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Relevant bibliographies by topics / Philosophical writer

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Academic literature on the topic 'Philosophical writer'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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Journal articles on the topic "Philosophical writer"

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Szydłowska, Iwona. "William Faulkner As a Philosophical Writer." Kultura i Wartości 26 (January 22, 2019): 305–25. http://dx.doi.org/10.17951/kw.2018.26.305-325.

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Samarova, E. A. "THE CHARACTER SYSTEM OF HISTORICAL WORKS BY I. EFIMOV AS A RECEPTION OF THE WRITER’s PHILOSOPHICAL CONCEPT." Bulletin of Udmurt University. Series History and Philology 29, no. 3 (2019): 492–98. http://dx.doi.org/10.35634/2412-9534-2019-29-3-492-498.

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I.M. Efimov is a Soviet and Russian abroad writer. His historical works have profound philosophical content. This philosophical content is revealed when we compare his historiosophical treatises about the character and patterns of historical development and historical novels. Philosophical ideas of the writer appear on different poetic levels of the work, and above all - in the plot and character system. Historical novels and historical-philosophical treatises constitute a single historiosophical system and relate to each other as theoretical and empirical material, therefore they cannot be considered one without the other. However, many critics analyze the writer's historical works in isolation from his philosophical concept, which makes such an analysis incomplete and sometimes erroneous. In our study, an attempt was made to trace the connection between the individual characters of the artistic historical works of I. Efimov with his philosophical concept.

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Walsh, Mary. "Simone de Beauvoir: Political Thinker and Philosophical Writer." Australian Journal of Political Science 43, no. 2 (2008): 347–54. http://dx.doi.org/10.1080/10361140802047171.

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Williams, Geraint. "Changing Reputations and Interpretations in the History of Political Thought: J.S. Mill." Politics 15, no. 3 (1995): 183–89. http://dx.doi.org/10.1111/j.1467-9256.1995.tb00138.x.

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Students of political thought generally focus on the context in which the writer produced his or her work or on the present philosophical or political importance of the text. A neglected area is the reception of the work by contemporaries and the subsequent reputation which the writer enjoyed, both in terms of philosophical coherence and political acceptability. This article looks at the changes in Mill's public image and in the philosophical evaluation given him by commentators from his own day to the present.

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Stang, Nicholas F. "Cavell’s Importance for Philosophical Aesthetics." Conversations: The Journal of Cavellian Studies, no. 7 (November 13, 2020): 110–13. http://dx.doi.org/10.18192/cjcs.vi7.4915.

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Stanley Cavell was a prolific writer—the author of seventeen books and countless essays—and a famously stimulating teacher, but it would be impossible to convey in a short piece like this what made his writing and teaching inimitable. Instead, I will limit myself to trying to explain a bit of what I think is so important about Cavell’s work in aesthetics.

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Sukhodolov, Alexander, та Elena Antipina. "The Сoncepts of Russian Cosmism in the Works by I. A. Bunin: «The Gentleman of the World» and «The Cosmopolite»". Известия Байкальского государственного университета 28, № 3 (2018): 382–90. http://dx.doi.org/10.17150/2500-2759.2018.28(3).382-390.

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The article considers the peculiarities of the philosophical concepts implementation and the essence of anthropocosmism in the works by the great Russian writer, Nobel prize winner I. A. Bunin. A comparative analysis of his works «The Gentleman from San Francisco» and «Waters Aplenty» is given. The cultural phenomenon of wandering is shown in order to reveal a specific character of the writers poetic universe. The peculiarities of I. A. Bunins anthropocosmic philosophy are described, his idea of the universe as of a structured world and of the man in the light of the artistic and philosophical, religious and ethical opposition «The Gentleman of the World» - «The Cosmopolite» is substantiated.

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Karimova, G. "ARTISTIC AND IDEOLOGICAL PECULIARITIES OF WORKS BY ORALKHAN BOKEY." BULLETIN Series of Philological Sciences 72, no. 2 (2020): 373–77. http://dx.doi.org/10.51889/2020-2.1728-7804.58.

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The article explains the trinity of Man-Society-Nature in the work of writer Oralkhan Bokey through the complex and complex fate of the characters he created. Ideological and artistic research in the prose of a writer is evaluated in a modern context, thus determining the author’s own signature. The problem of loneliness, which is widely reflected in the writer's work, is considered. The features and skills of the writer, who was able to convey not only the complex fate of mankind, but also the subtle threads of instinct, a deep understanding of human psychology, reasonable attention, are analyzed using specific examples. The characters of the writer, fed by the realities of life, manifest themselves in real human nature. The socio-philosophical problem in the artist’s work is clearly reflected in the nature of the lonely hero.

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du Pent de Bie, Alexis I. "The Care and Fostering of the Gifted and Super Gifted: an Update on Assagioli's Thoughts—28 Years Later." Gifted Education International 6, no. 3 (1990): 155–56. http://dx.doi.org/10.1177/026142949000600307.

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The writer compares the views of Roberto Assagioli, the major founder of the Psychosynthesis Foundation, with those of several current writers in Gifted Education. Many writers, today, are urging educators to realize the importance of providing rich sensory experiential learning particularly for young children. There is increasing emphasis on the need to develop pupils' intuition, aesthetic sensitivity, and powers of philosophical and ethical analysis. These aims coincide with those of Assagioli who advocated an education which paid attention to the holistic development of the child—the integrated growth of body, mind and spirit.

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Gayovych, Galyna. "VASYL BARCA. PHILOSOPHICAL CREATION OF THE ARTITS’S OWN WORLD." Polish Studies of Kyiv, no. 35 (2019): 84–90. http://dx.doi.org/10.17721/psk.2019.35.84-90.

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This article deals with the life and work of Vasyl Barka. He is one of the most prominent writers of the 20th century and one of the brightest representatives of Ukrainian emigration. The artist spent most of his life outside Ukraine. Nowadays he is returning to his native land in his poems. Deservedly, he gains appreciation and becomes the subject of research interest. Life conditions made him create a special world model, which the writer had created in his writings. This research analyzes the facts of his life in order to explain the original poetic micro– and macrocosm of the writer, it focuses on such aspects of his creativity, which underlie the philosophical design of the writer’s own picture of the world. The author tries to understand the basis of the writer’s life philosophy. Emphasis is laid on the fact that his hard, and sometimes even dramatic life totally fits into the context of our difficult times. It is believed that faith in God has always lived in the soul of the writer. But tough rejection of religion by the communist system, aggressive destruction of everything related to faith and church, encouraged the artist to look for the depths of this phenomena. Searching for the truth, Vasyl Barka is convinced that the deepest human’s tragedy lays in their sinful separation from God. The article says that Barka’s dream of an ideal world coincides with Skovoroda’s theory. However, the artist not only dreamt of such a world, but he became his representative himself. This view is confirmed by the last period of his life. Constant philosophical reflections about the sense of life have resulted in the change of the world outlook and the complete adoption of Christian ideology. With the help of his writings, Vasyl Barka tries to purify our spirituality from all the stinging and hypocritical things which were done by the Pharisees from science and arts and their books. In search for harmony, Barka creates poetry of original style which requires the reader’s physical and spiritual attention. The study showed that the poetic palette of the artist had been influenced by various style schools and directions. Such an alloy of styles largely explains the difficulty of perceiving of Vasyl Barka’s poems. Therefore, Barca’s poetry is on the verge of the general literary process. So, in future, Vasyl Bark’s extraordinary and rich creativity is worth investigating. Besides, it is worth analyzing from the point of view of national, religious and Christian principles.

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Oltuszyk, A. B. "Fedor Dostoevsky in Polish Literature, Theater and Cinema." Язык и текст 7, no. 1 (2020): 83–89. http://dx.doi.org/10.17759/langt.2020070108.

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Fyodor Mikhailovich Dostoevsky is a Russian great writer, thinker, philosopher and publicist. His skill influenced the literature and culture of the whole world, including Polish. This article discusses the role of the author of Crime and Punishment in Polish literature and culture, including the presence of his works in Polish theater and cinema. Many Polish writers, who studied the artistic skills of Dostoevsky, were attracted by the composition and structure of his novel, introspection and reflection of characters showing interpersonal relationships, a “borderline” state of mind. Even more important than the recognition by Polish writers of the artistry of Dostoevsky is the influence on them of his philosophical concepts, especially the concept of personality. The specificity of Dostoevsky’s technique is also related to the fact that the Russian writer created negative stereotypes of Poles. It must be remembered that the reception of Dostoevsky in Poland in the first decade after the Second World War was significantly limited. Today, the works of the Russian writer are transferred to theatrical scenes, on the basis of which series, full-length or animated films are shot. There are many editions of his short stories and novels in bookstores, often translated again.

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Dissertations / Theses on the topic "Philosophical writer"

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Cheung, Sui-fan Ellen. "The notion of 'identity' and the role of English in the writings of Singaporean and Malaysian writers." Click to view the E-thesis via HKUTO, 1998. http://sunzi.lib.hku.hk/hkuto/record/B31951922.

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Campbell, Carol L. (Carol Louise). "A Philosophical Study of the Holistic Paradigm with Heuristic Implications for Written Language." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc278004/.

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The problem of this study was to investigate the philosophical assumptions underlying the holistic paradigm. These underlying philosophical assumptions include beliefs about the nature of being (ontology), goals (axiology), and knowledge (epistemology). The interdependence of these assumptions, as well as how they translate into different research processes, is noted in this study.

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Murrow, Rodney C. "Music theory textbooks in the United States, 1941-1992 : philosophical trends in written skills /." Full-text version available from OU Domain via ProQuest Digital Dissertations, 1995.

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Gaylard, Rob. "Writing black : the South African short story by black writers /." Thesis, Link to the online version, 2008. http://hdl.handle.net/10019/3224.

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Al-Mahyawi, Hussein. "Mise en scène de la déambulation et écriture de la ville dans un corpus d'oeuvres du XVIIIe siècle." Thesis, Tours, 2012. http://www.theses.fr/2012TOUR2005/document.

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Dans le premier versant du XVIIIe siècle, la présence de Paris dans les œuvres littéraires demeure sous-jacente ou est seulement suggérée par un simple regard qui reste généralement distant. C’est notamment le cas dans Le Diable boiteux de Lesage où la déambulation dans la ville reste subordonnée aux priorités visuelles (depuis un lieu surplombant, le diable montre à son élève les différents aspects de la ville). C’est avec Rousseau qu’une problématique nouvelle de la déambulation apparaît. Dans ses écrits autobiographiques (Les Confessions, Les Rêveries du promeneur solitaire), le narrateur met en scène cette déambulation dans son parcours même : les marches ou les promenades propices à la rêverie, à la méditation et à la remémoration. Avec Rétif de Bretonne (Les Nuits de Paris) et Louis-Sébastien Mercier (Tableau de Paris), Paris apparaît comme l’espace par excellence d’une errance féconde. La capitale française cesse d’être à l’arrière-plan et devient un objet d’écriture à part entière<br>In the first half of the eighteenth century, the presence of Paris in the literary works remains underlying or is merely suggested by a single and generally distant glance. This is notably the case in Lesage’s novel The Lame Devil where the wandering in the city remains subordinate to visual priorities (from an overlooking place, the devil shows his learner different aspects of the city). It is with Rousseau that a new problem on ambulation emerges. In his autobiographical writings (Confessions, Reveries of a Solitary Walker), the narrator portrays this ambulation in his very career: walks or promenades inspiring daydreaming, conductive to meditation and recalling memories. With Rétif de la Bretonne (Parisian Nights) and Louis-Sébastien Mercier (Panorama of Paris), Paris seems to be the ideal place for a fertile wandering. The French capital ceases to be in the background and becomes a subject of writing in its own right

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Krueger, Anton. "Experiments in freedom : representations of identity in new South African drama ; an investigation into identity formations in some post-apartheid play-texts published in English by South African writers, from 1994-2007." Pretoria : [s.n.], 2008. http://upetd.up.ac.za/thesis/available/etd-10282008-141823.

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Simonetta, Elisabetta. "Lucrezia Gonzaga et Ortensio Lando. Enjeux et contraintes d'un camouflage épistolaire (1552)." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA151/document.

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Les lettres de Lucrezia Gonzaga da Gazzuolo (1524-1576), imprimées pour la première fois à Venise en 1552 et republiées en 2009 seulement, constituent un riche corpus épistolaire en partie inexploré qui n’a pas encore fait l’objet d’une étude systématique. Les quelques travaux critiques qui nous ont introduit à une lecture du recueil montraient la pertinence d’une vaste analyse intertextuelle de ce livre de lettres. Notre étude a révélé la présence constante et multiforme de la figure intellectuelle de son éditeur non déclaré : le polygraphe Ortensio Lando. Son choix éditorial consistant à miser sur l’exemplarité que Lucrezia incarnait dans son vécu à la fois actif et tragique découle de l’importance croissante que l’industrie culturelle accordait aux femmes-auteurs et, par conséquent, au public féminin.Sur le recueil pèse le doute d’une paternité problématique qui nous a conduit à placer au centre de notre réflexion le rapport d’interdépendance qui liait étroitement Lucrezia à Ortensio Lando. La thèse révèle la dépendance formelle et thématique des lettres par rapport à l’écriture ‘irrégulière’ du polygraphe irrévérencieux. Cela permet de dévoiler toute l’ampleur d’une tortueuse initiative éditoriale conçue et orchestrée par Lando dont la visée principale s’est avérée être la diffusion d’une nouvelle forme de dissidence spirituelle inspirée par la Philosophia Christi d’Érasme. Face à une crise religieuse croissante, cette diffusion, qui passe à travers l’usage de l’imprimerie, repose sur le succès retentissant du ‘livre de lettres’ et se manifeste, entre autres, par un prosélytisme réformiste complexe. Les lettres s’insèrent ainsi dans un univers littéraire enchevêtré qui concerne d’un côté les écrits de Lando publiés entre 1550 et 1554 et de l’autre, le vilipendé Enchiridion militis christiani d’Érasme, et elles deviennent, dans un moment d’intensification des contrôles inquisitoriaux, une forme discrète de diffusion de positions religieuses hétérodoxes. Le recueil représente aussi un terrain d’enquête fertile pour réfléchir sur le statut de la lettre en tant qu’instrument de diffusion de la modernité et d’affirmation socioculturelle de la femme cultivée, mais aussi pour évoquer des questions méta-littéraires telles que les notions d’autorité, d’authenticité et d’auctorialité, et pour s’interroger sur les possibilités et les limites éditoriales d’une consécration littéraire des femmes<br>Lucrezia Gonzaga da Gazzuolo’s (1524-1576) Lettere, first published in 1552 in Venice and reprinted in 2009 only, constitutes a rich epistolary corpus that remains relatively untouched, not having been studied systematically yet.The few academic studies that introduced us to this volume of letters made apparent the need for an extensive analysis of it, with a focus on its intertextuality. Our work reveals the constant, if many-faceted, intellectual presence of Lucrezia’s unofficial editor: the polygraph Ortensio Lando. His editorial decisions capitalize on Lucrezia’s exemplarity, given her misfortunes and active daily life, and on the growing importance of women authors in the cultural industry and, in turn, of women readers.Suspicions of a not-so-straightforward authorship prompted us to center our reflection on the tight relation of interdependence between the gentlewoman and the writer. Our study sheds light on the formal and thematic influence of the irreverent polygraph’s ‘irregular’ writing style on Lucrezia’s letters. This leads us to uncover the full scope of a tortuous publishing project, conceived and orchestrated by Lando, aiming crucially at propagating a new strain of spiritual dissidence, inspired by Erasmus’s Philosophia Christi. Such dissemination, in face of rising religious tensions, would rely on the overwhelming demand for ‘letterbooks’, and take the form, among others, of a complex and reformist proselytism. The letters are thus part of an intricate literary universe ranging from the writings of Lando published between 1550 and 1554 to Erasmus’s much-maligned Enchiridion militis christiani. During a time of increased inquisitorial control and interventions, epistolography become a discrete means of heterodox religious propaganda. The collection of letters also opens up a promising field of investigations and research on the letter: first as a tool to broadcast modern ideas as well as the socio-cultural claims of learned women, but also as a crux for meta-literary issues such as authority, authenticity and auctoriality, and finally a springboard for reflecting on the editorial possibilities and limitations acting upon the literary consecration of women

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Fabricant, Rebecca Hartnett. "Writers, Readers, Learners, and Living Works in Progress: English Teachers' Conceptions of Their Roles in the Classroom." Thesis, 2016. https://doi.org/10.7916/D8QV3MHG.

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This dissertation explores teacher identities as they emerge, recede and collide with one another in the classrooms of four participating English teachers at the Cooperative School, a pseudonymous, single school site that is home to the researcher as well as to the study participants. Focusing first on how these teachers see themselves and how they articulate their roles, the study then turns to an analysis based on Judith Butler's theories of identity formation. The role of normative power in identity formation is exemplified by what the paper calls "The Regime of Teacher Norms," i.e., Teacher as Expert, Teacher as Guide, Teacher as Professional and Teacher as Boss.

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Books on the topic "Philosophical writer"

1

The writer writing: Philosophic acts in literature. Princeton University Press, 1992.

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1931-, Miller Eugene G., ed. Writers and philosophers: A sourcebook of philosophical influences on literature. Greenwood Press, 1990.

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Alice, Eckardt, Girardot N. J, and Parmet Harriet L, eds. Collecting myself: A writer's retrospective. Scholars Press, 1993.

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Did Darwin write the Origin backwards?: Philosophical essays on Darwin's theory. Prometheus Books, 2011.

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Serafimova, Vera. History of Russian literature of XX-XXI centuries. INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1138897.

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The textbook consists of review and monographic chapters, presents a modern view of the literary process of the XX-beginning of the XXI century, examines the work of poets, prose writers, playwrights who caused an extraordinary rise in spirituality and culture of the period under consideration. The analysis of the top works of Nobel prize winners: I. Bunin, B. Pasternak, M. Sholokhov, A. Solzhenitsyn, V. Shalamov, I. Brodsky, writers-front — line poets and prose writers is given. Attention is paid to the work of writers of Russian emigration. The section "Modern prose" includes materials about philosophical and aesthetic searches in the works of such writers As V. Rasputin, L. Borodin, Yu. Polyakov, B. Ekimov, A. Bitov, V. Makanin, A. Kabakov, V. Tokareva, etc. It offers questions and tasks for independent work, topics of essays, term papers and theses, a list of bibliographic sources. Meets the requirements of the Federal state educational standards of higher education of the latest generation. It is intended for students of higher educational institutions.

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Podoksenov, Aleksandr. Mikhail Prishvin and Russian culture of the XIX-XX centuries: dialogues with the epoch. INFRA-M Academic Publishing LLC., 2021. http://dx.doi.org/10.12737/1246522.

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The monograph examines the problem of M. M. Prishvin's creative dialogue with outstanding figures of Russian culture: V. V. Rozanov, D. S. Merezhkovsky, G. V. Plekhanov, I. A. Bunin, A. A. Blok, M. Gorky, N. O. Lossky, A. F. Losev. The influence of their philosophical and ideological ideas on the writer's art is analyzed. It is addressed to cultural scientists, philosophers, philologists and anyone interested in Russian literature.

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Letters to a young writer: Some practical and philosophical advice. 2017.

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Letters to a Young Writer: Some Practical and Philosophical Advice. HarperCollins Publishers, 2017.

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1938-, Rosenfeld Alvin H., ed. The writer uprooted: Contemporary Jewish exile literature. Indiana University Press, 2008.

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Rosenfeld, Alvin H. The Writer Uprooted: Contemporary Jewish Exile Literature (Jewish Literature and Culture). Indiana University Press, 2008.

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Book chapters on the topic "Philosophical writer"

1

Geva, Dan. "1934: The All-Union Congress of Soviet Writers of 1934." In A Philosophical History of Documentary, 1895–1959. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-79466-8_21.

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"Philosophical Writer." In Cicero. I.B.Tauris & Co Ltd, 2015. http://dx.doi.org/10.5040/9780755694198.0010.

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GHENUŢĂ, Cristina. "ILINCA ZARIFOPOL-JOHNSTON: ÎN CĂUTAREA LUI CIORAN... REGĂSINDU-SE PE SINE." In Scriitori români de expresie străină. Écrivains roumains d’expression étrangère. Romanian Authors Writing in Foreign Tongues. Pro Universitaria, 2021. http://dx.doi.org/10.52744/9786062613242.19.

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In addition to those Romanian writers who succeeded in gaining recognition both in a foreign country and in their country of birth, many others have unfairly remained unknown to the Romanian readers. Ilinca Zarifopol-Johnston is a writer, translator and editor of two early Romanian texts of the philosophical essayist E. M. Cioran, On the Heights of Despair and Tears and Saints, and a professor in the Department of Comparative Literature at Indiana University, Bloomington. She is the younger daughter of the Romanian writer Dinu Zarifopol, who himself did not receive popular or critical recognition for his work in Romania. The current article, which provides some general information about Ilinca Zarifopol-Johnston’s life and academic work, is an attempt to arouse the reader’s interest in this Romanian author’s literary works, especially in her book entitled Searching for Cioran.

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Coffin, Judith G. "Readers and Writers." In Sex, Love, and Letters. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501750540.003.0004.

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This chapter elaborates how Simone de Beauvoir burst into the world of literary stardom in the 1950s. It begins with Mandarins from 1954, Beauvoir's novel about postwar French intellectuals' political, literary, and ethical debates, and their love lives, which won many readers and gained a blizzard of publicity. It also cites the novels, plays, and philosophical essays on justice, ethics, and morality that Beauvoir has written as an accomplished writer. The chapter talks about Beauvoir's publication of her reflections on her travels through the United States, America Day by Day, which was dedicated to Richard and Ellen Wright. It describes the outcome of Beauvoir's hard work as an epic of postwar existentialism and its attendant anguish, a readable and serious fare that fueled the mid-twentieth-century expansion of book publishing.

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Park, Sue K. "Learning Together." In Enriching Collaboration and Communication in Online Learning Communities. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-5225-9814-5.ch013.

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In this chapter, the writer unfolds and develops a fundamental praxis of collaboration. Drawing on the wisdom of Freire and Confucius, the author of this chapter on collaboration delineates it from three different perspectives: liberative, practical, and philosophical. Through these three perspectives, she discusses collaboration as a necessary component of online education and offers key principles to shape effective and successful collaborative efforts. Confucian humanism lays the foundation and context for Freire's liberative pedagogy in education; the writer brings these two theoretical practitioners into conversation to offer practical principles for collaboration between educators and students in online spaces.

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Afonasin, Eugene. "Pythagorean Symbolism and the Philosophic Paideia in the Stromateis of Clement of Alexandria." In The Paideia Archive: Twentieth World Congress of Philosophy. Philosophy Documentation Center, 1998. http://dx.doi.org/10.5840/wcp20-paideia1998336.

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This paper discusses certain aspects of the philosophy of education developed by the second century Christian writer Clement of Alexandria. Special attention is given to the place of his philosophy in the context of both pagan and Christian philosophical and theological movements as they relate to the Neopythagorean tradition that was revived in the first century.

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Eaglestone, Robert. "Stasis." In The Broken Voice. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198778363.003.0004.

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The idea of ‘working though’ the past has played a central role in many literary, historical, philosophical, and wider cultural debates about the Holocaust. However, this chapter argues that two major writers, in different ways and for divergent reasons, refuse ‘working through’ and aim instead at ‘stasis’: the Nobel laureate and survivor, Imre Kertész (with a focus on his Fateless and Kaddish for an Unborn Child) and the hugely celebrated German writer W. G. Sebald (focusing on his The Rings of Saturn and Austerlitz). This stasis is a turn, in the name of memory, against the flexibility and fluidity of memory itself. However, its meaning for the two writers differs profoundly in relation to issues of trauma, evil, complicity, temporality, and responsibility. The chapter concludes by contrasting these with Otto Dov Kulka’s award-winning Landscapes of the Metropolis of Death.

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Elsky, Stephanie. "Cultivating Custom." In Custom, Common Law, and the Constitution of English Renaissance Literature. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198861430.003.0006.

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Could women and non-elite writers participate in the poetics of custom? This chapter responds with a resounding “yes” by showing how Isabella Whitney’s 1573 A Sweet Nosgay immersed itself in the conceptual and philosophical world of common law. In particular, Whitney’s poetry draws upon and responds to the increased dissemination and popularization of knowledge about common law’s status as custom, while also posing challenges to that process. While nowhere in her volume does she mention the term custom, it is powerfully present in both the volume’s structure and in its poetics of the commonplaces and common places of Renaissance London in her mock last will and testament. Perhaps appropriately, it is a lower-class writer who is able to realize poetically the democratizing possibilities of custom’s literary properties.

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"For the Love of Beautiful Books." In Handmade in Cuba, edited by Ruth Behar. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9781683401520.003.0002.

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Rolando Estévez was the founding and guiding artistic director of Ediciones Vigía from its inception in 1985, in his hometown of Matanzas, Cuba, until 2014. In this personal reflection, the Cuban-American author recalls Estévez’s aesthetic and philosophical ideals, explores some of the dozens of handmade book designs he produced over his three decades as director, and looks at some of the authors, artists, and themes memorialized in his designs. The impact of the Cuban Revolution in separating and later bringing together Cubans on the island and in the diaspora is addressed in the author’s reflections on her friendship and artistic relationship with Estévez. Inspired by Estévez to write bilingual poems in English and Spanish, these poems were published in Ediciones Vigía, making Behar the first Cuban-American writer to be featured in these handmade Cuban books.

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Hösle, Vittorio. "The Birth of God in the Soul: The Beginnings of German-language Philosophizing in the Middle Ages in the Work of Meister Eckhart and Nicholas of Cusa’s Consummation and Demolition of Medieval Thought." In A Short History of German Philosophy, translated by Steven Rendall. Princeton University Press, 2016. http://dx.doi.org/10.23943/princeton/9780691167190.003.0002.

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This chapter traces the beginnings of German philosophy in the Middle Ages. It considers Dominican Meister Eckhart (c. 1260–1327/28) as the first German philosopher because he was the first writer to express his own philosophical ideas in the vernacular. It then focuses on Nicholas of Cusa (1401–1464), who was clearly influenced by Eckhart and whose genius he praised. Nicholas' first work, De concordantia catholica (On Catholic Concordance), published in 1433, defended the conciliarist position: that the council could depose a pope who violated his duties. He also elaborated a philosophy of the state that justified rule largely on the basis of consensus. His subsequent philosophical-theological works include De docta ignorantia (“On Learned Ignorance,” 1440) and De venatione sapientiae (“On the Hunt for Wisdom,” 1463).

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Conference papers on the topic "Philosophical writer"

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Permyakova, Tuyara, Varvara Okorokova, and Natalya Saburova. "Universal and eternal values in philosophical novellas by the Yakut writer Nikolay Luginov." In Proceedings of the International Conference on Man-Power-Law-Governance: Interdisciplinary Approaches (MPLG-IA 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/mplg-ia-19.2019.32.

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Prabowo, Agung, Yenni Sri Utami, and Oliver Samuel Simanjuntak. "Revitalization Of Batik Tulis Giriloyo Small Business After The Covid-19 Pandemic Through The Storytelling Approach." In LPPM UPN "VETERAN" Yogyakarta International Conference Series 2020. RSF Press & RESEARCH SYNERGY FOUNDATION, 2020. http://dx.doi.org/10.31098/pss.v1i1.188.

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Batik Giriloyo is the oldest written batik center in Yogyakarta. The Batik Giriloyo tradition has a strong emotional connection with the Kraton Yogyakarta tradition due to the development of the courtiers who guarded the tombs of the kings in Imogiri. This historical background makes the Batik Giriloyo motifs have a strong market in a storytelling marketing platform. So far, sales of Batik Giriloyo have relied on direct sales. However, the Covid-19 outbreak caused sales to decline. Changes in consumer behavior will have a permanent impact on sales not anticipated. Changes in consumer social behavior will change their shopping behavior. Reduced contact (less contact) will be a threat. For information technology to be the preferred way of selling, several studies have stated that technology will be useful in supporting the sustainability of people's lives. On the other hand, technology is less able to persuade. This research tries to make a promotional model based on storytelling by utilizing technology 4.0 as a marketing medium. The method used is the exploratory method. Exploration is used to find potential stories in Batik Giriloyo. The results show that the Batik Giriloyo motif has various background stories that are very philosophical. Starting from the philosophy of Javanese Culture, Environmental Philosophy, and history.

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KASPERIŪNIENĖ, Judita, and Sigitas DAUKILAS. "RECEIVING THROUGH GIVING: SCIENTIFIC MEMOS OF WEB BASED LEARNING." In Rural Development 2015. Aleksandras Stulginskis University, 2015. http://dx.doi.org/10.15544/rd.2015.104.

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In this article the author has offered constructivist grounded theory scientific memos of professors and their students self-regulated learning in social networks. Memos were written following posthuman philosophical tradition seeking to clarify the processes emerging when human web residents having meaningful and valuable real-world experiences navigated in virtual settings. One-to-one semi-structured interviews were conducted with 5 professors and instructors and 12 their students from four different universities in two main Lithuanian towns. The grounded theory data still lack saturation and at this stage the substantive grounded theory named Receiving through giving showed the complicated process of collective sharing. Empirical data indicated the vibratory flow of sharing: the respondents demand to receive from the experts and withdrawal while presenting personal knowledge and skills. The oscillation of motivation for sharing depended on the strength of net activities. The differences in sharing nature were observed: professors and instructors protected their data and purposively managed the networked time, while students expressed openness and knowledge grab from various channels with low selection. The author treated social network as a thing controlled by the respondents and as a companion species influencing its occupier’s goals and desires, raising the questions about the researcher’s role either as an observer or active participant of the net processes.

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Reports on the topic "Philosophical writer"

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Ivanyshyn, Petro. BASIC CONCEPTS OF YEVHEN MALANIUK’S NATIONAL-PHILOSOPHICAL INTERPRETATION: ESEISTIC DISCOURSE. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11070.

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The purpose of the research is to outline the structure of the main methodological ideas within the frames of interpretive thinking in the essay of the famous Vistnyk’s writer, critic and essayist Yevhen Malaniuk. Considering the purpose and tasks of the studio, an interdisciplinary methodological base, related to the author’s “national approach”, has been worked out. The epistemological potential of national philosophy as a philosophy of national existence, national science as a theory of nation, hermeneutics as a theory and practice of interpretation and post-colonialism as interpretation of cultural phenomena from the standpoint of anti- and post-imperial consciousness are used in the work. The scientific novelty is that on the basis of the previous hermeneutic generalization and definition of national-existential methodology, a propaedeutic outlining of the structure of national-philosophical concepts within the frames of the essayistic interpretation of reality in Ye. Malaniuk is proposed. In the methodological sense, the writer’s essayism is structured by such concepts as nation-centrism, idealism, voluntarism, heroism, and can be considered as one of the variants (close by the experiences of D. Dontsov, Yu. Lypa, M. Mukhyn, etc.) of the Vistnyk’s national-philosophical (national-existential, nationalistic or nation-centric) hermeneutics, that is, the way of understanding, which the author by himself outlined as a “national approach”. The support of Ye. Malaniuk as a culture-philosopher and exegete on the eternal nation-centric values and criteria in his essayistic studies makes his reflections not only historically interesting, but also theoretically productive, classically important for the development of modern Ukrainian hermeneutics and humanities in general.

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