Relevant bibliographies by topics / Photographic histories

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Photographic histories'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Photographic histories"

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Padmanabhan, Lakshmi. "A Feminist Still." Camera Obscura: Feminism, Culture, and Media Studies 35, no. 3 (2020): iv—29. http://dx.doi.org/10.1215/02705346-8631535.

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What can photographic form teach us about feminist historiography? Through close readings of photographs by visual artist and documentary photographer Sheba Chhachhi, who documented the struggle for women’s rights in India from the 1980s onward, this article outlines the political stakes of documentary photography’s formal conventions. First, it analyzes candid snapshots of recent protests for women’s rights in India, focusing on an iconic photograph by Chhachhi of Satyarani Chadha, a community organizer and women’s rights activist, at a rally in New Delhi in 1980. It attends to the way in whi
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Carville, Justin. "‘This postcard album will tell my name, when I am quite forgotten’: Cultural Memory and First World War Soldier Photograph Albums." Modernist Cultures 13, no. 3 (2018): 417–44. http://dx.doi.org/10.3366/mod.2018.0220.

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Since the Crimean and American Civil Wars in the nineteenth century, photography has allowed societies to experience war through the collective understanding of photographic representation as an inscription or mnemonic cue for recollections of past events. However, the First World War ushered in new vernacular cultural practices of photography which radically altered how both war was represented and experienced through photography. This shift, in turn, engendered new private and domestic forms of post-war remembrance through the photographic image. Kodak's marketing of the Vest Pocket Autograp
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Warren, Samantha. "Performance, emotion and photographic histories." Accounting, Auditing & Accountability Journal 22, no. 7 (2009): 1142–46. http://dx.doi.org/10.1108/09513570910987411.

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Kratz, Corinne A. "Afterword Uncertain trajectories and refigured social worlds: the image entourage and other practices of digital and social media photography." Africa 89, no. 2 (2019): 323–28. http://dx.doi.org/10.1017/s0001972019000032.

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Drawn from East, West, Central and Southern Africa, the case studies in this special issue build on several decades of important work on photography in Africa. That work has examined colonial photography and postcards, studio work from colonial times to the present, activist photography, photojournalism, and artists who work with photographic images. It has addressed issues of representation, portraiture, aesthetics, self-fashioning, identities, power and status, modernities and materiality, the roles of photographs in governance and everyday politics, and the many histories and modes of socia
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Wallace, Rachel. "Gay Life and Liberation, a Photographic Record of 1970s Belfast." Public Historian 41, no. 2 (2019): 144–62. http://dx.doi.org/10.1525/tph.2019.41.2.144.

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In March 2017, the first LGBTQ+ history exhibition to be displayed at a national museum in Northern Ireland debuted at the Ulster Museum. The exhibition, entitled “Gay Life and Liberation: A Photographic Exhibition of 1970s Belfast,” included private photographs captured by Doug Sobey, a founding member of gay liberation organizations in Belfast during the 1970s, and featured excerpts from oral histories with gay and lesbian activists. It portrayed the emergence of the gay liberation movement during the Troubles and how the unique social, political, and religious situation in Northern Ireland
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Singh, Amrita. "Photographic silence: Remediating the graphic to visualize migrant experience in Shaun Tan’s The Arrival." Studies in Comics 11, no. 2 (2020): 321–39. http://dx.doi.org/10.1386/stic_00033_1.

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In the absence of a verbal language, The Arrival’s mode of representation is derived from various visual storytelling practices in addition to the comic. This article proposes that Tan remediates the mode of comics storytelling by presenting the narrative as a photo album and drawing the panels as photographs, and in turn the photograph is also remediated in the text as a drawn object. Using transmedial techniques such as focalization, gaze, framing and page layout, in addition to deliberations on style and form, Tan constructs comics storytelling with a photographic vision. This photographic
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Binazzi, Marta. "Fotografie e istituzioni museali: il sistema della doppia copia e l’accumulo dei fondi. Le Regie Gallerie di Firenze, 1860-1906." Rivista di studi di fotografia. Journal of Studies in Photography 5, no. 10 (2020): 10–35. http://dx.doi.org/10.36253/rsf-12245.

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 Beginning in the late 1850s, photographic companies reproducing artworks kept in the Royal Galleries of Florence were required to submit copies of their work to the Ministry of Public Education and the museum’s director. This paper shows that while photographers obeyed the rule, their photographs were stored away and left mostly unused for over two decades before the process of creating a proper collection began in the 1880s. Countering traditional histories of how photographic collections were constituted, this paper analyzes bureaucratic practices of documentation and qu
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Zaatari, Akram. "History and photographic memory." Journal of Visual Culture 18, no. 2 (2019): 169–86. http://dx.doi.org/10.1177/1470412919864501.

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In this interview, artist Akram Zaatari reflects on his longstanding work with photographic heritage in the Middle East, North Africa and the Arab diaspora, and considers the different ways in which he has used photographs to illuminate and unfold historical truths. Charting divergencies and disagreements around issues of preservation that have arisen over the years within the Arab Image Foundation (of which he is one of the founders), Zaatari points out radical gestures of preservation that return photographs to the ‘living tissue’, the ‘larger ecosystem’ and a set of affective relations from
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Veal, Clare. "Nostalgia and nationalism: Facebook ‘archives’ and the constitution of Thai photographic histories." Journal of Southeast Asian Studies 51, no. 3 (2020): 372–96. http://dx.doi.org/10.1017/s0022463420000491.

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This article considers the implications of the popularisation of Facebook groups that share historical photographs for the writing of Thai national and photographic histories. Rather than dismissing these groups as lacking in historical rigour, I propose that the nostalgic impetus behind their formation indicates an important way through which we may rethink the continued relevance of Thailand's history to its current sociopolitical situation. Drawing from Craig J. Reynolds’ (1992) argument regarding the interrelationship between the ‘plot of Thai history’ and the narrative historical form, I
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McCredie, Athol. "Pictures on a Page: Towards a History of the Photobook in New Zealand." Back Story Journal of New Zealand Art, Media & Design History, no. 5 (December 1, 2018): 5–21. http://dx.doi.org/10.24135/backstory.vi5.35.

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The term ‘photobook’ is very recent, yet numerous studies now survey histories of its development right back to the invention of photography. This article examines photographic books in New Zealand up to 1970 and concurrently explores definitions of the ‘photobook’ and whether, or to what extent, they can be applied to any of these publications. It considers nineteenth century albums, early scientific publications, and in particular, the books of scenery that have become such a stock item of New Zealand photographic book production. It also looks at a handful of books in the 1950s and 1960s th
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Dissertations / Theses on the topic "Photographic histories"

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Brito, Luciana Souza de. "Histórias e memórias institucionais a partir do acervo fotográfico do Centro Universitário Franciscano (1955-1980)." Universidade Federal de Santa Maria, 2010. http://repositorio.ufsm.br/handle/1/10957.

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This paper presents the study about the Centro Universitário Franciscano´s stories and memories, which can be caught through the analysis of the photographic collection of the institution. The general objective of this work consists on the treatment according to the criteria archival photographic of the Centro Universitário Franciscano, referring to the period between the years 1955 and 1980 with the aim to study and recall the stories and memories of the institution. As specific objectives, are listed the following activities: to do the diagnosis of the acquis and the physical conditions of
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White, Katie Janae. "The War That Does Not Leave Us: Memory of the American Civil War and the Photographs of Alexander Gardner." BYU ScholarsArchive, 2014. https://scholarsarchive.byu.edu/etd/4114.

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In July of 1863 the photographs A Harvest of Death, Field Where General Reynolds Fell, A Sharpshooter's Last Sleep, and The Home of a Rebel Sharpshooter were taken after the battle at Gettysburg by a team of photographers led by Alexander Gardner. In the decades that followed these images of the dead of the battlefield became some of the most iconic representations of the American Civil War. Today, Gardner's Gettysburg photographs can be found in almost every contemporary history text, documentary, or collection of images from the war, yet their journey to this iconic status has been little di
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Strandroth, Cecilia. "In search of the pure photograph : a historiographic study of the Farm Security Administration, Walker Evans, and the survey histories of photography /." Uppsala : Fronton, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-8347.

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McGrath, Roberta. "Geographies of the body and the histories of photography." Thesis, Middlesex University, 2003. http://eprints.mdx.ac.uk/13481/.

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Informed by feminist epistemologies, cultural theory and social history, the thesis takes as its primary focus discourses of gender and sexuality in the field of photographic culture. The accompanying contextualisation reflects the shifting theoretical and methodological terrain of visual cultural studies over the historical period in question (1983 - 2003). Earlier articles cover the project's initial development and subsequent essays navigate the work into a more historical context culminating in Seeing her Sex: Medical Archives and the Female Body (2002). This book draws forms the main body
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Erbetta, Alejandro. "Mémoire et (re)construction d'histoires individuelles, familiales et collectives (approches photographiques)." Thesis, Paris 8, 2018. http://www.theses.fr/2018PA080033.

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Dans une époque qui manifeste une exacerbation de la représentation de soi (àtravers les réseaux sociaux notamment), notre objet d'étude propose uneréflexion sur la mémoire et la reconstruction d'histoires dans les pratiquesartistiques. Utilisant comme point de départ une production photographiquepersonnelle (Reprises), nous proposons une articulation entre théorie etcréation, dans une dialectique qui part de l'analyse des oeuvres personnelles,pour établir un dialogue avec des théoriciens et des oeuvres contemporainestraitant ces problématiques. Dans ce type de démarches rétrospectives quiréin
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Lavoie, Vincent. "Les énoncés fondateurs de la photographie et de son histoire /." Vincennes : Université Paris-VII, 1993. http://catalogue.bnf.fr/ark:/12148/cb35799274d.

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Nascimento, Maria Jose de Oliveira. "Desenho de luz : caleidoscopio de imagens e historias." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/252368.

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Orientadores: Ana Angelica Medeiros Albano, Milton Jose de Almeida<br>Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação<br>Made available in DSpace on 2018-08-07T16:19:11Z (GMT). No. of bitstreams: 1 Nascimento_MariaJosedeOliveira_D.pdf: 20123123 bytes, checksum: f508452a56e95fdfd762df24914fa7ce (MD5) Previous issue date: 2006<br>Doutorado<br>Educação, Conhecimento, Linguagem e Arte<br>Doutor em Educação
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Crow, Robert. "Reputations made and lost : the writing of histories of early twentieth-century British photography and the case of Walter Benington." Thesis, University of Gloucestershire, 2016. http://eprints.glos.ac.uk/2996/.

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Walter Benington (1872-1936) was a major British photographer, a member of the Linked Ring and a colleague of international figures such as F H Evans, Alfred Stieglitz, Edward Steichen and Alvin Langdon Coburn. He was also a noted portrait photographer whose sitters included Albert Einstein, Dame Ellen Terry, Sir Arthur Conan Doyle and many others. He is, however, rarely noted in current histories of photography. Beaumont Newhall’s 1937 exhibition Photography 1839-1937 at the Museum of Modern Art in New York is regarded by many respected critics as one of the foundation-stones of the writing o
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Day, Meredith. "The New York City Photo League : determining influence through depth interviews with scholars, historians and curators /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p1422920.

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Bélanger, Michelle. "Vers le paysage : photographie et aménagement des territoires miniers." Doctoral thesis, Université Laval, 2018. http://hdl.handle.net/20.500.11794/34173.

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Depuis ces dernières années, un changement d’attitude se fait sentir envers les territoires miniers. Longtemps perçus comme dégradés, voire ruinés, ces territoires se révèlent aujourd’hui comme d’importants témoins historiques et sont en conséquence conservés en tant que paysages patrimoniaux . En 2012, par exemple, le Bassin minier du Nord-Pas de Calais , transformé par l’exploitation du charbon, fut inscrit sur la Liste du patrimoine mondial en tant que paysage culturel vivant évolutif. Portant des caractéristiques uniques, les paysages miniers sont également de nos jours mis en valeur par c
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Books on the topic "Photographic histories"

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Photographs, histories, and meanings. Palgrave Macmillan, 2009.

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MRCP 2 practice papers: Case histories, data interpretations and photographic material. 3rd ed. PasTest, 2003.

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Case histories: The packaging and presentation of the photographic portrait in Victorian Britain 1840-1875. Antique Collector's Club], 2005.

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Bishop, John G. Cameras over the Pacific: Marine Photographic Squadron 254. J.G. Bishop, 2002.

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Paterson, Lawrence. U-boat war patrol: The hidden photographic diary of U 564. Greenhill Books, 2004.

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Herner, Charles. Cowboy cavalry: A photographic history of the Arizona Rough Riders. Arizona Historical Society, 1998.

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Lyon, Robert T. A photographic supplement of the Ninety-third Regiment, Pennsylvania Volunteers. R.T. Lyon, 1987.

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North Carolina. Divison of Archives and History., ed. State troops and volunteers: A photographic record of North Carolina's Civil War soldiers. North Carolina Dept. of Cultural Resources, Division of Archives and History, 1995.

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Cook, Lee. Fighting seventeen: A photographic history of VF-17 in World War II. Schiffer Military History, 2011.

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Ronn, Palm, ed. Pennsylvania Bucktails: A photographic album of the 42nd, 149th & 150th Pennsylvania regiments. Schroeder Publications, 2001.

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Book chapters on the topic "Photographic histories"

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Sagar, Pooja. "Images of Deaths and Marriages: Syrian Christian Family Albums and Oral Histories in Kerala." In Photography in India. Routledge, 2020. http://dx.doi.org/10.4324/9781003103790-6.

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Daniels, Vincent D. "Monitoring the Autoxidation of Paper Using Photographic Materials." In Historic Textile and Paper Materials. American Chemical Society, 1986. http://dx.doi.org/10.1021/ba-1986-0212.ch017.

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Spady, Samantha, and Siobhan Angus. "Histories of the Present: Tar Sands Photography and Colonial Cultural Production." In Energy Humanities. Current State and Future Directions. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-57480-2_8.

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Winton, Helen. "The Use of Aerial Photographs for Conservation and Research." In Gardens & Landscapes in Historic Building Conservation. John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118508107.ch16.

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Thompson, Ian. "From Picturesque Detachment to Bodily Engagement: The Entwined Histories of Photography, Architecture and Climbing." In Mountains and Megastructures. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-7110-7_3.

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Manzoli, Simona. "Photography for the City, Between the Need for Protection, Conservation and Civic Identity." In Historic Cities in the Face of Disasters. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-77356-4_4.

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Peterson, Nicoilas. "The Changing Photographic Contract." In Photography’s Other Histories. Duke University Press, 2003. http://dx.doi.org/10.1215/9780822384717-008.

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Lydon, Jane. "Australian Photographic Histories After Colonialism." In The Handbook of Photography Studies. Routledge, 2020. http://dx.doi.org/10.4324/9781003103974-26.

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Dominici, Sara. "Conclusion: Towards New Photographic Histories." In Travel Marketing and Popular Photography in Britain, 1888–1939. Routledge, 2017. http://dx.doi.org/10.4324/9781315146881-6.

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LYDON, JANE. "Australian Photographic Histories After Colonialism." In THE HANDBOOK OF PHOTOGRAPHY STUDIES. Bloomsbury Visual Arts, 2020. http://dx.doi.org/10.5040/9781474242233.ch-022.

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Conference papers on the topic "Photographic histories"

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Fuster pérez, Jaime. "La edición fotográfica en Ramón Masats." In I Congreso Internacional sobre Fotografia: Nuevas propuestas en Investigacion y Docencia de la Fotografia. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cifo17.2017.7055.

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Resumen-Abstract El Premio Nacional de fotografía 2004, Ramón Masats Tartera (Caldes de Montbui, 1931), ha sido considerado como un fotógrafo intuitivo. Sin embargo, un detenido estudio de sus fotolibros y ensayos fotográficos publicados en las revistas ilustradas, permiten revindicar otra faceta completamente desconocida: su labor como maquetador. A lo largo de su carrera Masats toma conciencia de la edición fotográfica. Desde la solitaria imagen de la noticia de un periódico, al ensayo fotográfico, entendido desde el punto de vista de E. Smith como un conjunto mayor de imágenes que profundiz
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Aristizábal, José Antonio. "HUMBERTO RIVAS, DESDE LO ROMÁNTICO Y LO SINIESTRO. HUMBERTO RIVAS FROM THE ROMANTIC AND THE SINISTER." In I Congreso Internacional sobre Fotografia: Nuevas propuestas en Investigacion y Docencia de la Fotografia. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cifo17.2017.6880.

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Palabras clave:Fotografía, estética, Humberto Rivas, Rafael Argullol, Eugenio Trías.Keywords: Photography, esthetic, Humberto Rivas, Rafael Argullol, Eugenio Trías.Resumen:El siguiente artículo busca dar una lectura a la obra del fotógrafo Humberto Rivas, Premio Nacional de Fotografía y unos de los mayores exponentes de la fotografía española de finales del siglo XX. Se parte de la convicción de que hace falta ubicar a Humberto Rivas en una tradición de pensamiento estético, ya que las distintas lecturas que existen sobre su trabajo, aunque importantes, no han dejado de ser lecturas impresioni
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Roux, S., P. Abry, H. Wendt, S. Jaffard, and B. Vedel. "Hyperbolic wavelet transform for historic photographic paper classification challenge." In 2014 48th Asilomar Conference on Signals, Systems and Computers. IEEE, 2014. http://dx.doi.org/10.1109/acssc.2014.7094631.

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"Session TA5b: Historic photographic paper identification via textural similarity assessment." In 2014 48th Asilomar Conference on Signals, Systems and Computers. IEEE, 2014. http://dx.doi.org/10.1109/acssc.2014.7094627.

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Tartara, Patrizia. "The Landscape of Ancient Caere through Historic Air Photographs." In Landscape Archaeology Conference. VU E-Publishing, 2016. http://dx.doi.org/10.5463/lac.2014.67.

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Bruschke, Jonas, Florian Niebling, Ferdinand Maiwald, Kristina Friedrichs, Markus Wacker, and Marc Erich Latoschik. "Towards browsing repositories of spatially oriented historic photographic images in 3D web environments." In Web3D '17: The 22nd International Conference on Web3D Technology. ACM, 2017. http://dx.doi.org/10.1145/3055624.3075947.

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Hoffmann, Rüdiger, Dieter Mehnert, and Rolf Dietzel. "How did it work? historic phonetic devices explained by coeval photographs." In Interspeech 2013. ISCA, 2013. http://dx.doi.org/10.21437/interspeech.2013-155.

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Arnold, Taylor, Nathaniel Ayers, Justin Madron, Robert Nelson, and Lauren Tilton. "Visualizing a Large Spatiotemporal Collection of Historic Photography with a Generous Interface." In 2020 IEEE 5th Workshop on Visualization for the Digital Humanities (VIS4DH). IEEE, 2020. http://dx.doi.org/10.1109/vis4dh51463.2020.00010.

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Evanoff, Emmett, and Harold R. Wanless. "GEOLOGIC AND PALEONTOLOGIC SIGNIFICANCE OF HISTORIC PHOTOGRAPHS IN BADLANDS NATIONAL PARK, SOUTH DAKOTA." In GSA Annual Meeting in Seattle, Washington, USA - 2017. Geological Society of America, 2017. http://dx.doi.org/10.1130/abs/2017am-302051.

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Méndez Rodríguez, Luis, and Rocío Plaza Orellana. "Teaching photography in the 21st century: old problems and new needs. Field study in the area of Art History: sources, methodologies and digital culture. Enseñando fotografía: viejos problemas y nuevas necesidades. Estudio de campo en Historia del Arte." In I Congreso Internacional sobre Fotografia: Nuevas propuestas en Investigacion y Docencia de la Fotografia. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cifo17.2017.6760.

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Teaching photography in the 21st century: old problems and new needs. Field study in the area of Art History: sources, methodologies and digital culture. Enseñando fotografía en el siglo XX: viejos problemas y nuevas necesidades. Estudio de campo en el área de Historia del Arte. Fuentes, metodologías y cultura digital. Luis Méndez Rodríguez. Universidad de Sevilla. Rocío Plaza Orellana. Universidad de Sevilla. Palabras clave: Fotografía, historia del arte, enseñanza, innovación docente, tecnología. Photography, art history, teaching, innovation, technology. Este trabajo analiza la enseñanza de
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Reports on the topic "Photographic histories"

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Tooker, Megan, and Adam Smith. Historic landscape management plan for the Fort Huachuca Historic District National Historic Landmark and supplemental areas. Engineer Research and Development Center (U.S.), 2021. http://dx.doi.org/10.21079/11681/41025.

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The U.S. Congress codified the National Historic Preservation Act of 1966 (NHPA) to provide guidelines and requirements for preserving tangible elements of our nation’s past. This preservation was done primarily through creation of the National Register of Historic Places (NRHP), which contains requirements for federal agencies to address, inventory, and evaluate their cultural resources, and to determine the effect of federal undertakings on properties deemed eligible or potentially eligible for the NRHP. This work inventoried and evaluated the historic landscapes within the National Landmark
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Kimbrell, K. D., and Kathleen E. Hiatt. Kansas Army Ammunition Plant. Supplemental Photographic Documentation of Archetypal Buildings, Structures, and Equipment for Army Material Command, National Historic Context for World War II Ordnance Facilities. Defense Technical Information Center, 1995. http://dx.doi.org/10.21236/ada316521.

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Kimbrell, K. D., and Kathleen E. Hiatt. Radford Army Ammunition Plant. Supplemental Photographic Documentation of Archetypal Buildings, Structures, and Equipment for U.S. Army Materiel Command. National Historic Context for World War II Ordnance Facilities. Defense Technical Information Center, 1995. http://dx.doi.org/10.21236/ada316522.

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Kimbrell, K. D., Matthew Snellgrove, and Rita Walsh. Ravenna Army Ammunition Plant. Supplemental Photographic Documentation of Archetypal Buildings, Structures, and Equipment for U.S. Army Materiel Command National Historic Context for World War II Ordnance Facilities. Defense Technical Information Center, 1995. http://dx.doi.org/10.21236/ada315497.

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Kimbrell, K. D., Matthew Snellgrove, Robert C. Vogel, and Deborah L. Cown. Twin Cities Army Ammunition Plant, Supplemental Photographic Documentation of Archetypal Buildings, Structures, and Equipment for Army Materiel Command National Historic Context for World War II Ordnance Facilities. Defense Technical Information Center, 1995. http://dx.doi.org/10.21236/ada315682.

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White, William D., Krapf Jr., and Kellie A. Lake City Army Ammunition Plant. Supplemental Photographic Documentation of Archetypal Buildings, Structures, and Equipment for U.S. Army Materiel Command. National Historic Context for World War II Ordnance Facilities. Defense Technical Information Center, 1995. http://dx.doi.org/10.21236/ada315683.

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Atkinson, Dan, and Alex Hale, eds. From Source to Sea: ScARF Marine and Maritime Panel Report. Society of Antiquaries of Scotland, 2012. http://dx.doi.org/10.9750/scarf.09.2012.126.

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The main recommendations of the panel report can be summarised under four headings: 1. From Source to Sea: River systems, from their source to the sea and beyond, should form the focus for research projects, allowing the integration of all archaeological work carried out along their course. Future research should take a holistic view of the marine and maritime historic environment, from inland lakes that feed freshwater river routes, to tidal estuaries and out to the open sea. This view of the landscape/seascape encompasses a very broad range of archaeology and enables connections to be made w
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8

Brophy, Kenny, and Alison Sheridan, eds. Neolithic Scotland: ScARF Panel Report. Society of Antiquaries of Scotland, 2012. http://dx.doi.org/10.9750/scarf.06.2012.196.

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Abstract:
The main recommendations of the Panel report can be summarised as follows: The Overall Picture: more needs to be understood about the process of acculturation of indigenous communities; about the Atlantic, Breton strand of Neolithisation; about the ‘how and why’ of the spread of Grooved Ware use and its associated practices and traditions; and about reactions to Continental Beaker novelties which appeared from the 25th century. The Detailed Picture: Our understanding of developments in different parts of Scotland is very uneven, with Shetland and the north-west mainland being in particular nee
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