Relevant bibliographies by topics / Photographic Paper

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Photographic Paper'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Photographic Paper"

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Yusuf, Tan Sri Zulfikar, and Dea Rifia Bella. "Menangkap Photographic Moments di Pelelangan Ikan Muara Baru melalui Pendekatan Komposisi dan Etnografi Fotografi." JURNALISTIK DAN MEDIA 2, no. 2 (2024): 40–55. http://dx.doi.org/10.32722/jjm.v2i2.7141.

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In photography studies, composition is essential in capturing images to arrange visual elements within the photo frame. These compositions are important for communicating the message the photographer wants to convey to the audience, thus creating a dialogic communication effort. This paper uses traders at the Fish Auction in Muara Baru, Jakarta, as the subject of photography, and the resulting photos become photographic moments in photographic ethnography. By capturing photographic moments through the correct composition, this paper demonstrates that photographs can produce meaning from the mo
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Colner, Miha. "Miroslav Zdovc: Contextualising the Archive." Život umjetnosti, no. 111 (July 2023): 132–45. http://dx.doi.org/10.31664/zu.2022.111.10.

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In this paper a case study of constructing a photographic archive in a museum context, and the ways of contextualising seemingly marginal and insignificant photographic material, is being showcased and analysed. The focal point of the paper is the personal photographic archive of Miroslav Zdovc (1929–2009), a prominent Slovenian professional photographer as well as an artist using photography who, however, did not receive a deserved place in local and regional history of photography and art. Therefore, his extensive body of work that has nearly disappeared from the public eye is now in the pro
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Blos-Jáni, Melinda. "The Visibility of a City in the Interwar Period. Scopic Regimes in the Photographs of Lajos Orbán (1897–1972) From Cluj." Studia Universitatis Babeș-Bolyai Historia Artium 68 (December 30, 2023): 141–64. http://dx.doi.org/10.24193/subbhistart.2023.06.

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The Visibility of a City in the Interwar Period. Scopic Regimes in the Photographs of Lajos Orbán (1897–1972) from Cluj. Lajos Orbán was an amateur photographer, whose main body of work was produced starting from the 1920s when he became the employee of a local shop specialized in photographic equipment and member in local photographic societies, e.g. the Tessar Bowling Society. His photographs were displayed at international photo exhibitions, but he was organising regional photo contests and exhibitions as well. His photographs show the influence of the pictorialist photography, but traces o
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Androsova, Anastasiya Andreevna. "The development of photography in Samara in the middle of the 19th – beginning of the 20th centuries." Samara Journal of Science 9, no. 4 (2020): 246–51. http://dx.doi.org/10.17816/snv202094206.

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The paper deals with the development of photography in Samara and the Samara province during the period of the Samara province establishment to the beginning of the 20th century. The history of the photography as a technology is briefly presented. The paper also contains the data on the chronology of photo workshops appearance in Samara and the province as well as of the first photo business organizers. The author also describes methods of photography lovers organization in Samara at the turn of the 19th20th centuries. The main categories of photographs of the period under review are considere
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Krachenski, Naiara. "O fotógrafo no arquivo: reflexões sobre a (in)visibilidade do aparato fotográfico nos acervos coloniais." África, no. 45 (November 12, 2024): e227532. https://doi.org/10.11606/issn.2526-303x.i45pe227532.

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The photographical archive of German Colonial Society has more than 50 thousand images. Clearly, it is a rich archive in different themes for the Visual History researcher, especially for those who choose to study contemporary colonialism. In this paper, our aim is to think about two central figures that are sometimes overlooked: the photographer and the photographic apparatus. Although photography was constructed at the end of the 19th century as an objective and purely technical instrument, it was an important element in framing an imperial world view. However, the camera and the subject who
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Mitchell, Lissa. "Promotional landscapes: D.L. Mundy's 'Photographic experiences in New Zealand'." Tuhinga 20 (June 1, 2009): 67–80. https://doi.org/10.3897/tuhinga.20.e34180.

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In December 1874, the British journal the Photographic News published ‘Photographic experiences in New Zealand’ by Daniel Louis Mundy (1826/27–81). The article (which was read before the Photographic Society of Great Britain) described the time Mundy spent taking photographs in New Zealand during the 1860s. As an important account of early landscape photographic practice in New Zealand, the article enables a unique insight into Mundy’s method as a photographer and the rationale behind some of the photographs he took. The project, and subsequent exhibitions and publications, gained Mundy scient
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Tee, Sim-Hui. "Transparency, Photography, and the A-Theory of Time." Problemos 93 (October 22, 2018): 177–92. http://dx.doi.org/10.15388/problemos.2018.93.11761.

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 [full article, abstract in English; only abstract in Lithuanian]
 Walton’s thesis of transparency of photographs has spurred much dispute among critics. One of the popular objections is spatial agnosticism, an argument that concerns the inertia of egocentric spatial information vis-a-vis a photograph. In this paper, I argue that spatial agnosticism fails. Spatial agnostics claim, for a wrong reason, that a photographic image cannot carry egocentric spatial information. I argue that it is the disjuncture of the photographic world in which the depicted object situated from the space
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Xiaowei, Huang. "Is Photographic Image Represented the Reality?" Journal of Social and Political Sciences 2, no. 3 (2019): 616–23. https://doi.org/10.31014/aior.1991.02.03.103.

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The development of technology represents the circulations and progresses of culture and society, from ‘death of painting’ (after the invention of photography) to ‘death of photography’ (after the invention of digital image). It seems too severe by using the term ‘death’. In actually, the ‘death’ is not really death since there are still many people who ardently love painting; galleries are opened as usual for the public. In the case of photography, the invention of the digital camera does not entirely take over the traditional role of the photogr
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Bunn, Rex. "Photographic embellishment and fakery at the Pink and White Terraces." New Zealand Legacy 31, no. 1 (2019): 5–10. https://doi.org/10.5281/zenodo.7820274.

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This 2020 version of my 2019 paper in "New Zealand Legacy", the official Journal of the "New Zealand History Federation", has the front cover and previously unpublished painting of the Pink Terrace. This painting, signed by Hochstetter, was published for the first time, with Sascha Nolden's notes, on the outside rear cover of the Legacy issue Volume 31, No. 1. It is noteworthy as it records a terrace photograph by Mundy from which a striking artwork was prepared with embellishments (see notes). The painting was presented to Hochstetter by Mundy during their post-expedit
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Harrison, Barbara. "Photographic visions and narrative inquiry." Narrative Inquiry 12, no. 1 (2002): 87–111. http://dx.doi.org/10.1075/ni.12.1.14har.

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This paper examines the ways in which photographic images can be used in narrative inquiry. After introducing the renewed interest in visual methodology the first section examines the ways in which researchers have utilised the camera or photographic images in research studies that are broadly similar to forms of narrative inquiry such as auto/biography, photographic journals, video diaries and photo-voice. It then draws on the published literature in relation to the author’s own empirical research into everyday photography. Here the extent to which the practices which are part of everyday pho
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Dissertations / Theses on the topic "Photographic Paper"

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Kozlowska, Agnieszka. "Taking photographs beyond the visual : paper as a material signifier in photographic indexicality." Thesis, Northumbria University, 2014. http://nrl.northumbria.ac.uk/16882/.

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Despite the fact that photographs come into being as material objects imprinted with light reflected off the subject in front of the camera, and therefore possess a decidedly physical connection to their referent, the materiality of photographs tends to be overlooked in favour of apprehending them as primarily visual signs independent of their physical support. This practice-led research project under the title Taking Photographs Beyond the Visual: Paper as a Material Signifier in Photographic Indexicality explores the status of photographs as physical traces. In an attempt to find ways in whi
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Ouředníčková, Veronika. "Mikrobiální kontaminace fotografických materiálů." Master's thesis, Vysoké učení technické v Brně. Fakulta chemická, 2010. http://www.nusl.cz/ntk/nusl-216625.

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This diploma work is focused on a study of microbial contamination of photographic materials. In the first part of this work the information about the archive and museum microbial contaminations were collected. The most frequent contaminants of photographic collections – Penicillium chrysogenum and Aspergillus niger were studied. Their activity on photographic papers Fomaspeed and Fomabrom was evaluated. It was found that at the given experimental conditions the image layers of Fomaspeed paper are resistant to fungi mycelium growth. On the other hand, the Fomabrom paper image layer was irrecov
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Young, Eleanor Dawn, and ellie@goldstreetstudios com au. "Mechanisms of Controlling Colour and Aesthetic Appearance of the Photographic Salt Print." RMIT University. Applied Science, 2008. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080901.142948.

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Abstract The salt print is an important part of photography, both in its historic value and in the tonal range it can provide. This tonal range is greater than any other photographic printing process available to date attributed to the inherent masking ability of the metallic silver. However the intrinsic production problems have made it a 'forgotten' process. There are five key problems. 1. The difficulties in achieving the potential extensive tonal range. 2. The varying colour of the print. 3. Staining that appears in the print, during and after processing. 4. Instability and lo
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Gmuender, Christopher. "On black-and-white paper image-stability enhancement effectiveness of toning treatments on silver gelatin prints determined by the hydrogen peroxide fuming test /." Online version of thesis, 1992. http://hdl.handle.net/1850/10950.

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Lewis, Sage M. "The Material Image." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1405708145.

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Kofender, Janet L. "The optical spread functions and noise characteristics of selected paper substrates measured in typical reflection optical system configurations /." Online version of thesis, 1987. http://hdl.handle.net/1850/11368.

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Kato, Miwako. "Views from Daily Life: A Supporting Paper for a Graduate Exhibition." [Johnson City, Tenn. : East Tennessee State University], 2001. http://etd-submit.etsu.edu/etd/theses/available/etd-0330101-110959/restricted/katoM0501.pdf.

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Selser, Jayne Marie. "Mystery in a Common Place: A Supporting Paper for a Graduate Exhibition." [Johnson City, Tenn. : East Tennessee State University], 2001. http://etd-submit.etsu.edu/etd/theses/available/etd-0419101-125304/unrestricted/selser0427.pdf.

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Le, Guern Nicolas. "Le papier ciré sec de Gustave Le Gray : recherche d'une formulation contemporaine /." Paris (44 bis rue de la Voûte, 75012) : A. Le Guern, 2000. http://catalogue.bnf.fr/ark:/12148/cb39258597h.

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Mazzupappa, Ross Joseph. "A process overview of faux-to-gravure and paper films for photolithography." Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1690.

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Tradition begins with innovation. The rich and complicated history of Printmaking is shaped by invention and discovery. I see this advancement for the sole purpose to distribute knowledge and ideas to every person regardless of prosperity and status. At its core intention is the need to make art and knowledge accessible. The procedural research I have been exploring along side my artist research was designed to do just as invention in printmaking has done before. I have applied my knowledge and availability of modern technology with traditional ways print artists create. These new processes ar
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Books on the topic "Photographic Paper"

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United States International Trade Commission. Color negative photographic paper and certain chemical components from Japan and the Netherlands: [investigations nos. 731-TA-661 and 662 (preliminary)]. U.S. International Trade Commission, 1993.

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Ellis, M. H. The ambrotype and photographic instructor, or, Photography on glass and paper. P.E. Palmquist, 1990.

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Inc Australian Institute for the Conservation of Cultural Materials. AICCM Symposium 2002: Conservation of paper, books and photographic materials 17-19 April 2002, Melbourne, Australia. AICCM, 2002.

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Roberta, Valtorta, ed. Carte riciclate =: Recycled papers. Charta, 2001.

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Flaum, May. Paper + pixels: Scrapbook layouts. Memory Makers Books, 2008.

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Hans-Scharoun-Archiv and Akademie der Künste (Berlin, Germany), eds. Papier - Linie - Licht: Konservierung von Architekturzeichnungen und Lichtpausen aus dem Hans-Scharoun-Archiv = Paper - line - light : the preservation of architectural drawings and photoreproductions from the Hans Scharoun Archive. Akademie der Künste, 2012.

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Company, Gilman Paper. Photographs from the collection of the Gilman Paper Company. White Oak Press, 1985.

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Schulz, Carolyn. Creating family memories. David & Charles, 1998.

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Zévila, Assis de. Photographic View on Paper. Independently Published, 2018.

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Cartier, Françoise, Daniel Cartier, Christophe Brandt, Thilo Koenig, and Kathrin Schönegg. Never Taken Images: Photographic Paper Archive. Antique Collectors' Club, 2022.

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Book chapters on the topic "Photographic Paper"

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Daniels, Vincent D. "Monitoring the Autoxidation of Paper Using Photographic Materials." In Historic Textile and Paper Materials. American Chemical Society, 1986. http://dx.doi.org/10.1021/ba-1986-0212.ch017.

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Mazza, Caterina. "Tracce dell’invisibile. Poesia e fotografia in dialogo per raccontare il triplice disastro del Tōhoku." In Connessioni. Studies in Transcultural History. Firenze University Press, 2024. http://dx.doi.org/10.36253/979-12-215-0422-4.09.

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The paper primarily centres around the volume titled Out of Sight. Fukushima à l’abri du regard. Aimaina sōshitsu, which was published in France in 2020. This composite volume features a collection of photographs by French photographer Delphine Parodi, who has resided in Japan since 2009. It also includes twenty-four poetic texts by bilingual writer Tawada Yōko, who has been based in Germany since 1982, as well as a compilation of anonymous testimonies from survivors of the triple Tōhoku disaster in March 2011. The paper engages in a reflection on the mediating role of literary and documentary
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Romeo, Ilaria. "Bruno Trentin: una biografia attraverso l’Archivio Storico della CGIL." In Diritti, Europa, Federalismo. Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0049-3.11.

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The intellectual, political and human story of Bruno Trentin emerges from the paper and multimedia documentation related to him preserved by the National CGIL Historical Archives. Documents and images narrate the France of exile, Padua, a university city in which the Resistance was active, partisan Milan, and Fiat Mirafiori blocked by strikes, but also Trentin's commitment and charisma in his roles as a young researcher in the confederal study office, Fiom secretary, national and general secretary of the CGIL, and European parliamentarian for the PDS in the 1999-2004 legislature. Images from t
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Allen, Jamie. "Phillip Stearns." In continent. Year 1. punctum books, 2012. https://doi.org/10.21983/p3.0016.1.05.

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A collection of Images produced by intentionally corrupting the circuitry of a Kodak DC280 2 MP digitalcamera. By rewiring the electronics of a digital camera, glitched images are produced in a manner that parallels chemically processing unexposed film or photographic paper to pro-duce photographic images without exposure to light. The DCP Series of Digital Images are direct visualizations of data generated by a digital camera as it takes a picture. Electronic processes associated with the normal operations of the camera, which are usually taken for granted, are revealed through an act of inte
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Abad, Pio. "The Collection of Jane Ryan & William Saunders." In Cultural Inquiry. ICI Berlin Press, 2022. http://dx.doi.org/10.37050/ci-21_05.

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This paper focuses on an ongoing project that began in 2012, entitled The Collection of Jane Ryan & William Saunders. This project is an attempt to reconstitute the Marcos Collection. Sourced from auction catalogues, museum archives, and scant government records, their lavish inventory of commissioned portraits, jewellery, Regency silverware, and old master paintings is reproduced as photographic installations, postcards, and three-dimensional prints. Reconstruction, in this instance, becomes a sustained democratic gesture, allowing an increasingly forgetful public to access a collection t
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Colombo, Fabio, and Elisa Pannunzio. "The Archaeological Sites of Bamiyan Valley—Conditions and Possible Interventions from a Conservative Perspective." In Research for Development. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-54816-1_4.

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AbstractThe following paper contains a detailed condition assessment of the main Bamiyan Valley’s archaeological sites that have been visited from February 19th to 22nd, 2023, on behalf of UNESCO and of the Japan Archaeological Mission in Afghanistan. The survey involved all the main archaeological sites of the Bamiyan Valley: the main cliff with the giant Buddhas and many caves, the Kakrak and Folladi Valleys, Shahr-e Gholghola and Shahr-e Zohak. The purpose was to assess their current condition and to define priorities for immediate response actions, to prevent vandalic actions, the collapse
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Tu, Loring W. "Photographs." In Raoul Bott: Collected Papers. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-51781-0_1.

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Gashi, Jonida. "Translator's Note." In Pedagogies of Disaster, translated by Jonida Gashi. punctum books, 2013. https://doi.org/10.21983/p3.0050.1.46.

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The idea of doing something with it comes early on. I will photograph the papers. Not all of them, perhaps, but at least some of them, certainly my favorite ones. As it turns out, I don’t bother printing most of the papers and the idea of photographing my com-puter screen seems imbecilic. I also remember that I am a terrible photographer who does not even have the added benefit – in my case very much needed – of a half decent camera. I think all kinds of things that I no longer remember throughout July and at the end of the month announce that when it is all over, I will be handing out awards.
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Hanna, Michael. "Figures: Photographs and Images." In How to Write Better Medical Papers. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-02955-5_19.

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Reinhard, Erik, Michael Stark, Peter Shirley, and James Ferwerda. "Photographic Tone Reproduction for Digital Images." In Seminal Graphics Papers: Pushing the Boundaries, Volume 2. ACM, 2023. http://dx.doi.org/10.1145/3596711.3596781.

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Conference papers on the topic "Photographic Paper"

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Joosten, M. W., T. Johnsen, A. Dugstad, et al. "In Situ Observation of Localized CO2 Corrosion." In CORROSION 1994. NACE International, 1994. https://doi.org/10.5006/c1994-94003.

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Abstract A glass window in a pressurized flow loop has allowed observation and documentation of the progression of localized CO2 corrosion. Low-angle lighting was found to optimize the visual appearance of the corroded surface. A photographic record of the propagation of localized corrosion was made along with measurements of iron counts, water pH, flow rates, temperature, and coupon weight loss. This paper describes the experimental procedure, test conditions, results, and observations made during progression of the CO2 corrosion.
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Durrett, Michael G., Richard E. Johnson, and Vinod S. Agarwala. "ICI, Intelligent Corrosion Indicator, and Its Use for the Early Detection of Corrosion on Aluminum Alloy Surfaces by Fluorescence." In CORROSION 2000. NACE International, 2000. https://doi.org/10.5006/c2000-00285.

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Abstract Several fluorescent materials have been used under epoxy coatings on 7075 aluminum alloy surfaces. These fluorescent materials either fluoresce upon oxidation and are thus corrosivity indicators or they fluoresce with the products of corrosion and are true corrosion indicators. Recent work has involved using a pigmented epoxy paint, such as that used on aircraft, to see if fluorescence is still visible. Although the intensity is reduced, there is still visible fluorescence. This paper reports the results of the most promising fluorescent markers in each of the two types mentioned abov
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Islam, Moavin, Amer Jarragh, Surya Prakash, and Shibu Abraham. "Microbiologically Induced Corrosion Observed During Downhole Corrosion Inhibitor Trials." In CORROSION 2019. NACE International, 2019. https://doi.org/10.5006/c2019-13544.

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Abstract The environmental conditions during downhole crude oil production can be very corrosive to the tubing string due to the presence of acid gases (such as CO2. H2S), high water cut and a large concentration of dissolved salts. It is well known that certain species of bacteria can exist downhole which can potentially cause microbiologically induced corrosion (MIC) damage. While corrosion failures of tubing material due to acid gases etc., are quite well documented in the literature, instances of proven downhole MIC failures are rare. During recent field trials for downhole corrosion inhib
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Nelson, D. Z., and J. P. Howell. "Metallography of Pitted Aluminum-Clad, Depleted Uranium Fuel." In CORROSION 1995. NACE International, 1995. https://doi.org/10.5006/c1995-95430.

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Abstract The storage of aluminum-clad fuel and target materials in the L-Disassembly Basin at the Savannah River Site for more than 5 years has resulted in extensive pitting corrosion of these materials. In many cases the pitting corrosion of the aluminum clad has penetrated in the uranium metal core, resulting in the release of plutonium, uranium, cesium-137, and other fission product activity to the basin water. In an effort to characterize the extent of corrosion of the Mark 31A target slugs, two unirradiated slug assemblies were removed from basin storage and sent to the Savannah River Tec
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Martinez, Alberto M. "Effect of RC paper support on photographic stability." In First International Conference on Interactive Paper, edited by Graham G. Allan and Jean J. Robillard. SPIE, 1997. http://dx.doi.org/10.1117/12.280768.

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Zhai, Yuanhao, and David L. Neuhoff. "Photographic paper classification via local radius index metric." In 2015 IEEE International Conference on Image Processing (ICIP). IEEE, 2015. http://dx.doi.org/10.1109/icip.2015.7351038.

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Rogers, Nicholas, Damon Crockett, and Paul Messier. "Steerable Pyramid for Texture Classification of Photographic Paper." In 2020 54th Asilomar Conference on Signals, Systems, and Computers. IEEE, 2020. http://dx.doi.org/10.1109/ieeeconf51394.2020.9443562.

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Roux, S. G., N. Tremblay, P. Borgnat, P. Abry, H. Wendt, and P. Messier. "Multiscale anisotropic texture unsupervised clustering for photographic paper." In 2015 IEEE International Workshop on Information Forensics and Security (WIFS). IEEE, 2015. http://dx.doi.org/10.1109/wifs.2015.7368593.

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Roux, S., P. Abry, H. Wendt, S. Jaffard, and B. Vedel. "Hyperbolic wavelet transform for historic photographic paper classification challenge." In 2014 48th Asilomar Conference on Signals, Systems and Computers. IEEE, 2014. http://dx.doi.org/10.1109/acssc.2014.7094631.

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Orwell, James. "Automatic Removal of Photographic Paper Texture from Digitised Images." In 2007 5th International Symposium on Image and Signal Processing and Analysis. IEEE, 2007. http://dx.doi.org/10.1109/ispa.2007.4383701.

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Reports on the topic "Photographic Paper"

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Karlstrom, Karl, Laura Crossey, Allyson Matthis, and Carl Bowman. Telling time at Grand Canyon National Park: 2020 update. National Park Service, 2021. http://dx.doi.org/10.36967/nrr-2285173.

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Grand Canyon National Park is all about time and timescales. Time is the currency of our daily life, of history, and of biological evolution. Grand Canyon’s beauty has inspired explorers, artists, and poets. Behind it all, Grand Canyon’s geology and sense of timelessness are among its most prominent and important resources. Grand Canyon has an exceptionally complete and well-exposed rock record of Earth’s history. It is an ideal place to gain a sense of geologic (or deep) time. A visit to the South or North rims, a hike into the canyon of any length, or a trip through the 277-mile (446-km) len
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DiDomizio, Matthew, and Jonathan Butta. Measurement of Heat Transfer and Fire Damage Patterns on Walls for Fire Model Validation. UL Research Institutes, 2024. http://dx.doi.org/10.54206/102376/hnkr9109.

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Fire models are presently employed by fire investigators to make predictions of fire dynamics within structures. Predictions include the evolution of gas temperatures and velocities, smoke movement, fire growth and spread, and thermal exposures to surrounding objects, such as walls. Heat flux varies spatially over exposed walls based on the complex thermal interactions within the fire environment, and is the driving factor for thermally induced fire damage. A fire model predicts the temperature and heat transfer through walls based on field predictions, such as radiative and convective heat fl
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Paradox and Coexistence: Latin American Artists, 1980 - 2000. Inter-American Development Bank, 2002. http://dx.doi.org/10.18235/0005931.

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The show represents a number of artistic trends developed by Latin American artists during the last two decades of the 20th Century. An assortment of works in different media¿oil on canvas, acrylics, rusted steel, photography, video, photography collage, ceramic, cedar wood and ropes, and paper sculpture¿provides a general view of the latest art trends in Latin America. The exhibit complements the book ¿Art of Latin America, 1981-2000¿ by Colombian Professor Germán Rubiano Caballero, which was launched in English and Spanish. Galleries and artists from Latin America and the United States colla
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Highlights from the Collection of the Art Museum of the Americas of the Organization of American States (OAS): Outstanding works by artists from the Spanish, English, French, and Dutch Speaking Caribb. Inter-American Development Bank, 2007. http://dx.doi.org/10.18235/0008217.

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Abstract:
This paper presents a selection of 39 important works (paintings, sculptures, drawings, engravings and photographs) by recognized Caribbean artists from Barbados, Jamaica, The Bahamas, Trinidad and Tobago, Haiti, Dominican Republic, Puerto Rico, and Suriname, and early Cuban masters such as Amelia Peláez, Juan José Sicre and Mario Carreño, in the collection of the OAS Art Museum of the Americas, on loan to the IDB Cultural Center for this exhibition.
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