Academic literature on the topic 'Photographes – Sociologie'

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Dissertations / Theses on the topic "Photographes – Sociologie"

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Aufort, Adrien. "Homo photographicus : sociogenèse du métier de photographe en France." Electronic Thesis or Diss., Sorbonne université, 2024. http://www.theses.fr/2024SORUL023.

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Cette thèse se propose d'étudier le métier de photographe par le prisme de la sociologie et de l'histoire.Un portrait actuel (2018-2023) des professionnels est dressé par l'analyse de 30 entretiens et de 258 réponses à un questionnaire diffusé en ligne. L'éducation, la sociabilité, la technique, les préférences esthétiques ainsi que les habitudes culturelles sont précisément décrites. À la manière d'une expérience de réplicabilité, certains résultats de cette double enquête renforcent les conclusions de travaux antérieurs, notamment dans les déterminants socio-démographiques de l'entrée dans l
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Ulanovsky, Lucia. "Entre l'appareil et les rotatives : photoreporters, usages des photos et organes de presse (1969-1984)." Paris, EHESS, 2014. http://www.theses.fr/2014EHES0628.

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Entre l’appareil et les rotatives. . . Est une étude qui se propose situer au photoreporter et à la photographie de presse dans un espace où se révèlent des tensions entre les tâches des photoreporters, les opérations éditoriales appliquées aux images publiées et les automatismes et les croyances qui dominaient au sein de la culture de presse d’une époque. La recherche poursuit cette trame dans le cadre de l’histoire sociale et politique de la période 1969-1984 en Argentine ; soit un moment où le métier du photoreporter et la photographie de presse étaient déjà largement présents dans les orga
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3

Dal, Pezzo Rolando. "Photography, sociology & anthropology." FIU Digital Commons, 1999. http://digitalcommons.fiu.edu/etd/2708.

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An analysis of the social research done to date using photographs shows that photography, although used both in anthropology and sociology for data collection, as visual evidence and illustration, in photoelicitation or in time-studies, has not been fully exploited as an aid to see further and deeper in the social arena. Most social researchers still perceive photography as being simultaneously too complicated as a research aid and too creative and therefore unscientific to use as a research method. This project is exploratory and argumentative and not directed towards the formulation of a mod
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4

Eldridge, Alison. "Photography and sociology : an exercise in serendipity." Thesis, University of Glasgow, 2015. http://theses.gla.ac.uk/7392/.

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This thesis examines the relationship between photography and sociology as offering complementary ways of understanding ourselves and the world we live in. Drawing from the work of Pierre Bourdieu and Raymond Williams, I examine the idea of a ‘field’ of photography within the field of cultural production more generally. The practises of documentary photography, photojournalism and fine art photography are explored with specific reference to images of war. In this arena, the politics, aesthetics and ethics of representing the body in pain are addressed.
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Campion, Britta Maree Art College of Fine Arts UNSW. "Photography as a method of visual sociology: An investigation of the potential of still photography as a method of visual sociology." Publisher:University of New South Wales. Art, 2008. http://handle.unsw.edu.au/1959.4/42059.

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Ever since the camera was invented people have been using it as a tool to reflect and record the world around them. Photographic images have great potential to investigate different social practices and phenomena in the world. Photography, in its own right, is an extremely large area of study. Despite its relatively short history, photography has undergone a broad and complex evolution since it was invented in 1840. This paper does not aim to cover the comprehensive history of the development of photography in its many facets, it aims however to concentrate on a specific area of what has come
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Conord, Sylvaine. "Fonctions et usages de la photographie en anthropologie des cafés bellevillois (Paris XXe) à l'île de Djerba (Tunisie) : échanges entre des juives d'origine tunisienne et une anthropologue-photographe." Paris 10, 2001. http://www.theses.fr/2001PA100169.

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L'objet de ce travail consiste à étudier les multiples fonctions de la photographie dans des échanges interculturels et à reconnaître le support photographique comme un instrument de recherche à part entière dans l'observation de réalités sociales et culturelles. La photographie, considérée à la fois comme pratique, usage, et objet, occupe dans cette recherche une place déterminante dans les rapports que le chercheur-photographe entretient avec son terrain de recherche (ici l'étude de femmes juives d'origine tunisienne fréquentant les cafés de Belleville). Investie du rôle central de photograp
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Galla, Taylor. "DANGERS OF THE NEWS(FEED): AN EXPLORATION INTO FAKE NEWS, PHOTOGRAPHIC TRUTH AND THE POWER OF DIGITAL COMMUNICATION ON FACEBOOK." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1208.

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In an age of ever-expanding digital communication platforms and the presence of news online becoming paramount, the amount of information being shared and the truth of that information is becoming more and more difficult to track. The power of these social platforms is one that all should recognize and reflect upon in terms of their use of them, and reliance on them for the information they need. This thesis seeks to explore this power and the ways in which to remedy the falsities spread on the platforms faster than ever before, through photographic journalism.
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Garza-Meza, Laura Elizabeth. "Photography as a spiritual technique." Thesis, Pepperdine University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3558387.

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<p> The purpose of this study is to compare the spiritual benefits of practicing photography to the spiritual benefits of practicing prayer, meditation and yoga. Benefits noted were divided into the 4 dimensions of being human: physical, emotional, intellectual, and spiritual. The study considers Mexican leaders' perceptions of photography as a spiritual practice. A total of 105 Mexican leaders answered surveys. Of the 105 leaders, 14 were professors, 30 were entrepreneurs, 46 were business executives and 15 were students and homemakers (listed as "other") varying in ages from 21 to over 61.
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9

Hayes, S. "Building community : a sociology of theatre audiences." Thesis, University of Salford, 2006. http://usir.salford.ac.uk/2034/.

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This thesis is an ethnographic study of theatre audiences and the ways in which they experience community. It is positioned within current debates on the mediatization and globalization of society, and the ongoing discussion as to whether social change has an adverse effect on community experience. Methodologically it emphasizes the investigation of audience contexts and collaborative practices among actors and theatregoers and between researcher and respondents. Audiences’ own terminology is considered vital to understanding what community means to them. The thesis examines community experien
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Blanchard, Benoît. "Photographie contemporaine, institutionnalisation et marché de l'art (1995-2005)." Paris 8, 2012. http://www.theses.fr/2012PA083821.

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Photographie, contemporanéité, institutions et marché de l’art sont les éléments de départ du questionnement qui sous-tendent le travail de cette thèse. Comment et pourquoi le monde de l’art actuel continue-t-il à buter sur le médium photographique ? Tel en est le problème directeur. Nous partirons des contradictions inhérentes à ce problème pour aborder les frontières du monde de l’art contemporain institutionnalisé, leurs conditions d’existence et les rapports qu’elles mettent en place dans la société, et tout particulièrement ceux qui les lient au grand public et à la société de consommatio
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