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Journal articles on the topic 'Philosophy, Italian – 15th century'

Author: Grafiati

Published: 10 March 2023

Last updated: 31 July 2025

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1

Mnozhynska, Ruslana. "UKRAINIAN-POLISH AND ITALIAN CULTURAL CONNECTIONS IN THE 15TH CENTURY." Baltic Journal of Legal and Social Sciences, no. 2 (October 26, 2022): 138–43. http://dx.doi.org/10.30525/2592-8813-2022-2-23.

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Based on factual material, the article examines the connections between the famous Italian humanist Philippus Callimachus (1437–1496) and Grigoriy Sanotsky (1406–1477), Archbishop of Lviv, professor of the Krakow Academy, Renaissance humanist. Sanotskyi was the founder of the first humanist circle in Ukraine, which also included Callimachus, who left memories of communication with Hryhoriy Sanotskyi. Callimachus highly valued the intelligence and knowledge of Grigory Sanotskyi. Having met him, the Italian humanist was very surprised to meet in the north a person who is so deeply familiar with

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Bellusci, David. "Gasparo Contarini: From Scholasticism to Renaissance Humanism." Études maritainiennes / Maritain Studies 26 (2010): 55–67. http://dx.doi.org/10.5840/maritain2010263.

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This paper examines the shift from Scholasticism to Renaissance humanism by focussing on the Italian humanist, Gasparo Contarini (1483-1542). The politico-religious climate of 15th-16th century Italy represents the arena in which Contarini developed his philosophy. His studies at the University of Padova where Padovan Aristotelianism dominated reflected the basis of his intellectual formation. The Platonic revival of Renaissance Italy also made its way into Contarini’s humanist philosophy.

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LÉVY, TONY. "L'ALGÈBRE ARABE DANS LES TEXTES HÉBRAÏQUES (II). DANS L'ITALIE DES XVe ET XVIe SIÈCLES, SOURCES ARABES ET SOURCES VERNACULAIRES." Arabic Sciences and Philosophy 17, no. 1 (2007): 81–107. http://dx.doi.org/10.1017/s0957423907000379.

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Until the end of the 14th century, the sources of Hebrew mathematical writings were almost exclusively in Arabic. This was particularly true of texts that contained elements of algebra or algebraic developments. The testimonies we present and analyze here are due to Jewish authors living in Italy, primarily in the 15th century, who made use of the most varied sources, in addition to Arabic: in Castilian, in Italian, and perhaps in Latin. These testimonies constitute both an indication, and a product, of the circulation of Arab algebraic traditions in Renaissance Italy. Simon Moṭoṭ’s book on Th

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Montesinos Castañeda, María. "Variación en la imagen de la Prudencia: entre la tradición y la «nueva visualidad»." IMAGO. Revista de Emblemática y Cultura Visual, no. 11 (January 28, 2020): 153. http://dx.doi.org/10.7203/imago.11.15428.

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ABSTRACT: Although Italian influences prevail in the visual tradition of Prudence, beginning in the 15th century a new iconographic type emerges as a result of a «new visuality» deriving from French art. This innovation has been considered «monstrous» and breaking with the preceding visual tradition. However, this new visual manifestation is a result of the continuation of philosophic theories about Prudence. What is more, Italian art offers a response to the «new visuality» with another new iconographic type of the Prudence. KEYWORDS Prudence; Iconography; Visual Culture; Italian

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Gentili, Hanna. "The Art of Thinking and the Reception of the Parva naturalia in a Fifteenth-Century Hebrew Source." Revue de Synthèse 143, no. 3-4 (2022): 321–47. http://dx.doi.org/10.1163/19552343-14234030.

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Abstract This article offers an insight into Yoḥanan Alemanno’s study of the ‘art of thinking’ through his notes from Averroes’s commentaries on Posterior Analytics, De anima and Parva naturalia. This case study represents an important example of the 15th-century Jewish learning based on the Arabic-Hebrew philosophical tradition and shows the continuity between the Provençal world and the Italian Renaissance. The textual appendix included at the end of the article aims at showing how Alemanno selected portions of Averroes’s commentaries on logic and psychology that define the role of the facul

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Elior, Ofer. "The Affinity between Alghazali’s Intentions of the Philosophers and Maimonides’ Philosophy, According to Shalom Anabi." Zutot 17, no. 1 (2018): 23–36. http://dx.doi.org/10.1163/18750214-12161080.

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Abstract Beginning in the late 13th century, readers of Alghazali’s Intentions of the Philosophers in the Provençal, Spanish and Italian Jewish spheres viewed this treatise as belonging to the same tradition to which the philosophical stances of Maimonides, or at least some of them, belong. Readers who espoused this view were sometimes also of the opinion that the Intentions was the direct source for Maimonides’ ideas. These views, coupled with an understanding that the tradition in question differs from the philosophical tradition whose representative is Averroes, led students of Maimonides’

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Patuzzo, Sara, Andrea Franzoni, and Nicolò Nicoli Aldini. "Giuseppe Cervetto." Acta medico-historica Adriatica 22, no. 2 (2024): 221–32. https://doi.org/10.31952/amha.22.2.3.

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Giuseppe Cervetto (1807–1865) was a physician, lecturer, and medical historianfrom a Jewish familyborn in Verona, Italy. In addition to his clinical practice, he delved into his-torical studies, making notable contributions to the works of Italian anatomists from the 15th century, as well as to the physicians and their College in Verona, particularly G.B. Da Monte from the 16th century.In 1860, he was called to teach History of Medical Sciences at the University of Bologna. After two years, he became a lecturer in Hygiene and Forensic Medicine at Messina, but he sadly passed away at the relati

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Dumitrescu, Marius. "A Journey Inside the Perception of the Self-Image - from the 15th Century Italian Portrait to the Glamorized Image on the Facebook." Postmodern Openings 12, no. 3 (2021): 34–59. http://dx.doi.org/10.18662/po/12.3/326.

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This article aims to present the philosophical perspective upon the birth of the idea of the individual and the consequences of the discovery of the self-image on the techniques of image reproduction from the Renaissance to the present day. The process of projecting the self-image into the public space acquires a special importance with the elaboration of the portrait technique in the Italian painting of the 15th century. Through Leonardo da Vinci's paintings, this technique of reproducing self-image reaches a certain perfection. Following the evolution of this kind of projections and reproduc

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Churga, Yu. "THE INFLUENCE OF ANTHROPOCENTRISM ON THE WORK OF ARTISTS OF THE HIGH RENAISSANCE." Bulletin of Taras Shevchenko National University of Kyiv. History, no. 148 (2021): 71–74. http://dx.doi.org/10.17721/1728-2640.2021.148.12.

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The article describes a number of factors that influenced the work of artists of the High Renaissance, in particular the philosophical thought of this period and changes in the worldview of people of this era. The article focuses on the origins of anthropocentrism in the intellectual sphere. The author outlines how Italy became the center of new ideas and the center of their implementation. This article was conducted to explore the impact of the philosophy of anthropocentrism on the work of Italian artists (their goals, means and evolution of the concept of "artist"). In conclusion, we can obs

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Вдовина, Г. В. "Лаборатория онтологических понятий: Антоний Сирект и Антонио Тромбетта - скотисты XV в". Историко-философский ежегодник, № 2017 (30 листопада 2017): 21–50. http://dx.doi.org/10.21267/aquilo.2018.2017.9372.

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В статье рассмотрены «Трактат о формальностях» парижского францисканца Антония Сиректа и комментарии к нему итальянского францисканца Антонио Тромбетты. Оба автора принадлежат к так наз. формалистской традиции XV в., представляющей собой одно из направлений развития философии и теологии Дунса Скота. Автор анализирует основные онтологические понятия: вещь, объективная вещность (realitas obiectiva ), вещное, внутренний модус. Показано, что для скотистской онтологии характерен ноэтико-ноэматический изоморфизм: строгое структурное соответствие между понятиями нашего интеллекта и rationes obiectiva

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Suranta, Edi. "Membentuk Sumber Daya Manusia dengan Pondasi Ihsan melalui Emotional and Spiritual Quotient (ESQ)." PARAMETER 6, no. 2 (2021): 68–81. http://dx.doi.org/10.37751/parameter.v6i2.176.

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The Italian philosopher Macevelli, who lived in the 15th-16th century AD, proclaimed that to achieve the goal of a nation-state society to achieve the goal of all means can be taken as long as the goal is achieved, tricks, tricks, and even actions that are contrary to conscience can be done. The war of right thinking is happening at this time with the help of propaganda through electronic media and mass media as it is now, in building opinions. The influence change is so real and clear. Theories and ideas put into practice that was once politically marginalized now control the state. ESQ is he

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Torevell, David, and Michael James Bennett. "The Naked Truth: Temptation and the Likely ‘Fall’ of Catholic Education." Religions 12, no. 11 (2021): 958. http://dx.doi.org/10.3390/rel12110958.

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This article highlights one likely ‘fall’ to which Catholic education is susceptible in the modern era due to the oppressive climate in which it operates. Our critical method in arguing for this position is to oscillate between two texts—one written and one visual: Genesis 3: 1–18 and Masaccio’s painting of ‘The Expulsion’. The hope is that one will inform and enrich a deeper understanding of the other. As part of this exercise in creative hermeneutics, we first argue that the dramatic story of the fall through pride or amor sui (self-love) and its resultant feeling of shame is a universal one

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Kuter, Mikhail, Marina Gurskaya, Angelina Andreenkova, and Ripsime Bagdasaryan. "Asset Impairment and Depreciation before the 15th Century." Accounting Historians Journal 45, no. 1 (2018): 29–44. http://dx.doi.org/10.2308/aahj-10575.

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ABSTRACT This paper investigates impairment and depreciation accounting in the 13th to 15th century. It finds that the first known instance of impairment accounting was in 1321, while for depreciation, it was 1399 not, as has previously been claimed, 1299. The study demonstrates the difference in approach at that time between the two forms of adjustment and shows that impairment was the original form of adjustment for reduction in asset values, a form that was applied in situations where physical assets had been lost, or deteriorated, or devalued over the reporting period. In contrast, depreci

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Lo Monaco, Mauro, and Sergio Vinciguerra. "Transitions between musical measures in 15th-century Italian dances." Early Music 43, no. 3 (2015): 431–48. http://dx.doi.org/10.1093/em/cav046.

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Achten, Anastasiia R. "Imitation of Ottoman ornaments the Italian ceramics of the 14th – 20th centuries." Vestnik of Saint Petersburg State University of Culture, no. 1 (58) (2024): 108–13. http://dx.doi.org/10.30725/2619-0303-2024-1-108-113.

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This article is devoted to the Italian tradition of imitation of Ottoman ceramics from the 14th century to the beginning of the 20th century. The first period covers the pottery industry of the 14th and 15th centuries; the second period lasts from the end of the 15th century to the 18th century, and the last one is the industrial age, the end of the 19th – the beginning of the 20th century. The first period represents only regional touches and the use of similar artistic techniques and colors. The second period is illustrated with more specific examples, such as the use of the Turkish ornament

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Ryzhik, Michael. "Preliminaries to the Critical Edition of the Judeo-Italian Translation of the Siddur." Journal of Jewish Languages 1, no. 2 (2013): 229–60. http://dx.doi.org/10.1163/22134638-12340015.

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Abstract This article analyzes five translations of the siddur (‘prayer book’) into Judeo-Italian. Three of the versions are manuscripts from the 15th century, one is the printed 1506 Fano edition, and the last is a manuscript from the 17th century. A common tradition underlies all of these translations and has much in common with Judeo-Provençal translations; this likely represents an ancient Judeo-Romance tradition of translation, which expresses itself differently in each manuscript. The 17th-century translation displays northern linguistic features; it is more Toscanized and normalized tha

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Shi, Xueyan, and Zainuddin Abindinhazir. "THE RELATIONSHIP BETWEEN TIME FACTOR AND FIGURATIVE FACTOR IN CHINESE AND ITALIAN FIGURE PAINTING IN THE 15TH CENTURY." International Journal of Heritage, Art and Multimedia 6, no. 20 (2023): 01–14. http://dx.doi.org/10.35631/ijham.620001.

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The Time factor used or emerged in painting is an issue that has been discussed for almost 1 century. However, there has never been any specific study related to time and figure painting. In addition, the author finds the time factor used in Italian and Chinese painting in the 15th century, which always depends on the figurative factor of the painting. So, this study is to explore the presentation of time factors in figure paintings in Italy and China from the 15th century to the 16th century and find out the rules between figurative factors and time factors in figure painting during this peri

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Pavliuk, Tetiana. "Specific Features of the Theory and Practice of Ballroom Choreography (the 15th – 17th Century)." Bulletin of KNUKiM. Series in Arts, no. 38 (August 16, 2018): 142–58. https://doi.org/10.31866/2410-1176.38.2018.141758.

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The purpose of the article is to study rare editions on the theory and practice of ballroom choreography of the 15th – early 17th century; analyze choreographic traditions, evolution trends, varieties of choreographic techniques, peculiarities of techniques and manners of performance, and changes in choreographic vocabulary and forms of ballroom dance. The research methodology consisted in the organic set of basic principles of research: objectivity, historicism, multifactorness, systematicity, complexity, development and pluralism; to fulfill the research purpos

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Laflı, Ergün, Maurizio Buora, and Denys Pringle. "Four Frankish gravestones from medieval Ephesus." Anatolian Studies 71 (2021): 171–84. http://dx.doi.org/10.1017/s0066154621000107.

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AbstractThis paper presents and discusses four Latin tombstones relating to Italian residents of medieval Ephesus that have been recovered from properties on the terrace of Ayasuluk (Selçuk), near the Byzantine Church of St John the Evangelist. Two of them, dating from the late 14th century, were originally published in 1937, while the other two, from the mid- 15th century, came to light more recently in January 2017.

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Minuzzi, Sabrina. "15th-Century Practical Medicine in Print." Nuncius 36, no. 2 (2021): 199–263. http://dx.doi.org/10.1163/18253911-03602016.

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Abstract By drawing on a comprehensive bibliographic census (ISTC) this article offers a mapping of printed medical-scientific production in 15th-century Europe, with an eye to the manuscript tradition, the authorship status, and the use of Latin and vernaculars in a century of transition that was not merely linguistic. It identifies in some titles from the practical medicine category—namely books on materia medica, regimina sanitatis booklets and short medical poems—the crucial contribution of proto-typography to the wider dissemination of medical knowledge. In regard to some long-lived title

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Palii, Liudmyla. "«Il Fior di Battaglia» symbols: iconography of early XV century fencing treatise by Fiore dei Liberi." Text and Image: Essential Problems in Art History, no. 1 (2024): 24–44. http://dx.doi.org/10.17721/2519-4801.2024.1.02.

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Purpose. This article's purpose is the reconstruction of the creation context of the fencing treatise «The Flower of Battle» and renew some fragments from the Italian fencing master's life in the late 14th century - early 15th centuries with visual sources. Methods. We have looked into three Italian manuscripts, using comparative, hermeneutic and prosopographic methods. Results. The Renaissance fencing treatises is the popular research object for twenty years. The Italian material arts studies are based on the treatise of Fiore dei Liberi «The Flower of Battle». This source is an important par

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Sparti, Barbara. "The Function and Status of Dance in the 15th-Century Italian Courts." Dance Research 14, no. 1 (1996): 42–61. http://dx.doi.org/10.2307/1290824.

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Gonçalves, A. Nogueira. "Identification of a 15th century silver cross." Revista de História das Ideias 8, Tomo I (1986): 567–77. http://dx.doi.org/10.14195/2183-8925_8-1_23.

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Pósán, László. "Ungarischer Wein im mittelalterlichen Preußen." Ordines Militares Colloquia Torunensia Historica 29 (December 30, 2024): 134–51. https://doi.org/10.12775/om.2024.006.

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Hungarian wine in medieval Prussia In the Middle Ages, Prussia imported wine from all of the wine-producing regions of medieval Europe, including Hungarian wine from the beginning of the 15th century. Sigismund of Luxembourg, King of Hungary, was the first one to send wine to the Teutonic Order, and the first shipment was soon followed by others. Thus, Hungarian wine not only appealed to Prussian consumers, but also created an immediate demand for it. During the 15th century, Hungarian wine became available on the Prussian markets, although never in great quantities. This was due to the fact t

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Milić, Dragana. "THE OTTOMAN SIEGE AND CONQUEST OF SHKODRA IN THE 15TH CENTURY ACCORDING TO THE JOURNAL GLAS CRNOGORCA (VOICE OF MONTENEGRO)." MEDIA STUDIES AND APPLIED ETHICS 5, no. 1 (2024): 85–96. http://dx.doi.org/10.46630/msae.1.2024.06.

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The paper examines the appendix on the Ottoman siege of Shkodra in 1474, which was published in two issues of the weekly newspaper Glas Crnogorca (Voice of Montenegro) in December 1896. The appendix is a translation of an article written by the Italian sub-lieutenant Eugenio Barbarich, which was published in the magazine Rivista Militare Italiana at the end of 1896. The historical theme was inspired by the marriage between the heir to the Italian throne and the daughter of the Montenegrin ruler, which resulted in a political alliance between the Kingdom of Italy and the Principality of Montene

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Pichugina, Olga K. "DEVELOPMENT OF IMITATION METHODS IN THE PAINTING PRACTICE OF THE 16th-17th CENTURY ITALIAN MASTERS." Architecton: Proceedings of Higher Education, no. 4(72) (December 28, 2020): 18. http://dx.doi.org/10.47055/1990-4126-2020-4(72)-18.

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The article explores the imitation methods in Italian Renaissance and Baroque painting, which were widespread in the forms of copying, replication, compilation and imitation. Italian art inherited the practice of imitation from the era of Antiquity and the Middle Ages. It was the basis of apprenticeship and organization of work in art studios. Model imitation and, at the same time, search for stylistic originality from the second half of the 15th century led to the spreading of replication, compilation, imitation and emulation techniques. The practice of imitation was continued by the 17th cen

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Lakhtionova, Kateryna. "THE “GOLDEN AGE” OF THE ITALIAN LITERATURE AND PHILOSOPHICAL THINKING." PROBLEMS OF SEMANTICS, PRAGMATICS AND COGNITIVE LINGUISTICS, no. 42 (2022): 14–17. http://dx.doi.org/10.17721/2663-6530.2022.42.02.

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The article is devoted to the study of the development and the heyday of Italian literature and philosophy in the period of so-called “Golden Ages” of the Renaissance, 15th-16th centuries. The main principles for the appearance of the new philosophical currents, so-called new natural philosophy and Italian averroism (a transformation of ideas of Muhammad Ibn Rushd (Averroè)) and the actual philosophical principles are given. The basis for the origin of typography art in Middle Age Italy, the activity of glorious Italian writers and the decay of the “Golden Age” is presented. Interesting data a

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Piven, Marina G. "The Image of Dido in 15th-Century Italian Painting: An Area of Interpretation." Actual Problems of Theory and History of Art 9 (2019): 606–18. http://dx.doi.org/10.18688/aa199-5-54.

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Mazarchuk, D. V. "The main stages in the development of Western European diplomacy in the early Modern period." Proceedings of the National Academy of Sciences of Belarus, Humanitarian Series 68, no. 3 (2023): 203–9. http://dx.doi.org/10.29235/2524-2369-2023-68-3-203-209.

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The author relies on the thesis that the main factor in the development of Western European diplomacy in the early Modern period was the emergence and formation of the resident diplomacy. The article proposes a periodization of the development of diplomacy, based on an understanding of the development of Western European diplomacy in the 15th –16th centuries in the context of the transformation of the medieval socio-political model.Under the conditions of permanent internal and external political pressure, the medieval hierarchical model of the socio-political structure did not fulfill the fun

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Schweickard, Wolfgang. "Zur Wortgeschichte von dt. Kartaune ‘Feldgeschützʼ". Zeitschrift für romanische Philologie 140, № 4 (2024): 1245–56. https://doi.org/10.1515/zrp-2024-0062.

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Abstract Germ. Kartaune ‘a siege gunʼ is based neither on Italian cortana nor on Italian or Medieval Latin quartana, as has been unanimously assumed up to now in German historical lexicography. In actual fact, it is a borrowing from the synonymous French courtal, pl. courtaux. The earliest German evidence appears – in the context of the Burgundian Wars – in the form kortauwen and cortauw in 1475 and in the form curtal and curtan in 1476. The variant with the final -n, which is limited to southern Germany, constitutes the basis for the later German standard form Kartaune. In the late 15th centu

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Rodrigues, Vera. "Três momentos na tradição de comentário aos Tractatus de Pedro Hispano." Mediaevalia Textos e estudos 41 (2024): 191–212. http://dx.doi.org/10.21747/21836884/med41a12.

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Pedro Hispano’s Tractatus (or Summulae logicales), often accompanied by his Syncategoreumata, experienced an extraordinary textual transmission from the 13th century to the 16th century and the beginning of modern times. Whether in their entirety or, more often than not, with different clippings, the Tractatus have been the subject of a commentary tradition of which a large hundred commen-taries have been identified. We propose here an outline of this tradition, centred on three major moments: 1. The first diffusion; 2. The Italian diffusion, in the convergence of British and Parisian logical-

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Druzhinina, Inga A., Milana Yu Iliushina, and Inal B. Kabardov. "NOBILITY AND POWER IN 15TH-CENTURY KABARDA ACCORDING TO THE SOURCE “PRECIOUS NECKLACES CONCERNING MERITS OF THE STATE OF AL-ASHRAF AL-GHAWRI”." History, Archeology and Ethnography of the Caucasus 20, no. 4 (2024): 772–82. https://doi.org/10.32653/ch204772-782.

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The unpublished and previously unexplored by domestic caucasiologists source from the collection of Suleymaniye Yazma Eser Kutüfanesi (Istanbul) – the second volume entitled “al-‘Uqūd al-Jawhariyya fī al-Mahāsin al-Dawla al-Ashrafiyya al-Ghawiyya” (“Precious Necklaces Concerning the Merits of the State of al-Ashraf al-Ghawri”) reveals unique information regarding the history of North Caucasian peoples, particularly the Adyghe and Abazins, during the late 15th and early 16th centuries. This volume is part of an anonymous manuscript dedicated to the praise of the Mamluk sultan from the Burji dyn

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Медведь, А. Н. "FOUNDATION STRUCTURES OF THE RUSSIAN FORTRESSES OF THE «ITALIAN CIRCLE» AND BUILDING THEORY OF 16th CENTURY ITALY." Краткие сообщения Института археологии (КСИА), no. 274 (July 18, 2024): 265–77. http://dx.doi.org/10.25681/iaras.0130-2620.274.265-277.

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В статье рассматриваются различные аспекты сооружения фундаментов в крепостях «итальянского круга» на территории России (Московский Кремль, Китайгородская крепость, Нижегородский кремль, Тульский кремль). Проводится сравнение строительных приемов, использованных при сооружении русских крепостей, и рекомендаций, содержащихся в итальянских трактатах XV-XVI вв. Делается вывод о том, что в ряде случаев строители крепостей в Русском государстве соблюдали рекомендации, содержавшиеся в итальянских трактатах. Иногда эти рекомендации корректировались строителями исходя из конкретной ситуации. The paper

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Studničková, Milada. "Pařížský rukopis Tacuinum sanitatis (Bibliothèque Nationale de France, sign. MS nouv. acq. lat. 1673) a české země." Acta Musei Nationalis Pragae – Historia litterarum 67, no. 1-2 (2022): 89–93. http://dx.doi.org/10.37520/amnpsc.2022.012.

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The Parisian manuscript Tacuinum sanitatis is considered to be the oldest of a series of luxurious illuminated manuscripts containing an abridged text by Ibn Butlān that were commissioned by Gian Galeazzo Visconti or aristocrats in his circle. According to a note added later, it is believed to have belonged to Viridis Visconti, wife of Leopold III, Duke of Austria, and to have remained in the possession of the Habsburgs until the 16th century. The article draws attention to previously unanalysed Czech glosses written by several scribes, which contradict this hypothesis and prove that the North

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Manea, Lăcrămioara. "Carte străină veche și rară (sec. XV-XVI) din patrimoniul muzeului tulcean." Peuce Serie Nouă, no. 20 (2022): 289–318. https://doi.org/10.62781/peucesn.20.11.

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In this article the concept of a rare and precious book is highlighted by several copies of foreign books printed in the 15th-16th centuries, kept within the special collections of the “Gavrilă Simion” Eco-Museum Research Institute of Tulcea. Thus, 8 titles of editions are described, of which 3 incunabula (prints from the middle of the 15th century to 1500) and 5 volumes printed in the 16th century. The copies have an indisputable value both by their age, known authors, content, famous publishing houses where they appeared, by special illustration or technique, and by certain peculiarities (co

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Tirosh-Samuelson, Hava. "Theology of Nature in Sixteenth-Century Italian Jewish Philosophy." Science in Context 10, no. 4 (1997): 529–70. http://dx.doi.org/10.1017/s0269889700002805.

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The ArgumentThis paper focuses on several Italian Jewish philosophers in the second half of the sixteenth century and the first third of the seventeenth century. It argues that their writings share a certain theology of nature. Because of it, the interest of Jews in the study of nature was not a proto-scientific but a hermeneutical activity based on the essential correspondence between God, Torah, and Israel. While the theology of nature analyzed in the paper did not prevent Jews from being informed about and selectively endorsing the first phase of the scientific revolution, it did render the

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Fumanal-Idocin, J., A. Alonso-Betanzos, O. Cordón, H. Bustince, and M. Minárová. "Community detection and social network analysis based on the Italian wars of the 15th century." Future Generation Computer Systems 113 (December 2020): 25–40. http://dx.doi.org/10.1016/j.future.2020.06.030.

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Fyodorov, Sergey. "Reconstructing a Circle of Reading of the European Antiquarians and Erudites: the Textual Corpora on the Stoic’s Ethics." Средние века 86, no. 2 (2025): 153. https://doi.org/10.7868/s0131878025020084.

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Antiquarian and erudite idea of virtue as a substantial basis of the «nobility» was an adaptation of ethical concepts of Stoicism and an idea of wisdom as an altitude of the entire core of natural virtues in particular. The article reconstructs the hypothetical circle of reading distinctive for this group of the European intellectuals and specifies some texts which furnished possible ways of such reception. The author suggests two ways of the transmission of stoic’s ethics in the 16th-17th-centuries antiquarian and erudite discourse. On one side, the Stoic ideas were possibly borrowed from the

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Trexler, Richard C., and Christopher F. Black. "Italian Confraternities in the Sixteenth Century." Journal of Interdisciplinary History 21, no. 2 (1990): 334. http://dx.doi.org/10.2307/204428.

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Amadori, Maria Letizia, Gianluca Poldi, Mara Camaiti, et al. "Giovanni Santi’s Late 15th-Century Paintings: Microscopic, Spectroscopic and Chromatographic Investigations on Pigments, Powdered Glass and Binding Media." Applied Sciences 13, no. 17 (2023): 9739. http://dx.doi.org/10.3390/app13179739.

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After a huge non-invasive diagnostic campaign performed on the corpus of Giovanni Santi’s artworks, three paintings were selected and investigated: the Martyrdom of Saint Sebastian panel, the Visitation altarpiece and the canvas with Tobias and the Archangel Raphael (c. 1487 and 1494). Micro-invasive investigations including optical microscopy, ESEM-EDX, micro-Raman spectroscopy, FTIR and FTIR-ATR spectroscopy and GC-MS were carried out on selected micro samples. The results of the integrated analyses confirmed the use of a Renaissance palette with oil and, only in a few cases, tempera techniq

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Mancuso, Fulvio. "Una decisio della Rota di Siena: tra leasing e riserva di proprietà all’inizio dell’Età Moderna." TIJDSCHRIFT VOOR RECHTSGESCHIEDENIS 80, no. 3-4 (2012): 415–26. http://dx.doi.org/10.1163/15718190-000a1214.

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A decision of the Rota of Siena: between leasing and reservation of ownership at the beginning of Modern Times. – Late medieval and early-modern legal developments took place in Italy within the general framework of ius commune and iura propria, original legal constructs which present similar features to leasing in English law. These developments can be traced in the doctrinal corpus of the Italian ius commune tradition, but it may be surmised that they also appeared in sources related to legal practice. Thus, a case decided by the Rota of Siena in 1541–1543 shows that contractual forms simila

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Pezzè, Stefano. "“Una cerbia bianchissima e bella”." Reinardus / Yearbook of the International Reynard Society 28 (December 31, 2016): 142–67. http://dx.doi.org/10.1075/rein.28.10pez.

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Considering European literature’s relationship with animals, it is immediately evident that the stag (and its feminine counterpart, the doe) performs a prominent role, and that this role has evolved considerably throughout cultures and centuries. Of further interest is the symbology associated with white stags and hinds, creatures which make several appearances in Western literature and art. Whilst the meanings they carry vary according to space and time, their main feature – being guiding animals – remains basically constant. After a presentation of the most important values of the symbol fro

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Suitner, Riccarda. "Antitrinitarismo della prima età moderna e cultura italiana." Quellen und Forschungen aus italienischen Archiven und Bibliotheken 102, no. 1 (2022): 3–8. http://dx.doi.org/10.1515/qufiab-2022-0002.

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Abstract This special issue is devoted to the influence of Italian culture on the Antitrinitarian movements that spread through Europe during the early modern period. One of the objectives is to go back to the period preceding the activities of Lelio and Fausto Sozzini, and to consider the influences of various trends in the Italian thought of the 15th and 16th centuries that made a crucial contribution to shaping Antitrinitarian ideas about Biblical exegesis, spirituality, baptism and the Trinity. Some papers also cover the phase following the international establishment of Socinianism. While

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Zhou, Yutong. "A Brief Analysis of Alberti’s Art Theory - Taking On Painting” as an Example." Journal of Soft Computing and Decision Analytics 2, no. 1 (2024): 86–91. http://dx.doi.org/10.31181/jscda21202436.

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People’s perceptions of artists in Italy, particularly Florence, have transformed since the 15th century. Artists have created works of art that reflect the humanistic ethos of the era, which has fostered the study of art theory by humanist scholars and contributed to the development of an art historical consciousness. In his artistic theory, the Italian humanist Alberti of the early 15th century reflected the new development of Florentine art. Alberti, an artist and theorist of the early Renaissance, examined the changes in artistic creation in the new era with a very avant-garde and contempo

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Tare, Denisa. "The Contribution of the Arbëresh Diaspora to the European Integration Process." Interdisciplinary Journal of Research and Development 12, no. 1 (2025): 69. https://doi.org/10.56345/ijrdv12n108.

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This paper examines the role of the Arbëresh (Italo-Albanians) and the Albanian national issue throughout different historical periods, primarily during the National Renaissance, and their evolution over time, leading to cooperation with Italy—their second homeland—paving the way for the European integration of the Arbëresh diaspora in Italy and Albanians in Albania. Two peoples, separated by the same Adriatic Sea, have successfully coexisted while maintaining strong ties of friendship from early historical periods until today. The Arbëresh are an ethnic Albanian community living in Italy, hav

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Catana, Leo. "Changing Interpretations of Plotinus: The 18th-Century Introduction of the Concept of a ‘System of Philosophy’." International Journal of the Platonic Tradition 7, no. 1 (2013): 50–98. http://dx.doi.org/10.1163/18725473-12341250.

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Abstract This article critically explores the history and nature of a hermeneutic assumption which frequently guided interpretations of Plotinus from the 18th century onwards, namely that Plotinus advanced a system of philosophy. It is argued that this assumption was introduced relatively late, in the 18th and 19th centuries, and that it was primarily made possible by Brucker’s methodology for the history of philosophy, dating from the 1740s, to which the concept of a ‘system of philosophy’ was essential. It is observed that the concept is absent from Ficino’s commentary from the 15th century,

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Black (book author), Christopher F., and Konrad Eisenbichler (review author). "Italian Confraternities in the Sixteenth Century." Renaissance and Reformation 27, no. 2 (2009): 183–85. http://dx.doi.org/10.33137/rr.v27i2.11796.

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Taube. "Transmission of Scientific Texts in 15th-Century Eastern Knaan." Aleph 10, no. 2 (2010): 314. http://dx.doi.org/10.2979/ale.2010.10.2.314.

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Cimatti, Felice. "Deleuze and Italian Thought." Deleuze and Guattari Studies 13, no. 4 (2019): 495–507. http://dx.doi.org/10.3366/dlgs.2019.0375.

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The tradition of Italian Thought – not the political one but the poetic and naturalistic one – finds in the philosophy of Gilles Deleuze a way to enter into the new century, the century of immanence and animality. In fact, Deleuze himself remained outside the main philosophical traditions of his own time (structuralism and phenomenology). The tradition to which Deleuze refers is the one that begins with Spinoza and ends with Nietzsche. It is an ontological tradition, which deals mainly with life and the world rather than with the human subject and knowledge. Finally, the text sketches a possib

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Euron, Paolo. "Buddhism in Italy in the Nineteenth Century." MANUSYA 19, no. 2 (2016): 71–89. http://dx.doi.org/10.1163/26659077-01902004.

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First reports on Buddhism arrived in Italy in the sixteenth century through Italian Catholic missionaries. Later several scholars developed a philological and philosophical understanding of it. The attitude toward Buddhism changed from an anthropological interest to a philological study. In the academic field of philology the Theravāda tradition and the Siamese edition of Tripitaka had great importance. The spread of Buddhism in Italy in the nineteenth century also increasingly influenced Italian culture and ideas. Outside of academic debate Buddhism became a subject of apologetics and philoso

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