Relevant bibliographies by topics / Photo Essays

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Photo Essays'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Photo Essays"

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Negara, I. Dewa Putu Ari Kresna Artha, I. Wayan Karja, I. Komang Arba Wirawan, and Ni Wayan Ardini. "MAKEPUNG TRADITION: AESTHETICS OF ESSAY PHOTOGRAPHY THROUGH EDFAT AND SKIN MEDIA TRANSFER." Journal of Aesthetics, Design, and Art Management 2, no. 2 (October 28, 2022): 120–26. http://dx.doi.org/10.58982/jadam.v2i2.260.

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Purpose: This study is to identify the makepung tradition in Jembrana Regency, Bali, through essay photography. Research methods: The process of creating this photographic work begins with designing a concept with ideas, themes, and objects to be created, namely the makepung tradition in essay photography. The EDFAT theory, namely entire, detail, frame, angle, and time is applied as the basis for the theory of creation. Cowhide is used as a print medium for the photo essay. The process starts from skin selection, drying, and editing to printing photos on the leather media. Findings: Makepung is the peak of the joy of the farmers in being grateful for their harvest. Photographic essays in the series photo genre are composed of pure photographic works, into photos with writings that aim to tell the tradition. The photo works convey messages through photo essays of the tradition. Implications: This creation can provide new experiences for creators and the community to make photo essays or series so that people know the series of makepung tradition events from beginning to end.
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Warnaby, Gary. "An Essay on Photo Essays." Journal of Customer Behaviour 21, no. 1 (September 8, 2022): 15–25. http://dx.doi.org/10.1362/147539222x16620495972464.

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Moores, Eldridge M. "Photo essays." Geology 13, no. 4 (1985): 312. http://dx.doi.org/10.1130/0091-7613(1985)13<312:pe>2.0.co;2.

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Setiawan, Deddy, Tisna Prabasmoro, and Widyo Nugrahanto. "Foto Esai Sepak Bola di Museum Olahraga Nasional: Nostalgia dan Komunitas Terbayang." JURNAL LENSA MUTIARA KOMUNIKASI 6, no. 2 (December 28, 2022): 226–41. http://dx.doi.org/10.51544/jlmk.v6i2.3297.

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People engage in nostalgia through museums and their experiences, but little study has been done to link the three. The article places photo essays at the National Sports Museum as a trigger for visitors' memories of events in photos related to self-identity and the nation. It explains the projection of collective identity when the visitors revisit their old memories while consuming the event documentation in the photo essays, and places the photo essays as a medium for imagined community nostalgia. The article argues that the photo essays not only help restore visitors' memories and knowledge but also build personal and collective identities that foster a sense of belonging and inclusion.
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STEWART, MICHELLE, and VIVIAN CHOI. "CALL FOR DIGITAL PHOTO ESSAYS." Cultural Anthropology 28, no. 1 (February 2013): iii. http://dx.doi.org/10.1111/cuan.12008.

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Crowder, Jerome W., and Elizabeth Cartwright. "Thinking through the Photo Essay: Observations for Medical Anthropology." Medicine Anthropology Theory 8, no. 1 (April 14, 2021): 1–13. http://dx.doi.org/10.17157/mat.8.1.5110.

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As photography becomes more prevalent in ethnographic research, scholars should more seriously consider the photo essay as a medium for sharing their work. In this Position Piece, we present guidelines for the creation of ethnographic photo essays for medical anthropology that do not simply combine image and text, but create a balance that allows words to provide context for the image(s) and images to reinforce or challenge the text. We feel there are three basic elements every photo essay must consider that are informed by the theory and practice of visual anthropology. While a solid background in visual anthropology is not necessary to produce a successful photo essay, being mindful of these three elements in relation to your work will help you develop a photo essay that combines the best of what both media offer your audience.
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Ortiz-Echagüe, Javier. "Mundo Hispánico versus Life: “Spanish Village” by W. Eugene Smith and the Debate over Spain in Illustrated Magazines (1949-1952)." Communication & Society 27, no. 1 (December 18, 2019): 23–57. http://dx.doi.org/10.15581/003.27.36012.

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Around 1950 there was an intense debate about U.S. aid to Francoist Spain. American magazines such as Look and Life devoted attention to the Spanish issue, and used photo essays to visually argue their positions. This article seeks to examine how this controversy was created through these photo essays that appeared in American magazines, the reaction of the Spanish public, and the response to American critics by magazines such as Mundo Hispánico and Semana. These cases demonstrate how part of the debate was also an image campaign structured around photo essays published in said illustrated magazines.
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Kazamias, David. "'This is My City' - Reading Photo-Essays by my Berlin Pupils." FORUM 65, no. 2 (July 10, 2023): 97–107. http://dx.doi.org/10.3898/forum.2023.65.2.10.

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This paper offers readings of three examples from a photo-essay project undertaken in 2022 by a group of Year 7 pupils in Berlin. Many of the photo-essays centred on locations like schools, parks and shops, but also included places of worship, the graves of ancestors and evidence of family ties in other cities. Mirroring the practices of the longstanding FORUM editor Michael Armstrong, I explore and reflect on how my pupils interact with the city and how the city interacts with the educational identities of my pupils.
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Becker, Karin. "Protest in the Photo Essay: Following Tradition or Breaking New Ground?" Protest, Vol. 4, no. 2 (2019): 62–67. http://dx.doi.org/10.47659/m7.062.art.

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The photo essay, a form of visual journalism that arose during the era of the picture magazines, has reemerged as a regular feature of global news channels, including CNN, BBC World, and, notably, Al Jazeera English, recognized for its live reporting of political unrest. In 2017, a year marked by protest around the world, AJE published over 200 photo-series, including 37 on public protest. An analysis based in a four-year study of protest on screen, revealed that these photo essays share characteristics that in turn distinguish them from video broadcasts of public protests. The photo-reportage on screen, like its classic forerunner in print, employs a variety of visual perspectives and focuses on participants who are often quoted and identified by name. Scenes of public protest are complemented by visual and textual reporting from the private/domestic sphere. This visual strategy, in contrast to the immediacy of video coverage from the streets, supports knowledge of the protest issue and engagement with its participants. Keywords: Al Jazeera English, global television news, news galleries, photo essay, photojournalism, public protest
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Yeyentimalla, Yeyentimalla, Agnescia Clarissa Sera, and Doni Marisi Sinaga. "The First International Seminar Poltekkes Kemenkes Palangka Raya: A Journey Full of Meaning." GHMJ (Global Health Management Journal) 5, no. 2 (December 13, 2022): 165–70. http://dx.doi.org/10.35898/ghmj-52945.

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Poltekkes Kemenkes Palangka Raya in collaboration with Indonesian Scholars’ Alliance and Global Health Management Journal (GHMJ) successfully held the first international seminar on November 9, 2020. The seminar which took place online in the midst of the raging Coronavirus Disease 2019 (COVID-19) pandemic raised the theme “The New Normal: Creating A Pleasant Virtual Communication”. Five speaker from four countries namely Prof Andrew J. Macnab (Canada), Sr. Merceditas O. Ang, SPC (Philippines), Eva Berthy Tallutondok, M.Sc. (Taiwan), Dr. Yeyentimalla (Poltekkes Kemenkes Palangka Raya, Indonesia), and Prof. Sri Suryawati (Universitas Gadjah Mada, Indonesia) synergizes to convey ideas on how to create fun virtual communication actors. During the pandemic, we do not communicate face-to face, but instead switch to communication using technological devices and chating application. Adequate understanding is needed to be able to communicate with other people virtually where messages are conveyed well and at the same time happy. The journey to the seminar in about four months presents a variety of emotions with negative and positive valences. For example, how to create a seminar participant and photo essays registration website with an inexperienced committee and communication is done virtually. In many ways we argued loudly. This level of difficulty is quite high. Virtual communication is different from face-to-face. We have to be more selective with words because intonation and gesture are absent in communication via WhatsApp and Facebook Messenger. We optimize virtual communication right before we teach it to seminar attendees! This is so much fun! Pandemic may isolate our body, not our ideas. The international seminar was held on Monday, November 9, 2020, to coincide with the 19th anniversary of the founding of the Poltekkes Kemenkes Palangka Raya. In accordance with the health protocol during the COVID-19 pandemic, the online committee from home and from their respective workspaces does not gather in one room. Seminar participants attended the Zoom room after previously registering through the website. At the end of the registration period, 32 photo essays obtained. The details are 16 photo essays from the Department of Nursing, 9 photo essays from the Department of Midwifery, and 7 photo essays from the Department of Nutrition. On November 9, 2020, after the seminar was over, 9 photo essays winners from 9 categories were announced, and been published at the Global Health Management Journal as 2022’s Special Edition, following the standard guidelines for Photo Essays.
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Dissertations / Theses on the topic "Photo Essays"

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Cavallini, Denise Meirelles. "Adentro." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-05032013-104440/.

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A pesquisa inicialmente intitulada: \"Retratos da Serra da Canastra\", teve como proposta a realização de um ensaio fotográfico autoral. Com o intuito de promover a reflexão sobre a construção do livro de autor e sobre os processos de edição da produção artística em suas finalidades específicas, o resultado previsto foi a criação de um livro e a realização de uma exposição.
Originally titled as \"Portraits of the Serra da Canastra\", the research looked to do a photographic essay. Aiming to promote reflection on the construction of an artist\'s book and about edition processes of artistic production in their specific purposes, the expected result was the creation of a book and perform an exhibition.
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Voninski, Tamara. "The Glitzy Glamour Glitter Girls: Drag Queens, Visual Ethnography and the Ciné Photo-essay." Thesis, The University of Sydney, 2019. https://hdl.handle.net/2123/21736.

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The central argument of the project The Glitzy Glamour Glitter Girls: Drag Queens,Visual Ethnography and the Ciné Photo-essay is that visual and cinematic essays created by artists can operate as a form of visual ethnography. The project, therefore, broadens social understandings of subcultures. The aim is to photograph and film a specific group of drag queens, following their lives and ideas over a 20-year period. The traditional approach of anthropology includes a historical distrust of the visual as scientific data. Within this research project, the practice and boundaries of visual ethnography will be mapped in the friction and fissures created from the intersection of art and social science in practice-led research. The research expands the classifications within the practice and theory of visual ethnography from the distinct genres of photography and film in visual research to include a new hybrid visual form that I designate as ciné moments and the ciné photo-essay. The project uses the archival material of a black-and-white photographic essay captured by the photographer turned filmmaker/researcher as a catalyst to create a new body of work using still and moving images. The research project rememorialisesphotographs taken in The Laneway, which is actually a series of laneways off Hill Street in Surry Hills in Sydney, Australia, during public street parties after gay and lesbian events such as Mardi Gras and Sleaze Ball. The original photographs depict three drag queens, known as the Glitzy Glamour Glitter Girls, and street culture that has disappeared. The photo-essay is an under-theorised subject area within the trajectory of documentary history, according to theorists Timothy Corrigan in The Essay Film: From Montaigne, After Marker (2011) and Philippe Mather in Stanley Kubrick at Look Magazine: Authorship and Genre in Photojournalism and Film (2013). The photo-essay, a series of still photographs that creates a narrative or statement, has been historically tied to print media and photojournalism. The demise of traditional print outlets in the media and the proliferation of online slideshows through the internet have created new horizons for the photo-essay to expand. This project will explore the still and moving essayistic in visual media to find the gaps and overlaps between the traditional and experimental aspects of visual ethnography. Lens-based visual artists and anthropologists Sarah Pink, Trinh T. Minh Ha and Anna Grimshaw expand the margins of the visual within the trajectory of ethnography and methodology. The Glitzy Glamour Glitter Girls: Drag Queens, Visual Ethnography and the Ciné Photo-essay weaves still and moving images into a hybrid form that lifts the mask off a subculture of drag queens in Sydney. The PhD thesis comprises an installed exhibition of still and moving images as a film projection (in an art gallery space) and an exegetical document of 50,000 words that will explicate the methodological process and disciplinary context of the research.
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Mace, Alain. "Essai de photo-interprétation a l'échelle parcellaire, appliqué au drainage agricole." Dijon, 1985. http://www.theses.fr/1985DIJOS063.

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Le sol est à la fois un support physique des végétaux et un milieu de stockage de l'eau et des éléments nutritifs. Il est le siège de mouvements des fluides qui sont fortement influencés par l'état structural. Dans les terres cultivées, l'optimisation de la production agricole s'obtient par la mise en œuvre de diverses techniques. L'une d'elle, le drainage est destiné à améliorer l'état hydrique et l'aération par évacuation des eaux excédentaires saisonnières ou permanentes. L'interprétation de photographies aériennes fournit plusieurs paramètres utiles, voire indispensables, pour adapter à la parcelle des réseaux de drainage
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Regan, Sarah. "Manifestations of patriotism? : a photo essay of the flag's many forms in the American West /." Online version, 2003. http://bukanza.com/flags.

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Gadelha, Camila de Paz. "Todas as casas em mim." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-01122015-100634/.

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O ensaio Todas as casas em mim investiga a relação entre os espaços da casa e o fazer fotográfico, corpo de 20 imagens produzidas em sistema digital entre 2010 e 2014.
The essay every home of myself investigate the relation between the spaces of home and the practice of photography, body of 20 images produced in digital system between 2010 and 2014.
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Kim, Lynn. "Body Language." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1587494555861933.

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Le, Maître Barbara. "L'ensemble visuel et l'idée de manque : un essai sur la relation entre film et photo." Paris 3, 1999. http://www.theses.fr/1999PA030108.

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Quelquefois, les images filmiques et photographiques confluent, puis s'imbriquent pour former des representations composites. L'ensemble visuel est le nom que je leur donne. Comment s'effectue la rencontre entre ces images ? que produit leur confrontation ? comment comprendre leur relation ? je note d'abord ceci, que la confluence opere entre des images qui sont aussi bien des empreintes. Je noteencore que l'ensemble visuel s'offre comme une representation fracturee, litteralement ecartelee entre film et photo. De la que cet ensemble fonde deux problemes theoriques, dont le premier engage la comprehension de l'image-empreinte, et le second, celle de l'agencement entre les differents morceaux du tissu representatif. Il se trouve que la pensee freudienne place l'empreinte au coeur de la mecanique du desir et suggere un modele pour comprendre la maniere selon laquelle une simple trace se fait image. A partir des reflexions de freud, j'ai tente de montrer que les empreintes filmiques et photographiques ne constituent pas uniquement des objets visuels, mais encore de veritables instruments d'un travail psychique. Autrement dit, il y a un rapport tout a fait privilegie entre l'empreinte et le desir, entre le travail de l'image et le manque, rapport qu'il s'agit d'expliciter. Les analyses d'oeuvres de robert frank, de chris marker, d'agnes varda, de johan van der keuken, d'autres encore, sont autant d'occasions d'examiner les differentes manieres selon lesquelles l'image exhibe quelque chose du desir, quelque chose qui trouve la, non seulement a s'organiser visuellement, mais encore a s'accomplir.
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Travassos, Lorena Christina Barros. "Molduras fotojornalísticas da Magnum: ensaios audiovisuais de guerra e de rituais de fé." Universidade Federal da Paraí­ba, 2014. http://tede.biblioteca.ufpb.br:8080/handle/tede/4486.

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Made available in DSpace on 2015-05-07T14:46:44Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 2333831 bytes, checksum: 56729f3d1db9477d1072c626b9c92d09 (MD5) Previous issue date: 2014-02-07
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The research aims to study into photojournalism essays that form part of the project "Magnum in Motion produced by the photo agency Magnum, available on the internet and accessible to participator. The study's central purpose is to examine the use of communication and artistic framing assigned to the limits of images in the essays Theater of War (2011) by Moises Saman and Entre ciel et terre (2011) by Cristina Rodero. One of the objectives will be to seek to identify the principal characteristics of the framework identified in the essays: the first essay depicts the last days of former dictator Muammar Gaddafi in the midst of a civil war known as the Libyan Revolution, the second deals with the dualities of different peoples cultural traditions and paganism rituals. The frames of the images delimit information whilst at the same time expressing esthetic feelings, always from the photographers point of view, constituting an audio-visual language of its own, with their own repertoire, combination rules and use. Our theoretical framework for the study of framing uses the authors Aumont (2004, 2006), Martin (2005), Nöth (2006) and Deleuze (1983). Our methodological procedure will be to take into account the dynamic of each essay, maintaining initially a spontaneous contact with the material then moving to define reading strategies such as to identify types of framing, examine forms of image cropping and other significant journalistic and artistic functions.
A pesquisa compreende o estudo de ensaios fotojornalísticos que integram projeto Magnum in Motion, produzido pela agência fotográfica Magnum, disponíveis na internet e acessados por um sujeito participador. O propósito central é examinar o uso comunicacional e artístico de molduras atribuídos aos limites das imagens, nos ensaios Theater of War (2011), de Moises Saman e Entre ciel et terre (2009), de Cristina Rodero. Dentre os objetivos buscamos identificar as principais características de enquadramentos/molduras encontradas nos ensaios: o primeiro, retrata os últimos dias do ditador Gaddafi na Líbia em meio a uma guerra civil chamada de Revolução Líbia; o segundo, aborda as dualidades das tradições religiosas de diferentes povos e rituais pagãos. Os enquadramentos de imagens jornalísticas delimitam informações e ao mesmo tempo expressam aspectos estéticos, de acordo com o ponto de vista do fotógrafo, constituindo uma linguagem audiovisual própria, com seus repertórios e suas regras de combinação e de uso. O nosso aporte teórico para o estudo de enquadramentos/molduras utiliza os autores Aumont (2004, 2006), Martin (2005), Nöth (2006) e Deleuze (1983). Como procedimento metodológico, levamos em conta a dinâmica de cada ensaio fotojornalístico, mantendo um primeiro contato espontâneo com o material para em seguida definir estratégias de leitura, tais como: identificar tipos de molduras, examinar suas formas de recorte de imagens e funções de significação jornalística e estética.
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Vicente, Carlos Edmundo Fadon. "Entre-realidades: obra artística de Carlos Fadon Vicente em fotografia e seus desdobramentos no período 1975-2015." Doctoral thesis, Universidade de Évora, 2017. http://hdl.handle.net/10174/23223.

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Entre-realidades. Obra artística de Carlos Fadon Vicente em fotografia e seus desdobramentos no período 1975–2015. Estudo crítico da obra artística de Carlos Fadon Vicente em fotografia e suas ramificações, criada no período entre 1975 e 2015, conduzido pelo próprio autor de maneira retrospectiva. O conjunto da sua produção é revisto, acompanhado de documentação compreendendo a análise de obras significativas e das ideias, em imagens e em palavras, indutoras e derivadas de sua produção imagética. São abordadas as características centrais do processo de criação e de pesquisa em fotografia, sua dinâmica e temática; apresentados seus elementos-chave; explicitadas as questões conceituais e, sobretudo, estéticas que fundamentam e perpassam as obras. Nos desdobramentos são consideradas as realizações em media art (hipermídia, imagem digital, telecomunicações) e com outros meios (artes visuais, audiovisual, televisão), bem como destacadas as interligações no conjunto da obra e as relações com a representação fotográfica. Como informações de referência têm-se a cronologia e o resumo das obras organizados por meio de expressão, a seleção de textos do autor e da fortuna crítica, e a biografia. Em adição, um extenso dossiê de obras e imagens é oferecido em formato digital, expandindo o conteúdo da tese em papel; Abstract: In-between realities. Carlos Fadon Vicente's art photography and its ramifications from 1975 to 2015. The author develops a critical analysis of his art photography and its ramifications from 1975 to 2015. The most significant works from this period are examined and documented. The dissertation also examines the main characteristics of the author’s creation and production processes, along with their dynamics and subject matter. The author focuses on the imagery and ideas that inform his production, as well as on further developments prompted by his photography. The ramifications comprise the author’s body of work in electronic art/media art (digital imaging, hypermedia, telecommunications art) and in other media (visual arts, audiovisual production, television). The dissertation emphasizes the interconnectedness of the author’s art photography with his electronic art and with the question of photographic representation. A chronology of the author's artwork organized by means of expression, a selection of the author's writings, selected essays about the author’s work, and a biographical profile are included as background information. As a supplement, a broad range of works and images are provided in digital format, stepping up the contents of the printed thesis.
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Alwazzan, Maryam. "Reframing Borders: A Study of the Veil, Writing and Representation of The Female Body In The Photo-Based Artwork of Mona Hatoum, Shirin Neshat and Lalla Essaydi." Thesis, University of Oregon, 2019. http://hdl.handle.net/1794/24534.

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For a long time, most women believed they had to choose between their Muslim or Arab identity and their belief in social equality of sexes. It was almost impossible to choose between either betraying their religious beliefs or their desires for social, political and economic justice, up until an upsurge of a feminist sentiment started to grow among women who were seeking to reclaim the Islamic paradigm and the Quran for themselves in the late nineteenth century (Bardan, 2005). During that time, contemporary female artists from the Arab and Muslim worlds started to create their own tools in their fight against oppressive patriarchal societies in order to express their feminine powers and renegotiate their identities. In this thesis, I analyze the feminist tools used in paradigmatic photo-based artworks by three contemporary female artists from the Arab and Muslim worlds: Mona Hatoum, Shirin Neshat, and Lalla Essaydi.
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Books on the topic "Photo Essays"

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Juříková, Magdalena, and Pavlína Vogelová. Antonín Kratochvíl: Fotoeseje = photo essays. Praha: Galerie hlavního města Prahy, 2020.

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Eissfeldt, Dörte. Pol. München: Nazraeli Press, 1992.

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Lacayo, Richard. Eyewitness: 150 years of photojournalism. New York: Time, 1995.

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Lacayo, Richard. Eyewitness: 150 years of photojournalism. New York: Time, 1990.

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1947-, Russell George, ed. Eyewitness: 150 years of photojournalism. 2nd ed. New York: Time Books, 1995.

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1934-, McCormick Virginia E., ed. Worthington landmarks: Photo-essays of historic Worthington properties. Worthington, OH: Cottonwood Publications, 1992.

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Egar, Ruth. The photo-essays of Life and Picture Post. Dublin: National College of Art and Design, 1998.

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Marcou, David J. The people book: Photo-essays and montages in monochrome. Kalamazoo, Mich: Speranza, 2004.

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de, Rooi Allard, ed. Algerian Sahara =: Sahara algerien. Amsterdam: Focus, 1989.

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Damrongrāchānuphāp. Phāpthāi fīphrahat: Sumāttrā, Chawā, Bālī = Photo essays : Sumatra-Java-Bali. Krung Thēp: Samnakphim Sǣngdāo, 2014.

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Book chapters on the topic "Photo Essays"

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Burba, Julie A. "Historical Photo Gallery." In Historical Essays on Meteorology 1919–1995, 581–96. Boston, MA: American Meteorological Society, 1996. http://dx.doi.org/10.1007/978-1-940033-84-6_21.

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McCarthy, Annie. "Photo-essay." In Children and NGOs in India, 94–101. Abingdon, Oxon ; New York, NY : Routledge, 2021. | Series: Routledge ASAA South Asian series: Routledge, 2021. http://dx.doi.org/10.4324/9781003100416-7.

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Walsh, Kenneth T. "Photo Essay." In The Architects of Toxic Politics in America, 109–26. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003149095-10.

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Taub, Myer. "Photo Essay." In Forests and Fences, 193–200. London: Routledge India, 2024. http://dx.doi.org/10.4324/9781003482642-11.

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Laine, Anna. "Photo-poetic essay." In Practicing Art and Anthropology, 59–85. London, UK ; New York, NY, USA : Bloomsbury Academic, 2018. |: Routledge, 2020. http://dx.doi.org/10.4324/9781003086444-4.

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Küttel, Nora Mariella. "Autoethnography and Photo-Essay." In Raum und Bild - Strategien visueller raumbezogener Forschung, 57–67. Berlin, Heidelberg: Springer Berlin Heidelberg, 2021. http://dx.doi.org/10.1007/978-3-662-61965-0_5.

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Hutton, Dean. "Graaff's Pool: a Photo Essay." In Beyond the Mountain, 147–50. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003367062-17.

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Sobers, Shawn-Naphtali. "(Teenage Bedroom) – Stuff (Photo Essay)." In Black Everyday Lives, Material Culture and Narrative, 159–65. London: Routledge, 2023. http://dx.doi.org/10.4324/9780367809621-15.

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Funk, Nathan C., and Meena Sharify-Funk. "Photo Essay on Abdul Aziz Said." In Pioneers in Arts, Humanities, Science, Engineering, Practice, 45–85. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-13905-5_2.

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Lee, Lindy. "Drag Lives Here: A Photo Essay." In Beyond the Mountain, 59–64. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003367062-7.

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Conference papers on the topic "Photo Essays"

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Huh, Youn Jung. "Myanmar Children's Play and Resilience: Analyses of Myanmar Teacher Candidates' Digital Photo Essays." In 2021 AERA Annual Meeting. Washington DC: AERA, 2021. http://dx.doi.org/10.3102/1683509.

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Im, Haesung. "Global Children's Play: Cross-Cultural Digital Photo Essays Across Myanmar, Korea, and the United States." In 2020 AERA Annual Meeting. Washington DC: AERA, 2020. http://dx.doi.org/10.3102/1572569.

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Tobis, Slawomir. "THE USE OF PHOTOGRAPHY AND PHOTO ART THERAPY IN NURSING AND PATIENTS CARE - ANALYSIS OF STUDENTS� ESSAYS." In 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015. Stef92 Technology, 2015. http://dx.doi.org/10.5593/sgemsocial2015/b11/s2.135.

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Whitehead, Sandra, and Kathleen Van Zeeland. "DEVELOPING EMPATHY FOR THE OTHER: THE USE OF BLOGS AND PHOTO ESSAYS IN INTERNATIONALLY COLLABORATIVE ONLINE LEARNING PROJECTS." In International Conference on Education and New Learning Technologies. IATED, 2016. http://dx.doi.org/10.21125/edulearn.2016.1421.

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Fuster pérez, Jaime. "La edición fotográfica en Ramón Masats." In I Congreso Internacional sobre Fotografia: Nuevas propuestas en Investigacion y Docencia de la Fotografia. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cifo17.2017.7055.

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Resumen-Abstract El Premio Nacional de fotografía 2004, Ramón Masats Tartera (Caldes de Montbui, 1931), ha sido considerado como un fotógrafo intuitivo. Sin embargo, un detenido estudio de sus fotolibros y ensayos fotográficos publicados en las revistas ilustradas, permiten revindicar otra faceta completamente desconocida: su labor como maquetador. A lo largo de su carrera Masats toma conciencia de la edición fotográfica. Desde la solitaria imagen de la noticia de un periódico, al ensayo fotográfico, entendido desde el punto de vista de E. Smith como un conjunto mayor de imágenes que profundizan y trascienden, permitiendo un reflexión más detenida de la historia que se cuenta; hasta llegar al foto libro, considerado como una unidad expresiva, un todo con significación completa: el formato más complejo de todos... Un Masats sofisticado y erudito se nos muestra consciente del montaje, del ritmo, del diálogo entre imágenes, de modo que la suma altera la percepción del conjunto. Un lenguaje que le llevará finalmente a explorar en el mundo del montaje cinematográfico y la dirección de documentales audiovisuales. En una época de auténtica explosión del fotolibro español como la que vivimos, conviene reconocer, recordar y aprender de nuestros antecedentes, de aquellos maestros en el arte de contar historias. The National Photography Prize 2004, Ramón Masats Tartera (Caldes de Montbui, 1931), has traditionally been considered an intuitive photographer. However, a careful study of his photographs and photographic essays published in illustrated magazines unveils another aspect of his craft completely unknown until now: his work as a layout artist. Throughout his career Masats pays great attention to photographic edition: from the lonely image published besides the news in a newspaper, to the photographic essay, understood from E. Smith’s point of view as “a greater set of images that deepen and transcend leading the viewers to a more detailed reflection of the story that is being told; until reaching the photo book, which is considered an expressive unit, a whole with a complete meaning: definitely the most complex format of all. A sophisticated and academic Masats reveals a whole new aspect of his personality, showing his awareness of the layout, the rhythm and the dialogue between images, so that the sum and disposition of the images alter the perception of the whole. A language that will finally lead him to explore the world of filmmaking and the direction of audiovisual documentaries. In an age in which the Spanish photobook is at its peak, it is good to look back and give credit, remember and learn from our background, from those teachers in the art of storytelling. Palabras clave: Fotolibro, narración, edición, diseño, coherencia, autoría, comunicación, ritmo, análisis. Keywords: Photobook, narration, edition, design, coherence, authorship, communication, rhythm, analysis
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Wiltshire, Richard, and Brit A. Storey. "Photo Essay: Construction Photographs of the Strawberry Valley Project, Utah." In Water Resources and Environment History Sessions at Environmental and Water Reources Institute Annual Meeting 2004. Reston, VA: American Society of Civil Engineers, 2004. http://dx.doi.org/10.1061/40738(140)1.

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Storey, Brit, and Jerry R. Rogers. "Photo Essay of Hoover Dam/Construction as the 75th Anniversary in 2010 Approaches." In Fourth National EWRI History Symposium at World Environmental and Water Resources Congress. Reston, VA: American Society of Civil Engineers, 2007. http://dx.doi.org/10.1061/40928(251)1.

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Ribeiro Rabello, Rafaelle. "Between absence and presence: Augmented Reality as a self-fiction poetic." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.105.

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This text comprises an excerpt of the Doctoral research completed in 2021, developed in the Line of Poetics and Processes of Performance in Arts (PPGARTES-UFPA), which will present a conceptual reflection about the creative process that unfolded poetically from the appropriation of an old family photo album. The album in question began to be observed as a place of overlapping time and space, triggering an internal movement of belonging by presenting itself as a place of poetic power due to the physical evidence that emerged from it. Through Augmented Reality, the empty spaces left by the time were occupied, following the tracks and telling another narrative through visual, textual, and sound layers, thus reconfiguring the album, which expanded and became a living space of memory activated by the cybrid experience. The way of facing the presence of absence and at the same time the absence of presence provoked me an inner movement of wanting more and more to belong to that space. There were countless times I approached this album and I was always worried about its gaps and emptiness in its narrative. And, by a sudden feeling of belonging to that space, I began to fill its “silence” and become part of that place. I have been calling this act the movement of self-fiction poetic. This concept is widely discussed in the book Essays on self-fiction, organized by Jovita Maria Gerheim and crossed my research, which I appropriated and used as an operative concept, thus comprising a movement that took place through the appropriation of an object, intervening in a poetic way, from which I became a character manifesting myself subjectively in the fictional narrative. Therefore, I articulated myself between the photographic language and other operational resources that mobile devices made possible, to recreate the space in mixtures with the past and the contemporary in a movement of mixing memories. The album presented itself as a space deconstructed by the action of time and subjects and through the poetic movement, I triggered a series of events, overlapping different times and spaces by inserting photographic files, video, text, and sound that activated this place as a living organism, revealing a new experience with memory. The reconfiguration process of this space was triggered exclusively by digital means. The idea of the movement of self-fiction poetic arose precisely because I brought photographic productions of my own in a mix with the photographs already present in the album. This intersection of authorship that unfolded in the presentation of another narrative, which includes me sometimes as a present character, sometimes as a hidden agent, allowed me to travel through the chain of memory and feel myself belonging to that space-time. By wanting to penetrate a past that was not mine, triggering subjective layers of information produced in the interstice of reality and fiction that photography allowed me, I was able to perceive the album beyond a memory space, but as a place of experience that opened and was available for interventions.
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Prado, Ana Laura Ferreira. "The body as an artistic medium: From body paintings to tattoos that I have done in my life." In IV Seven International Congress of Health. Seven Congress, 2024. http://dx.doi.org/10.56238/homeivsevenhealth-085.

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The work explores the body as a means of artistic expression, focusing on body painting, tattoos and indigenous graphics as historical and cultural forms of art. It discusses the evolution of tattooing from its origins to its popularization and the cultural resistance behind indigenous graphics. It also addresses sexism in the world of tattooing, highlighting interviews with female tattoo artists about their challenges. The author presents her own experiences with tattoos, emphasizing art as a powerful form of personal expression, culminating in a photo essay that celebrates the body as the protagonist of visual communication.
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Wienert, Ross. "Actual Reality: An Alternative Approach to Post-Digital Representation." In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.115.

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In his essay “Architecture Enters the Age of Post-Digital Drawing”, Sam Jacob advocates for a new method of representation that eschews the digital technology used to create photo-realistic renderings in favor of an approach that utilizes digital collage in order to embrace drawing as a work of fiction. While his criticism of photo-realism is valid, it is also arguable that a post-digital age in architecture should more heavily concerned with reality. An alternative method of representation is investigated that utilizes photographs of physical models that are digitally modified in order to emphasize the experiential qualities of architecture. Whereas Sam Jacob uses the zombie as a metaphor for a collage technique risen from the dead, the cyborg may be a more apt analogy for a post-digital method of representation that is focused on real world, but also open to embracing the potential of digital enhancements. The paper explores the role of physical models, photography, and in some cases digital technology as a means to generate perspectival views by architects of the past and the present with the hope that these precedents can be utilized to inform an alternate post-digital era to the one Sam Jacob advocates. These techniques have been applied in a series of design studios focused on shifting the focus from external form and abstraction toward internal experience with an emphasis on reality. While this approach diverges from what students’ expectations are for design, many have embraced the process and stated that the studio has helped to shape their view of the realm of architecture.
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Reports on the topic "Photo Essays"

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Brainard, James Robert, and Robert John, Jr Glass. Infiltration in unsaturated layered fluvial deposits at Rio Bravo : photo essay and data summary. Office of Scientific and Technical Information (OSTI), August 2007. http://dx.doi.org/10.2172/922075.

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Challenger, Denise. Playin' Mas, Play and Mas | A Pedagogical Journey of Children in Caribana. York University, 2018. http://dx.doi.org/10.25071/10315/41551.

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Caribana is a celebration of Caribbean culture heavily based on pre-Lenten Carnival traditions in Trinidad and Tobago. It takes place on Simcoe Day which is the first weekend in August, marking the abolition of slavery in Upper Canada. The first Caribana festival began in 1967 as part of an effort to celebrate Caribbean culture in the city of Toronto. Playin' Mas, Play and Mas is a pedagogical project that explores how to create a photo essay using Scalar and centres on the experiences of children during Caribana in the 1970s through the photographs of Kenn Shah.
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GLASS, JR, ROBERT J., and M. J. NICHOLL. Field Investigation of Flow Processes Associated with Infiltration into an Initially Dry Fracture Network at Fran Ridge, Yucca Mountain, Nevada: A Photo Essay and Data Summary. Office of Scientific and Technical Information (OSTI), May 2002. http://dx.doi.org/10.2172/809983.

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