Relevant bibliographies by topics / Philosophy of technics

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Philosophy of technics'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 January 2023

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Journal articles on the topic "Philosophy of technics"

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Lebedev, Dmitry. "From Philosophy of Technics to the Technics of Philosophy." Stasis 11, no. 1 (2021): 246–56. http://dx.doi.org/10.33280/2310-3817-21-11-1-246-256.

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Carrozzini, Giovanni. "Gilbert Simondon’s Philosophy in the Light of Some Notions of Georges Canguilhem." Philosophy Today 63, no. 3 (2019): 625–42. http://dx.doi.org/10.5840/philtoday20191031285.

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This article will maintain that the onset of Simondon’s interest in the philosophy of Nature, examined in his thèse principale, “L’individuation à la lumière des notions de forme et d’information” (“Individuation in the Light of the Notions of Form and Information”) and for philosophy of technics, analysed in his thèse complémentaire, “Du mode d’existence des objets techniques” (“On the Mode of Existence of Technical Objects”), lies in his personal acquaintance with Canguilhem and in particular the reading of his Knowledge of Life, published in 1952. I will demonstrate that the element connecting Simondon’s interest in individuality and his interest in the philosophy of technics can be found in the influence of the following Canguilhemian subjects: 1) the role of vitalist anti-reductionism; 2) the necessity to inaugurate a “biological philosophy of technics”; and 3) the understanding of the concept of milieu in relation to individuality.
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Wolff, Ernst. "Aspects of Technicity in Heidegger's Early Philosophy: Rereading Aristotle's Techné and Hexis." Research in Phenomenology 38, no. 3 (2008): 317–57. http://dx.doi.org/10.1163/156916408x336738.

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AbstractThe article aims to advance our understanding of what the early Heidegger had in mind when he spoke about technics. Taking GA 18, Grundbegriffe der aristotelischen Philosophie, as a guiding text, Heidegger's “destructive” reading of the two notions most directly associated with Aristotle's presentation of technics—τεχνη and εξις—will be examined, especially with reference to the portrayal of technics in the Nicomachean Ethics. It will be argued that Aristotle already exaggerated the distinction between virtue and skill and that, instead of insisting on their similarities (as will be argued to be desirable), Heidegger drove the two notions even further apart. This enabled him to form a warped picture of technical life, which he exploited as a counter image to develop an unrealistically non-technical notion of πρα;ξις, which Heidegger implicitly advocates.
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Crogan, Patrick. "Bernard Stiegler: Philosophy, Technics, and Activism." Cultural Politics: an International Journal 6, no. 2 (2010): 133–56. http://dx.doi.org/10.2752/175174310x12672016548162.

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Combes, Richard. "A Taxonomy of Technics." International Philosophical Quarterly 46, no. 1 (2006): 5–24. http://dx.doi.org/10.5840/ipq200646150.

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Skipin, Nikolay S. "O. Spengler’s Philosophy of Technics in the Context of Global Culture." Almanac “Essays on Conservatism” 65 (March 1, 2020): 106–12. http://dx.doi.org/10.24030/24092517-2020-0-4-106-112.

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The article is devoted to the analysis of O. Spengler’s treatise “Man and Technics”, as well as the “global culture” interpretation from the point of view of the method proposed by the philosopher. For the most the author of the article deals with the description and supplementing of O. Spengler’s logic in relation to the technics and culture. He shows the “genetic” connection of the reasoning of the philosopher-irrationalist with the rational tradition, with the concept of organ projection and the specific ideas of Marxist philosophers. Three “questions about technics” as formulated by the philosopher are defined: “What is the essence of the technics?”, “What is the essence of human technics?” and “How do human technics exist?” The analysis of the treatise is followed by the part devoted to O. Spengler’s ideas interpretation. A new concept is introduced into the philosophical language field - “artificializing”, which means the process of establishing the “artificial” from the “natural”. The author also shows the development of the idea of “artificializing” the whole world. He illustrates the development of ​​V.I. Vernadsky’s ideas regarding the geological role of man in the concept of the technosphere and global culture. The problem of the coincidence of the Faustian culture with the global culture and Earth culture is touched upon by the author.
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Mickevičius, Tomas. "Technikos autonomijos problema Gilbert’o Simondono filosofijoje." Athena: filosofijos studijos 16 (December 30, 2021): 37–51. http://dx.doi.org/10.53631/athena.2021.16.3.

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In this article, an important part of Simondon’s philosophy of technology (mainly as it is elaborated in On the Mode of Existence of Technical Objects) is presented and situated within a broader context of philosophy of technology and contemporary trends of technological development. The hypothesis suggests that one of the main motives behind such Simondon’s ideas as a reconciliation between culture and technics, the need for mechanology, etc. is to dispel the metaphysical view of autonomous position of technology as uncontrollable destiny in contemporary societies. However, Simondon’s position remains inherently ambivalent here: even though it is culture that should incorporate and govern technology, culture still must accomodate itself to the actual state of technology developed by technicians. A mystifying element in Simondon’s philosophy of technology remains, as the philosopher privileges a technician as being grounded in and having access to the pre-individual state of nature. It is argued that the development of technology should be more democratized and put under rational control of society.
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Bishop, Jeffrey P. "Technics and Liturgics." Christian bioethics: Non-Ecumenical Studies in Medical Morality 26, no. 1 (2020): 12–30. http://dx.doi.org/10.1093/cb/cbz016.

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Abstract It is commonly held that Christian ethics generally and Christian bioethics particularly is the application of Christian moral systems to novel problems engaged by contemporary culture and created by contemporary technology. On this view, Christianity adds its moral vision to a technology, baptizing it for use. In this essay, I show that modern technology is a metaphysical moral worldview that enacts its own moral vision, shaping a moral imaginary, shaping our moral perception, creating moral subjects, and shaping what we imagine as moral intentions. In fact, modern technics has its own liturgics, which is foreign to Christian Divine Liturgy. Divine Liturgy is world forming, showing us a different world than the one that comes into relief in the ersatz liturgy of modern medical technics.
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Sullivan, Gordon. "“We Do Not Look At Them As They Really Are”: Technics andPhotogéniein Jean Epstein's Film-Philosophy." Film-Philosophy 22, no. 3 (2018): 406–27. http://dx.doi.org/10.3366/film.2018.0087.

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This article argues that we can understand Jean Epstein's theory of photogénie as an instance of technics. Starting from a reading of Epstein's final fictional film Le Tempestaire (1947), we can see that Epstein collapses the distinction between human and technological. This insight leads to a discussion of Epstein's theory of photogénie more generally, and one that highlights the term's relationship to temporality. This temporal dimension recalls Bernard Stiegler's discussion of technics in Technics and Time (3 volumes). As the series evolves, Stiegler increasingly foregrounds cinema as technics, and the essay ends with a discussion of the ways that Epstein's understanding of photogénie can press on Stiegler's claims.
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Jackson, Mark. "Artwork as Technics." Educational Philosophy and Theory 48, no. 13 (2016): 1310–20. http://dx.doi.org/10.1080/00131857.2015.1124036.

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Dissertations / Theses on the topic "Philosophy of technics"

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Hejl, Matouš. "Technics and Music : some remarks on the process of exteriorization in music." Thesis, Kungl. Musikhögskolan, Institutionen för komposition, dirigering och musikteori, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2439.

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The delegating of thought, memory and action outside of the human body, inseparable from the process of individuation and identity formation, and the following implications for music establish an underlying theme of this text. It is a reflection on the process of "supplementation," of prosthetization or exteriorization in the recent and contemporary milieu of music making, in which nothing is any longer immediately at hand, where everything is found mediated and instrumentalized, technicized, unbalanced.
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Monico, Francesco. "Outline of a subversive technopoetic : for a libertarian pedartgogy." Thesis, University of Plymouth, 2014. http://hdl.handle.net/10026.1/3078.

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The thesis explores the relationships between knowledge and knowing in contemporary 21st century information society, using the foundation of the Faculty of Media Design & New Media Art at the Nuova Accademia di Belle Arti in Milano as a research apparatus. This Faculty was established between 2003 and 2012, in Milano, Italy. The starting point of the research was established in the hypothesis that technics have tertiarised memory (Stiegler B., 1994), that knowledge is always founded on an ontological pessimism (Queneau R., 1933, Lyotard F., 1979) and on a perpetual process of the generation of meaning (Gadda C., 1923-29, Foucault M., 1966). Knowledge is always and inevitably linked to the technics with which it is passed on. Pedagogy becomes a questioning of the object of knowledge, which transmutes into a definition of the ways it can be visualised. This research then, setting out from a pessimistic position in relation to knowledge and truth, amplifies them to infinite possible forms and therefore causes a dual shift of philosophy towards art and of pedagogy towards hermeneutics. The methodology consisted of a textual and visual description of a territory in a cartography of meaning, seen as the relation between intuition and the way in which practices as knowledges, arts, form remnants.
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Fernandes, José Carlos Silvestre. "A estética do erro digital." Pontifícia Universidade Católica de São Paulo, 2010. https://tede2.pucsp.br/handle/handle/18260.

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Made available in DSpace on 2016-04-29T14:23:54Z (GMT). No. of bitstreams: 1 Jose Carlos Silvestre Fernandes.pdf: 2842549 bytes, checksum: 564b7814528253ff647a36247f79cc8c (MD5) Previous issue date: 2010-02-19<br>This dissertation proposes an outline of an aesthetics of the error in Digital Art. We start with a survey of works in Digital Art that explore the theme of the error, and advance a rigorous definition of what we call error, to introduce our main hypothesis: that the error is a revealing of the Materiality of Informatics. We investigate the particularities of this materiality and this revealing, fundamented in authors such as Hayles, Kittler, Simondon and Fuller. Next, we consider the cultural reverberations of the error state from this revealing of materiality: its subversive connotations, its association with hacker culture, and its sub-text of nostalgia. Our main sources for this second part are Kittler, Stiegler and Pias. Throughout our theoretical discussion, we analyse the works of many artists to demonstrate how each of these themes and concerns are explored therein; we give particular attention to the works of Ant Scott, JODI, and Cory Arcangel. We adopt, however, an anti-hermeneutic approach to most works, molded after the practice of Friedrich Kittler: an emphasis in the technical and social systems implicated rather than in interpretation and a search for meaning contained in the works themselves. We hope to finally present a theoretical framework which may support the analysis and exploration of the aesthetics of error, a fairly unprecedented topic. Moreover, much of our discussion is of interest in fields beyond Digital Art<br>Esta dissertação propõe-se a esboçar os princípios de uma estética do Erro na Arte Digital. Principiamos com um levantamento de obras de Arte Digital que exploram o tema do erro, bem como com uma definição rigorosa de o que entenderemos por erro, para partir para nossa principal hipótese: de que o erro é um revelar da Materialidade da Informática. Investigamos as particularidades desta materialidade e deste revelar, fundamentados em autores como Hayles, Kittler, Simondon e Fuller. Em seguida, consideramos as reverberações culturais do estado de erro a partir desta revelação da materialidade: sua conotação de subversão, sua associação com a cultura hacker, e seu sub-texto de nostalgia. Nossas principais fontes, para esta segunda parte, são Kittler, Stiegler e Pias. No decorrer da explanação teórica, analisamos as obras de vários artistas para demonstrar como cada um destes temas e destas preocupações ocorre em suas obras no que toca o tema do erro; damos particular atenção para os trabalhos de Ant Scott, JODI, e Cory Arcangel. Adotamos, todavia, uma leitura anti-hermenêutica da maioria das obras, aos moldes daquela praticada por Friedrich Kittler: uma ênfase nos sistemas técnicos e sociais implicados, e não na interpretação e na busca por significados contidos nas próprias obras. Ao fim, acreditamos ter apresentado um framework teórico a partir do qual a estética do erro, um tema relativamente inédito, pode ser pensada e analisada. Além disso, muitos dos temas porque passamos tem interesse para além da Arte Digital
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Poccia, Daniele. "L’errore errante. La forma-filosofia tra pensiero delle tecniche e logica del vivente." Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL044.

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Poser la question de l’erreur implique de soulever une demande sur le statut de la philosophie, pratique finalisée, en tant que « science de la vérité » (d’après Aristote), à débusquer la possibilité dans laquelle l’erreur consiste à part entière. Corrélativement, cela équivaut à envisager le rapport entre machine et organisme, étant donné que l’erreur apparaît en fonction d’une anticipation de l’expérience (ou de sa reconsidération rétrospective) qui a partie liée avec un quelque genre d’acte créatif, vital ou artificiel. Georges Canguilhem et Raymond Ruyer ont ressentis avec force cet entrelacement, en problématisant, d’un côté, l’idée positiviste selon laquelle la technique dérive toujours d’une application du savoir scientifique et, de l’autre côté, la conception qui oppose vie et artifice. En essayant, donc, d’établir et de montrer la liaison entre ces trois domaines, la thèse parcourt l’œuvre de ces deux penseurs et illustre la manière dont l’erreur bouleverse une fois pour toutes chaque cadre ontologique fixe. La considération d’autres perspectives (Gilles Deleuze et Félix Guattari, Jean Cavaillès et l’inconnu Louis Weber) nous introduit, ensuite, à l’exigence de se référer, pour éclaircir les questions ontologiques et gnoséologiques, à la discursivité scientifique et aux logiques plurielles qu’elle déploie. Une pensée plurielle des techniques, fondée dans l’autonomie du geste et sur l’imprévisibilité de ses conséquences, devrait se rejoindre ainsi à une logique du vivant qui ne fait qu’une avec la logique – la forme – du discours philosophique. L’erreur opèrerait à l’instar d’un dispositif onto-poïétique qui requiert, néanmoins, de reconnaître une seule, véritable réalité : la recherche<br>Error is a philosophical item that involves the statute of philosophical inquiry itself, a practice which aims to track down, as such as «science of the truth» (according to Aristotle), the possibility wherein error entirely consists. In parallel, that means to understand the relation between machine and organism, because the error can appear only in function of an anticipation of experience (or its retrospective observation), entailed materially, even before cognitively, by a biological or technical creative act. Georges Canguilhem and Raymond Ruyer have explicitly considered this problem, criticizing the positivistic idea about scientific derivation of technics as well as the irreducible distinction between living beings and artificial realities. Throughout the works of these two thinkers, the dissertation attempts to explain this fundamental relationship and to set up how error subverts every effort to fix a definitive ontology. Evaluating also others perspectives (like Gilles Deleuze and Félix Guattari’s view or the Jean Cavaillès and the unknow Louis Weber’s contributions), the argumentation leads to argue, furthermore, that, to clarify gnoseological and ontological problems, it is necessary to strictly follow the scientific discursivity and the pluralistic logics laid out by it. A pluralistic technics’ thought, based on autonomous gestures and on their unpredictable consequences, has to be reconnected to a logic of life which is the same order of the logic – the form – of philosophical discourse. Error should operate like an onto-poietic device and determine only a kind of genuine reality: research
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Unverzagt, Dietrich. "Philosophia, Historia, Technica : Caspar Schotts Magia Universalis /." Berlin : dissertation.de, 2000. http://www.gbv.de/dms/goettingen/317570773.pdf.

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Teske, David L. "The comprehensive level of Kiel Elementary teachers with the philosophy of technology education." Online version, 1999. http://www.uwstout.edu/lib/thesis/1999/1999tesked.pdf.

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Cremer, Wolfgang. "Person und Technik : die phänomenologische Deutung der Technik in der Philosophie Max Schelers /." Idstein : U. Schulz-Kirchner, 1991. http://catalogue.bnf.fr/ark:/12148/cb35698514z.

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Shaker, Asaad. "Technical language and experience in the mystical philosophy of Sadr al-Din Qunavi." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ30385.pdf.

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Filonenko, Kostyantyn. "The technical vocabulary of al-Kindi in the Letter on the first philosophy /." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33891.

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The present work deals with establishing of the exact meaning of the technical terms used by al-Kindi in the longest of his extant philosophical treatises, The Letter on the First Philosophy. On many occasions, however, when the meaning of a term appeared to be obscure in the Letter, the evidence of al-Kindī's usage of such a term has had to be brought forward from his other philosophical works in order to elucidate its meaning as accurately as possible.<br>Much attention has been paid to the original significance of the terms that are al-Kindī's translation of Aristotle's philosophical vocabulary. In some instances, when the difference between the Aristotelian usage and that of al-Kindī appeared to be crucial (as for example, in case of the terms ή κοvιή άίσθησις (the common sense), and al-ḥiss al-kullī (the universal sense), both usages have been given in a detailed exposition.<br>Whenever helpful to clarify the meaning of the terms, the definitions of philosophical terms given by al-Tahānawī in the Ka shshaf, have been included with the definitions proper to al-Kindī.<br>Most of the philosophical terms have been analyzed in their proper philosophical contexts, which allows not only elucidating more distinctly their meanings but also delineating the main themes of al-Kindī's philosophy.
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Shaker, Asaad. "Technical language and experience in the mystical philosophy of Ṣadr al-Dīn Qūnavī". Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=34453.

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Sadr al-Din Qunavi (605/1207-673AH/1274 CE)--stepson and pupil of Ibn $ rm sp{c}$Arabi (d. 638 AH/1240 CE)--played a pivotal role in the development of Islamic intellectual history. His contributions in the medieval period helped alter the course of mystico-philosophical tradition, which was then flourishing from Asia Minor and Persia to the major learning centers of the Arabic-speaking world. His importance was largely due to the complex mystical doctrine he expounded in the light of Ibn Sina's critique of knowledge. The age-old dilemma of knowledge was encapsulated in a famous declaration by Ibn Sina--the rationalist philosopher--who asserted that man is incapable of knowing intellectually "the realities of things," let alone the First Being. This did not imply that the realities were either unknowable in every sense, or that they did not exist. The question is in what sense and how are they knowable? It was Ibn Sina's special calling, Qunavi argued, to show the proper role and scope of reason in this quest. Philosophical knowledge may be represented chiefly through demonstrative logic, the only paradigm available to Ibn Sina. Qunavi on the other hand, set out to develop an exegetical grammar more suited to the movements of spiritual dialogue and paradox. For him, an intellectual knowledge of the "realities," in essence, rested on the relation between two distinct realities (subject and object). Yet all agreed that God's knowledge of Himself was the root of all knowledge. It had to transform utterly the distinction between the two realities. God's self-revelation is furthermore an unfolding book divulged through the infinite possibilities of linguistic construction. Mysticism's technical vocabulary had, therefore, to distinguish itself from, though without displacing, the bare skeleton of demonstrative logic.
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Books on the topic "Philosophy of technics"

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Ironic technics. Automatic Press/VIP, 2008.

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Technics and time. Stanford University Press, 1998.

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Mumford, Lewis. Art and technics. s.n.], 1990.

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Vallenilla, Ernesto Mayz. The foundations of meta-technics. University Press of America, 2004.

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Alan, Cholodenko, ed. Mass mediauras: Form, technics, media. Stanford University Press, 1996.

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Samuel, Weber. Mass mediauras: Form, technics, media. Power Publications, 1996.

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Inc, ebrary, ed. Machinic deconstruction: Literature - politics - technics. Leiden University Press, 2007.

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Technics and time, 3: Cinematic time and the question of malaise. Stanford University Press, 2011.

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Spengler, Oswald. Man and technics: A contribution to a philosophy of life. European Books Society, 1992.

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Ansell-Pearson, Keith. The transhuman condition: A report on machines, technics, and evolution. Routledge, 1997.

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Book chapters on the topic "Philosophy of technics"

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Bardin, Andrea. "Magic, Technics and Culture." In Philosophy of Engineering and Technology. Springer Netherlands, 2015. http://dx.doi.org/10.1007/978-94-017-9831-0_10.

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Quintanilla, Miguel A. "The Incompleteness of Technics." In Spanish Studies in the Philosophy of Science. Springer Netherlands, 1996. http://dx.doi.org/10.1007/978-94-009-0305-0_4.

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Vallenilla, Ernesto Mayz. "Meta-Technics as the Philosophical Expression of the New World." In Philosophy of Latin America. Springer Netherlands, 2003. http://dx.doi.org/10.1007/978-94-017-3651-0_14.

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Nan, WANG. "Ancient Chinese Attitudes toward Technics: Chinese Philosophy of Technology Prior to the 1800s." In Philosophy of Engineering, East and West. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-62450-1_6.

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Fornet-Betancourt, Raúl. "Two Philosophical Approaches to the Problem of Technics and Their Meaning for Latin America." In Philosophy of Technology in Spanish Speaking Countries. Springer Netherlands, 1993. http://dx.doi.org/10.1007/978-94-011-1892-7_21.

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Vermaas, Pieter, Peter Kroes, Ibo van de Poel, Maarten Franssen, and Wybo Houkes. "Technical Artefacts." In A Philosophy of Technology. Springer International Publishing, 2011. http://dx.doi.org/10.1007/978-3-031-79971-6_2.

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Maltz, Michael D., Andrew C. Gordon, and Warren Friedman. "Philosophy Underlying the Technical Approach." In Mapping Crime in Its Community Setting. Springer New York, 1991. http://dx.doi.org/10.1007/978-1-4612-3042-7_5.

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Kroes, Peter. "Technical artefacts." In Philosophy of Engineering and Technology. Springer Netherlands, 2012. http://dx.doi.org/10.1007/978-94-007-3940-6_2.

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Artosi, Alberto. "Technical Normativity." In Philosophy of Engineering and Technology. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-54522-2_10.

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Sutton, David. "Socio-Technical Systems: Technique or Philosophy?" In Computer Supported Cooperative Work. Springer London, 2000. http://dx.doi.org/10.1007/978-1-4471-0411-7_7.

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Conference papers on the topic "Philosophy of technics"

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Pateva, Radost. "Philosophical foundations of technological determinism: Social importance of machine and technology." In 8th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2022. http://dx.doi.org/10.32591/coas.e-conf.08.20213p.

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This article examines the social-philosophy concepts in the works of Lewis Mumford, mainly in his Technics and Civilization (Routledge &amp; Kegan Paul PLC, Year: 1934), and Jacques Ellul, mainly in his The Technological System (1980, The Continuum Publishing Corporation, originally published as Le Système technicien by Calmann-Lévy Copyright Calmann-Lévy, 1977). The first part of the article discusses Louis Mumford's concept of the Machine as a product of the historical, cultural and axiological achievements of Western civilization. The second part of the article focuses on Jacques Ellul’s reflections on the differences between the classical industrial age and the “third wave” of technology. Both parts concern themselves with the tremendous social changes brought about by the technological breakthroughs. Finally, in the form of an extended conclusion, the article offers a comparison of the social effects of technological progress the way both authors see them.
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Kasahara, Naoto, and Takuya Sato. "Difference of Strength Evaluation Approach Between for DBE and for BDBE." In ASME 2017 Pressure Vessels and Piping Conference. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/pvp2017-65478.

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Preparation for beyond design basis events (BDBE) becomes important as the lessons learned from the Fukushima Daiichi nuclear accident. The objective of strength evaluation for design basis events (DBE) is a confirmation to prevent structural failure for assumed events. For BDBE, main objectives are weak point survey, deterministic and probabilistic risk assessment, and planning of countermeasures including potable equipment and accident management. According to the above objectives, strength evaluation approach have to be different between for DBE and for BDBE. (1) DBE Conservative approach to prevent of failure. Design by analysis concept is basically adopted Assumption of hypothetical failure modes to prevent actual failure modes Stress criteria to bond actual strength Elastic analyses for conservative loading assumption Design factor to bound uncertainties (2) BDBE Best estimation of failure behavior with uncertainties to plan mitigations Identification of realistic failure modes to identify failure consequences Criteria by dominant parameters of failure phenomena Inelastic analyses for realistic loading prediction Probabilistic evaluation to quantify uncertainties. Strength evaluation concept has not yet been established for BDBE. It is necessary to discuss from basic philosophy to make sharable concepts. Adequate criteria is required to meet above concepts. Instead of stress, strain is one of candidate. New evaluation technics are desired to satisfy above criteria. This paper indicates the direction of strength evaluation for BDBE with same examples proposals. Its aims is to promote international discussions and to implement new technologies to actual countermeasures against BDBE.
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Mendybaev, S. K. "How can philosophy at the Technical University." In IV International Conference on development of education and psychological science in Eurasia. East West Association GmbH, 2016. http://dx.doi.org/10.20534/iv-e-conf-ped-psych-4-50-53.

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Barr, Valerie. "Session details: Philosophy." In SIGCSE10: The 41st ACM Technical Symposium on Computer Science Education. ACM, 2010. http://dx.doi.org/10.1145/3254213.

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Hanson, Bernold M. (Bruno). "Presidential address: Exploration philosophy." In SEG Technical Program Expanded Abstracts 1986. Society of Exploration Geophysicists, 1986. http://dx.doi.org/10.1190/1.1893009.

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Berkhout, A. J., and C. P. A. Wapenaar. "Delft philosophy on inversion of elastic data." In SEG Technical Program Expanded Abstracts 1988. Society of Exploration Geophysicists, 1988. http://dx.doi.org/10.1190/1.1892416.

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Hauer, Tomas. "POLITICAL ONTOLOGY OF TECHNICAL IMAGES OR ANYBODY CAN BE THE HUNDREDTH MONKEY." In SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s11.105.

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Dean, David R., and Joseph N. Paranto. "System Design Philosophy For Laser Radar Wavelength Determination." In SPIE 1989 Technical Symposium on Aerospace Sensing, edited by Richard J. Becherer. SPIE, 1989. http://dx.doi.org/10.1117/12.960567.

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Barbosa, J. R., A. S. Takeda, J. F. C. Monteiro, M. T. Mendonca, and K. W. Ramsden. "A Small Gas Turbine for Drone Aircraft: Design Philosophy." In ASME 1990 International Gas Turbine and Aeroengine Congress and Exposition. American Society of Mechanical Engineers, 1990. http://dx.doi.org/10.1115/90-gt-196.

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Low cost, and low weight, turbojet engines for RPV applications are being developed by the Aerospace Technical Centre in Brazil. A simple turbojet developing 320 N thrust is described which has been designed, manufactured and tested, succesfully matching its performance goals. Another turbojet developing 1000 N thrust has been designed and is currently being manufactured. This report describes the design philosophy adopted.
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Pattis, Richard E. "A philosophy and example of CS-1 programming projects." In the twenty-first SIGCSE technical symposium. ACM Press, 1990. http://dx.doi.org/10.1145/323410.319076.

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Reports on the topic "Philosophy of technics"

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Obua, Steven. Philosophy of Abstraction Logic. Steven Obua (trading as Recursive Mind), 2021. http://dx.doi.org/10.47757/pal.1.

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Abstraction Logic has been introduced in a previous, rather technical article. In this article we take a step back and look at Abstraction Logic from a conceptual point of view. This will make it easier to appreciate the simplicity, elegance, and pragmatism of Abstraction Logic. We will argue that Abstraction Logic is the best logic for serving as a foundation of mathematics.
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Obua, Steven. Philosophy of Abstraction Logic. Steven Obua (trading as Recursive Mind), 2021. http://dx.doi.org/10.47757/pal.2.

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Abstraction Logic has been introduced in a previous, rather technical article. In this article we take a step back and look at Abstraction Logic from a conceptual point of view. This will make it easier to appreciate the simplicity, elegance, and pragmatism of Abstraction Logic. We will argue that Abstraction Logic is the best logic for serving as a foundation of mathematics.
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Mracek Dietrich, Anna, and Ravi Rajamani. Unsettled Issues Regarding the Certification of Electric Aircraft. SAE International, 2021. http://dx.doi.org/10.4271/epr2021007.

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The aerospace industry is beginning to grapple with the reality of certifying electric aircraft (EA), signaling the maturing of the field. Many players are ramping up their activities to respond to imminent technical, safety, and regulatory requirements. While there are gaps in EA knowledge as well as the processes for certifying them, some leading standards development organizations (SDOs) such as SAE International, ASTM International, and RTCA—ably supported by representatives from regulatory agencies—are stepping in to address many of these issues. Of special importance are the new rule changes in the normal category (14 CFR Part 23, Amendment 64) that shift from a prescriptive philosophy to “performance-based rules.” Regarding system knowledge, there has been a trend in the use electrical energy to power systems that have long employed mechanical hydraulics. In the new EA paradigm, these components will be employed at criticality levels not previously witnessed in conventional aircraft, calling for a specific set of certification demands. Unsettled Issues Regarding the Certification of Electric Aircraft tackles the certification challenges faced by EA manufacturers in both the small (normal) and large (transport) categories, addressing technical, business, and process issues.
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Makhachashvili, Rusudan K., Svetlana I. Kovpik, Anna O. Bakhtina, and Ekaterina O. Shmeltser. Technology of presentation of literature on the Emoji Maker platform: pedagogical function of graphic mimesis. [б. в.], 2020. http://dx.doi.org/10.31812/123456789/3864.

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The article deals with the technology of visualizing fictional text (poetry) with the help of emoji symbols in the Emoji Maker platform that not only activates students’ thinking, but also develops creative attention, makes it possible to reproduce the meaning of poetry in a succinct way. The application of this technology has yielded the significance of introducing a computer being emoji in the study and mastering of literature is absolutely logical: an emoji, phenomenologically, logically and eidologically installed in the digital continuum, is separated from the natural language provided by (ethno)logy, and is implicitly embedded into (cosmo)logy. The technology application object is the text of the twentieth century Cuban poet José Ángel Buesa. The choice of poetry was dictated by the appeal to the most important function of emoji – the expression of feelings, emotions, and mood. It has been discovered that sensuality can reconstructed with the help of this type of meta-linguistic digital continuum. It is noted that during the emoji design in the Emoji Maker program, due to the technical limitations of the platform, it is possible to phenomenologize one’s own essential-empirical reconstruction of the lyrical image. Creating the image of the lyrical protagonist sign, it was sensible to apply knowledge in linguistics, philosophy of language, psychology, psycholinguistics, literary criticism. By constructing the sign, a special emphasis was placed on the facial emogram, which also plays an essential role in the transmission of a wide range of emotions, moods, feelings of the lyrical protagonist. Consequently, the Emoji Maker digital platform allowed to create a new model of digital presentation of fiction, especially considering the psychophysiological characteristics of the lyrical protagonist. Thus, the interpreting reader, using a specific digital toolkit – a visual iconic sign (smile) – reproduces the polylaterial metalinguistic multimodality of the sign meaning in fiction. The effectiveness of this approach is verified by the poly-functional emoji ousia, tested on texts of fiction.
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