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Journal articles on the topic 'Phonosymbolisme'

Author: Grafiati

Published: 25 January 2025

Last updated: 31 July 2025

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1

Bidaud, Samuel. "Le phonosymbolisme des morphèmes du français." Travaux de linguistique 75, no. 2 (2017): 81. http://dx.doi.org/10.3917/tl.075.0081.

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2

Bologna, Maria Patrizia. "Langage et expressivité chez august friedrich pott." Historiographia Linguistica 22, no. 1-2 (1995): 75–90. http://dx.doi.org/10.1075/hl.22.1-2.04bol.

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Résumé Cet article traite de la manière dont August Friedrich Pott (1802–1887), l’un des représentants de la linguistique générale allemande au XIXe siècle, s’occupe de certains faits linguistiques que l’on peut compter parmi les manifestations de l’expressivité dans le langage, à savoir les interjections, les mots onomatopéiques, les procédés phonétiques revenant au phonosymbolisme et le redoublement. On note que l’intérêt porté par Pott à ce sujet s’inscrit dans l’intérêt plus général pour l’analyse de 1’ ‘aspect intérieur’ de la langue, en d’autres termes, dans le cadre d’une ébauche de thé

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3

Rozycki, William. "Phonosymbolism and the Verb cop." Journal of English Linguistics 25, no. 3 (1997): 202–6. http://dx.doi.org/10.1177/007542429702500303.

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4

Contini, Michel. "Les phonosymbolismes : continuité d'une motivation primaire ?" Travaux de linguistique 59, no. 2 (2009): 77. http://dx.doi.org/10.3917/tl.059.0077.

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5

N. Dworkin, Steven. "Comparative reconstruction, phonosymbolism and Romance etymology." Zeitschrift für romanische Philologie 139, no. 3 (2023): 892–903. http://dx.doi.org/10.1515/zrp-2023-0035.

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6

Andriiva, S. S. "STUDYING PHONOSEMANTIC PHENOMENA IN A LITERARY TEXT." Writings in Romance-Germanic Philology, no. 2(53) (December 17, 2024): 4–14. https://doi.org/10.18524/2307-4604.2024.2(53).323934.

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Natural language is a multifaceted and multidimensional phenomenon that goes beyond the limits of an exclusively mental phenomenon. As a real object of research, it appears in two forms: in live speech and in written texts, which open up space for analysis of both psycholinguistic and sociocultural nature. The phonosemantic interpretation of linguistic nomination makes it possible to capture universal semantic patterns that describe both general ways of human cognition and specific features of the linguistic and cultural thinking of a particular people or ethnic group. There are two approaches

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7

Savchuk, Tetiana. "THE RETROSPECTIVE OF THE PHONOSEMANTISM FORMATION AND PHONOSEMANTIC REALITIES IN ENGLISH." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 11(79) (2021): 38–41. http://dx.doi.org/10.25264/2519-2558-2021-11(79)-38-41.

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The scientific search for phonosemantic realities, carried out in modern promising areas of linguistic research, contributes to the determination of language cognitive capabilities. In the study of language, linguists actively use new principles, which require integration from different sciences to understand language carrier and diverse aspects of the human thinking process, to extensively analyse a wide range of language functions, and to profoundly explain linguistic phenomena. Phonosemantics is now a certain linguistic branch of psycholinguistics, which has gone through several stages of i

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8

Londero, Carlo. "Assenze/presenze." Polisemie 1 (April 3, 2020): 85–97. http://dx.doi.org/10.31273/polisemie.v1.608.

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Maxime Cella (Rueil-Malmaison, France, 1980 - Udine, Italy, 2019) was a poet and translator. He began publishing his first poems in 2009 and in 2011 the booklet Dieci poesie (‘Ten Poems’) was released. This essay offers a purely formalistic reading of the posthumously published Foss’io colui (‘Were I the one who’). After analysing the metrical aspects of the poem, the paper looks at the function of the “step verses” in order to evaluate its effect on versification and on the setting of the mise en page, which will be further examined in light of rhymes’ suffixes. Before concluding on a note on

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9

Musadin L., Kardanov. "The problem of determining the sound root and its semantics using the example of one sound of the Kabardino-Circassian language." Kavkazologiya 2025, no. 1 (2025): 275–85. https://doi.org/10.31143/2542-212x-2025-1-275-285.

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Additional analysis in determining the semantics of sound roots, which in Adyghe studies are con-sidered non-independent root elements, allows us to conclude that in the modern Kabardian-Circassian language, grammaticalized morphemes were once carriers of certain meanings. Based on the identified micro-meanings of sounds that allow us to decipher words, we put forward a hy-pothesis about the hierarchy of sounds in them, which is confirmed in examples from the lan-guage. This is a new approach not only in Adyghe studies but also in linguistics in general for de-termining the meaning of a word.

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10

Dworkin, Steven N. "Yakov Malkiel. Diachronic Problems in Phonosymbolism. Edita and Inedita, 1979-1988, Volume 1. Amsterdam: John Benjamins, 1990. Pp. 274." Canadian Journal of Linguistics/Revue canadienne de linguistique 36, no. 4 (1991): 382–85. http://dx.doi.org/10.1017/s0008413100014523.

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11

Whissell, Cynthia. "Phonosymbolism and the Emotional Nature of Sounds: Evidence of the Preferential Use of Particular Phonemes in Texts of Differing Emotional Tone." Perceptual and Motor Skills 89, no. 1 (1999): 19–48. http://dx.doi.org/10.2466/pms.1999.89.1.19.

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12

Picciuolo, Andrea. "Petite exploration d’une « géographie affective ». La fonction mythopoïétique du phonosymbolisme dans le Muu igala." Signifiances (Signifying) 3, no. 1 (2019). http://dx.doi.org/10.52497/signifiances.v3i1.236.

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On discutera dans cet article la thèse soutenue pour la première fois par Lévi-Strauss dans un essai intitulé « L’efficacité symbolique » (publié en 1949), concernant en particulier l’efficacité performative transmodale du Muu Igala, un chant rituel du peuple guna et, plus en général, la fonction perlocutoire du mythe. Deuxièmement, on présentera la glose, et en partie la réfutation de la thèse de Lévi-Strauss, formulées par l'un de ses élevés les plus célèbres, Carlo Severi ; cela nous aidera à introduire le thème de la fonction mythopoïétique du symbolisme phonique dans le Muu Igala, objet d

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13

Hernández Sacristán, Carlos. "Phonosymbolic Drive: More about Ergonomics in Language." Signifiances (Signifying) 7, no. 1 (2024). http://dx.doi.org/10.52497/signifiances.v7i1.362.

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Phonosymbolism can be considered a universal phenomenon of language. Although the materiality of the linguistic sign is associated with its meaning with a high degree of conventionality, a substratum of iconism persists (and is even required) in the configuration of the expressive means of any natural language. Phonosymbolism is thus far from being an anecdotal fact, as has often been suggested. In the following study I will try to answer some questions that allow us to support this ‘need’ for an iconic link between expressive means and meaning, which could be characterized in terms of a ‘phon

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14

Smith, Chris. "Approche cognitive diachronique de l’émergence du phonesthème fl- : réanalyse phonosymbolique et transmodalité dans le lexique anglais (OED)." Signifiances (Signifying) 3, no. 1 (2019). http://dx.doi.org/10.52497/signifiances.v3i1.231.

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La phonosymbolique ou symbolisme phonique, principe d’iconicité fondée sur une association motivée entre forme (phonique) et sens, est un vaste sujet d’étude regroupant de multiples perspectives, notamment la psycholinguistique et la cognition. Toutefois, en linguistique traditionnelle, ce sujet reste relativement délaissé par les grands courants linguistiques, hormis la linguistique statistique et computationnelle (Hutchins 1998, Drellishak 2006, Otis & Sagi 2008, Sagi et al 2009, etc.). Dans la mesure où la phonosymbolique ne fonctionne pas à un niveau sémantico-syntaxique, son traitemen

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15

Poirot, Thierry. "La phonation wagnerienne ou le chant des passions dans la tétralogie." Revue française de musicothérapie Volume 28 n°1 (March 28, 2008). http://dx.doi.org/10.61953/rfm.2749.

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Soumission à Epi-revel Le poème du Ring des Nibelungen de Richard Wagner a subi de nombreuses critiques de la part des contemporains du compositeur. Sa modernité, paradoxalement inspirée de l’ancienne poésie germanique en Stabreim, se justifie par le désir de retranscrire l’émotion au travers du vers poético musical. Wagner invente une phonation particulière dont la signification fut pressentie par Hans von Wolzogen, contemporain et ami de Richard Wagner. Wolzogen reste principalement connu de nos jours pour son guide musical du Ring, dans lequel il proposa ses Leitmotive à un public, qui en a

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