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Books on the topic 'Photographic film industry'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Swasy, Alecia. Changing focus: Kodak and the battle to save a great American company. Times Business, 1997.

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2

PMA Strategic Planning Conference (1993 Jackson, Mich.?). Strategies 2000: Photo/imaging industry action plans for the furture : report of the PMA 1993 Strategic Planning Conference. Photo Making Association International, 1994.

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3

translator, Nakaoka Tetsurō 1928, Takamatsu Tōru 1955 translator, and Nakaoka Shunsuke 1970 translator, eds. Firumu to kamera no sekaishi: Gijutsu kakushin to kigyō = Images and enterprise. Heibonsha, 1998.

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4

Johann, Walter P. The hybrid rapid access film market, 1989-1994: A comprehensive look at the market for Kodak Ultratec, Fuji Grandex, 3M Excelerate, Anitec Reprodot & Agfa Agfastar hybrid rapid access films : a multiclient study. Dynamic Strategies, 1989.

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5

Finger, Erhard. Die Filmfabrik Wolfen: Porträt eines traditionsreichen Unternehmens 1909 bis 1994. GÖS-Gesellschaft für Sanierungsmassnahmen Wolfen und Thalheim, 1994.

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6

Behnk, Angelika. Die Frauen von ORWO: 13 Lebensbilder. G. Kiepenheuer, 1995.

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7

Karlsch, Rainer. Von Agfa zu ORWO: Die Folgen der deutschen Teilung für die Filmfabrik Wolfen. Vorstand der Filmfabrik Wolfen AG, 1992.

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8

Finger, Erhard. 100 Jahre Kino und die Filmfabrik Wolfen: Von Erhard Finger. GÖS-Gesellschaft für Sanierungsmassnahmen Wolfen und Thalheim mbH, 1996.

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9

Durling, James P. Anatomy of a trade dispute: A documentary history of the Kodak-Fujifilm dispute. Cameron May, 2000.

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10

1954-, Lamb-Faffelberger Margarete, ed. Literature, film and the culture industry in contemporary Austria. P. Lang, 2002.

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11

1954-, Lamb-Faffelberger Margarete, ed. Literature, film, and the culture industry in contemporary Austria. P. Lang, 2002.

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12

Guibourgé, Stéphane. Lancôme, Paris: Une excellence française. Regard, 2009.

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13

Fiorentino, Luca. Scatti d'epoca su Roma: La capitale nel '900 nella vita speciale dei Nistri, della O.M.I., della Sara-Nistri. Gangemi, 2009.

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14

Michael, Cuscuna, and Blue Note (Firm), eds. Blue Note: Photos. YellowKorner éditions, 2014.

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15

M, Springer A., Rugg Karen L, Van der Linden, F. Robert., and United States. National Aeronautics and Space Administration., eds. America by air. NASA, 2007.

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16

Maurice, Hamilton, ed. Pole position: The inside story of Williams-Renault. Macmillan, 1995.

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17

Maurice, Hamilton, ed. Pole position: Behind the scenes of Williams-Renault F1. Motorbooks International, 1996.

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18

Hyman, Basil. The G-Plan revolution: A celebration of British popular furniture of the 1950s and 1960s. Booth-Clibborn, 2007.

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19

Hyman, Basil. The G-plan revolution: A celebration of British popular furniture of the 1950s and 1960s. Booth-Clibborn Editions, 2007.

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20

The 2007 import and export market for exposed and developed photographic plates and film excluding cinematographic film in south Korea. ICON Group Ltd., 2007.

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21

Swasy, Alecia. Changing Focus. Random House Value Publishing, 1998.

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22

The 2007 import and export market for exposed and developed cinematographic film of a width of at least 35 mm in south Korea. ICON Group Ltd., 2007.

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23

Studien zur Geschichte der Filmfabrik Wolfen und der IG Farbenindustrie AG in Mitteldeutschland. Klartext, 2014.

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24

Pathenheimer : Filmfotografin: DEFA Movie Stills. Links Christoph Verlag, 2016.

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25

Komori, Shigetaka. Innovating Out of Crisis: How Fujifilm Survived As Its Core Business Was Vanishing. Stone Bridge Press, 2015.

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26

Durling, James P. Anatomy of a Trade Dispute: A Documentary History of the Kodak-Fuji Film Dispute. Cameron May, 2001.

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27

UFA in Farbe: Technik, Politik und Starkult zwischen 1936 und 1945. Coll. Rolf Heyne, 2010.

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28

Menefee, David W. The First Female Stars. Greenwood Publishing Group, Inc., 2004. http://dx.doi.org/10.5040/9798400651571.

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The First Female Stars: Women of the Silent Era rediscovers the fascinating lives and pioneering achievements of 15 women who dared to venture into early motion pictures, an industry dominated by men, and who not only succeeded but became the focal points of the industry. Each star earned a position at the height of her profession, and though many are largely forgotten today, made a lasting and significant contribution to early cinema. In this entertaining and informative volume, author David Menefee reveals these women and their signature roles, drawing on many original sources to show us how

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29

Pierre, Paul Matthew St. Cinematography of Carl Theodor Dreyer. Rowman & Littlefield Publishing Group, 2018. https://doi.org/10.5040/9781683935230.

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Legendary Danish filmmaker Carl Theodor Dreyer (3 February 1889-20 March 1968) was born in Copenhagen to a single mother, Josefine Bernhardine Nilsson, a Swede. His Danish father, Jens Christian Torp, a married farmer, employed Nilsson as a housekeeper. After spending his first two years in orphanages, Dreyer was adopted by Carl Theodor Dreyer, a typographer, and his wife, Inger Marie Dreyer. He was given his adoptive father’s name. At age 16, he renounced his adoptive parents and worked his way into the film industry as a journalist, title card writer, screenwriter, and director. Throughout h

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30

Magnum Photos with Reda. Damiani, 2015.

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31

Eicke, Stephan. Dream Come True. Bloomsbury Publishing Inc, 2025. https://doi.org/10.5040/9798765129067.

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A Dream Come True is an extensive investigation of the working relationship between two revered artists, David Lynch and Angelo Badalamenti, as an insightful collage that bridges the gap between academic analysis and investigative journalism. The working-relationship between director David Lynch and composer Angelo Badalamenti is one of the most fruitful and celebrated in cinema history. Yet despite their success and fame, this is the first book written about their decades-long collaboration. It offers new, valuable insights to fans of both Lynch’s and Badalamenti’s work. The book analyses Dav

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32

Kennel, Glenn. Color and Mastering for Digital Cinema. Taylor & Francis Group, 2012.

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33

Kennel, Glenn. Color and Mastering for Digital Cinema. Taylor & Francis Group, 2012.

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34

Color and mastering for digital cinema. Focal Press, 2007.

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35

Doeden, Matt. GoPro Inventor Nick Woodman. Lerner Publishing Group, 2015.

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36

Doeden, Matt. GoPro Inventor Nick Woodman. Lerner Publishing Group, 2015.

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37

Landau, David, and Bruce Finn. Multi-Camera Cinematography and Production. Edited by David Landau. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781501374616.

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A how-to book on the art, craft and practice of TV/video/streaming cinematography for multi-camera shooting. This book is written for anyone wanting to film, direct or produce multiple camera productions. Lighting Directors, Directors of Photography, Camera Operators as well as Directors, Producers and Production Managers will all find valuable information that will help them do their job and accomplish their goals of effectively filming with more than one camera at the same time. This book could be seen as an intermediate to advanced media production course book for colleges. It is also meant

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38

Barber, Kirk. Wedding Video Handbook: How to Succeed in the Wedding Video Business. Taylor & Francis Group, 2012.

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39

Barber, Kirk. Wedding Video Handbook: How to Succeed in the Wedding Video Business. Taylor & Francis Group, 2012.

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40

Barber, Kirk. Wedding Video Handbook: How to Succeed in the Wedding Video Business. Taylor & Francis Group, 2012.

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41

Barber, Kirk. Wedding Video Handbook: How to Succeed in the Wedding Video Business. Taylor & Francis Group, 2018.

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42

Barber, Kirk. Wedding Video Handbook: How to Succeed in the Wedding Video Business. Taylor & Francis Group, 2012.

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43

The wedding video handbook: How to succeed in the wedding video business. CMP Books, 2005.

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44

Aleiss, Angela. Making the White Man's Indian. Greenwood Publishing Group, Inc., 2005. http://dx.doi.org/10.5040/9798400681769.

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The image in Hollywood movies of savage Indians attacking white settlers represents only one side of a very complicated picture. In fact sympathetic portrayals of Native Americans stood alongside those of hostile Indians in the silent films of D. W. Griffith and Cecil B. DeMille, and flourished during the early 1930s with Hollywood's cycle of pro-Indian adventures. Decades later, the stereotype became even more complicated, as films depicted the savagery of whites (The Searchers) in contrast to the more peaceful Indian (Broken Arrow). By 1990 the release of Dances with Wolves appeared to have

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45

Angénieux and Cinema. Silvana, 2019.

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46

Scatti d'epoca su Roma: La capitale nel '900 nella vita speciale dei Nistri, della O.M.I., della Sara-Nistri. Gangemi, 2009.

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47

Fojas, Camilla. Border Optics. NYU Press, 2021. http://dx.doi.org/10.18574/nyu/9781479806980.001.0001.

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The US-Mexico border zone is one of the most visualized and imagined spaces in the United States, not just for the mythology of the Southwest as the cornerstone of US identity but as a place under continual crisis, permanent visibility, and territorial defense. Border Optics argues that the border is both a laboratory and an archive that indexes an optical regime and a way of seeing drawn from maps, geographical surveys, military strategic plans, illustrations, photographs, postcards, novels, film, and television—all of which combine fascination with the region with the visual codes of surveil

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48

Korean Indie musician photographs: Ch'oe Kyu-sŏng sajinjip. Sŏn, 2008.

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49

Nicholson. Pole Position. MacMillan, 1998.

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50

D’agati, Janine, and Hannah Schiff. From Sleepwear to Sportswear. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350232006.

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Women wearing pants poses provocative questions: When did it start? Who invented this fashion? How scandalous was it? Were women really arrested? Prior to the 1920s it was a rarity to see women in the Western world wearing pants, but as the silk pajama trouser suit moved from the boudoir to the beach in the early 1920s it cemented the image of the trousered woman. Worn by Jean Harlow and Marlene Dietrich, painted by Raoul Dufy and immortalized in F. Scott Fitzgerald’s Tender is the Night, pajamas came to symbolise much more than sleepwear: this book explores how much the pajama phenomenon was

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