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Dissertations / Theses on the topic 'Photographic Paper'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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Consult the top 32 dissertations / theses for your research on the topic 'Photographic Paper.'

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1

Kozlowska, Agnieszka. "Taking photographs beyond the visual : paper as a material signifier in photographic indexicality." Thesis, Northumbria University, 2014. http://nrl.northumbria.ac.uk/16882/.

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Despite the fact that photographs come into being as material objects imprinted with light reflected off the subject in front of the camera, and therefore possess a decidedly physical connection to their referent, the materiality of photographs tends to be overlooked in favour of apprehending them as primarily visual signs independent of their physical support. This practice-led research project under the title Taking Photographs Beyond the Visual: Paper as a Material Signifier in Photographic Indexicality explores the status of photographs as physical traces. In an attempt to find ways in whi

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2

Ouředníčková, Veronika. "Mikrobiální kontaminace fotografických materiálů." Master's thesis, Vysoké učení technické v Brně. Fakulta chemická, 2010. http://www.nusl.cz/ntk/nusl-216625.

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This diploma work is focused on a study of microbial contamination of photographic materials. In the first part of this work the information about the archive and museum microbial contaminations were collected. The most frequent contaminants of photographic collections – Penicillium chrysogenum and Aspergillus niger were studied. Their activity on photographic papers Fomaspeed and Fomabrom was evaluated. It was found that at the given experimental conditions the image layers of Fomaspeed paper are resistant to fungi mycelium growth. On the other hand, the Fomabrom paper image layer was irrecov

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3

Young, Eleanor Dawn, and ellie@goldstreetstudios com au. "Mechanisms of Controlling Colour and Aesthetic Appearance of the Photographic Salt Print." RMIT University. Applied Science, 2008. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080901.142948.

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Abstract The salt print is an important part of photography, both in its historic value and in the tonal range it can provide. This tonal range is greater than any other photographic printing process available to date attributed to the inherent masking ability of the metallic silver. However the intrinsic production problems have made it a 'forgotten' process. There are five key problems. 1. The difficulties in achieving the potential extensive tonal range. 2. The varying colour of the print. 3. Staining that appears in the print, during and after processing. 4. Instability and lo

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4

Gmuender, Christopher. "On black-and-white paper image-stability enhancement effectiveness of toning treatments on silver gelatin prints determined by the hydrogen peroxide fuming test /." Online version of thesis, 1992. http://hdl.handle.net/1850/10950.

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5

Lewis, Sage M. "The Material Image." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1405708145.

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6

Kofender, Janet L. "The optical spread functions and noise characteristics of selected paper substrates measured in typical reflection optical system configurations /." Online version of thesis, 1987. http://hdl.handle.net/1850/11368.

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7

Kato, Miwako. "Views from Daily Life: A Supporting Paper for a Graduate Exhibition." [Johnson City, Tenn. : East Tennessee State University], 2001. http://etd-submit.etsu.edu/etd/theses/available/etd-0330101-110959/restricted/katoM0501.pdf.

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8

Selser, Jayne Marie. "Mystery in a Common Place: A Supporting Paper for a Graduate Exhibition." [Johnson City, Tenn. : East Tennessee State University], 2001. http://etd-submit.etsu.edu/etd/theses/available/etd-0419101-125304/unrestricted/selser0427.pdf.

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9

Le, Guern Nicolas. "Le papier ciré sec de Gustave Le Gray : recherche d'une formulation contemporaine /." Paris (44 bis rue de la Voûte, 75012) : A. Le Guern, 2000. http://catalogue.bnf.fr/ark:/12148/cb39258597h.

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10

Mazzupappa, Ross Joseph. "A process overview of faux-to-gravure and paper films for photolithography." Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1690.

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Tradition begins with innovation. The rich and complicated history of Printmaking is shaped by invention and discovery. I see this advancement for the sole purpose to distribute knowledge and ideas to every person regardless of prosperity and status. At its core intention is the need to make art and knowledge accessible. The procedural research I have been exploring along side my artist research was designed to do just as invention in printmaking has done before. I have applied my knowledge and availability of modern technology with traditional ways print artists create. These new processes ar

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11

Borges, Alexandre Davi. "Espacialidade ao ver e ser visto : a sobreposição do papel do fotógrafo nos autorretratos e selfies." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2017. http://hdl.handle.net/10183/164761.

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Os retratos fotográficos são uma forma consolidada de se representar. Refletir a partir da visão do retratado no momento em que esta se direciona no sentido oposto ao nosso olhar propõe a existência de um espaço contíguo ao corte que atravessa a quarta parede. Tal compreensão tensiona o contexto que circunda fisicamente o espaço da obtenção dos retratos. Neste trabalho, propõe-se a ampliação do espectro das análises em direção a um espaço definido pela formulação da noção de contraperspectiva: um espaço perspectivo inverso ao tradicional que se instaura no direcionamento do olhar para a câmera

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12

MacCulloch, Laura. "Ford Madox Brown : works on paper and archive material at Birmingham Museums and Art Gallery." Thesis, University of Birmingham, 2010. http://etheses.bham.ac.uk//id/eprint/611/.

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This collaborative thesis focuses on the extensive collection of works on paper and related objects by Ford Madox Brown (1821-1893) held at Birmingham Museums and Art Gallery (BMAG). It is the first academic study to use Brown's works on paper as the basis for discussion. In doing so it seeks to throw light on neglected areas of his work and to highlight the potential of prints and drawings as subjects for scholarly research. The thesis comprises a complete catalogue of the works on paper by Brown held at BMAG and three discursive chapters exploring the strengths of the collection. Chapter one

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13

Beal, Lindsey Alissa. "The Venus series." Thesis, University of Iowa, 2011. https://ir.uiowa.edu/etd/924.

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The Venus Series is an attempt to recreate the power, mystery and primal beauty of the pre-historic Venus Figurines. I created my own Venus Figurines out of handmade paper incorporating history, contemporary culture and autobiography. I then photographed these sculptures with the wet-plate collodion process in order to re-create the beauty and drama of the original Venus Figurines.

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14

Alarcon, Luciano Denardi. "O amador e a fotografia: o papel da produção amadora no desenvolvimento fotográfico." Pontifícia Universidade Católica de São Paulo, 2008. https://tede2.pucsp.br/handle/handle/5154.

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Made available in DSpace on 2016-04-26T18:17:36Z (GMT). No. of bitstreams: 1 Luciano Denardi Alarcon.pdf: 18041680 bytes, checksum: 6100eb21451d5a0d7c0f6143e523f2c6 (MD5) Previous issue date: 2008-12-22<br>After the golden age of photography s club, the amateur photographer was demoted to the category of mere user of the photographic cameras. But the history of photography shows that this is a great injustice, because the amateur production always had a fundamental importance in the development of photography. After all, while a professional photographer was produced portraits in studi

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15

Silvestro, Marco Alves. "O papel da foto na hipermídia." Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/18239.

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Made available in DSpace on 2016-04-29T14:23:50Z (GMT). No. of bitstreams: 1 Marco Alves Silvestro.pdf: 1622003 bytes, checksum: f22ed74ab1f33d1bafd9b98aa5506aa4 (MD5) Previous issue date: 2009-06-19<br>The main objective of this thesis named The role of photography in hypermedia is to investigate the characteristics that photography acquires when it is integrated into the context of hypermedia. The point of departure is the technical history of photography and the transmutations it is undergoing in the digital world. Then, photography is studied as a language. The method that was applied

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16

Gonçalez, Tereza Cristina Bertoncini. "A imagem indecidivel : um vies sobre o papel da fotografia na arte contemporanea." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285004.

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Orientador: Roberto Berton de Angelo<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-10T07:35:43Z (GMT). No. of bitstreams: 1 Goncalez_TerezaCristinaBertoncini_D.pdf: 10355619 bytes, checksum: a9ada583725c5f6e7ad591e830354767 (MD5) Previous issue date: 2006<br>Resumo: O objetivo central desta pesquisa está voltado para a observação da fotografia no campo da arte contemporânea sob o viés da indecidibilidade. A partir da reflexão sobre o phármakon, um dos indecidíveis pensados por Jacques Derrida, é que o caminho para esta anál

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17

Brandon, Sara Elizabeth. "Penas de papel : um estudo comparativo da imagem indigena no Brasil e nos EUA." [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284743.

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Orientador: Marcius Cesar Soares Freire<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-06T11:38:51Z (GMT). No. of bitstreams: 1 Brandon_SaraElizabeth_D.pdf: 36641462 bytes, checksum: f921c9d9a15d6bf9cac3ac0858a23fd0 (MD5) Previous issue date: 2005<br>Resumo: O projeto tem como proposta estudar a imagem e a construção da identidade de nativos norte-americanos e indígenas brasileiros na cultura popular e dominante. O povo indígena tem sido analisado sob diferentes olhares, tais como o olhar Antropológico, da mídia, da arte, b

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18

Toy, Randy Scott. "CORRELATIONS." VCU Scholars Compass, 2006. http://scholarscompass.vcu.edu/etd_retro/7.

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I explore visual and process-based systems to solidify the allusive nature of conceptual ideas. Impermanence, time and interdependence are reoccurring themes that stem from an interest in Eastern philosophy. Oscillating from representation to abstract minimalism, printmaking to sculpture, each element in a work is tailored to the concept. The minimalist appearance suggests simplicity, however elaborate planning and systematic execution are at the heart of my practice. Systems create great constraint, yet provide great freedom.

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19

Vandergriff, Elisa Leigh. "SONDER: Exploration of the Relationship between Digital Media and Graphic Design through the Creation of Print and Digital Publications." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/honors/465.

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Sonder is an exploration of the relationship between digital media and graphic design through the creation of print and digital publications. At it’s very foundation, Sonder is a travel magazine with both a physical print publication and a digital publication designed for a tablet. It includes photography, articles, poetry, and travel tips. The print and the digital versions contain the same content, but explore different methods of presentation.

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20

Huang, Stephanie M. "Nostos: On Recollecting Loss and the Physical Manifestation of Loss." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/760.

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This paper examines nostalgia in photo-poetry book Nostos, and nostalgia’s existence as a theoretical global condition arising from displacement, looking at nostalgia specifically not as a yearning for home, but a yearning for a lost sense of feeling at home. It traces the lineage of image-text hybrid art practices and examines the significance of conveying meaning through both synergistically. It studies the psychoanalytic process of transforming loss into object, or absence into presence, ultimately using the object as a lens to view oneself and the way in which nostalgia manifests itself.

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21

Figueiredo, Fernando Stankuns de Paula. "O novo mundo do espaço: Le Corbusier e o papel da fotografia na mediação entre o público e a arquitetura." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-16112012-151004/.

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O foco principal desta dissertação é o estudo da relação entre arquitetura e fotografia, tendo como premissa o fato de que o registro fotográfico nunca é neutro e sempre apresenta uma versão particular sobre aquilo que registra. A pesquisa trata especificamente da exposição Le Corbusier - Novo Mundo do Espaço (New World of Space), organizada pelo The Institute of Contemporary Art de Boston (ICA) em 1948 e realizada também no MASP em 1950, com utilização de muitas fotografias. Buscamos contribuir para o estudo do papel da fotografia na mediação entre o público e a arquitetura nos museus moderno

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22

Zevenbergen, Jill. "Like Alike." VCU Scholars Compass, 2009. http://scholarscompass.vcu.edu/etd/1803.

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Like Alike explores notions of pleasure and beauty through an examination of mundane activity. Pleasure is simple, uncomplicated niceness. Pleasure is forgettable and related to the norm. Beauty is complicated and hardly predicted. Finding beauty in the banal provides an escape from mundane life. The banal, then becomes unforgettable. The nondescript, everyday experience becomes important and gains meaning. Like Alike's electronic format is adapted from the original format of an artist book.

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23

Hellström, Lisbeth. "On the wood chipping process : a study on basic mechanisms in order to optimize chip properties for pulping." Doctoral thesis, Mittuniversitetet, Institutionen för naturvetenskap, teknik och matematik, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:miun:diva-11911.

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In both the chemical and mechanical pulping process, the logs are cut into wood chips by a disc chipper before fibre separation. To make the wood chipping process more efficient, one have to investigate in detail the coupling between process parameters and the quality of the chips. One objective of this thesis was to obtain an understanding of the fundamental mechanisms behind the creation of wood chips. Another objective with the thesis was to investigate whether it was possible to, in a way tailor the chipping process so as to reduce the energy consumption in a following mechanical refining

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24

Hook, Sarah. "Reading the gallery : portraits and texts in the mid- to late nineteenth century." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:87ad5989-055a-4777-9418-5f636afd6f96.

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The Victorians saw more portraits than any generation before them. While the eighteenth century has been named 'the age of portraiture', portraits pervaded nineteenth-century society like never before. With the invention of photography, coupled with technological advancements in low-cost printing methods, the medium in which faces could be recorded was revolutionised, the classes of society that could afford to be immortalised expanded, and the spaces in which portraits were seen proliferated. These spaces included the public gallery, photography studio shop windows, and personal photograph al

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25

Blake, Greyory. "Good Game." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5377.

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This thesis and its corresponding art installation, Lessons from Ziggy, attempts to deconstruct the variables prevalent within several complex systems, analyze their transformations, and propose a methodology for reasserting the soap box within the display pedestal. In this text, there are several key and specific examples of the transformation of various signifiers (i.e. media-bred fear’s transformation into a political tactic of surveillance, contemporary freneticism’s transformation into complacency, and community’s transformation into nationalism as a state weapon). In this essay, all of t

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26

Pietro, Laila Di, and Lopez André Porto Ancona. "Defining concepts of information science: Representation of concepts through the image – Project Imaginando/UNB." 2013. http://repositorio.pucp.edu.pe/index/handle/123456789/77904.

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Imaginando proyecto, creado por la Universidad Complutense de Madrid proporciona unacomprensión de los términos de la asociación de las imágenes y el contenido del mensaje. Este trabajopresenta los conceptos del campo de la informática, se centra en la terminología archivística, dondelos conceptos de la colección de archivos, el contexto, el contenido, el título original, organicidad eestandarización son representados por imágenes producidas durante el curso del Programa de la fotografía de Colecciones Licenciado en Ciencias de la Información por la Universidad de Brasilia (UNB), con el apoyo

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27

Huang, He-Shun, and 黃和順. "A Study on the Recycling of Waste Dye-Sublimation Photographic Papers Abstract." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/mrq267.

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碩士<br>國立中央大學<br>環境工程研究所在職專班<br>102<br>Since the coming out of digital camera and the popularizing of cell phone camera, the number of photos developed by traditional film has dropped rapidly, but the quantity of digital image printing derived by digital camera and cell phone camera has been climbing up over years. Among the technologies of digital image printing, thermal transfer printing technology has the advantages of high resolution, high printing speed, waterproof (with the design of protective layer), hue continuity, natural and real color, etc., and thus is the most promising printing t

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28

Pires, Ana Teresa Grossinho Reino. "O papel da fotografia na usabilidade web." Master's thesis, 2017. http://hdl.handle.net/10362/32408.

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É indubitável e quase que inevitável, a marcante presença fotográfica em diferentes casos e situações do quotidiano. É também constatável, a crescente sensibilidade do indivíduo moderno à apreciação e utilização da fotografia em diversos contextos. A web não é exceção a este fenómeno. Por um lado, existe uma tendência dos designers optarem por uma estratégia estética na qual a fotografia é um elemento predominante. Por outro lado, a tendência dos próprios utilizadores julgarem os websites pelo seu visual. Mas porquê? Como? A presente dissertação surge da relação destes factos, com o intuito de

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29

Bate, Patrícia Alexandra Janeiro. "Construção identitária no Instagram: o papel da autocensura." Master's thesis, 2019. http://hdl.handle.net/10071/19840.

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O crescimento na utilização da rede social Instagram entre os portugueses e o cuidado crescente com autoapresentação visual nesta plataforma tem levantado questões relativamente às estratégias performativas a que os utilizadores recorrem para desenhar a sua presença, neste palco social em rede. A exposição consciente do self através de fotografias, para uma audiência diversificada e consumidora de conteúdos, suscita, pela sua procura, que os utilizadores recorram a estratégias que acautelem a criação de imagens ideais, de acordo com as suas auto perceções. Neste sentido, a presente investigaçã

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30

Pereira, Ana Rita Oliveira. "Formas de olhar e conhecer o mundo: o papel de modalidades expressivas visuais." Master's thesis, 2017. http://hdl.handle.net/1822/57374.

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Relatório de estágio de mestrado em Educação Pré-Escolar e Ensino do 1º Ciclo do Ensino Básico<br>O presente relatório de estágio foi elaborado no âmbito do Mestrado em Educação Pré- Escolar e Ensino do 1ª Ciclo do Ensino Básico, tendo como título “Formas de olhar e conhecer o mundo: o papel de modalidades expressivas visuais”. O Projeto de Intervenção Pedagógica desenvolvido com crianças de idades compreendidas entre o 3 e os 5 anos surgiu após a observação do interesse das crianças pela área das expressões artísticas. A intervenção pedagógica pretendeu ampliar as oportunidades de explo

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31

Filipe, Joana Sofia Teixeira Olhero Gonçalves. "Entre fotografia e cinema: o papel da imagem-arquivo fotográfica no cinema de não-ficção." Master's thesis, 2020. http://hdl.handle.net/10362/118072.

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Esta dissertação aborda diferentes estratégias cinematográficas de reutilização de imagens-arquivo fotográficas no cinema de não-ficção, procurando perceber de que forma estas transformam as fotografias pré-existentes e afetam a perceção do seu estatuto documental. O trabalho baseia-se numa revisão da literatura sobre a relação entre fotografia e cinema, e sobre a reutilização de imagens de arquivo no cinema, aqui aplicada ao uso de materiais fotográficos, tendo em vista identificar conceitos teóricos relevantes para a análise de três casos de estudo: Luz Obscura de Susana Sousa Dias, Sob Céus

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32

Cope, Richenda. "Accumulations of (Not) Doing." 2021. https://scholarworks.umass.edu/masters_theses_2/1041.

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As I encounter life during a global pandemic, caused by a virus that has us all homebound, I continue my own struggle with a different virus that keeps me not only homebound, but bed bound as well. In this thesis project, I make my way around and through the questions of chronic illness, self-worth, productivity and a changing relationship to time that arise in this dual viral experience - situating the personal within a larger social/political context.

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