théâtre et de trois romans, rapproches de plusieurs textes autobiographiques – nouvelles et interviews. En croisant l’approche psychocritique et la sociocritique, nous avons cherche à identifier le principe essentiel de ce qu’il conviendrait d’appeler la « poétique de l’exil » de Phillips. Le fondement de cette esthétique dramatique et romanesque résiderait dans une irrésistible sympathie pour le sujet postcolonial en situation d’entre-deux, et pour le dialogue interculturel. Cette orientation se traduit par la récurrence de personnages théâtraux et romanesques, figures obsédantes de l’exil, qui reflètent l’anxiété fondamentale habitant la « double conscience » de l’écrivain. L’intérêt pour la condition du migrant et de l’exile s’observe encore a travers les choix thématiques et stylistiques qui caractérisent son écriture. Ainsi, les pièces de théâtre étudiées donnent a voir le spectacle émouvant du dilemme identitaire black british. Dans ses romans, Phillips développe la thématique de l’exil dans un contexte géoculturel plus diversifie, tout en approfondissant la réflexion sur la question de l’appartenance déjà entamée dans ses pièces théâtrales. Il existe des passerelles entre les œuvres théâtrales et romanesques, car l’œuvre phillipsienne est structurée autour de la notion de roman familial, et traduit un désir de reconstituer une unité familiale brisée
This thesis is dedicated to the work of the black british writer Caryl Phillips. We contend that there is a strong link between his novels, plays and autobiographical texts. To this end, we have tried to show that the feeling of double belonging is at the heart of the aesthetics that informs most of his fiction. Our corpus consists of three novels and three stage plays that are constantly related to diverse autobiographical texts. By combining conceptual tools proper to psychoanalysis and textual sociology, we endeavoured to bring to light the essential principle of what might be called Phillips’ “poetics of exile”. At the core of his dramatic and fictional aesthetics lies a compulsive interest for the postcolonial subject marked by in betweenness and by cross-cultural dialogism. This orientation can be observed through the recurrence of obsessing exilic figures found in a large array of fictional characters. It reflects the “high anxiety of belonging” deeply rooted in the writer’s “double conscience”. The sympathy for the migrant and the exiled also appears in the thematic and stylistic choices that give such a peculiar character to Phillips’ writing. Thus, the plays under study offer the moving spectacle of the black british dilemma. In his novels, the writer studies the theme of exile in different geographical and cultural contexts, while examining in more detail the question of belonging that he already had tackled in his plays. We have proven that there is always a relationship between Phillips’ plays and novels since his fiction hinges on a “family novel”, and reflects his desire to reconstitute a broken family unit

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Pedreira, Márcia. "Vozes narrativas em A Distant Shore de Caryl Phillips." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-04122008-173328/.

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Através do manejo do foco narrativo,dentre outros recursos literários, o Autor alterna e entrelaça narrativas de experiências de personagens oriundas de formações culturais diferentes com a representação do pensamento de cada uma delas sobre o passado, sobre si, sobre o outro e sobre vários espaços em que atuam. Esses espaços se revelam incongruentes com a idéia de um mundo sem fronteiras conforme se apregoa na modernidade tardia. O objetivo desta tese é discutir como aspectos do real histórico e do real psicológico nos tempos em que vivemos se sedimentam na forma deste romance contemporâneo
Through shifts in point-of-view, among other literary resources, the Author alternates and intertwines narratives of the experiences of two characters from contrasting cultural formations with narratives of their thoughts about the past, themselves, each other and the various settings in which they act. These spheres are rendered as incongruent with the idea of a world without borders, so often celebrated in late modernity. The aim of this thesis is to discuss how elements of present-day historical and psychological experience solidify in the form of this particular contemporary novel

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Choi, Sze-wai Tony, and 蔡詩偉. "A study of tense and aspect in Caryl Phillips crossing the river." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31951934.

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Takors, Jonas. "Caryl Phillips' "Foreigners: Three English Lives" als kollektive Biographie des schwarzen Britannien." [S.l. : s.n.], 2008. http://nbn-resolving.de/urn:nbn:de:bsz:25-opus-60128.

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Lin, Ching-huan. "Imagining Europe in selected works by Caryl Phillips, Ian McEwan and Kazo Ishiguro." Thesis, University of Leeds, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.595845.

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This thesis aims to explore the changing imagination of post-war Europe in contemporary British literary works by Caryl Phillips, Ian McEwan and Kazuo Ishiguro. It suggests that these authors, rather than exploring Britain's relationship with Europe defensively, show British national identity to be deeply ingrained with a consciousness of Europe. Recognising the demand for new cognitive maps of Europe after the end of the Cold War, Phillips, McEwan and Ishiguro see that new modes and models of European identity are needed at a time when memories of the overlapping histories of racism, dehumanisation and violence are being collectively refashioned, and when European self-understandings are being reorganised in the twentieth-century contexts of decolonisation and globalisation. The thesis demonstrates that these writers' works not only deal with the British Empire and its aftermath, with the traumatic experiences of two world wars, and with the domestic tensions of multiculturalism and ethnic conflict; they also reflect critically on ongoing processes of European expansion and integration. Situated within a longstanding tradition of Europe as an idea or ideal characterised by ambivalence and driven by a cosmopolitan ethos, the thesis looks at Phillips's, McEwan's and Ishiguro's respective representations of an imagined Europe, using qualifying adjectives-'black', 'double', 'cosmopolitan'-to set universal ideals against the open wounds of history, unmet demands for justice, and the realities of uneven power. These three connecting strands emphasise the need for a cosmopolitan worldview that takes full responsibility for humanity, both in the Europe of the past and the Europe of the present. In examining the idea or ideal of Europe from the vantage point of Britain, the thesis contributes towards the further understanding of a troubled continent, demonstrating the salience of otherness to its necessarily unresolved vision of itself

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Lam, Law-hak, and 林羅克. "Constructions of black identity in the works of Toni Morrison and Caryl Phillips." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31952070.

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Lam, Law-hak. "Constructions of black identity in the works of Toni Morrison and Caryl Phillips." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21161434.

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9

Ranguin, Josiane. "Fonction scopique et investigation du réel anglo-caribéen dans l’oeuvre de Caryl Phillips." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCD043.

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Dans cette recherche intitulée « Fonction Scopique et Investigation du Réel Anglo-Caribéen dans l’OEuvre de Caryl Phillips », il s’agit de suivre le développement de l’oeuvre de Caryl Phillips qui se déploie à partir du sentiment d’extranéité né d’un sentiment de dissociation ressenti dès l’enfance. Les scènes fondatrices sont celles de la remise en cause par l’autorité visualisante de son appartenance à la nation en tant qu’Anglo-Caribéen, puis adolescent, de la découverte de l’antisémitisme et de la possibilité du génocide au cœur même de l’Europe. Elles sont suivies de l’apprentissage volontariste de la culture caribéenne durant ses années d’études à Oxford, de sa découverte de la littérature afro-américaine aux Etats-Unis, et d’un voyage à travers l’Europe entant qu’Anglo-Caribéen, expériences qui vont fixer les trois pôles de la triade à partir de laquelle se déploie l’oeuvre de cet écrivain également dramaturge. La source de la pulsion d’écrire serait donc à trouver dans un sentiment de différence ontologique naissant de l’appréhension du soi essentiellement scopique, vécue comme anxiogène. Le sentiment d’extranéité trouve sa source dans la discrimination et l’angoisse d’appartenance qu’elle déclenche. Elle remet en cause le vécu en toute plénitude de l’être, et les bases de l’inclusion sociale de l’enfant et de l’adolescent. L’oeuvre se déploie de manière constructiviste et spiralée à partir de l’exploration des regards croisés que nous classerons selon cinq thématiques qui rassemblent les principaux fils de cet écheveau, éclairés par cinq films servant de contrepoint au discours de l’auteur. Une intention didactique existe au cœur de l’écriture de Caryl Phillips qui procède de la remédiation historique, et tente de faire voir au lecteur toute la complexité humaine sans volonté de jugement. Alors que l’esthétique fait épouser à la structure de ses écrits le bouleversement des vies diasporiques, et met à l’épreuve les capacités du lecteur à discerner le programme de création de chacun de ses ouvrages, le souci éthique de l’auteur est de redonner le droit de regard, le droit à la compassion, et le droit d’être compris à tous ceux et celles qui se voient nier le droit d’appartenir pleinement au monde qu’ils habitent
The purpose of this work is to follow the development of Caryl Philips’s work from a feeling of unbelonging finding its root in the experience of being dissociated from his peers at an early age through systemic visualizing.Founding scenes show how the author as an Anglo-Caribbean child is denied his Englishness and how he discovers as a teenager the possibility of genocide at the heart of Europe. These experiences will be part of the foundation of his anxiety of belonging. A determined exploration of Caribbean culture, of African-American writing and an investigation of the European gaze on the Anglo-Caribbean person he is, will determine the three strands with which will be woven the increasing spiraling scope of his work.The writing impulse is then born out of an ingrained feeling of dissociation created by the alarming discriminating gaze which forfeits the inclusion of the Anglo-Caribbean child and questions the fulfillment of his human potential in all its plenitude.We will argue that the work develops along a constructivist and spiraling approach from an exploration of comparative views. Novels, plays and essays will be observed along five thematic lines which will start with a short analysis of five corresponding cinematographic works acting as a counterpoint to the author’s stance. There is a didactic intention in the writing which proceeds from historical remediation and aims at making the reader see the whole human complexity, encouraging the willing suspension of blaming. While aesthetic concerns model the structure of his works on the fractured lives he is exploring, and challenge the cognitive capability of the reader to discern the patterns of production of each of his works, the ethical demand evinced by Caryl Phillips’s work is to give the scrutiny right, the right to be understood, and the right to compassion back to those who see their right to fully belong to the world they inhabit denied

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Ward, Abigail Lara. "Representing slavery in selected works of Caryl Phillips, David Dabydeen and Fred D'Aguiar." Thesis, University of Leeds, 2006. http://etheses.whiterose.ac.uk/11274/.

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This thesis explores how the authors Caryl Phillips, David Dabydeen and Fred D' Aguiar represent Britain's involvement in the transatlantic slave trade in their recent fiction, poetry and non-fictional works. My approach is enabled by the novel engagements I make across postcolonial, poststructuralist and Holocaust theory, and my readings are also informed by a close attention to the history of Britain's involvement in slavery between the mid-sixteenth and mid-nineteenth centuries. I explore each author's imaginative return to slavery in the late twentieth and early twentyfirst centuries, and the diverse problems experienced by Phillips, Dabydeen and D' Aguiar in so doing. I contend that three central concerns in returning to this past are: the history of slavery, the ethics of representing the trade, and the difficulty of how to remember slavery. In my first chapter, I explore Phillips's interest in, and concerns with, the historical archive and the voices missing from received history. In my second chapter, I discuss Dabydeen's struggle with the ethics of representing slavery and the problems of articulating this past. The third chapter focuses on the work of D' Aguiar, foregrounding his difficulties with the memory of slavery and the importance of counter-remembrance of this past. The UK's involvement in slavery has often been overlooked by historians or, when remembered, the focus tends to fall upon Britain's abolitionists; these authors arguably write partly in response to this inadequacy. To this end, this thesis is divided into three chapters: one on each of my primary authors. These chapters are preceded by a general introduction to the ethical, creative, historical and theoretical issues surrounding an imaginative return to the past of British slavery. I conclude by exploring the divergence and convergence of these varying issues in the works of Phillips, Dabydeen and D' Aguiar. Ultimately, this thesis asserts that imaginatively returning to the past of slavery" is all too necessary when faced with the struggle of multiculturalism in late-twentieth and early twenty-first-century Britain.

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Books on the topic "Phillips, Caryl. Phillips, Caryl"

1

Relich, Mario. Caryl Phillips. London: British Council, 1989.

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Caryl Phillips. Manchester, UK: Manchester University Press, 2002.

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Caryl Phillips. Tavistock: Northcote House, 2006.

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Renée, Schatteman, ed. Conversations with Caryl Phillips. Jackson: University Press of Mississippi, 2009.

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Caryl Phillips: Writing in the key of life. Amsterdam: Rodopi B.V., 2012.

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Caryl Phillips, David Dabydeen and Fred D'Aguiar: Representations of slavery. Manchester: Manchester University Press, 2011.

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Godinho, Denise Coutinho Ferreira. Theorisations of female sexuality in the novels of Maryse Conde and Caryl Phillips. Birmingham: University of Birmingham, 2001.

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Erichsen, Ulrike. Geschichtsverarbeitung als kulturelle Selbstreflexion: Untersuchungen ausgewählter postkolonialer Gegenwartsromane der anglophonen Karibik (Lawrence Scott, Caryl Phillips, Erna Brodber). Trier: WVT-Wissenschaftlicher Verlag Trier, 2001.

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Davis, W. E. The Stamm family: Philipp Peter, Philipp Peter, Jr., Mary Elizabeth, Philipp Peter III, Frederick, Caroline C., Martin, Margaret, Elizabetha, Jacob, Phoebe, Karolina, Phillip, Julenrietta, Carl, etc. [Glendale, Ohio] (1075 Morse Ave., Glendale 45246): W.E. Davis, 1985.

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Thomas, Helen. Caryl Phillips. Northcote House Publishers Ltd, 2004.

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Book chapters on the topic "Phillips, Caryl. Phillips, Caryl"

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Kreutzer, Eberhard. "Phillips, Caryl." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14488-1.

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Kreutzer, Eberhard. "Phillips, Caryl: Cambridge." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14489-1.

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Savory, Elaine. "Interview with Caryl Phillips." In Wide Sargasso Sea at 50, 13–22. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-28223-3_2.

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McLeod, John. "English somewheres Caryl Phillips and the English North." In Postcolonial Spaces, 14–27. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230342514_2.

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Craps, Stef. "Jewish/Postcolonial Diasporas in the Work of Caryl Phillips." In Metaphor and Diaspora in Contemporary Writing, 135–50. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230358454_8.

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Craps, Stef. "Jewish/Postcolonial Diasporas in the Work of Caryl Phillips." In Postcolonial Witnessing, 89–101. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137292117_8.

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Erickson, Peter. "Contextualizing Othello: Ishmael Reed, Caryl Phillips, and Djanet Sears." In Citing Shakespeare, 103–17. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1007/978-1-137-06009-9_7.

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McCluskey, Alan. "A Cosmopolitan Vision of Home and Subjectivity in Caryl Phillips." In Materiality and the Modern Cosmopolitan Novel, 21–76. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137503381_2.

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Ranguin, Josiane. "‘All the Nuances of His Predicament’: Caryl Phillips on James Baldwin." In Palgrave Studies in Life Writing, 183–201. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-45200-1_11.

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Scafe, Suzanne. "Home/lessness, Exile and Triangular Identities in the Drama of Caryl Phillips." In Modern and Contemporary Black British Drama, 62–76. London: Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-50629-0_5.

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Conference papers on the topic "Phillips, Caryl. Phillips, Caryl"

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"Traumatic Experiences and Incessant Anxieties in Caryl Phillips’ Higher Ground." In Dec. 7-8, 2017 Paris (France). ERPUB, 2017. http://dx.doi.org/10.17758/erpub.f1217441.

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