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Books on the topic 'Phillips, Caryl. Phillips, Caryl'

Author: Grafiati
Published: 4 June 2021
Last updated: 5 February 2022

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1

Relich, Mario. Caryl Phillips. London: British Council, 1989.

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2

Caryl Phillips. Manchester, UK: Manchester University Press, 2002.

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3

Caryl Phillips. Tavistock: Northcote House, 2006.

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4

Renée, Schatteman, ed. Conversations with Caryl Phillips. Jackson: University Press of Mississippi, 2009.

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5

Caryl Phillips: Writing in the key of life. Amsterdam: Rodopi B.V., 2012.

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6

Caryl Phillips, David Dabydeen and Fred D'Aguiar: Representations of slavery. Manchester: Manchester University Press, 2011.

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7

Godinho, Denise Coutinho Ferreira. Theorisations of female sexuality in the novels of Maryse Conde and Caryl Phillips. Birmingham: University of Birmingham, 2001.

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8

Erichsen, Ulrike. Geschichtsverarbeitung als kulturelle Selbstreflexion: Untersuchungen ausgewählter postkolonialer Gegenwartsromane der anglophonen Karibik (Lawrence Scott, Caryl Phillips, Erna Brodber). Trier: WVT-Wissenschaftlicher Verlag Trier, 2001.

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9

Davis, W. E. The Stamm family: Philipp Peter, Philipp Peter, Jr., Mary Elizabeth, Philipp Peter III, Frederick, Caroline C., Martin, Margaret, Elizabetha, Jacob, Phoebe, Karolina, Phillip, Julenrietta, Carl, etc. [Glendale, Ohio] (1075 Morse Ave., Glendale 45246): W.E. Davis, 1985.

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10

Thomas, Helen. Caryl Phillips. Northcote House Publishers Ltd, 2004.

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11

Caryl Phillips VHS Videocassette (Lannan Literary Videos). Lannan Foundation, 1995.

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12

Caryl Phillips, David Dabydeen and Fred D'Aguiar: Representations of slavery. Manchester University Press, 2015.

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13

Caryl Phillips : Plays One: Strange Fruit; Where There is Darkness; The Shelter. Oberon Books, 2019.

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14

Morey, Peter. Black British and British Asian Fiction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198749394.003.0029.

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This chapter explores some issues in black British and British Asian fiction since the 1980s. It shows certain key characteristics of the white British apprehension of those non-white imperial subjects who, after decolonization, were to arrive, in increasing numbers, on British shores. This chapter takes a sample of five writers — three women and two men — and explores those key recurring themes that give a unity to their otherwise very different novels. Through the work of Caryl Phillips, Andrea Levy, Zadie Smith, Hanif Kureishi, and Monica Ali, this chapter traces the persistence of issues of race and racism. The chapter also considers the importance of recuperating black history, the rise of identity politics, and the tenacity with which the gaze of the racial Other — whether white on black or black on white — fixes its object in the expectation of certain forms of limiting and supposedly ‘authentic’ behaviour.
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15

Carly Phillips's Simply Series Bundle. Toronto, Ontario: HQN, 2009.

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16

History and Race in Caryl Phillips's the Nature of Blood. ibidem-Verlag, 2020.

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17

Berg. SINGLE MOVEMENT PIECES (Collected Works for Solo Keyboard by Carl Phillip Emanuel Ba). Music-Garland, 1985.

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18

Welsh, Mary Sue. A Formidable Arena. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037368.003.0002.

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This chapter details the history of the Philadelphia Orchestra, considered one of the greatest orchestras in the world. Founded in 1900, the Philadelphia Orchestra was led during its early years by two German-speaking conductors, Fritz Scheel (1900–1907) and Carl Pohlig (1907—12). Maestro Scheel made a good start on developing an organization of distinction, but he succumbed to an untimely illness in 1907. Unfortunately, the man who succeeded him deflated many of his predecessor's gains, and the orchestra became a competent but stiff ensemble that inspired strained admiration from its own audiences and little respect from other cities. However, its place in the world of music underwent a dramatic change when the thirty-year-old Leopold Stokowski became the orchestra's leader at the beginning of the 1912—13 season. The chapter also describes Edna Phillips' audition on January 7, 1930.
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19

Lawn, Jennifer. Genre Fiction since 1950. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.003.0033.

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This chapter discusses the history of genre fiction in New Zealand since 1950. Crime writers such as Vanda Symon and Paul Cleave exploit the phenomenon of ‘glocalization’ by locating an international genre in distinctively local settings. Others, like Nalini Singh and Phillip Mann, embrace the alternative worlds of science fiction and fantasy without any sense that a local referent is necessary or desirable. The chapter first considers how New Zealand crime writers add distinctively Kiwi twists to their work before turning to crime thrillers by Paul Thomas and others. It also examines fiction featuring female detectives, including those written by Vanda Symon, as well as genre hybrids such as historical crime and domestic fiction. Finally, it analyses examples of literary noir by Charlotte Grimshaw, Carl Nixon, and Chad Taylor and political dystopias from C. K. Stead to Bernard Beckett.
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20

Bach, Carl Philipp Emanuel. Keyboard Concerto No. 38 in C Minor H.448/Keyboard Concerto No. 39 in F Major H.454: Carl Phillipp Emanual Bach, 1714-1788 (Carl Philipp Emanuel Bach Edition). Oxford Univ Pr (Txt), 1989.

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21

Meilinger, Phillip S. Thoughts on War. University Press of Kentucky, 2020. http://dx.doi.org/10.5810/kentucky/9780813178899.001.0001.

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In these provocative essays, military historian Phillip Meilinger explores timeless issues. Beginning with an iconoclastic look at the ideas of Carl von Clausewitz, Meilinger sees an unfortunate influence due to an emphasis on bloody battle, combined with a Euro-centric worldview. Moreover, Clausewitz’s dictum that war is an extension of policy actually says very little to guide modern world leaders. Other essays examine the nature of war in the twenty-first century, principles of war, the meaning of decisive victory, the importance of second front operations, the influence of time in battle, and a look at the first major amphibious and joint campaign of World War II in Norway. He also notes the crucial role played by service culture, and his controversial look at the American military tradition reveals that the US military has played a major role in politics throughout our history. An essay on unity of command in the Pacific during World War II reveals interservice rivalry and conflicting strategic views. Strategic bombing in World War II depended on new analytical tools, such as intelligence gathering. The United States Strategic Bombing Survey examined the results of those bombing campaigns in depth. The United States now engages in wars of choice and requires an international mandate to intervene to restore peace or destroy a terrorist group. We must therefore limit risk and cost, especially to the civilian populace. This leads to a new paradigm emphasizing the use of airpower, special operations forces, intelligence gathering and dissemination systems, and indigenous ground forces.
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