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1

Bautista García-Vera, Antonio, ed. Photographic Elicitation and Narration in Teachers Education and Development. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-20164-6.

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2

Tennyson, Brian A. British photographic education: A study of major influences in the development of photographic instruction inGreat Britain 1839 to 1980. Leicester Polytechnic, 1987.

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3

1933-, Burton Jane, ed. A baby'sstory: A remarkable photographic account of a baby's first year. Joseph, 1989.

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4

Jane, Burton, ed. A baby's story: A remarkable photographic account of a baby's first year. Simon & Schuster, 1991.

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5

Tennyson, Brian A. Major influences in the development of photographic instruction in Great Britain 1839 to 1980. Leicester Polytechnic, 1987.

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6

E, Jirásek Jan, ed. An atlas of the human embryo and fetus: A photographic review of human prenatal development. Parthenon Pub. Group, 2001.

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7

Edkins, Don. Marotholi, theatre for another development: A photographic report = Marotholi, theater für eine andere Entwicklung : ein fotografischer Bericht. Village Technology Information Service, Christian Council of Lesotho, 1988.

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8

Bargeron, Charles T. Forestry images, www.forestryimages.org: Development methodology and technology, 1995-2005. Forest Health Technology Enterprise Team, U.S. Dept. of Agriculture, Forest Service, 2006.

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9

Riemann, Rachel. FIA photointerpretation in southern New England: A tool to determine forest fragmentation and proximity to human development. U. S. Dept. of Agriculture, Forest Service, Northeastern Research Station, 1999.

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10

Kathy, Tillman, and United States. Forest Service. Northeastern Research Station, eds. FIA photointerpretation in southern New England: A tool to determine forest fragmentation and proximity to human development. U.S. Dept. of Agriculture, Forest Service, Northeastern Research Station, 1999.

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11

Mayor's Commission on Women and Minorities (Columbus, Ga.), ed. Black pioneers in the historical development of Columbus, Georgia: A photographic art exhibition February 7-14, 1990, Columbus Ironworks Convention and Trade Center. The Commission, 1990.

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12

Ayers, G. Photo developments: A guide to handling photographic chemicals. Envision Compliance, 1991.

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13

Sroka, Iris E. Young children's photographic practice: Representation and world knowledge. UMI Dissertation Services, 2002.

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14

Glover, Gina. The metabolic landscape. Perception, practice and the energy transition. Black Dog Publishing, 2014.

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15

Botts, Florita. Journeys for a witness: My work as a photographer for the United Nations 1960s-1980s. Viella, 2020.

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16

Rohen, Johannes W. Color atlas of anatomy: A photographic study of the human body. 4th ed. Williams & Wilkins, 1998.

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17

Potaev, Georgiy. Rules for planning, designing, and managing urban development. INFRA-M Academic Publishing LLC., 2025. https://doi.org/10.12737/2023027.

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The textbook outlines methodological provisions and provides practical recommendations on the transformation and development of modern cities; examines the fundamentals of the philosophy of modern urban planning, trends and features of the modern period of urban development, including issues of reformatting the urban environment and creating an aesthetically expressive architectural appearance of cities. The materials included in the manual are based on an analysis of the best buildings of the leaders of world architecture and urban planning. A large number of examples and original photographs
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18

United States. National Aeronautics and Space Administration., ed. Development of a portable multispectral thermal infrared camera: Final report. National Aeronautics and Space Administration, 1991.

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19

Gallardo, Helena Pérez. Imágenes del progreso: Fotografía y obras públicas en el siglo XIX. Ediciones Complutense, 2021.

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20

Arthus-Bertrand, Yann. The earth from above: 365 days. Harry N. Abrams, 2005.

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21

Observatorio de la Sostenibilidad en España. Land cover changes in Spain: Implications for sustainability. Observatorio de la Sostenibilidad en España, 2007.

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22

Takeba, Jō. Ikyō no modanizumu: Manshū shashin zenshi = The development of Japanese modern photography in Manchoukuo. Kokusho Kankōkai, 2017.

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23

Real, Gallery Camino, ed. Photo-synthesis: Recent developments in contemporary photography : Gallery Camino Real, January 11 to February 3. Gallery Camino Real, 2001.

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24

Luna, Tony. How to grow as a photographer: Reinventing your career. Allworth Press, 2006.

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25

United States. Forest Service. Southern Research Station, ed. Development of a methodology for predicting forest area for large-area resource monitoring. U.S. Dept. of Agriculture, Forest Service, Southern Research Station, 2001.

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26

Centre, India Habitat, ed. Panchtattvas: The road ahead. Niyogi Books, 2017.

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27

Center, Ames Research, ed. Research and development of an airborne multispectral scanner to measure fire, terrestrial, and atmospheric characteristics (50 channel): Final report. National Aeronautics & Space Administration, Ames Research Center, 1991.

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28

1962-, Bush Kate, Rogers Brett, British Council, and Photographers' Gallery, eds. Reality check: Recent developments in British photography and video : an exhibition organised by the British Council and the Photographers' Gallery. British Council, 2002.

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29

Júnior, Paulo Matias de Figueiredo. Fotografia e desenvolvimento social: Um recorte da realidade. EDUEP, 2005.

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30

Printing, London College of. The development of the illustrated magazine and the relationship of the photographer to it: Thesis for BAPFT 1986. LCP, 1986.

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31

Stephen, Shames, Gatz Carolyn, Carter Jimmy 1924-, Empowerment Zone/Enterprise Community Initiative, and EZ/EC Foundation Consortium, eds. Empower zone: Youth photography from the Empowerment Zone/Enterprise Community Initiative. Aperture, 2000.

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32

Arthus-Bertrand, Yann. The future of the earth: An introduction to sustainable development for children. Abrams, 2003.

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33

photographer, Bergengren Ola, ed. I skuggan av Blåkulla: Hus och människor i Hagalunds arbetsplatsområde. Balkong Förlag, 2020.

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34

White, Minor. New Zone System Manual: Previsualization, Exposure, Development, Printing. Morgan & Morgan, 1998.

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35

Dingle, Nicholas J. Development of British Warships, 1856-1906: A Photographic Record. Pen & Sword Books Limited, 2009.

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36

García-Vera, Antonio Bautista. Photographic Elicitation and Narration in Teachers Education and Development. Springer International Publishing AG, 2023.

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37

García-Vera, Antonio Bautista. Photographic Elicitation and Narration in Teachers Education and Development. Springer International Publishing AG, 2023.

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38

McCreary, Micah L. Rutgers Then and Now: Two Centuries of Campus Development, a Photographic Odyssey. Rutgers University Press, 2024.

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39

Andrews, Philip. The Photographer's Website Manual: How to Build and Run a Photographic Website. Rockport Publishers, 2003.

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40

Powell, Pamela C. Reflected Light. Chester County Historical Society, 1988. https://doi.org/10.5040/9798765198285.

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Photography began almost 150 years ago with the nearly simultaneous invention of two types of photographic processes, the daguerreotype and the Talbotype or calotype. On January 7, 1839, Louis Daguerre announced his discovery of a way to reproduce images on coated copper plate. Shortly thereafter, on January 31, William Talbot explained how shadows of objects could be chemically recorded on salted paper sensitized with silver nitrate. With the advent of photography, the people, architecture, and natural beauty of Chester County, Pennsylvania, made worthy subject matter for many professional an
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41

Photographic Image. a Theoretical and Practical Treatise of the Development in the Gelatine, Col. Creative Media Partners, LLC, 2023.

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42

Jirasek, Jan E. Atlas of the Human Embryo and Fetus: A Photographic Review of Human Prenatal Development. Taylor & Francis Group, 2000.

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43

Keith, Louis G., J. E. Jirásek, and Jan E. Jirasek. An Atlas of the Human Embryo and Fetus: A Photographic Review of Human Prenatal Development. Informa Healthcare, 2000.

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44

Hornby, Louise. Still There. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190661229.003.0005.

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This chapter argues that Woolf develops a theory of photography in her writing that describes how the world emerges within a photographic economy of light, separate from an observing subject. Photography does not reproduce the world; it develops a world through the action of light and independent of an observer. This emergent world, refusing economies of production and control, is suspended in time. The theory of photography embedded in Woolf’s writing draws on the earliest kinds of photographs—cameraless images—that formalize a conception of photography as “light-writing.” Severing the bonds
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45

P. C. (Peter C. ) Author Duchochois. Photographic Image: A Theoretical and Practical Treatise of the Development in the Gelatine, Collodion, Ferrotype and Silver Bromide Paper Processes. Creative Media Partners, LLC, 2021.

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46

Horsley, James. Self Development : 7 Books in 1: Charisma and Memory Improvement, Self Discipline, Speed Reading, Improve Your Social Skills, Brain Training and Photographic Memory. Charlie Creative Lab, 2020.

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47

Horsley, James. Self Development : 7 Books in 1: Charisma and Memory Improvement, Self Discipline, Speed Reading, Improve Your Social Skills, Brain Training and Photographic Memory. Charlie Creative Lab, 2021.

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48

Horsley, James. Self Development : 7 Books in 1: Charisma and Memory Improvement, Self Discipline, Speed Reading, Improve Your Social Skills, Brain Training and Photographic Memory. Charlie Creative Lab, 2021.

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49

Self Development : 7 Books In 1: Charisma and Memory Improvement, Self Discipline, Speed Reading, Improve Your Social Skills, Brain Training and Photographic Memory. Independently Published, 2020.

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50

Smith, Olga. Contemporary Photography in France. Leuven University Press, 2022. http://dx.doi.org/10.11116/9789461664891.

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This compelling publication traces the broad arc of photography’s development in France from the 1970s to the present day. A decade-by-decade account reveals unexpected points of convergence between practices that are not usually considered in a comparative perspective. These include photographic practices in contemporary art, documentary, photojournalism, and fashion. Author Olga Smith sets these practices in dialogue with French philosophy – the writings of Roland Barthes, Jean Baudrillard, and Jacques Rancière – to produce an innovative study of the intersections between the photographic im
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