Academic literature on the topic 'Photographic film industry'

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Journal articles on the topic "Photographic film industry"

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Minter, J. R. "Characterization of colloidal materials by cryo-TEM." Proceedings, annual meeting, Electron Microscopy Society of America 51 (August 1, 1993): 728–29. http://dx.doi.org/10.1017/s0424820100149477.

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Many researchers develop products and processes that depend upon colloidal materials. Rheological and other important material parameters are influenced by the morphology of the colloid. The photography industry uses many such colloids including silver halide sols, photographic coupler sols and emulsions surfactants, and gelatin solutions and gels. High-resolution direct electron images of these systems in their native states permit photographic scientists to understand how changes in formulation produce changes in microstructure and, ultimately, to understand the photographic performance of t
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Naqvi, Asghar H., John W. Shields, and Jerrold L. Abraham. "Nasal argyria (deposition of silver-selenium) in the photographic film industry: histopathology and microanalysis." American Journal of Otolaryngology 28, no. 6 (2007): 430–32. http://dx.doi.org/10.1016/j.amjoto.2006.11.005.

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Kadiyali, Vrinda. "Entry, Its Deterrence, and Its Accommodation: A Study of the U. S. Photographic Film Industry." RAND Journal of Economics 27, no. 3 (1996): 452. http://dx.doi.org/10.2307/2555839.

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Long, James C. "A new tool for rapid development of electron microscopy negatives and micrographs: Initial impressions of the MOHR/PRO-8 processor." Proceedings, annual meeting, Electron Microscopy Society of America 50, no. 2 (1992): 972–73. http://dx.doi.org/10.1017/s0424820100129498.

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Over the years, many techniques and products have been developed to reduce the amount of time spent in a darkroom processing electron microscopy negatives and micrographs. One of the latest tools, effective in this effort, is the Mohr/Pro-8 film and rc paper processor.At the time of writing, a unit has been recently installed in the photographic facilities of the Electron Microscopy Center at Texas A&M University. It is being evaluated for use with TEM sheet film, SEM sheet film, 35mm roll film (B&W), and rc paper.Originally designed for use in the phototypesetting industry, this proce
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Mr., Rajeev*1 &. Mr. Dhirender2. "IMPACT OF DIFFERENT ECO-FRIENDLY TECHNIQUES ON ENVIRONMENTAL PERFORMANCE OF THE OFFSET PRINTING INDUSTRY." INTERNATIONAL JOURNAL OF ENGINEERING SCIENCES & RESEARCH TECHNOLOGY 6, no. 7 (2017): 800–804. https://doi.org/10.5281/zenodo.834528.

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Environment and printing seems totally different fields but no any technological field can remain in isolation from other field at present time. Printers need to take extra care about environment because it is not only regulatory requirement but also socialresponsibility and hence requirement of industry. To comply with environment regulation, printers need to understand what impact industry has on environment. There are various materials, like ink, paper, plate, solvents and photographic film, are being used in offset printing machine. By the use of 3R technique that is reduce, reuse and recy
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Kalienik, Iryna Oleksandrivna, Olena Bronislavivna Shydlovska, Tetiana Ivanivna Ishchenko, and Viktor Fedorovich Dotsenko. "HOTEL FOR PHOTOTOURISTS - A MODERN TREND IN THE HOSPITALITY INDUSTRY." GEOGRAPHY AND TOURISM, no. 52 (2019): 10–16. http://dx.doi.org/10.17721/2308-135x.2019.52.10-16.

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Purpose. To consider the concept of “phototourism”, to find out its essence and difference from other special types of tourism, to characterize its classification features. To reveal the prerequisites for its development in Ukraine to increase the tourist attractiveness of the country. Methods. For research, methods such as system-structural, abstract-logical, analysis, synthesis, generalization, observation, comparison were used; classification and literary methods. The system-structural method was used to assess the possibility of the existence of domestic hotels that will be able to provide
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APOSTOLESCU, NICOLAE, MIHAELA AURELIA VIZITIU, CORINA CERNĂTESCU, RAMONA ELENA TĂTARU-FĂRMUȘ, CLAUDIA COBZARU, and GABRIELA ANTOANETA APOSTOLESCU. "Current Trends in the Recovery of Precious Metals from Electrical and Electronic Waste." Buletinul Institutului Politehnic din Iași, Secția Chimie și Inginerie Chimică 68, no. 1 (2022): 51–74. https://doi.org/10.5281/zenodo.7533233.

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The recovery of precious metals can be efficiently done from waste. This method is considered a secondary source of raw materials, minimizing the need for exploitation and processing raw materials, while reducing energy and water consumption. Waste from electrical and electronic industry, used photographic film or waste from the jewelry manufacturing industry, fall into this category and lead to the recovery of approximately 25% of the annual requirement of gold and 20% of the annual requirement of silver. The paper presents the advantages of recycling waste containing precious metals, the dif
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Durga, V., and Syed Shahab Ahmad. "Low-level Expression of Enzyme from Marine Bacillus Species for Detergents." Journal of Advances in Biology & Biotechnology 26, no. 1 (2023): 1–10. http://dx.doi.org/10.9734/jabb/2023/v26i1612.

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Proteases are a varied and ancient family of enzymes that play a part in every aspect of an organism's functioning. As a member of the hydrolytic enzyme family, they help break down proteins into smaller peptides and amino acids. Proteases carry out a nucleophilic attack on the carbonyl carbon of the scissile bond to facilitate the addition of water. Because of the wide range of variances in their characteristics, such as substrate selectivity, active site composition, and catalytic mechanism, it is impossible to make generalizations regarding their stability and activity. Peptide synthesis, m
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Quagliati, Noemi. "Beyond the Whiteness." Sophia Journal 7, no. 1 (2022): 25. http://dx.doi.org/10.24840/2183-8976_2022-0007_0001_4.

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Saverio Salvioni, Cava di Ravaccione, 1810–1813 (Source: Archivio di Stato Massa e Pontremoli) Marble extraction in the Italian Apuan Alps has been known since Roman times, and its historical importance is symbolized by masterpieces of Western art history. However, the Carrara marble industry has recently received harsh criticism for operating in the protected area of the Apuan Alps Regional Park, recognized by UNESCO since 2015. Environmental and social concerns about mining have arisen from the extreme acceleration of all the productive phases of the extractive industry. From the mid-twentie
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Mujitahid, Herio, and Halim Al Hafizh. "Penerapan Pajak Terhadap Industri Film Di Masa Pandemi." Jurnal Locus Delicti 2, no. 1 (2021): 36–48. http://dx.doi.org/10.23887/jld.v2i1.457.

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 Taxes are compulsory contributions to the state that are owed by individuals or entities that are compelling based on law, without receiving direct compensation and used for the state’s needs for the greatest prosperity of the people. Tax payments are used to finance state households so that the benefits are felt by the wider community or for the public interest. The film industry is a creative industry engaged in the media, arts and culture. Compared to other creative industry sectors, the film, video and photography industries have the highest creativity and knowledge ca
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Dissertations / Theses on the topic "Photographic film industry"

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Tachou, Frédéric. "Aux origines d'une industrie : photographie "obscène" et cinéma pornographique primitif." Paris 1, 2010. http://www.theses.fr/2010PA010590.

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Dans Le cinéma ou l'homme imaginaire, Edgar Morin résumait l'expérience anthropologique du cinéma au fait que ce qu'il y a de plus subjectif, le sentiment, se serait infiltré dans ce qu'il y a de plus objectif: l'image photographique, la machine. Mais l' analyse du cinéma pornographique primitif pourrait nous conduire à retourner ce raisonnement: par lui, ce qu'il y a de plus objectif, l'image produite par la technique, ne s'immisce-t-il pas dans ce qu'il y a de plus subjectif? Autrement dit, la rationalité à l’œuvre dans une production d'images qui deviendra vite industrielle n'acquiert-elle
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Guimarães, Pedro Maciel. "Créer ensemble : l'apport des collaborateurs de création à l'oeuvre de Manoel de Oliveira." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030127.

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Un film est une œuvre de collaboration qui se nourrit des différentes sensibilités des professionnels qui le font et qui épaulent, de manière plus ou moins significative, son auteur. Notre réflexion se situe au moment charnière de toute œuvre artistique, sa création. L’étude de la poétique du film, des processus de sa fabrication, permet d’en comprendre plus profondément les enjeux esthétiques. En abordant spécifiquement les relations de collaboration chez le réalisateur portugais Manoel de Oliveira, il s’agit d’enquêter sur la façon dont les rapports idéologiques, personnels et professionnels
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Books on the topic "Photographic film industry"

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Swasy, Alecia. Changing focus: Kodak and the battle to save a great American company. Times Business, 1997.

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PMA Strategic Planning Conference (1993 Jackson, Mich.?). Strategies 2000: Photo/imaging industry action plans for the furture : report of the PMA 1993 Strategic Planning Conference. Photo Making Association International, 1994.

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translator, Nakaoka Tetsurō 1928, Takamatsu Tōru 1955 translator, and Nakaoka Shunsuke 1970 translator, eds. Firumu to kamera no sekaishi: Gijutsu kakushin to kigyō = Images and enterprise. Heibonsha, 1998.

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Johann, Walter P. The hybrid rapid access film market, 1989-1994: A comprehensive look at the market for Kodak Ultratec, Fuji Grandex, 3M Excelerate, Anitec Reprodot & Agfa Agfastar hybrid rapid access films : a multiclient study. Dynamic Strategies, 1989.

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Finger, Erhard. Die Filmfabrik Wolfen: Porträt eines traditionsreichen Unternehmens 1909 bis 1994. GÖS-Gesellschaft für Sanierungsmassnahmen Wolfen und Thalheim, 1994.

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Behnk, Angelika. Die Frauen von ORWO: 13 Lebensbilder. G. Kiepenheuer, 1995.

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Karlsch, Rainer. Von Agfa zu ORWO: Die Folgen der deutschen Teilung für die Filmfabrik Wolfen. Vorstand der Filmfabrik Wolfen AG, 1992.

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Finger, Erhard. 100 Jahre Kino und die Filmfabrik Wolfen: Von Erhard Finger. GÖS-Gesellschaft für Sanierungsmassnahmen Wolfen und Thalheim mbH, 1996.

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Durling, James P. Anatomy of a trade dispute: A documentary history of the Kodak-Fujifilm dispute. Cameron May, 2000.

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1954-, Lamb-Faffelberger Margarete, ed. Literature, film and the culture industry in contemporary Austria. P. Lang, 2002.

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Book chapters on the topic "Photographic film industry"

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Pérez-Chaves, Ruth. "These images provide “an almost inconceivable approach to imagine this extermination-industry at work …”: The use of historical photographic material from 1944 in the film “Son of Saul” (László Nemes, 2015)." In Fotografien aus den Lagern des NS-Regimes. Böhlau Verlag, 2018. http://dx.doi.org/10.7767/9783205202714.291.

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Withall, Keith. "Prologue: What was Silent Cinema?" In Studying Early and Silent Cinema. Liverpool University Press, 2014. http://dx.doi.org/10.3828/liverpool/9781906733704.003.0001.

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This prologue provides an overview of silent cinema. Our sense of cinema as a site of commercial entertainment can be traced back to the Lumière brothers. In December of 1895, they attracted a fee-paying public in Paris to sit and watch flickering images on an illuminated screen. The commercial Pandora's Box they opened was to blossom in a few years into a world cinema industry and, at its peak, the fantastical Hollywood. Yet in the 30 years in which this miraculous construction was accomplished, audiences rarely had to listen to films, only watch them. Hence, the early decades of cinema were
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Robinson, Harlow. "“Nobody Asked You to Go to America”." In Lewis Milestone. University Press of Kentucky, 2019. http://dx.doi.org/10.5810/kentucky/9780813178332.003.0002.

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This chapter focuses on Milestone’s early life: his childhood and family life in Moldova, his identity as a Jew and early experience of anti-Semitism, his love for the theater, his decision to immigrate to America and his difficult voyage to New York. It continues with his early work as a society photographer in New York, and his enlistment in the Photographic Division of the U.S. Army Signal Corps, where he edited documentary film footage sent from the front. Known as a practical joker with a fine sense of humor, Milestone made friends and useful connections easily. When the War ended, he too
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"The Photographs and Photographers." In The Diary of Dawid Sierakowiak, edited by Alan Adelson, Kamil Turowski, and Lawrence L. Langer. Oxford University PressNew York, NY, 1996. http://dx.doi.org/10.1093/oso/9780195104509.003.0007.

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Abstract Two young men, very much committed to the emerging medium of photojournalism, were among the original population forced into the Lódź Ghetto. They proceeded to document life and death there through the course of the community’s five-year history. The photographers, Mendel Grossman and Henryk Ross, both born in 1913, were ap pointed by the ghetto’s Jewish Administration—and provided with film, developing chemicals, and photographic paper purchased from the Nazis—ostensibly to document ghetto industry. But they worked inces santly to record a complete vision of their doomed community. T
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Çolakoğlu, Ülker. "Special Interest Tourism and Women." In Women’s Empowerment Within the Tourism Industry. IGI Global, 2023. http://dx.doi.org/10.4018/978-1-6684-8417-3.ch019.

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The growth of special interest tourism is seen as a reflection of the growing diversity of leisure interests in the leisure society of the early 21st century. Post-modern tourism is slowly moving from traditional tourism attractions to being part of a general lifestyle that corresponds to people's (women's) daily lives and activities. As a conceptual study, in this chapter, readers will understand the definition of special interest tourism and the difference between general interest tourism. They will understand the characteristics, scope, and wide variety types of special interest tourism for
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Avila, Jacqueline. "The Strains of the Revolution." In Cinesonidos. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190671303.003.0006.

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Chapter 5 focuses on the revolutionary melodrama and the malleable and contested role of the soldadera (female camp follower). Building from an extensive collection of photographs and newspapers, the revolutionary melodrama became a historically complicated film genre. While the films are dominated visually and narratively by men, the soldaderas are positioned in the background, yet music about them is foregrounded. One of the leading musical figures was “La Adelita,” a popular song that circulated during the Revolution. Culturally identified as a corrido, “La Adelita” became, for the film ind
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Regev, Ronny. "Shooting." In Working in Hollywood. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469636504.003.0006.

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The fifth chapter deals with the experience of those who are commonly known as craftsmen or below-the-line workers. It suggests that the division between arts and crafts in the film industry resulted from the history of labor organization and the political struggles between labor unions such as IATSE and the American Society of Cinematographers. In addition, focusing on the experience of cameramen, the chapter demonstrate that workers in the technical branches of filmmaking, were concerned less with control and more with recognition. It shows how directors of photography sought to claim some o
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Stollery, Martin. "Saudi Arabia’s John Ford?" In Films That Work Harder. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789462986534_ch28.

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The premiere of Desert Venture, a colour film promoting the transformative endeavours of the Arabian-American Oil Company (ARAMCO) in Saudi Arabia, is a prime example of how “ephemeral authorship” can be highly relevant to the study of industrial film. Desert Venture was promoted at its premiere and in other contexts as the work of Robert Yarnall Richie, a photographer and filmmaker with a well-established professional reputation within the oil industry. ARAMCO suggested that Desert Venture was the creative product of a “frontiersman” who exemplified many qualities outlined in Frederick Jackso
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Egbe, Amanda. "Between Copyright and Creativity." In Practices of Projection. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190934118.003.0007.

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Focusing on Edison’s early cinematic apparatus and the optical printer, this chapter explores how copyright law intersects with creativity, providing an alternative to teleological accounts of moving-image technologies. Thomas Edison attempted to control the film industry through patents and copyright. Edison’s first film experiments were registered as a series of photographs on card by his assistant, W. L. Dickson. In protecting these contact copies as paper prints with copyright, the new medium of motion pictures was being formalized. The necessity to duplicate film to support the developmen
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Conterio, Martyn. "Context." In Black Sunday. Liverpool University Press, 2015. http://dx.doi.org/10.3828/liverpool/9781906733834.003.0002.

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This chapter introduces Mario Bava, who was born on 29 July 1914 in Sanremo, Liguria and a 'figlio d'arte' or a child of the arts. It talks about Bava's father who provided his ties to the film world, the sculptor and cinematographer Eugenio Bava, whose artistry and pioneering experimental photography was utilised in the burgeoning Italian movie-making industry of the 1900s. It also recounts how Bava stepped in to complete a low-budget film titled I vampiri after its director, Riccardo Freda, walked off set. The chapter mentions Julian Petley, who likened Bava to his compatriot, Lucio Fulci, i
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Conference papers on the topic "Photographic film industry"

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Li, Zinuo, Xuhang Chen, Shuqiang Wang, and Chi-Man Pun. "A Large-Scale Film Style Dataset for Learning Multi-frequency Driven Film Enhancement." In Thirty-Second International Joint Conference on Artificial Intelligence {IJCAI-23}. International Joint Conferences on Artificial Intelligence Organization, 2023. http://dx.doi.org/10.24963/ijcai.2023/129.

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Film, a classic image style, is culturally significant to the whole photographic industry since it marks the birth of photography. However, film photography is time-consuming and expensive, necessitating a more efficient method for collecting film-style photographs. Numerous datasets that have emerged in the field of image enhancement so far are not film-specific. In order to facilitate film-based image stylization research, we construct FilmSet, a large-scale and high-quality film style dataset. Our dataset includes three different film types and more than 5000 in-the-wild high resolution ima
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Gu, Hongfang, Qiwei Guo, Changsong Li, and Qing Zhou. "Phenomenon of Fog Formation and Flow Characteristics of Droplet-Vapor-Gas Mixture in a Cooler-Condenser." In ASME 2019 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/imece2019-10260.

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Abstract Fog formation occurs in the process of condensation in the presence of non-condensable gas if the bulk temperature is lower than its saturation temperature (supersaturated). The phenomena of fogging is the formation of small condensate particles mixing with the vapor/gas stream, which creates potential problems of the vapor/gas/condensate separation and environmental pollution. Therefore, understanding of fogging mechanism and prevention of fog droplet entrainment are one of technical concerns for design and operation of cooler-condensers in the process industry. This paper presents t
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Ratnayake, Ruwan K., L. E. Hochreiter, K. N. Ivanov, and J. M. Cimbala. "Experimental Study of Two Phase Flow Behavior Past BWR Spacer Grids." In 10th International Conference on Nuclear Engineering. ASMEDC, 2002. http://dx.doi.org/10.1115/icone10-22198.

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Performance of best estimate codes used in the nuclear industry can be significantly improved by reducing the empiricism embedded in their constitutive models. Spacer grids have been found to have an important impact on the maximum allowable Critical Heat Flux within the fuel assembly of a nuclear reactor core. Therefore, incorporation of suitable spacer grids models can improve the critical heat flux prediction capability of best estimate codes. Realistic modeling of entrainment behavior of spacer grids requires understanding the different mechanisms that are involved. Since visual informatio
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Hull, Scott M. "Nondestructive Detection of Cracks in Ceramics Using Vicinal Illumination." In ISTFA 1999. ASM International, 1999. http://dx.doi.org/10.31399/asm.cp.istfa1999p0217.

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Abstract Cracks and other defects in ceramic materials can be difficult or impossible to examine and photograph due to the extreme lack of contrast. A method for inspecting translucent ceramics using scattered light, also known as vicinal illumination, will be described. This method has been known in the ceramics industry for quite some time, but is not well known in the testing and failure analysis community. Electronics applications include substrates, packages, multilayer capacitors, and thin film resistors. Ceramic materials are used in electronic applications as microcircuit packages and
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Rodrigues Fonseca, Priscila. "Políticas habitacionais e ação da indústria imobiliária na produção do espaço: o caso do Bairro de Campo Grande no Rio de Janeiro." In International Conference Virtual City and Territory. Universidade Federal do Rio de Janeiro, 2012. http://dx.doi.org/10.5821/ctv.7851.

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O presente artigo pretende realizar uma análise histórico-crítica da produção habitacional patrocinada pelo poder público no bairro de Campo Grande, Rio de Janeiro; e a atual valorização do solo, que intensificou a ação da indústria imobiliária. Hoje, estes dois atores são os principais agentes transformadores do espaço em Campo Grande e arredores. Apesar de ser um dos bairros mais distantes da área central da cidade, transformou-se em uma centralidade para a Zona Oeste, haja vista a dinâmica das atividades comerciais baseadas no subcentro e no West Shopping, e a infraestrutura consolidada – m
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Reports on the topic "Photographic film industry"

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Light. L51572 Demonstration of Realtime Radiography on Pipeline Girth Welds. Pipeline Research Council International, Inc. (PRCI), 1988. http://dx.doi.org/10.55274/r0011315.

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Conventional radiography has been the accepted nondestructive testing (NDT) method used for many years to either accept or reject a field weld in the pipeline industry. However, conventional radiography requires the expense of film, developing chemicals, and manpower for film development. It also normally has a delay of 2 hours or more between when the weld was radiographed and when the radiographic film of the weld is available for interpretation. Over the last few years, a newer approach to performing radiographic testing, called real-time radiography, has been used in several different type
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