Relevant bibliographies by topics / Photographic histories / Dissertations / Theses
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Dissertations / Theses on the topic 'Photographic histories'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Brito, Luciana Souza de. "Histórias e memórias institucionais a partir do acervo fotográfico do Centro Universitário Franciscano (1955-1980)." Universidade Federal de Santa Maria, 2010. http://repositorio.ufsm.br/handle/1/10957.

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This paper presents the study about the Centro Universitário Franciscano´s stories and memories, which can be caught through the analysis of the photographic collection of the institution. The general objective of this work consists on the treatment according to the criteria archival photographic of the Centro Universitário Franciscano, referring to the period between the years 1955 and 1980 with the aim to study and recall the stories and memories of the institution. As specific objectives, are listed the following activities: to do the diagnosis of the acquis and the physical conditions of
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2

White, Katie Janae. "The War That Does Not Leave Us: Memory of the American Civil War and the Photographs of Alexander Gardner." BYU ScholarsArchive, 2014. https://scholarsarchive.byu.edu/etd/4114.

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In July of 1863 the photographs A Harvest of Death, Field Where General Reynolds Fell, A Sharpshooter's Last Sleep, and The Home of a Rebel Sharpshooter were taken after the battle at Gettysburg by a team of photographers led by Alexander Gardner. In the decades that followed these images of the dead of the battlefield became some of the most iconic representations of the American Civil War. Today, Gardner's Gettysburg photographs can be found in almost every contemporary history text, documentary, or collection of images from the war, yet their journey to this iconic status has been little di
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3

Strandroth, Cecilia. "In search of the pure photograph : a historiographic study of the Farm Security Administration, Walker Evans, and the survey histories of photography /." Uppsala : Fronton, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-8347.

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4

McGrath, Roberta. "Geographies of the body and the histories of photography." Thesis, Middlesex University, 2003. http://eprints.mdx.ac.uk/13481/.

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Informed by feminist epistemologies, cultural theory and social history, the thesis takes as its primary focus discourses of gender and sexuality in the field of photographic culture. The accompanying contextualisation reflects the shifting theoretical and methodological terrain of visual cultural studies over the historical period in question (1983 - 2003). Earlier articles cover the project's initial development and subsequent essays navigate the work into a more historical context culminating in Seeing her Sex: Medical Archives and the Female Body (2002). This book draws forms the main body
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5

Erbetta, Alejandro. "Mémoire et (re)construction d'histoires individuelles, familiales et collectives (approches photographiques)." Thesis, Paris 8, 2018. http://www.theses.fr/2018PA080033.

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Dans une époque qui manifeste une exacerbation de la représentation de soi (àtravers les réseaux sociaux notamment), notre objet d'étude propose uneréflexion sur la mémoire et la reconstruction d'histoires dans les pratiquesartistiques. Utilisant comme point de départ une production photographiquepersonnelle (Reprises), nous proposons une articulation entre théorie etcréation, dans une dialectique qui part de l'analyse des oeuvres personnelles,pour établir un dialogue avec des théoriciens et des oeuvres contemporainestraitant ces problématiques. Dans ce type de démarches rétrospectives quiréin
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Lavoie, Vincent. "Les énoncés fondateurs de la photographie et de son histoire /." Vincennes : Université Paris-VII, 1993. http://catalogue.bnf.fr/ark:/12148/cb35799274d.

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7

Nascimento, Maria Jose de Oliveira. "Desenho de luz : caleidoscopio de imagens e historias." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/252368.

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Orientadores: Ana Angelica Medeiros Albano, Milton Jose de Almeida<br>Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação<br>Made available in DSpace on 2018-08-07T16:19:11Z (GMT). No. of bitstreams: 1 Nascimento_MariaJosedeOliveira_D.pdf: 20123123 bytes, checksum: f508452a56e95fdfd762df24914fa7ce (MD5) Previous issue date: 2006<br>Doutorado<br>Educação, Conhecimento, Linguagem e Arte<br>Doutor em Educação
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8

Crow, Robert. "Reputations made and lost : the writing of histories of early twentieth-century British photography and the case of Walter Benington." Thesis, University of Gloucestershire, 2016. http://eprints.glos.ac.uk/2996/.

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Walter Benington (1872-1936) was a major British photographer, a member of the Linked Ring and a colleague of international figures such as F H Evans, Alfred Stieglitz, Edward Steichen and Alvin Langdon Coburn. He was also a noted portrait photographer whose sitters included Albert Einstein, Dame Ellen Terry, Sir Arthur Conan Doyle and many others. He is, however, rarely noted in current histories of photography. Beaumont Newhall’s 1937 exhibition Photography 1839-1937 at the Museum of Modern Art in New York is regarded by many respected critics as one of the foundation-stones of the writing o
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9

Day, Meredith. "The New York City Photo League : determining influence through depth interviews with scholars, historians and curators /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p1422920.

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10

Bélanger, Michelle. "Vers le paysage : photographie et aménagement des territoires miniers." Doctoral thesis, Université Laval, 2018. http://hdl.handle.net/20.500.11794/34173.

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Depuis ces dernières années, un changement d’attitude se fait sentir envers les territoires miniers. Longtemps perçus comme dégradés, voire ruinés, ces territoires se révèlent aujourd’hui comme d’importants témoins historiques et sont en conséquence conservés en tant que paysages patrimoniaux . En 2012, par exemple, le Bassin minier du Nord-Pas de Calais , transformé par l’exploitation du charbon, fut inscrit sur la Liste du patrimoine mondial en tant que paysage culturel vivant évolutif. Portant des caractéristiques uniques, les paysages miniers sont également de nos jours mis en valeur par c
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11

Moylan-Brouff, Glenda Silko Leslie Marmon. "Writing counter-histories of the Americas Leslie Marmon Silko's 'Almanac of the Dead' /." Access electronically, 2004. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20060314.105816/index.html.

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12

Mnyaka, Phindezwa Elizabeth. "Re-tracing representations and identities in twentieth century South African and African photography: Joseph Denfield, regimes of seeing and alternative visual histories." Thesis, University of Fort Hare, 2012. http://hdl.handle.net/10353/540.

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The thesis examines the photographic collection of Joseph Denfield, an archivist and historian who experimented with photography over a twenty-year period. The study is located within the field of critical visual studies that focuses on historical photography in its depiction of identities and groups in the context of social change. The thesis pays attention to the manner and extent to which Denfield participated in regional visual economies at various moments during his photographic career in order to establish his contribution towards a visual history in Africa and more broadly Southern Afri
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13

Mccall, Jennifer Danielle. "Renegotiating Identities, Cultures and Histories: Oppositional Looking in Shelley Niro's "This Land is Mime Land"." Scholar Commons, 2012. http://scholarcommons.usf.edu/etd/4149.

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My master's thesis explores the photographic series "This Land is Mime Land," which Shelley Niro made in 1992. Despite this work's complex form and structure, there are currently no sustained studies of this series alone, or books solely dedicated to Niro's art. Instead, "Mime Land" is often discussed in compilations that address a number of Native artists, Western feminist practices, or multiple works in Niro's oeuvre. My thesis fills this gap, as I closely investigate how "Mime Land" asks the viewer to look at visual culture, histories and Niro herself. Bell hooks's definition of the "op
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14

Almeida, Wilson Ricardo Antoniassi de [UNESP]. "Retrato da escola: estudo de imagens fotográficas do cotidiano escolar." Universidade Estadual Paulista (UNESP), 2011. http://hdl.handle.net/11449/90074.

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Made available in DSpace on 2014-06-11T19:24:18Z (GMT). No. of bitstreams: 0 Previous issue date: 2011-08-25Bitstream added on 2014-06-13T18:52:08Z : No. of bitstreams: 1 almeida_wra_me_rcla.pdf: 2272783 bytes, checksum: c9495ecc6aee8d630aa69f4816bce471 (MD5)<br>Este trabalho propõe o estudo de imagens fotográficas que retratam cenas e situações do cotidiano escolar numa instituição educacional pública de Limeira, estado de São Paulo, como fonte histórica e de memória para a Educação e como meio de compreensão da realidade de cada evento a partir de seus significados, identificando aspectos
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15

Pertoldi, Brigitte. "Le monument historique et l'image photographique au XIXème siècle /." Paris : B. Pertoldi, 1992. http://catalogue.bnf.fr/ark:/12148/cb35744652z.

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16

Řádková, Kristýna. "Vývoj fotografie a význam současné reportážní a dokumentární fotografie." Master's thesis, Vysoká škola ekonomická v Praze, 2015. http://www.nusl.cz/ntk/nusl-194523.

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This Master's Thesis is focused on evolution of photography with focus on photojournalism and documentary photography and aims to prove that this genre, though it may seem that it's currently on the decline, is still important. The theoretical part contains general history and definition of photography, pointing out the relationship between photography and art and describes the most important theories of aesthetics of photography. Then the work is focused purely on photojournalism and documentary photography. It describes the relationship and the difference between these genres. Further the th
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17

Sniderman, Julia. "An adaptation of visitor employed photography to study enivironmental [sic] perceptions in the historic/cultural landscape a case study of the Bristol, Rhode Island Historic District /." [Madison, Wisc.] : Univ. of Wisconsin-Madision, 1986. http://catalog.hathitrust.org/api/volumes/oclc/15358719.html.

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18

Santos, Sara Orcelli dos. "Propostas de ações de difusão para o acervo fotográfico do Museu da Cidade do Rio Grande- RS." Universidade Federal de Santa Maria, 2014. http://repositorio.ufsm.br/handle/1/11048.

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This dissertation is presented as the result of the master's research developed at the Professional Postgraduate Program in Cultural Heritage from the Federal University of Santa Maria (PPGPPC/UFSM). The theme oh this work is the diffusion of cultural heritage. As object of the study, we present the photographic collection of the Historical Collection of the Museum of the City of Rio Grande - RS. The development consists on the study and planning actions for the diffusion of heritage, from the recognition of photographs as Documentary Heritage. Therefore, we present the characterization of the
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19

Cronholt, Karin. "Kvinnliga fotografer : förutsättningar i Göteborg för ett professionellt yrkesliv år 1900." Thesis, Högskolan på Gotland, Institutionen för humaniora och samhällsvetenskap, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hgo:diva-1026.

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The purpose of this essay is to investigate the working conditions of professional photographers at the start of the 20th century. The aim of this essay is to provide a glimpse into this specific time-period with the main question: How were the working conditions for professional photographers? More specifically, this essay will provide a detailed picture that focuses on the difficulties women encountered, when attempting to make photography a legitimate professional career and combined with the traditions as wife and woman.The essay is divided into three main parts. By looking at statistical
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20

Alves, Fabiana Aline. "Fotojornalismo à força : ângulos e planos dos agentes políticos no regime militar brasileiro (1966-1975) /." Assis, 2017. http://hdl.handle.net/11449/151904.

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Orientador: Áureo Busetto<br>Banca: Paulo César Boni<br>Banca: Célio José Losnak<br>Banca: Carlos Alberto Sampaio Barbosa<br>Banca: Milton Carlos Costa<br>Resumo: As amarras realistas permeiam o ato fotográfico. Contudo, compreendê-lo como algo inquestionável apaga a natureza social da prática fotográfica e, ao fazê-lo, escamoteia uma das suas principais virtudes: o discurso fotográfico. Assim, esta pesquisa entende historicamente a atuação da fotografia na imprensa escrita brasileira entre 1966 e 1975, refletindo especialmente sobre o processo de produção de significados no fotojornalismo em
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Elibio, Junior Antonio Manoel. "A construção da liderança politica de Flores Cunha : governo, historia e politica (1930-1937)." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280111.

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Orientador: Vera Hercilia (Vavy) Pacheco Borges<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-06T09:49:26Z (GMT). No. of bitstreams: 1 ElibioJunior_AntonioManoel_D.pdf: 1874984 bytes, checksum: 1df674716f12717327fa45f9075e129e (MD5) Previous issue date: 2006<br>Resumo: Esta pesquisa tem como objetivo analisar a trajetória política de José Antônio Flores da Cunha que governou o Estado do Rio Grande do Sul entre os anos de 1930 e 1937. As questões que orientaram esta investigação giraram em torno da aná
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22

Bizello, Maria Leandra. "Entre fotografias e fotogramas : a construção da imagem publica de Juscelino Kubitschek (1956-1961)." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285134.

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Orientador: Marcius Cesar Soares Freire<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-12T05:08:42Z (GMT). No. of bitstreams: 1 Bizello_MariaLeandra_D.pdf: 19321887 bytes, checksum: b711fa2aa1d59303d08137bb49cc7a7f (MD5) Previous issue date: 2008<br>Resumo: O objetivo deste estudo é analisar a construção da imagem pública de Juscelino Kubitschek no período de sua presidência nos anos de 1956 a 1961 nas revistas Manchete, O Cruzeiro, cinejornais e documentários realizados nessa mesma época. Para esta análise partimos das rela
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Santana, Samantha Perez de. "Getúlio Vargas, do homem ao mito político: a desconstrução de uma imagem (1930-1945)." Pontifícia Universidade Católica de São Paulo, 2010. https://tede2.pucsp.br/handle/handle/12627.

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Made available in DSpace on 2016-04-27T19:30:06Z (GMT). No. of bitstreams: 1 Samantha Perez de Santana.pdf: 5018586 bytes, checksum: 25d6c64979cb67770bfb9d8747b0912b (MD5) Previous issue date: 2010-11-22<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico<br>This paper aims to analyze and deconstruct the image created by Getúlio Vargas through photographic production from 1930 to 1945. The images deal with several faces assigned to Vargas compose the political imaginary of the period, pointing to the importance of understanding how the use of these images was guided and by inten
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Gil, Bell Rebecca María. "Atrapando la luz. Origen y materialidad de la fotografía." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/398147.

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La fotografía irrumpe en el siglo XIX como una invención que viene para cambiar el discurso general de la Historia del Arte. Su emancipación y legitimidad como práctica artística tardará en aceptarse debido a numerosas causas: su dependencia de la historia oficial del arte; su difícil aceptación como una práctica artística equiparable a la pintura o a la escultura; la consideración de ser una práctica auxiliar de estas artes y el trato despectivo que se le da, como mera técnica reproductiva consecuencia de los avances de la ciencia y de la técnica. La resistencia a reconocer su importancia ser
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Ramírez, Salgado Adriana. "Representaciones de identidad cultural en la fotografía regional. El caso de Gilberto Aparicio Guerrero y Francesc Casañas Riera (1927-1932)." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/397805.

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Se estudia las imágenes hechas en provincia, denominadas como fotografía regional, con el fin de encontrar discursos y crónicas visuales que refirieran a los modos de vida, mentalidades y cultura, entre otras, de una población.Para ello se refieren estos conceptos básicos en relación a lo que debe entenderse como fotografía regional y el estado de la cuestión en la que permanece dentro de la historia de la fotografía.En este estudio se indago en relación a dos las poblaciones con sus respectivos fotógrafos para efectuar una investigación comparativa: Tlatlauquitepec, Puebla, México con retrato
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Akama, Regina Chiga. "A formação da identidade feminina : reconstruindo a memoria e a historia de vida de ex-alunas do internato São Paulo Saihou Jogahuin." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284710.

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Orientador: Etienne Ghislain Samain<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-12T13:29:50Z (GMT). No. of bitstreams: 1 Akama_ReginaChiga_M.pdf: 63019936 bytes, checksum: 4bd7814ccb5a162ead5e5eb626907210 (MD5) Previous issue date: 2008<br>Resumo: A pesquisa recupera a memória e a história de vida de ex-alunas do Internato "São Paulo Saihou Jogakuin", a importância desta instituição na formação de sua identidade feminina. O estudo é uma abordagem antropológicavisual que se debruça sobre fotografias de arquivos insti
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Ncube, Sikhululekile. "Mapping and assessment of changes in ecosystem service delivery : a historical perspective on the Tweed catchment, Scotland, UK." Thesis, University of Dundee, 2016. https://discovery.dundee.ac.uk/en/studentTheses/44841db4-3d1e-4d41-a72a-a8f75813d9e9.

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For centuries, river catchments and their constituent habitats have been altered and modified through various human activities to maximise provision of tangible benefits like food and water, while impacting on their capacity to provide other less obvious but equally important benefits for human survival. However, in the last few decades, perceptions on the role of catchments as mere providers of tangible benefits have been changing, as recognition has been given to other human beneficial services like regulation of floods. This recognition has drawn increased interest in both science and polic
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Garcia, Luciara Bruno [UNESP]. "Barroco paulista: novas possibilidades de documentação." Universidade Estadual Paulista (UNESP), 2015. http://hdl.handle.net/11449/132596.

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Made available in DSpace on 2016-01-13T13:27:17Z (GMT). No. of bitstreams: 0 Previous issue date: 2015-06-29. Added 1 bitstream(s) on 2016-01-13T13:32:35Z : No. of bitstreams: 1 000856099.pdf: 23903176 bytes, checksum: 270cac79e67507891207467cad1d754a (MD5)<br>Esta pesquisa trata do trabalho do fotógrafo Germano Graeser, que juntamente com Mário de Andrade e Luiz Saia iniciaram as atividades do Serviço do Patrimô- nio Histórico e Artístico Nacional - SPHAN em São Paulo. Foram levantados, identificados e registrados com documentação fotográfica os patrimônios arquitetônicos do Estado de São P
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Souza, Marcieli Brondani de. "A AUTENTICIDADE E A ORGANICIDADE NOS ACERVOS FOTOGRÁFICOS DO PATRIMÔNIO DOCUMENTAL À LUZ DA DIPLOMÁTICA CONTEMPORÂNEA." Universidade Federal de Santa Maria, 2016. http://repositorio.ufsm.br/handle/1/11067.

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This research sought to analyze, based on the principles of Contemporary Diplomatic, elements and characters that allow to guarantee the authenticity and the organicity in the photographic collections of documentary heritage. For a long time the photographs were treated as documents belonging to special files, as needed to be stored in different places than where the text documents were kept considering its specific support, and received differentiated technical treatment from the other documents. Due to this physical separation, the photographs did not receive a proper archival treatment, bec
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Malherbe, Johanna Francina. "Die rol van neentiende-eeuse fotografie in eietydse bewaring : William Roe en Graaff-Reinet." Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/95870.

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Thesis (PhD)--Stellenbosch University, 2014.<br>ENGLISH ABSTRACT: This study aims to understand the role that 19th century photography can play in the reconstruction of an era and in the conservation of cultural heritage in the 21st century. The photo collection of William Roe, a photographer from Graaff-Reinet, is used as an example. The origin and development of Graaff-Reinet is used as background information and major events such as the Great Trek, the arrival of the railway, the Anglo-Boer War, the First World War and the Great Flu are touched upon. Aspects such as education, churches
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Silva, Rita de Cássia Portela da. "Padrões de metadados para instrumentos de pesquisa: a integração em benefício do usuário tendo por base o acervo da Fábrica Rheingantz." Universidade Federal de Santa Maria, 2010. http://repositorio.ufsm.br/handle/1/10964.

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This work aims, in general terms, to analyze the possibility of integration of metadata standards in the development of finding aids for photographic archives, favoring the user in the recover of the wanted images. In specific terms, it intends to present the photographic archives in the context of documentary heritage, including its characteristics as well as the knowledge area that act in its treatment in order to facilitate its access and the utilization by the users; to analyze procedures, methods and standards of Archives Administration, Librarianship and Museum studies, susceptible to b
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Baldani, Cámara María Ana. "Catalogación de la obra fotográfica de Pedro Ferrer. Propuesta de creación de un archivo virtual unificado." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/383755.

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Pedro Ferrer (1870-1939) desarrolló una ingente labor como fotógrafo e impresor en España y en la Papelería de Ferrer, la que luego de varias décadas de funcionamiento en la Calle Real 61 de La Coruña, se disolvió después de su fallecimiento. El patrimonio familiar se dividió entonces entre sus hijos, y es de esta manera como llegó parte del mencionado archivo a Buenos Aires en la década del ’40, con motivo de la emigración de tres de sus hijas y herederas a Argentina. Este fue el inicio de la propuesta del tema de investigación para la tesis doctoral, ya que el material original de Pedro Fer
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Machado, Marla Eveline Martins. "PLANO DE MARKETING PARA O ACERVO FOTOGRÁFICO DO DEPARTAMENTO DE ARQUIVO GERAL DA UNIVERSIDADE FEDERAL DE SANTA MARIA." Universidade Federal de Santa Maria, 2012. http://repositorio.ufsm.br/handle/1/11001.

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The photographic heritage of the General Archive Department (DAG) of the Federal University of Santa Maria (UFSM) is located on the ground floor of the Rectory in University City/Santa Maria. This collection has a large number of photographs that record the history of the first university founded in the city that was not the state capital, thus constituting an important source of scientific research and information. This study aims to develop a marketing plan to disseminate these photographs to the academic community. The DAG collection of has, approximately, 85.130 images on flexible negative
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Moi, Claudia. "Explorações do olhar : ciencia e arte nas fotografias da Comissão Geografica e Geologica de São Paulo." [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284808.

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Orientador: Iara Lis Schiavinatto<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-05T17:00:31Z (GMT). No. of bitstreams: 1 Moi_Claudia_M.pdf: 15385504 bytes, checksum: 40558fdb6357f585d185a8ba95b3c2cb (MD5) Previous issue date: 2005<br>Resumo: Esta pesquisa investiga a construção de significados, usos, funções e circulação das fotografias produzidas pela Comissão Geográfica e Geológica durante viagens de exploração científica ao sertão do estado de São Paulo entre os anos de 1905 e 1920. Primeiramente, o trabalho discu
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Fernandes, Ana Rita Vidica. "Tempo andante da intervenção urbana: relações temporais nas obras “Imagens posteriores”, “Giganto” e “Polaroides (in)visíveis”." Universidade Federal de Goiás, 2017. http://repositorio.bc.ufg.br/tede/handle/tede/7077.

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Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2017-04-05T13:14:19Z No. of bitstreams: 2 Tese - Ana Rita Vidica Fernandes - 2017.pdf: 12892566 bytes, checksum: 4eeeea5a0bf5e72420ead3e842bdd9cf (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-04-05T13:14:48Z (GMT) No. of bitstreams: 2 Tese - Ana Rita Vidica Fernandes - 2017.pdf: 12892566 bytes, checksum: 4eeeea5a0bf5e72420ead3e842bdd9cf (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Made availab
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Cseh, Gabriella. "Histoires d'intérieur(s). Essais de reconstruction de lieux de mémoire parisiens : les espaces intérieurs d’André Kertész et de Brassaï aujourd’hui." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040110.

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L’objet d’étude de cette thèse porte sur les anciens lieux d’habitation parisiens d’André Kertész et de Brassaï, tels qu’ils existent aujourd’hui. Il repose sur une analyse de photographies puisées dans leurs archives et sur un travail de terrain effectué dans ces lieux désormais habités par d’autres occupants. La prise de contact avec les habitants actuels a été l’occasion d’une collaboration participative puisque ces images d’archives ont généré un travail de création collective : placés à différents postes, différents points de vue préalablement identifiés dans ces anciens clichés, ces habi
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Aguiar, Alessandro de Assis Pinto. "SOCIABILIDADE GOIANIENSE DURANTE O REGIME AUTORITÁRIO: UM ESTUDO A PARTIR DA OBRA DE HÉLIO DE OLIVEIRA." Pontifícia Universidade Católica de Goiás, 2014. http://localhost:8080/tede/handle/tede/3331.

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Made available in DSpace on 2016-08-10T11:21:37Z (GMT). No. of bitstreams: 1 ALESSANDRO DE ASSIS PINTO AGUIAR.pdf: 3907824 bytes, checksum: 94c8093ec68ea80db4f273cbce81b06a (MD5) Previous issue date: 2014-12-02<br>La dissertation étudie les transformations de la société dans la ville de Goiânia, analyse les effets de la culture autoritaire implanté au debut de la dictature civile militaire. Sa source fondamentale est la production imagetique du photographe Helio de Oliveira, qui a travaillé comme photographe officiel du gouvernement depuis la décennie des années 40 du siècle XX. Pour avalise
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Santos, Wagner Serafini dos. "EXPOSIÇÃO FOTOGRÁFICA SOBRE A REVOLTA MILITAR DE 1926 EM SANTA MARIA, RS, BRASIL." Universidade Federal de Santa Maria, 2016. http://repositorio.ufsm.br/handle/1/11060.

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This master degree s conclusion study is part of History Heritage and Cultural Heritage Research Line of Professional Masters Course in Cultural Heritage of Universidade Federal de Santa Maria. The purpose of this study was carrying out a photographic exhibition about the military revolt that took place in Santa Maria city (RS) in November 1926, from research conducted in Correio da Serra, Gaspar Martins, Diário do Interior and O Castilhista newspapers, in photographs and several documents of that time in order to spread this local history chapter. It was surveyed the collections of the Arquiv
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Gama, Kalila Catharine Oliveira. "De que povo ? a pra?a? Lambe-lambes, est?dios e discursos urbanizadores em Feira de Santana (1970-1985)." Universidade Estadual de Feira de Santana, 2017. http://localhost:8080/tede/handle/tede/599.

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Submitted by Jadson Francisco de Jesus SILVA (jadson@uefs.br) on 2018-01-31T22:55:14Z No. of bitstreams: 1 DISSERTA??O_KALILAGAMA.pdf: 2359247 bytes, checksum: 9e18db5b0c7478f78f8718d2fd1c8b92 (MD5)<br>Made available in DSpace on 2018-01-31T22:55:14Z (GMT). No. of bitstreams: 1 DISSERTA??O_KALILAGAMA.pdf: 2359247 bytes, checksum: 9e18db5b0c7478f78f8718d2fd1c8b92 (MD5) Previous issue date: 2017-08-30<br>Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES<br>The dissertation has as object to analyze the occupation and appropriation of the "Bernardino Bahia Square" as a space fo
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Freire, Luciana Bueno de Alvarenga. "Belkiss Spenzieri: uma fotobiografia (1928-2005)." Universidade Federal de Goiás, 2018. http://repositorio.bc.ufg.br/tede/handle/tede/8481.

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Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2018-05-16T10:51:44Z No. of bitstreams: 2 Dissertação - Luciana Bueno de Alvarenga Freire - 2018.pdf: 21384936 bytes, checksum: 2c91a755916c8aaf3da8ca4832301e5e (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-05-16T11:04:50Z (GMT) No. of bitstreams: 2 Dissertação - Luciana Bueno de Alvarenga Freire - 2018.pdf: 21384936 bytes, checksum: 2c91a755916c8aaf3da8ca4832301e5e (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998
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Freire, Carlos Renato AraÃjo. "Quebra-quebra de 1942: um dia para lembrar." Universidade Federal do CearÃ, 2014. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=19865.

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CoordenaÃÃo de AperfeiÃoamento de Pessoal de NÃvel Superior<br>nÃo hÃ<br>Este trabalho analisa a HistÃria da MemÃria do Quebra-quebra do dia 18 de agosto de 1942 a partir do quadragÃsimo e quinquagÃsimo aniversÃrio da Segunda Guerra Mundial. Malgrado a importÃncia retroativa que poderÃamos atribuir ao evento, como um dos fatores responsÃveis por pressionar o Governo de GetÃlio Vargas a declarar guerra aos paÃses do Eixo, apenas a partir da dÃcada de 1980 que se intensificam as erupÃÃes de investimentos de memÃria que transformam as depredaÃÃes a estabelecimentos comercias que tinham alguma rel
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Strohschoen, Cristina. "Quando o patrimônio é uma imagem que quebra: políticas de acesso e preservação de coleções fotográficas de negativos de vidro." Universidade Federal de Santa Maria, 2012. http://repositorio.ufsm.br/handle/1/10988.

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Brazilian cultural heritage is dispersed in archives, museums and libraries, all memory centers with a common focus: to collect conservation and make society memory available to its users and researchers. In archives the medium are many, manuscript documents, audiovisual, sound and bibliographical materials. The present study concentrated to investigate a specific documental medium, the glass negative. Invented in 1848, the glass negative was the main documental medium for photographic images until 1888 when the flexible negative film was invented. Therefore, visual information sources a
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Rodrigues, Neide de Souza Almeida. "FOTOGRAFIA, GÊNERO E CIDADE: BELA VISTA DE GOIÁS SOB AS LENTES DE ANTÔNIO FARIA." Pontifícia Universidade Católica de Goiás, 2013. http://localhost:8080/tede/handle/tede/3307.

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Made available in DSpace on 2016-08-10T11:21:25Z (GMT). No. of bitstreams: 1 NEIDE DE SOUZA ALMEIDA RODRIGUES.pdf: 41521326 bytes, checksum: 3b917afba7e32dd087814126915b09c6 (MD5) Previous issue date: 2013-03-13<br>In this dissertation, our goal was to use the photographs of Antonio Faria (1914-2009) to analyze the contribution of men and women in the construction and development of the town of Bela Vista de Goias, in the period in which the photographer worked actively and publicly, between the years 1930 to 1996. We assume that society functioned as belavistense a complex network of social
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Hayes, Emily Jane Eleanor Rhydderch. "Geographical projections : lantern-slides and the making of geographical knowledge at the Royal Geographical Society c.1885-1924." Thesis, University of Exeter, 2016. http://hdl.handle.net/10871/23096.

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This thesis is about the mobilities of geographical knowledge in the material form of lantern-slides and the forces exerted on these by technological and human factors. Owing to its concern with matter, human- and non-human, and its circulation, the thesis addresses the physics of geographical knowledge. The chapters below investigate the Royal Geographical Society’s (RGS) ongoing tradition of telling stories of science and exploration through words, objects and pictures in the final quarter of the nineteenth century and as geography professionalized and geographical science developed. These p
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Santos, Jessica Leme. "OBRA SIMBÓLICA DO BRASIL NOVO: REPRESENTAÇÕES FOTOGRÁFICAS DE GETÚLIO VARGAS NA “TERRA DOS PINHEIRAIS” EM 1944." UNIVERSIDADE ESTADUAL DE PONTA GROSSA, 2017. http://tede2.uepg.br/jspui/handle/prefix/395.

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Made available in DSpace on 2017-07-21T14:49:49Z (GMT). No. of bitstreams: 1 Jessica Santos.pdf: 19558532 bytes, checksum: 125a4bf7b5c0041251d249f2c5549137 (MD5) Previous issue date: 2017-02-24<br>The New State, that includes the years of (1937-1945), was known as the longest period of influence of varguist political propaganda. With the creation of DIP – Departamento de Imprensa e Propaganda (Department of Press and Propaganda), the divulgation and impression of Getúlio Vargas image has been systemized. About this, this research has as objective to analyze the photographical images of Presi
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Silva, Shirley. "A produção de daguerreótipos no Rio de Janeiro (1840-1850)." Pontifícia Universidade Católica de São Paulo, 2016. https://tede2.pucsp.br/handle/handle/19447.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2016-11-30T11:43:29Z No. of bitstreams: 1 Shirley Silva.pdf: 2447714 bytes, checksum: f8f973c961a3f3c3b91d84c2e307cdca (MD5)<br>Made available in DSpace on 2016-11-30T11:43:29Z (GMT). No. of bitstreams: 1 Shirley Silva.pdf: 2447714 bytes, checksum: f8f973c961a3f3c3b91d84c2e307cdca (MD5) Previous issue date: 2016-09-14<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Pontifícia Universidade Católica de São Paulo<br>This research aims to identify and to analyze the specificities of the production of daguerreotypes in Rio
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Coelho, Henrique Pinto. "É FAVOR ME OLHAR COM CUIDADO : MULHERES E SUAS REPRESENTAÇÕES NAS FOTOGRAFIAS DE LUIZ PUCCI EM GOIÂNIA." Pontifícia Universidade Católica de Goiás, 2013. http://localhost:8080/tede/handle/tede/3317.

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Made available in DSpace on 2016-08-10T11:21:32Z (GMT). No. of bitstreams: 1 HENRIQUE PINTO COELHO.pdf: 4226159 bytes, checksum: 965cf5f92f4ba0760907e6cb07754aa3 (MD5) Previous issue date: 2013-06-27<br>This dissertation reflects and comments on a set of black and white and hand colored photographs of women, produced by Luiz Pucci in Goiânia-GO, in the period of 1945 to 1955. These photographs are kept in the Goiás Museum of Image and Sound. The dissertation especially analyzes gender representations in these photographs to see if the women in these images reveal new habits and ways of being
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Redondo, i. Arolas Mar. "Llegat i vigència de les aportacions de l'exposició "The Family of Man" en la representació fotogràfica de la identitat." Doctoral thesis, Universitat de Barcelona, 2010. http://hdl.handle.net/10803/32049.

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La recerca que es presenta aborda la capacitat discursiva de la fotografia, delimitant uns usos concrets del mitjà fotogràfic i analitzant algunes exposicions que es qüestionen la fotografia que parla de l’home en relació amb el seu context social. És per aquest motiu que la investigació pren com a centre d’interès "The Family of Man", exposició fotogràfica de gran rellevància quant a la idea de projecte, quant al procés de gestió de les imatges, i quant a la recepció pública. Comissariada per Edward Steichen, es va inaugurar al Museu d'Art Modern de Nova York l’any 1955. Del seu estudi se’n c
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Dahó, Marta 1969. "Del paisaje al territorio. Transiciones entre el giro espacial y el giro geográfico en las prácticas fotográficas (1963-2017)." Doctoral thesis, Universitat de Barcelona, 2018. http://hdl.handle.net/10803/667423.

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Las transformaciones que han experimentado las prácticas fotográficas dentro del ámbito artístico en relación con la dialéctica entre paisaje y territorio han sido extraordinariamente ricas y complejas en las últimas cinco décadas. La creciente expansión urbana e industrial, así como la agudización exponencial de los procesos de globalización económica han ido imponiendo formas de experimentar y comprender los territorios que, en rigor, no pueden ser analizadas sin atender a las importantes inflexiones que han tenido lugar en la cultura fotográfica a partir de los años sesenta del siglo pasado
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Costa, Eduardo Augusto. "'Brazil builds' e a construção de um moderno, na arquitetura." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281584.

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Orientador: Iara Lis Franco Schiavinatto<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-12T12:40:53Z (GMT). No. of bitstreams: 1 Costa_EduardoAugusto_M.pdf: 255153256 bytes, checksum: c5af1d619bf48e0c551d5bb9d02b6d1f (MD5) Previous issue date: 2009<br>Resumo: Esta dissertação de mestrado trata da compreensão de uma das mais importantes obras publicadas quanto a uma arquitetura moderna brasileira. Publicação realizada pelo MoMA/NY, em 1943, intitulada Brazil Builds e que, ainda, instaura uma mat
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