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Dissertations / Theses on the topic 'Photographers'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Shtonda, A. O. "Great Contemporary Photographers." Thesis, Київський національний університет технологій та дизайну, 2017. https://er.knutd.edu.ua/handle/123456789/8399.

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2

Jambard-Sweet, Carolyn. "Carte-de-visite culture in Manchester NH a case study /." Connect to this title online, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1162753708.

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3

Cordier, Astrid. "The influence of 1950s fashion photographers, Richard Avedon and Irving Penn, on photographers Matthew Rolston and Steven Meisel." Thesis, Nelson Mandela Metropolitan University, 2011. http://hdl.handle.net/10948/d1008112.

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Photography has been used to record and document periods in time, which Wells (2001:19) acknowledges by stating that, “…photographs are records and documents which pin down the changing world of appearance”. Richard Avedon and Irving Penn made a significant contribution to fashion photography during the 1950s but this has seldom been explored in a scholarly way. By defining the characteristics of Avedon and Penn’s work, a possible understanding of their influence on contemporary fashion photographers, Matthew Rolston and Steven Meisel may be determined and so expand on the understanding of the

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4

Macleod, Sheila Jean. "Three french writer-photographers after Roland Barthes." Thesis, Birkbeck (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.411256.

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5

Pavão, Luís. "Photography in Lisbon, Portugal from 1886 to 1914 /." Online version of thesis, 1989. http://hdl.handle.net/1850/11377.

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6

黎健強 and Kin-keung Edwin Lai. "The life and art photography of Lang Jingshan (1892-1995)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B30230214.

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7

Haney, Erin Leigh. "If these walls could talk! : photographs, photographers and their patrons in Accra and Cape Coast, Ghana 1840-1940." Thesis, SOAS, University of London, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.415453.

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8

Gillis, Natalie Kersey. "Reconstructions : the contemporary Southern landscape by its photographers." [Tampa, Fla] : University of South Florida, 2008. http://purl.fcla.edu/usf/dc/et/SFE0002736.

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9

Morris, Ryan K. "Understanding Involuntary Job Loss Among Former Newspaper Staff Photographers." Scholar Commons, 2012. http://scholarcommons.usf.edu/etd/4174.

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This study examines former newspaper photographers' experience with being laid-off from their staff positions. The purpose was to identify emerging themes within the context of involuntary job loss, job satisfaction, and occupational identity via interviews with 8 photojournalists who experienced the phenomenon of being laid-off. The newspaper industry has long been considered both the starting point for young and aspiring photojournalism careers and the most consistent and stable venue for an income. Yet recent changes in the media landscape, particularly economic stress on traditional busin

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10

Wilson, Denise Alexandra. "Beyond the domestic : women photographers in Ireland 1853-1913." Thesis, Ulster University, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.755095.

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11

Craig, Trigg. "Lala Land: A Discursive Ethnography of Professional Commercial Photographers." Thesis, Curtin University, 2016. http://hdl.handle.net/20.500.11937/51706.

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This research investigates the professional practice of commercial photography with prominence given to the significance of the relationship between the photographers’ professionalism and commerciality. It is based on evidence that emerged during two years of ethnographic fieldwork in Perth, Western Australia between August 2001 and January 2003. Having shifted from the analysis of photos to the analysis of practice, it draws on Foucault’s conception of discourse to analyse the knowledge, materiality and power that constitutes this relationship.

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12

Kennedy, Joan Loomis. "Representations of spectra in early British astrophysics." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365627.

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13

Lai, Kin-keung Edwin. "The life and art photography of Lang Jingshan (1892-1995)." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22030323.

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14

Pitts, Terence. "WILLIAM BELL: PHILADELPHIA PHOTOGRAPHER (PENNSYLVANIA)." Thesis, The University of Arizona, 1987. http://hdl.handle.net/10150/292050.

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William Bell was an active photographer for more than a half century, successfully making the technical and commercial transitions from the daguerreotype process of the 1840s and 1850s to the collodion processes of the 1860s, 1870s, and 1880s, and finally to the dry plate processes that dominated the medium from the mid-1880s until the time of Bell's death in 1910. The purpose of this thesis is to provide a biography of Bell (1830-1910), to assess his contributions to photography, and to suggest something of the growth of professionalism in nineteenth century photography using Bell as "typical

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15

Sparrow, Ryan J. "Photographic disconnect : examining the divide between newspaper photographers and designers on the matter of digital alteration of photographs on the front page." Virtual Press, 2008. http://liblink.bsu.edu/uhtbin/catkey/1391238.

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This study explores the differences in attitude held by newspaper photographers and designers concerning the acceptability of digitally altering front-page photographs. It takes its findings from a summer 2006 survey that asked these two newsroom groups to rate their acceptance of certain common techniques used to change photographs from their original forms. Their answers revealed that designers are generally more accepting of altered photographs than their photographer colleagues. Also, photographers are more likely to find acceptable those photographs altered for technical reasons than for

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16

Ashley, Daniel. "Civil War Photographs Considered." Fogler Library, University of Maine, 2004. http://www.library.umaine.edu/theses/pdf/AshleyD2004.pdf.

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17

Richardson, Cynthia Watkins. "Picturing Nature: Education, Ornithology and Photography in the Life of Cordelia Stanwood: 1865-1958." Fogler Library, University of Maine, 2002. http://www.library.umaine.edu/theses/pdf/RichardsonCW2002.pdf.

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18

McDaniel, Kyle Ross. "Reviewing the image of the photojournalist in film how ethical dilemmas shape stereotypes of the on-screen press photographer in motion pictures from 1954 to 2006 /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/4997.

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Thesis (M.A.)--University of Missouri-Columbia, 2007.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on January 7, 2007) Includes bibliographical references.

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19

Nelson, K. E. "A compilation of information about the life of Robert Kates Bonine, 1862-1923 : with an examination of his early years in photography and film /." Online version of thesis, 1989. http://hdl.handle.net/1850/11373.

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20

Kowalski, Shelley. "Fading light : the case of Doris Ulmann /." view abstract or download file of text, 2000. http://wwwlib.umi.com/cr/uoregon/fullcit?p9977907.

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Thesis (Ph. D.)--University of Oregon, 2000.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 232-242). Also available for download via the World Wide Web; free to University of Oregon users. Address: http://wwwlib.umi.com/cr/uoregon/fullcit?p9977907.

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21

Aufort, Adrien. "Homo photographicus : sociogenèse du métier de photographe en France." Electronic Thesis or Diss., Sorbonne université, 2024. http://www.theses.fr/2024SORUL023.

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Cette thèse se propose d'étudier le métier de photographe par le prisme de la sociologie et de l'histoire.Un portrait actuel (2018-2023) des professionnels est dressé par l'analyse de 30 entretiens et de 258 réponses à un questionnaire diffusé en ligne. L'éducation, la sociabilité, la technique, les préférences esthétiques ainsi que les habitudes culturelles sont précisément décrites. À la manière d'une expérience de réplicabilité, certains résultats de cette double enquête renforcent les conclusions de travaux antérieurs, notamment dans les déterminants socio-démographiques de l'entrée dans l

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22

Schulman, Amy Alice. "'Picture Post' and the photographic essay : émigré photographers and visual narratives, 1938-1945." Thesis, University of Birmingham, 2018. http://etheses.bham.ac.uk//id/eprint/8501/.

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This thesis examines the pioneering British weekly magazine Picture Post (1938-1957) which introduced a mass audience to the innovative style of European photojournalism characterised by the format ofthe photographic essay. Founded by the Hungarian emigre, Stefan Lorant (1901-1997) and led by Sir Tom Hopkinson (1905-1990) from 1940 until 1950, Picture Post has not yet been the focus of a single academic publication. This thesis explores the concept of visual narration through a selection of photographic essays published in the magazine between 1938 and 1945, and utilises the unpublished corres

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23

Beckner, Sarah. "More than a record : an analysis of the stylistic development in W.H. Jackson's photography, 1868-1871 /." Online version of thesis, 1990. http://hdl.handle.net/1850/11076.

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24

Landriaux, Jo-Anne. "False illusion : animals, nature and consumerism /." Online version of thesis, 1989. http://hdl.handle.net/1850/11296.

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Steensma, Jennifer. "The Willard D. Morgan Archive /." Online version of thesis, 1992. http://hdl.handle.net/1850/11098.

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26

Smith, Laura E. "Obscuring the distinctions, revealing the divergent visions modernity and Indians in the early works of Kiowa photographer Horace Poolaw, 1925-1945 /." [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3330805.

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Thesis (Ph.D.)--Indiana University, History of Art Dept., 2008.<br>Title from PDF t.p. (viewed on Jul 21, 2009). Source: Dissertation Abstracts International, Volume: 69-10, Section: A, page: 3782. Adviser: Sarah Burns.

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Boddy, Adrian. "Max Dupain and the photography of Australian architecture." Thesis, Queensland University of Technology, 1996. https://eprints.qut.edu.au/36005/25/__qut.edu.au_Documents_StaffHome_StaffGroupR%24_rogersjm_Desktop_36005_Vol1_Digitised%20Thesis%20Vol%201%20Compressed%20%20Boddy.pdf.

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This thesis considers Max Dupain (1911-1992) and his contribution to the development of architectural photography in Australia. Through his continuous and prolific output over six decades of professional photography Dupain greatly stimulated awareness of and interest in Australian architecture. Before Dupain began specialising in the field, little consistent professional architectural photography had been practised in Australia. He and some of his close associates subsequently developed architectural photography as both a specialised branch of photography and - perhaps more significantl

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28

Deacon, Henry Christopher. "The perspective of Cape Town professional photographers on issues of integrity in the documentary photograph." Thesis, Cape Peninsula University of Technology, 2013. http://hdl.handle.net/20.500.11838/1312.

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Thesis submitted in fulfillment of the requirements for the degree Magister of Technology: Design in the Faculty of Informatics and Design at the Cape Peninsula University of Technology 2013<br>This study investigates the perspective of Capetonian professional photographers on issues of integrity, regarding the impact of digital imaging technology. Key objectives are to establish how the concept of photographic integrity manifests itself throughout the history of the documentary genre, prior and subsequent to the introduction of digital imaging technology; to ascertain the extent to which the

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29

Piper, William Brian. "Cameras at Work: African American Studio Photographers and the Business of Everyday Life, 1900-1970." W&M ScholarWorks, 2016. https://scholarworks.wm.edu/etd/1477068187.

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This dissertation examines the professional lives of African American studio photographers, recovering the history of an important industry in African American community life during segregation and the long Civil Rights Movement. It builds on previous scholarship of black photography by analyzing photographers’ business and personal records in concert with their images in order to more critically consider the circumstances under which African Americans produced and consumed photographs every day. During the first half of the twentieth century, urban photography studios constituted essential sp

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Brown, Mikell Waters. "The Photographer's Wife: Emmet Gowin's Photographs of Edith." VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd/4501.

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Exemplified in the oeuvres of photographers Alfred Stieglitz, Harry Callahan, Lee Friedlander, and Emmet Gowin, the photographer's wife is a distinctive subject in twentieth-century American fine-art photography that fuses the domains of public and private life through the conflation of art and marriage. The transgressive nature of this juncture can be located in a confluence of gazes - the artist's, the subject's, and the viewer's - that are embroiled in constructing subjectivities. The phrase "photographer's wife" underscores an assumed imbalance of power reflecting a binary of active/passiv

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31

Oliveira, Valter Gomes Santos de. "Revelando a cidade: imagens da modernidade no olhar fotográfico de Osmar Micucci (Jacobina 1955-1963)." Programa de Pós-Graduação em História da UFBA, 2007. http://www.repositorio.ufba.br/ri/handle/ri/11492.

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Submitted by Suelen Reis (suziy.ellen@gmail.com) on 2013-04-23T12:53:01Z No. of bitstreams: 6 Dissertacao Valter Oliveira6.pdf: 3372175 bytes, checksum: 30851331f1081d697b21ac70fd826ecb (MD5) Dissertacao Valter Oliveira5.pdf: 7036192 bytes, checksum: 57f7b52bcf80a45f0d77023dfaf42ee4 (MD5) Dissertacao Valter Oliveira4.pdf: 6492411 bytes, checksum: 4fda68359bf6f7fdd6d2c3447b6363f9 (MD5) Dissertacao Valter Oliveira3.pdf: 5864053 bytes, checksum: ac4b6454d782ce8e7d1a4084eb76bac0 (MD5) Dissertacao Valter Oliveira2.pdf: 6998037 bytes, checksum: 5f6905faa48fb87c5f56240f89dd5c09 (MD5) Dissertacao Valt

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Nott, Michael J. "Photopoetry : a critical history of collaborations between poets and photographers in the Anglophone world, 1845-2015." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/7811.

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This thesis examines the history of collaborations between poets and photographers in the Anglophone world, from 1845 to 2015, and argues for a new form of art distinct from the photobook. It identifies a new body of work, ‘photopoetry', and develops this discovery into a critical exegesis of its forms and potentials. Proceeding chronologically, this thesis explores photopoetic history from its nineteenth-century roots to modern-day collaborations between renowned poets and photographers. Chapter I examines early experiments in photopoetic form, including scrapbooks and stereographs, and ident

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Chen, Shi. "Early Chinese photographers from 1840 to 1870 innovation and adaptation in the development of Chinese photography /." [Gainesville, Fla.] : University of Florida, 2009. http://purl.fcla.edu/fcla/etd/UFE0025015.

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34

Mac, Dougall Lola. ""Not lost to human sight": indian glimpses of privacy in Zenana photographers, Dayanita Singh, Gauri Gill and Ketaki Sheth." Doctoral thesis, Universitat Pompeu Fabra, 2016. http://hdl.handle.net/10803/396367.

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This research looks at the contributions made by some Indian women photographers to the representation of privacy. Indian women photographers have enjoyed a privileged access in their bid to depict privacy, or the quality or state of being apart from observation, and that access can often be attributed to their gender. I propose to analyse the parallelisms and divergences in the representation of privacy by pioneer women photographers -with special attention to the phenomenon of zenana photography- as well as three contemporary practitioners: Dayanita Singh, Gauri Gill and Ketaki Sheth. I w

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35

Barker, Geoffrey R. "Refracted vision : nineteenth-century photography in the Pacific." Thesis, The University of Sydney, 2010. http://hdl.handle.net/2123/7911.

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Hudson, Giles. "The feminization of photography and the conquest of colour : Sarah Angelina Acland, photographer." Thesis, University of Oxford, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.711651.

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37

Dworznik, Gretchen J. "The Psychology of Local News: Compassion Fatigue and Posttraumatic Stress in Broadcast Reporters, Photographers, and Live Truck Engineers." [Kent, Ohio] : Kent State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1210513135.

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Thesis (Ph.D.)--Kent State University, 2008.<br>Title from PDF t.p. (viewed Sept. 28, 2009). Advisor: Stan Wearden. Keywords: journalism; trauma; broadcasting; reporting; television; posttraumatic stress; compassion fatigue. Includes bibliographical references (p. 164-184).

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38

Ricklund, Lina. "Föreställningar om naturfotografin En studie av naturfotografers syn på tendenser och förändringar inom naturfotografin." Thesis, Linköping University, Department of Thematic Studies, 2003. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-2868.

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<p>The purpose with this essay is to examine the role of landscape photography as a portrayer of nature. The study contains interviews with eight landscape photographers, to find out how they look at tendencies and changes in photography. The essay focuses on the discussion of authenticity and realism in landscape photography. Due to the requirement of nature as something natural and authentic, the landscape photography stands in a special position when it comes to matters of manipulation and influence. On the basis of certain analysis themes, the landscape photographers debate questions such

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39

Yelles, Anissa. "Reproduire les ruines au XIXe siècle : pour une approche comparative de la représentation photographique des sites archéologiques en Méditerranée : l'exemple de l'Algérie et de l'Italie." Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H108.

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Notre recherche entend déterminer les éléments constitutifs de la photographie de ruines au XIXe siècle pour tenter de définir ce modèle de représentation de la trace archéologique. Cette étude s'attache à comprendre comment les sites archéologiques de la Méditerranée ont été reproduits à travers une photographie d'archéologie dont les règles scientifiques ne sont pas encore fixées au XIXe siècle. Pour conduire cette recherche, nous nous sommes proposés d'appliquer une méthode comparative, en analysant la production réalisée par les photographes dans deux contextes géographiques et géopolitiqu

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Soukhakian, Fazilat. "The Private Revealed: A Search for a New Modernity Through the Lens of the Shah and Contemporary Photographers in Iran." University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1522057558134736.

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Jolly, Martyn. "Fake photographs making truths in photography /." Click here for electronic access to document: http://www.anu.edu.au/ITA/CSA/photomedia/ph_d.pdf, 2003. http://www.anu.edu.au/ITA/CSA/photomedia/ph_d.pdf.

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Dobranszky, Diana de Abreu. "Referente e imagem na fotografia brasileira em fins do seculo XX." [s.n.], 2002. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285045.

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Orientador: Fernando Cury de Tacca<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-09T06:35:14Z (GMT). No. of bitstreams: 1 Dobranszky_DianadeAbreu_M.pdf: 10503370 bytes, checksum: c254e6cff78fe2c7e2bb5c476b010897 (MD5) Previous issue date: 2002<br>Resumo: Através da câmara obscura, a fotografia herdou características vindas da pintura quanto a representação tanto em termos estéticos como em relação aos conceitos de realismo. Ao mesmo tempo, seu mecanismo de funcionamento gerou discussões ao longo do tempo sobre sua ve

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Frank, Wiewandt Edward. "ARCHIVING THE DIGITAL IMAGE: TODAY'S BEST PRACTICES OF FILE PREPARATION." Bowling Green State University / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1131398443.

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Henninger, Katherine. "Ordering the façade : photography and the politics of representation in contemporary Southern women's fiction /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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Lopes, André Camargo [UNESP]. "Imagens da praça: a produção e os usos das fotografias de atestação como souvenir e ex-votos por romeiros em Aparecida - SP entre os anos de 1940 a 1980." Universidade Estadual Paulista (UNESP), 2016. http://hdl.handle.net/11449/144267.

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Jolly, Martyn. "Fake photographs : making truths in photography." Phd thesis, Sydney College of the Arts, 2003. http://hdl.handle.net/2123/4046.

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Bogue, Elinor E. "A study of the gatekeeping role of chief photographers : the social identity theory and in-group bias in the assignment of sports photos." CardinalScholar 1.0, 2009. http://liblink.bsu.edu/uhtbin/catkey/1538076.

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Plunkett, Wilma Marie. "Edith Irvine: Her Life and Photography." BYU ScholarsArchive, 1989. https://scholarsarchive.byu.edu/etd/5613.

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ln mid-1988, Brigham Young University received a high-quality collection of photographic glass plates made by Edith Irvine at the tum of the century. The plates, her camera and other photographic equipment, and miscellaneous publications were donated to BYU by her nephew, Jim Irvine. When the plates arrived and the Archives Photolab had them proofed, we realized thal not only were the San Francisco earthquake/ fire and other areas of California history recorded, but we had, in fact, the work of an outstanding photographer. As we compared the proofs with the work of other photographers who hand

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Ihle, Astrid. "Women under socialism : both sides of the camera : women photographers and the construction of femal identity in the photographic representations of the GDR, c. 1949-1961." Thesis, Courtauld Institute of Art (University of London), 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.417772.

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Soldera, Dânia. "Fotografia: conversa com imagens, entre a luz as trevas." Universidade Federal de Goiás, 2014. http://repositorio.bc.ufg.br/tede/handle/tede/4076.

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