Relevant bibliographies by topics / Photo-Novels

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Photo-Novels'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "Photo-Novels"

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Das, Kallol. "Using Participatory Photo Novels to Teach Marketing." Journal of Marketing Education 34, no. 1 (2011): 82–95. http://dx.doi.org/10.1177/0273475311430812.

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Miller, Kristin. "Postcards from the future." Boom 3, no. 4 (2013): 12–26. http://dx.doi.org/10.1525/boom.2013.3.4.12.

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This article contemplates the way Northern and Southern California have been used in science fiction films since the 1970s. Continuing a trend the author traces to the 1940s novels Earth Abides and Ape and Essence, Northern California represents possible utopian futures while Southern California represents dystopia. The article includes a photo essay featuring science fiction film stills held up against their filming locations in Los Angeles and the Bay Area.
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Amihay. "Take This Waltz, Take This Photo: Photography and Holocaust Memory in Israeli Graphic Novels." Jewish Film & New Media 5, no. 2 (2017): 161. http://dx.doi.org/10.13110/jewifilmnewmedi.5.2.0161.

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Oh, Youn-ho. "The Boundary space of The Empire and The Location of Diaspora - Focused on Hawaii Photo Bride Novels." JOURNAL OF MODERN LITERARY THEORY 68 (March 30, 2017): 131–62. http://dx.doi.org/10.22273/smlt.68.5.

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Krings, Matthias. "A prequel to Nollywood: South African photo novels and their pan-African consumption in the late 1960s." Journal of African Cultural Studies 22, no. 1 (2010): 75–89. http://dx.doi.org/10.1080/13696810903488611.

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Kumara Sethupathi, R., and G. Vinothkumar. "Fictionalising Trauma: Paratextual Analysis of Select Tamil Novels." Shanlax International Journal of English 9, S1-Dec2020 (2020): 55–57. http://dx.doi.org/10.34293/english.v9is1-dec2020.3618.

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Gerald Genette’s concept of paratext widens the horizons of literary canon in multidimensional approaches through textual materials that includes pictorial, title, author, font etc that acknowledges its key notions. In such context, innumerable modes of medium acts as a interlink to highlight the critical concept irrespective of prefixed protocols or notions embedded to the theory. On basis of such interpretation this paper attempts to relocate and redefine the projected idea through the layers of select Tamil novels and their Symbolic connectivity in conflicts of war, trauma, diasporic consci
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Tseti, Angeliki. "Historiography in Photo-textuality: The Representation of Trauma in W. G. Sebald’s The Emigrants." Synthesis: an Anglophone Journal of Comparative Literary Studies, no. 8 (December 1, 2015): 99. http://dx.doi.org/10.12681/syn.16215.

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This paper springs from the issues raised with reference to the historiographical representation of limit events and the challenges presented in the attempt to address collective trauma, and wishes to contend that fictional works of photo-textuality —in other words novels which consist of verbal as well as visual (photographic) components—carry the potential to place such ‘unrepresentable’ or ‘indescribable’ events among the historically narratable. While focusing predominantly on word-image interactions, this paper reads W. G. Sebald’s photo-text The Emigrants (1992) as an example of photolit
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Lydon, Jane. "‘Little Gunshots, but with the blaze of lightning’: Xavier Herbert, Visuality and Human Rights." Cultural Studies Review 23, no. 2 (2017): 87–105. http://dx.doi.org/10.5130/csr.v23i2.5820.

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Xavier Herbert published his bestseller Capricornia in 1938, following two periods spent in the Northern Territory. His next major work, Poor Fellow My Country (1975), was not published until thirty-seven years later, but was also set in the north during the 1930s. One significant difference between the two novels is that by 1975 photo-journalism had become a significant force for influencing public opinion and reforming Aboriginal policy. Herbert’s novel, centring upon Prindy as vulnerable Aboriginal child, marks a sea change in perceptions of Aboriginal people and their place in Australian s
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Manolachi, Monica. "To write or not to write: censorship in "The Woman in the Photo" by Tia Șerbănescu and "A Censor’s Notebook" by Liliana Corobca." Swedish Journal of Romanian Studies 1, no. 1 (2018): 8–27. http://dx.doi.org/10.35824/sjrs.v1i1.17375.

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Censorship as a literary subject has sometimes been necessary in times of change, as it may show how the flaws in power relations influence, sometimes very dramatically, the access to and the production of knowledge. The Woman in the Photo: a Diary, 1987-1989 by Tia Șerbănescu and A Censor’s Notebook by Liliana Corobca are two books that deal with the issue of censorship in the 1980s (the former) and the 1970s (the latter). Both writers tackle the problem from inside the ruling system, aiming at authenticity in different ways. On the one hand, instead of writing a novel, Tia Șerbănescu kept a
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Riabchenko, Maryna. "Combatant Prose in Modern Ukrainian Literature: Genre and Stylistic Features." Слово і Час, no. 6 (June 21, 2019): 62–73. http://dx.doi.org/10.33608/0236-1477.2019.06.62-73.

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During the last few years a signifi cant number of texts covering a huge range of genres appeared within the Ukrainian literary community with a purpose to depict the recent events of the war taking place in the East of the country. The most complete list of such literary texts created by Anna Skorina has more than 400 positions. It includes poetry, fiction, essays, diaries, non-fi ction (documentaries and political researches), photo albums and, surprisingly, comic books and a graphic novel. Moreover, the list is permanently updated. There are both civilians (writers, journalists, volunteers) an
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Dissertations / Theses on the topic "Photo-Novels"

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Koeniguer, Alexandra. "Autour du roman-photo : de la littérature dans la photographie. Les objets de Marie-Françoise Plissart et Benoît Peeters." Phd thesis, Université Jean Monnet - Saint-Etienne, 2013. http://tel.archives-ouvertes.fr/tel-00980585.

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Ce travail propose de revoir l'histoire du roman-photo, de mettre en lumière la nature profondément narrative du médium photographique, et de (re)considérer la place de la littérature dans ce dernier. Le roman-photo semble être un espace privilégié pour faire cohabiter photographie et littérature. Pourtant, par-delà son qualificatif, qui semble induire une nécessaire relation à la littérature, le roman-photo est surtout un objet narratif. Il est une romance, une forme romanesque, mais le considérer comme un objet littéraire, ou paralittéraire, constitue généralement un écueil à son analyse.Il
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Sampaio, Isabel Silva. "Para uma memoria da leitura : a fotonovela e seus leitores." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/251828.

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Orientador: Lilian Lopes Martin da Silva<br>Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação<br>Made available in DSpace on 2018-08-10T22:29:09Z (GMT). No. of bitstreams: 1 Sampaio_IsabelSilva_D.pdf: 25612595 bytes, checksum: cea226ba5cc5bfc13883e064d110f4a9 (MD5) Previous issue date: 2008<br>Resumo: No segundo semestre de 1970, as revistas que publicavam fotonovelas no Brasil ocupavam o segundo lugar em tiragem e circulação, entre todos os títulos de revistas em circulação naquele momento, perdendo apenas para os quadrinhos infantis: somadas as tiragens de todas a
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Albuquerque, Sônia Pinto Melo de. "Por uma pedagogia das fotonovelas : instruir e (in)formar leitoras do IERB durante os anos 60 e 70 do século XX." Universidade Federal de Sergipe, 2015. https://ri.ufs.br/handle/riufs/4588.

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The pedagogy of women printed material, more specifically, the photo-novels, is the object of research of this Thesis, whose proposal is linked to the research line "History, Society and Educational Thought" of the Graduate Program in Education at the Federal University of Sergipe (UFS), in a special way, to the Group of Studies and Research in History of Education: Intellectuals on Education, Educational Institutions and School Practices and relates to theoretical and methodological assumptions of Cultural History, History of Women's Education, The History of the Printed and the History of Re
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Books on the topic "Photo-Novels"

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Mary, Gerber, ed. The photo journal guide to comic books. Gerber Pub. Co., 1989.

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Blumberg, Arnold T. The big big little book book: An Overstreet photo-journal guide : also includes related items and pop-up books. Gemstone, 2004.

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Lawrence, H. Lea. A Hemingway odyssey: Special places in his life. Cumberland House Pub., 1999.

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David, Jensen, ed. Class photo. Fantagraphics, 2015.

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Lashley, Ken, and Marv Wolfman. 10th Muse Volume 1 - Photo Cover. Avatar Press, 2003.

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Gerber, Ernst, and Mary Gerber. Photo-Journal Guide To Comics Vol 2 K-Z (Photo-Journal Guide to Comic Books). Diamond Comic Dist - Stock, 1995.

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various. Star Wars Episode III: Revenge of the Sith Photo Comic (Star Wars: Episode III). Dark Horse, 2007.

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Blumberg, Arnold T. The Big Big Little Book Book: An Overstreet Photo-Journal Guide. Gemstone Publishing, 2004.

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Roberts, Bruce, Thomas Yocum, and Cheryl Shelton-Roberts. Cape Hatteras: America's Lighthouse. Cumberland House Publishing, 1999.

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Book chapters on the topic "Photo-Novels"

1

Teukolsky, Rachel. "Sensation." In Picture World. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198859734.003.0005.

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Photography was a quintessential new visual technology of the nineteenth century. Chapter 4 studies cartes de visite, or small photographic portraits. These collectible photographs became both popular and controversial during the so-called “sensation” craze of the 1860s. Scholars have largely focused on sensation novels, known for their lurid crime plotlines and outrageous villainesses. Yet sensation was more than merely a literary aesthetic: it was a multimedia phenomenon encompassing both novels and photographs. It responded to new forms of spectacular female celebrity, as seen in the wild popularity of photo portraits of actresses, opera divas, prostitutes, even Queen Victoria. The carte-de-visite medium, circulating women’s portrait photographs in millions of paper copies, perfectly encapsulated sensation’s dialectic between embodiment and mediation, and between individual celebrity and the democratized mass. These themes drive the plots of sensation novels, especially Wilkie Collins’s The Woman in White and M. E. Braddon’s Lady Audley’s Secret.
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"Metareference in Marianne Wiggins’s Literary Photo-Text The Shadow Catcher and Other Novels Referring to the Photographic Medium." In The Metareferential Turn in Contemporary Arts and Media. Brill | Rodopi, 2011. http://dx.doi.org/10.1163/9789401200691_007.

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You might also be interested in the extended bibliographies on the topic 'Photo-Novels' for particular source types:
Journal articles
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