Relevant bibliographies by topics / Philosophy in art and politics

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Philosophy in art and politics'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Philosophy in art and politics"

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Phillips, John W. P. "Art, Politics and Philosophy." Theory, Culture & Society 27, no. 4 (2010): 146–60. http://dx.doi.org/10.1177/0263276409349284.

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Olkowski, Dorothea. "Heidegger, Art and Politics." International Studies in Philosophy 25, no. 1 (1993): 89–90. http://dx.doi.org/10.5840/intstudphil199325192.

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Swanson, Carrie. "Socratic Dialectic between Philosophy and Politics in Euthydemus 305e5-306d1." PLATO JOURNAL 19 (July 15, 2019): 43–90. http://dx.doi.org/10.14195/2183-4105_19_3.

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In the final scene of the Euthydemus, Socrates argues that because the art of speechwriting merely partakes of the two good arts philosophy and politics, it places third in the contest for wisdom. I argue that this curious speech is a reverse eikos argument, directed at the speechwriters own eikos argument for the preeminence of their art. A careful analysis of the partaking relation reveals that it is rather Socratic dialectic which occupies this intermediate position between philosophy and politics. This result entails that Socrates’ peculiar art is only a part of philosophy, and its practit
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Kim, Dong-Gyu. "The Philosophy for Public Art and Identity Politics." Journal of Koreanology 68 (August 31, 2018): 213–43. http://dx.doi.org/10.15299/jk.2018.08.68.213.

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Kondakov, Igor Vadimovich. "Music versus Politics." Pan-Art 3, no. 1 (2023): 78–82. http://dx.doi.org/10.30853/pa20230001.

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This essay presents the situation concerning the music philosophy in the XX century: the factor of politics gradually was established in the paradigm of artistic culture. It is shown that the politics became a permanent violence in relation to art as in relation to life. This permanent violence is a will for power or a clear will for dominating life and art which can move apart and then inextricably intertwine. Thus, the politics appears in her unconventional artistic and aesthetic discourse: being aesthetic in life and artistic in art. In this paper the phenomenon of the origin of the indivis
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Peperzak, Adriaan. "Appearance, Myth, and Art in Politics." Research in Phenomenology 21, no. 1 (1991): 48–61. http://dx.doi.org/10.1163/156916491x00044.

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Öztürk, Serdar, and Waseem Ahad. "Philosophy of ‘Truth Ethics’: Love/Friendship through Kurosawa Films and Badiou’s Philosophy." Philosophies 9, no. 4 (2024): 113. http://dx.doi.org/10.3390/philosophies9040113.

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Alain Badiou in his philosophy on ethics underscores four fields of truth procedures—love, politics, art, and science—that seek to break with the existing order or conventional flow of things. These four fields indicate both collective (politics, art, and science) as well as individual (love) instances of the subject’s relationships and actions. The individual realm of ‘love’, which is the central focus of this study, however, as a generic, complex category does not clearly explicate the significance of the associated concept, friendship. Akira Kurosawa’s filmography is illustrative as it open
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Ruitenberg, Claudia W. "Art, Politics, and the Pedagogical Relation." Studies in Philosophy and Education 30, no. 2 (2010): 211–23. http://dx.doi.org/10.1007/s11217-010-9216-5.

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Guogi, Ding. "Art’s Commitment to Liberation in Marcuse’s Philosophy." AM Journal of Art and Media Studies, no. 7 (April 15, 2015): 30–38. http://dx.doi.org/10.25038/am.v0i7.86.

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Art has a liberating function because it stands on the opposite side of a suppressed society; it is deeply connected with the public’s daily life and has an inherent characteristic of “catharsis”, like describing a good society and identifying with freedom. In the eyes of the theorists of the Frankfurt School, its form is what makes “art” art, while the autonomy of art is what realizes the transcendence and detachment of art over and from society and politics in reality by constructing a new and tangible kingdom of art. Artistic form, artistic autonomy, and the liberation of mankind are the in
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Salem-Wiseman, Jonathan. "Nature, Deception, and the Politics of Art." International Studies in Philosophy 30, no. 1 (1998): 107–20. http://dx.doi.org/10.5840/intstudphil1998301112.

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Dissertations / Theses on the topic "Philosophy in art and politics"

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Rinaldi, Juan. "Art and geopolitics : politics and autonomy in Argentine contemporary art." Thesis, Kingston University, 2013. http://eprints.kingston.ac.uk/26287/.

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This thesis critically analyses the implications of a now global capitalist modernity for Theodor W. Adorno's theory of art. The thesis takes as its starting point the sociological presuppositions at play in his social theory and problematises the spatial and historical dimensions in which they are embedded. The analysis of the process of homogenisation of social relations that Adorno presents as a constitutive feature of societies during monopoly capitalism brings to the fore the centrality of the state as administrator. This thesis claims that there is a spatial contradiction in Adorno's def
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Kim, Byoungjae. "Sympathy and reflection in Hume's philosophy : mind, morals, art and politics." Thesis, Durham University, 2018. http://etheses.dur.ac.uk/12958/.

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Hume, as an "anatomist" of human nature, believes that "the science of man is the only solid foundation for the other sciences". The naturalistic and experimental analysis of human nature, as it informs his epistemology, is the basis for other areas. Thus, in order fully to understand his philosophy, we need to shed light on the connection between Hume's experimental analysis of human nature in epistemology, and his naturalistic account in ethics, aesthetics, and political philosophy. However, too often, writers on the latter are not always fully informed on his general philosophy and vice ver
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Willis, Gary C. "Contemporary art: the key issues: art, philosophy and politics in the context of contemporary cultural production." Connect to thesis, 2007. http://repository.unimelb.edu.au/10187/2245.

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This submission comes in two parts; the written dissertation, Contemporary art: the key issues, and the exhibition Melbourne - Moderne. When taken together they present a discourse on the conditions facing contemporary art practice and one artist’s response to these conditions in the context of Melbourne 2003-2007. (For complete abstract open document)
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May, Adrian. "Lignes, an intellectual revue : twenty-five years of politics, philosophy, art and literature." Thesis, University of Cambridge, 2015. https://www.repository.cam.ac.uk/handle/1810/251334.

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The thesis takes the French revue Lignes (1987-present) as its object of study to provide a new account of French intellectual culture over the last twenty-five years. Whilst there are now many studies covering the role of such revues throughout the twentieth-century, the majority of such monographs extend no further than the mid-1980s: the major novelty of this thesis is extending these accounts up until the present moment. It is largely assumed that a reaction against the Marxist and structuralist theories of the 1960s and 1970s led to embrace of liberalism and an intellectual drift to the r
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Tervo, Juuso Ville. "Corrosive Subjectifications: Theorizing Radical Politics of Art Education in the Intersection of Jacques Ranciere and Giorgio Agamben." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1405954690.

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Daniels, John D. (John David) 1946. "The Political Philosophy of Sam Houston." Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc501136/.

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Although most Americans view Sam Houston as a military leader and practical politician with little understanding of intellectual issues, he actually possessed a complex moral and political philosophy which he elaborated and demonstrated during a fifty-year public career. He based his philosophy on a mixture of Christian idealism and pragmatic realism, with duty, honor, and strict morality serving to restrain his love of reality, reason, and physical pleasures. The dual nature of his moral beliefs extended into his politics, which mixed Jeffersonian republicanism, individual rights, and limited
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Acosta, Maria del Rosario. "The Dialogue that We Are: Understanding as a Space for Politics." Pontificia Universidad Católica del Perú - Departamento de Humanidades, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/112870.

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This paper mainly proposes to point out some aspects that render hermeneutics pertinent within the context of political discussion, defending it from attacks mostly stemming from a philosophy of  critical consciousness such as Habermas’s, Adorno’s, and some of their followers. It will be shown, from Gadamer’s perspective, how hermeneutics responds to those critiques within its conception of understanding as a fundamental task and a primordial political space. Contrary to a philosophy that appeals to the need of taking its distance” as a starting point of critique, only place of a true politica
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Abbott, Janet Gail. "Synthesis of the Personal and the Political in the Works of May Stevens." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc277656/.

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This thesis is an investigation of the way in which the painter May Stevens (b. 1924) synthesizes her personal experiences and political philosophy to form complex and enduring works of art. Primary data was accumulated through an extended interview with May Stevens and by examining her works on exhibit in New York and Boston. An analysis of selected works from her "Big Daddy" and "Ordinary/Extraordinary" series revealed how her personal feelings about her own family became entwined with larger political issues. As an important member of the feminist art movement that evolved during the 1970s,
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Giordano, John. "Between Conviviality and Antagonism| Transactionalism in Contemporary Art Social Practice and Political Life." Thesis, Union Institute and University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3663907.

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<p> The rise of social practice art in Europe and North America since the 1990s has provoked a variety of critical alignments and contestations around multi-authored "post-studio" artwork, aimed at collapsing the boundaries between visual and performing art, and between art and everyday life. One of the most visible and impassioned contestations has centered on the value assigned by different critics to so-called convivial and antagonistic directions for social practice art. This project enters the debate on collaborative and participatory art by highlighting the commonalities between the turn
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Bannister, Randee. "The appreciation of political works of art: The example of "Triumph of the Will"." Thesis, University of Ottawa (Canada), 2004. http://hdl.handle.net/10393/26573.

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The question that we are considering is how to appreciate artworks that have not only an aesthetic presence but a political side as well. We feel that this question is necessary to consider because in order to have a full appreciation of an artwork it is important to consider all facets of the work, but also refrain from including considerations that are not necessary to include. In order to explain why this question is important and also to show a potential response, we use the example of Leni Riefenstahl's film Triumph of the Will. This film is a perfect example of how the aesthetic and poli
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Books on the topic "Philosophy in art and politics"

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Hörcher, Ferenc. Art and Politics in Roger Scruton's Conservative Philosophy. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-13591-0.

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Zimmerman, Michael E. Heidegger's confrontation with modernity: Technology, politics, and art. Indiana University Press, 1990.

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Preziosi, Donald. In the aftermath of art: Ethics, aesthetics, politics. Routledge, 2006.

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Johanne, Lamoureux, ed. In the aftermath of art: Ethics, aesthetics, politics. Routledge, 2005.

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Salim, Kemal, and Gaskell Ivan, eds. Politics and aesthetics in the arts. Cambridge University Press, 2000.

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Bakshteĭn, Iosif. Thinking worlds: The Moscow conference on philosophy, politics, and art. Sternberg Press, 2008.

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Penney, James. The structures of love: Art and politics beyond the transference. State University of New York Press, 2012.

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Hooks, Bell. Art on My Mind: Visual Politics. New Press, 1995.

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Maja, Fowkes, Fowkes Reuben, MIRIAD, Kentro Synchronēs Technēs Thessalonikēs, Trafó Kortárs Művészetek Háza, and International Project Space (Art gallery), eds. 68, revolution I love you: 1968 in art, politics and philosophy. MIRIAD, Manchester Metropolitan University, 2008.

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Tagg, John. Grounds of dispute: Art history, cultural politics, and the discursive field. University of Minnesota Press, 1992.

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Book chapters on the topic "Philosophy in art and politics"

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Hörcher, Ferenc. "Introduction: Politics, Art and Philosophy." In Art and Politics in Roger Scruton's Conservative Philosophy. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-13591-0_1.

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Bosetti, Giancarlo. "ASHOKA: Ancient Rocks Teaching the Art of Discussion." In Philosophy and Politics - Critical Explorations. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-25523-6_2.

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Janik, Allan. "Psychoanalysis: Science, Literature or Art?" In Style, Politics and the Future of Philosophy. Springer Netherlands, 1989. http://dx.doi.org/10.1007/978-94-009-2251-8_12.

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Rudolph, Enno, and Johannes Picht. "Philosophy and Politics (1972)." In Pioneers in Arts, Humanities, Science, Engineering, Practice. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-31790-4_7.

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Man, Eva Kit Wah. "Chinese Bodies in Philosophy, Aesthetics, Gender and Politics: Methodologies and Practices." In Chinese Contemporary Art Series. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-0210-1_11.

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Baldini, Andrea Lorenzo. "Street Art and the Politics of Improvisation." In The Routledge Handbook of Philosophy and Improvisation in the Arts. Routledge, 2021. http://dx.doi.org/10.4324/9781003179443-23.

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Vernon, Jim. "Knowledge, or From Art to Religion, Philosophy and Politics." In Hip Hop, Hegel, and the Art of Emancipation. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91304-9_6.

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Hörcher, Ferenc. "The Emergence of a Philosophy of Art and Politics." In Art and Politics in Roger Scruton's Conservative Philosophy. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-13591-0_2.

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Hörcher, Ferenc. "The Theory of Art and Culture." In Art and Politics in Roger Scruton's Conservative Philosophy. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-13591-0_4.

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Hörcher, Ferenc. "The Political Philosophy of Conservatism (Vita Activa)." In Art and Politics in Roger Scruton's Conservative Philosophy. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-13591-0_3.

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Conference papers on the topic "Philosophy in art and politics"

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de Oliveira Gelape, Lucas, and Thiago Álvares Feital. "From Art to Politics: challenging representation." In XXVI World Congress of Philosophy of Law and Social Philosophy. Initia Via, 2015. http://dx.doi.org/10.17931/ivr2013_wg141_03.

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Neck, Reinhard. "POLITICS WITH AND WITHOUT ROMANCE: DANTE�S MONARCHIA VERSUS MACHIAVELLI�S IL PRINCIPE." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s03.02.

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This paper contrasts Monarchia by Dante Alighieri with Il Principe by Niccolo Machiavelli. It is argued that the Principe not only incorporates the realities of politics but is also superior to the Monarchia as a scientific work because it avoids the latter�s commitment to scholastic philosophy and has greater empirical relevance and logical consistency. Moreover, it can serve to some extent as a role model for an approach to a positive analysis of politics even today.
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Merhoutová, Milena. "The Art of Silence: Spotlighting the Strategic Power of Pauses in Communication." In Pausing Time/Timing the Pause: sayability in the arts, philosophy, and politics, the 4th interdisciplinary Ereignis conference. Tankebanen forlag/utopos publishing, 2024. https://doi.org/10.59391/zjmdcrpm4s.

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The absence of words appears in communication as a silent pause with potency residing in the capacity to exert a profound influence. This meta-study draws on research from psychology, linguistics, and communication from integrative and crisis negotiation contexts where participants are in the position of decision-makers on how to use silence proactively. Furthermore, this paper provides insights into the multifaceted role of the pause as an effective communication tool. As we delve into research outcomes regarding pauses, we cultivate a greater sense of ease and acceptance toward silence. The
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Petkova, Tatyana V., and Daniel Galily. "When you are named Ruth." In 8th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2022. http://dx.doi.org/10.32591/coas.e-conf.08.06085p.

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This study aims to recall the ideas and activities in the field of law, politics, philosophy, the struggle for democracy and respect for human rights of two bright and exceptional personalities who left this world last year: Ruth Gavison (her areas of study include ethnic conflicts, protection of minorities, human rights, political theory, the judiciary, religion and politics, and Israel as a Jewish and democratic state. She was a member of the Israeli Academy of Sciences and Humanities. Nominated as a Judge at the Supreme Court of Israel in 2005.) and Ruth Bader Ginsburg (Judge at the Supreme
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Orlova, E. A. "Art project as a new form of environmental education for youth." In Scientific dialogue: Questions of philosophy, sociology, history, political science. ЦНК МОАН, 2020. http://dx.doi.org/10.18411/spc-01-06-2020-03.

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Ying, Zirui. "From Plato to Locke: The Development of Western Political Philosophy." In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.393.

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Irrgang, Daniel. "Thought Exhibition. On critical zones, cosmograms, and the impossible outside." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-66-full-irrgang-thought-exhibition.

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The paper discusses the curatorial concept of “thought exhibition” coined by Bruno Latour and Peter Weibel and developed in collaboration with curators, artists, and researchers during four exhibitions at the ZKM Centre for Art and Media, Karlsruhe (Germany). Thought exhibitions transgress the distinctions between philosophy, art, and science by testing ideas in an art museum, a space of discourse, representation, and participation. They engage visitors in a spatio-aesthetic thought experiment by bringing them into a position where preconceptions derived from epistemes of European Modernity ar
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Marci-Boehncke, Gudrun, Matthias O. Rath, Thomas Goll, and Michael Steinbrecher. "HOW TO BECOME POLITICAL? BASIC CONCEPTS FOR EXPLORING EARLY CHILDHOOD UNDERSTANDING OF POLITICS." In International Conference on Education and New Developments. inScience Press, 2022. http://dx.doi.org/10.36315/2022v1end038.

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"In the interdisciplinary project PoJoMeC, we investigate children's understanding of politics at preschool and primary school age. The interdisciplinary research approach is based on the perspectives of political didactics, literature and media didactics, and journalism. Initially, we will use qualitative approaches to find out how children's political awareness is shown. Our research methods focus on the one hand on the children's explicit knowledge, but on the other hand already on concepts of rule-governed action. The different degrees of abstraction of these concepts are based on a modifi
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Presnyakov, K. A., and A. A. Kupriyanova. "ROMANTICISM AS A STYLE IN SOVIET CULTURE AND ART." In A glance through the century: the revolutionary transformation of 1917 (society, political communication, philosophy, culture). Vědecko vydavatelskě centrum «Sociosfera-CZ», 2017. http://dx.doi.org/10.24045/conf.2017.1.9.

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Kramarenko, Yа I. "The sacrality of the concept of «protection» in the myths of Japan and Ukraine and its application in Contemporary Art." In CURRENT RESEARCH AREAS IN HISTORY, POLITICAL SCIENCE, SOCIOLOGY, AND PHILOSOPHY. Baltija Publishing, 2024. https://doi.org/10.30525/978-9934-26-517-4-22.

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Reports on the topic "Philosophy in art and politics"

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Mandaville, Peter. Worlding the Inward Dimensions of Islam. IIIT, 2020. http://dx.doi.org/10.47816/01.003.20.

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Muqtedar Khan’s Islam and Good Governance: A Political Philosophy of Ihsan is, above all, an expression of faith.[1] This does not mean that we should engage it as a confessional text — although it certainly is one at some level — or that it necessitates or assumes a particular faith positionality on the part of its reader. Rather, Khan seeks here to build a vision and conception of Islamic governance that does not depend on compliance with or fidelity to some outward standard — whether that be European political liberalism or madhhabi requirements. Instead, he draws on concepts, values, and v
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Staff, ECPS. ECPS Conference 2025 / Panel I — Politics of Social Contract. European Center for Populism Studies (ECPS), 2025. https://doi.org/10.55271/rp00102.

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Panel I – Politics of the Social Contract at the ECPS Conference 2025 brought together diverse approaches to examine how democratic legitimacy, resistance, and pluralism are evolving in the face of global democratic backsliding. Chaired by Dr. Lior Erez (Oxford University), the panel featured Professor Robert Johns and collaborators presenting experimental research on public support for human rights under repression; Nathan Tsang (USC) explored how Hong Kong diaspora communities engage in covert resistance through cultural expression; and Simon Clemens (Humboldt University) introduced Isabelle
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HEFNER, Robert. IHSAN ETHICS AND POLITICAL REVITALIZATION Appreciating Muqtedar Khan’s Islam and Good Governance. IIIT, 2020. http://dx.doi.org/10.47816/01.001.20.

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Ours is an age of pervasive political turbulence, and the scale of the challenge requires new thinking on politics as well as public ethics for our world. In Western countries, the specter of Islamophobia, alt-right populism, along with racialized violence has shaken public confidence in long-secure assumptions rooted in democracy, diversity, and citizenship. The tragic denouement of so many of the Arab uprisings together with the ascendance of apocalyptic extremists like Daesh and Boko Haram have caused an even greater sense of alarm in large parts of the Muslim-majority world. It is against
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Miller, Jennifer. The Politics of Nazi Art: The Portrayal of Women in Nazi Painting. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.7033.

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Prud’homme, Joseph. Quakerism, Christian Tradition, and Secular Misconceptions: A Christian’s Thoughts on the Political Philosophy of Ihsan. IIIT, 2020. http://dx.doi.org/10.47816/01.006.20.

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In his elegant and insightful book Muqtedar Khan admonishes Muslims to do beautiful things. It is an arresting call in a book itself beautiful in style, clarity, and boldness of vision for a better world. Professor Khan’s quest for beauty in a specific Muslim context: the beauty that arises when actions are done with the inescapable sense that God sees all one does – or, Ihsan. But what exactly do the commands of God require of those who, knowing He is watching, set themselves the task of scrupulously doing His will?
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Papadopoulos, Yannis. Ethics Lost: The severance of the entrenched relationship between ethics and economics by contemporary neoclassical mainstream economics. Mέta | Centre for Postcapitalist Civilisation, 2021. http://dx.doi.org/10.55405/mwp1en.

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In this paper we examine the evolution of the relation between ethics and economics. Mainly after the financial crisis of 2008, many economists, scholars, and students felt the need to find answers that were not given by the dominant school of thought in economics. Some of these answers have been provided, since the birth of economics as an independent field, from ethics and moral philosophy. Nevertheless, since the mathematisation of economics and the departure from the field of political economy, which once held together economics, philosophy, history and political science, ethics and moral
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Tyson, Paul. Climate Change Mitigation and Human Flourishing: Recovering Teleology, Avoiding Tyranny. Mέta | Centre for Postcapitalist Civilisation, 2021. http://dx.doi.org/10.55405/mwp5.

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It is most unlikely that adjusting to a 1.5 to 2 degree hotter world is possible within the prevailing political and economic norms of our times. In our post-capitalist times we need to modify modern technological market “liberalism” (which has become, actually, techno-feudalism). If we do not modify our present norms, the collapse of the natural means of power and privilege native to our present world order makes it almost inevitable that democratic liberalism will devolve further into a distinctly anti-liberal species of techno-tyranny. To avoid such a dystopian future, this paper explores h
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Buchanan, Riley, Daniel Elias, Darren Holden, Daniel Baldino, Martin Drum, and Richard P. Hamilton. The archive hunter: The life and work of Leslie R. Marchant. The University of Notre Dame Australia, 2021. http://dx.doi.org/10.32613/reports/2021.2.

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Professor Leslie R. Marchant was a Western Australian historian of international renown. Richly educated as a child in political philosophy and critical reason, Marchant’s understandings of western political philosophies were deepened in World War Two when serving with an international crew of the merchant navy. After the war’s end, Marchant was appointed as a Protector of Aborigines in Western Australia’s Depart of Native Affairs. His passionate belief in Enlightenment ideals, including the equality of all people, was challenged by his experiences as a Protector. Leaving that role, he commenc
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García Canclini, Néstor, Ronald Inglehart, Wayne E. Baker, and Camile Herrera. Cultural Capital and its Impact on Development: Modernization, Cultural Change, and the Persistence of Traditional Values: Culture Industries and the Development Crisis in Latin America. Inter-American Development Bank, 2001. http://dx.doi.org/10.18235/0007946.

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Camilo Herrera (1975-), Colombian sociologist and economist, founding director of the Center for Cultural Studies for Political, Economic and Social Development in Bogotá. Ronald Inglehart (1934-), North American political scientist, Director of Institute for Social Research at University of Michigan; and Wayne E. Baker, Faculty Associate. Néstor García Canclini (1939-), distinguished Argentine philosopher and anthropologist, Casa de las Americas Prize (1981), and Director of Urban Culture Studies at UNAM.
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Kost’, Stepan. THE CONCEPT OF CREATIVITY IN JOURNALISM. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.50.11092.

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The article analyzes some theoretical and practical aspects of creativity. The author shares his opinion that the concept of creativity belongs to the fundamental concepts of philosophy, psychology, literature, art, pedagogy. Creativity is one of the important concepts of the theory of journalism. The author does not agree with the extended definition of creativity. He believes that journalistic activity becomes creativity when it is free and associated with the creation and establishment of new national and universal values, with the highest intensity of intellectual and moral strength of the
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