Relevant bibliographies by topics / Photographic sensitiser

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Photographic sensitiser'

Author: Grafiati
Published: 5 June 2025
Last updated: 1 August 2025

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Journal articles on the topic "Photographic sensitiser"

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Pierce, Kathleen. "Photograph as Skin, Skin as Wax: Indexicality and the Visualisation of Syphilis in Fin-de-Siècle France The William Bynum Prize Essay." Medical History 64, no. 1 (2019): 116–41. http://dx.doi.org/10.1017/mdh.2019.79.

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In early twentieth-century France, syphilis and its controversial status as a hereditary disease reigned as a chief concern for physicians and public health officials. As syphilis primarily presented visually on the surface of the skin, its study fell within the realms of both dermatologists and venereologists, who relied heavily on visual evidence in their detection, diagnosis, and treatment of the disease. Thus, in educational textbooks, atlases, and medical models, accurately reproducing the visible signposts of syphilis – the colour, texture, and patterns of primary chancres or secondary r
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Mauad, Ana Maria. "Genevieve Naylor, a Good Neighbor Photographer in Brazil (1941-42)." Revista Crítica Cultural 12, no. 2 (2017): 181. http://dx.doi.org/10.19177/rcc.v12e22017181-208.

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This article analyses historically the photographs taken by Genevieve Naylor, an American photographer commissioned by US State Department during the Second World War, when she travelled throughout Brazil, as a good neighbour photographer. In this sense, it is considered the elements of the form of expression and the content of the photographic message, emphasizing the three aspects of visual cultural strategies: firstly, the way in whichthe human subjects are depicted, understanding the representations of the body as support for social relationships. The body represented in Naylor’s photograp
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Hayes, Patricia. "SEEING AND BEING SEEN: POLITICS, ART AND THE EVERYDAY IN OMAR BADSHA'S DURBAN PHOTOGRAPHY, 1960s–1980s." Africa 81, no. 4 (2011): 544–66. http://dx.doi.org/10.1017/s0001972011000593.

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ABSTRACTThere is an assumption that the photographic iconography of the South African struggle against apartheid is universally known and familiar. It is however dominated by certain tropes and categories that obscure the many complexities and nuances of its origins, its practitioners and its effects. This article focuses on one photographer, Omar Badsha, and explores his own narrations about city and family life in the Indian Ocean port city of Durban, and the artistic and political trajectories in which he was embedded that gave rise to his own photographic work and the organization of other
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Henning, Michelle. "Photography’s Other Sensitivities." Media Theory 8, no. 1 (2024): 79–106. http://dx.doi.org/10.70064/mt.v8i1.1069.

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This article sets out to challenge the idea of photography as a medium that deals purely in the visible. Taking the example of the mid-twentieth-century British photography industry, this article considers photographic sensitivity as part of a sensory economy in which human, technological and environmental sensing are mutually entangled. I emphasise these interlinked sensing systems, and what I see as the “passive agency” of photographic materials, showing how photographic emulsions are capable of registering much more than visible light or even radiation. Chemical photographic materials had d
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Loizos, Yorgos. "The possibilities of Surrealist Photography to Architectural Design and Proposition." Architecture Image Studies 1, no. 2 (2020): 67–75. https://doi.org/10.62754/ais.v1i2.31.

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This paper aims to look at the spatial opportunities that Surrealist photography can bring to architectural design, and in particular learning from the work of Man Ray and László Moholy-Nagy and their photograms, models and light devices. It explores what makes architecture and photography similar, by studying aspects of light sensitive surfaces and spaces, juxtapositions of different scales and the relationship between the photograph, the photographed user and building. It provides a practical study, the design and narrative of an experimental house entitled ‘Analogical House’. The house, a r
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Lysenko, Lesia. "The Ethics’ Crisis of Visual Representation of War (the Photography’s Dimension)." Obraz 43, no. 3 (2023): 37–46. http://dx.doi.org/10.21272/obraz.2023.3(43)-37-46.

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Introduction. Digital photography, mobile technologies, and social platforms have actualized the problem of the ethics of representation and contemplation of cruelty, violence, and death. In Russian-Ukrainian war’s context, the topic’s relevance is due to the ongoing discussions in the public space about the appropriateness of disseminating photographs that depict violence or suffering. Relevance of the study. The relevance is due to the role of photo facts in the construction of media reality, social attitudes and individual experiences. The goal is to systematize the conceptual dominants of
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Peleshok, Olga. "Military burial ceremony. Ethical nominations of sensitive visual content in the media." Synopsis: Text Context Media 30, no. 4 (2024): 311–19. https://doi.org/10.28925/2311-259x.2024.4.10.

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The relevance of this research is underscored by the importance of studying sensitive visual content in the media and understanding how it is covered in journalism. This article aims to identify and analyze negative trends in the ethical handling of sensitive content, specifically regarding the photographic representation of farewell ceremonies for Ukrainian soldiers. The subject of the research is the ethical aspects of visual content in Ukrainian media. The analysis focuses on the importance of context, the possibility of documenting events through photography and its inherent subjectivity,
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Rothermel, Holly. "Images of the sun: Warren De la Rue, George Biddell Airy and celestial photography." British Journal for the History of Science 26, no. 2 (1993): 137–69. http://dx.doi.org/10.1017/s0007087400030739.

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By the early years of the twentieth century, astronomers regarded photography as one of the most valuable tools at their disposal, a technique which not only provided an accurate and reliable representation of astronomical phenomena, but also radically changed the role of the astronomical observer. Herbert Hall Turner, professor of astronomy at Oxford, wrote in 1905: ‘The wonderful exactness of the photographic record may perhaps best be characterised by saying that it has revealed the deficiencies of all our other astronomical apparatus – object-glasses and prisms, clocks, even the observer h
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Boshyan, Jasmine, Lisa Feldman Barrett, Nicole Betz, Reginald B. Adams, and Kestutis Kveraga. "Line-Drawn Scenes Provide Sufficient Information for Discrimination of Threat and Mere Negativity." i-Perception 9, no. 1 (2018): 204166951875580. http://dx.doi.org/10.1177/2041669518755806.

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Previous work using color photographic scenes has shown that human observers are keenly sensitive to different types of threatening and negative stimuli and reliably classify them by the presence, and spatial and temporal directions of threat. To test whether such distinctions can be extracted from impoverished visual information, we used 500 line drawings made by hand-tracing the original set of photographic scenes. Sixty participants rated the scenes on spatial and temporal dimensions of threat. Based on these ratings, trend analysis revealed five scene categories that were comparable to tho
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Kim, Kyoung-hwa Yonnie. "Tactile photography." INTERIN 25, no. 1 (2019): 101–20. http://dx.doi.org/10.35168/1980-5276.utp.interin.2020.vol25.n1.pp101-120.

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Although much of the previous work on mobile photography has focused on its role for visual communication in networked visuality (Van House et all. 2005; van Dijck 2007, 2013, etc.), the substantial proportion of mobile digital photography remains unshared. Visuality may not be a core practice to frame such photos practiced within wider practical contexts such as inscribing, personal archiving, carrying-with, and even being forgotten. To examine this less-articulated but pervasive phenomenon, this paper examines the sensitive aspect of mobile photography as an extension of debates regarding th
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Dissertations / Theses on the topic "Photographic sensitiser"

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Zhang, Dan. "Electronic properties of sensitizer centers /." Online version of thesis, 1992. http://hdl.handle.net/1850/11247.

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Gonçalves, Myra Adam de Oliveira. "A fotografia sem câmera : revelações de especificidades da fotografia através do quimigrama." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2007. http://hdl.handle.net/10183/10746.

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Esta dissertação foca um processo de criação de imagens fotográficas a partir de manipulações químicas feitas sobre superfícies fotossensíveis, diretamente sobre o papel ou negativo, sem utilizar para isso o aparato tecnológico – a câmera. A partir dessa abordagem, a dissertação analisa os limites daquilo que conhecemos como fotografia. A pesquisa convergiu para a investigação das possibilidades fotográficas inerentes às superfícies sensíveis e fotossensíveis, às soluções fotoquímicas e para o cruzamento dessas possibilidades fotográficas com outras linguagens artísticas. O trabalho confrontou
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Thompson, Andrew. "Light Sensitive." CSUSB ScholarWorks, 2015. https://scholarworks.lib.csusb.edu/etd/245.

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I am an excremental artist. I do not mean an artist who works with feces or is interested in manure but one whose artwork is expelled through the results of process. As a photographer, I am not as interested in indexing a location, a person or a moment as I am dissolving the structure of photography through the manipulation of photographic materials. I typically photograph landscapes that catch my attention for a myriad of reasons. The commonality between these images is anonymity of place. Hints of location are always present but never accentuated, instead their purpose is akin to a forging s
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Natan, Nimrod. "Factors influencing the rate of sensitization and maximum sensitivity of an iridium (III) surface sensitized silver bromide emulsion /." Online version of thesis, 1987. http://hdl.handle.net/1850/11354.

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Young, Eleanor Dawn, and ellie@goldstreetstudios com au. "Mechanisms of Controlling Colour and Aesthetic Appearance of the Photographic Salt Print." RMIT University. Applied Science, 2008. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080901.142948.

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Abstract The salt print is an important part of photography, both in its historic value and in the tonal range it can provide. This tonal range is greater than any other photographic printing process available to date attributed to the inherent masking ability of the metallic silver. However the intrinsic production problems have made it a 'forgotten' process. There are five key problems. 1. The difficulties in achieving the potential extensive tonal range. 2. The varying colour of the print. 3. Staining that appears in the print, during and after processing. 4. Instability and lo
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Harrild, Christopher S. "Exploring the Potential of Resident Employed Photography as a Context Sensitive Technique in Roadway Design." DigitalCommons@USU, 2014. https://digitalcommons.usu.edu/etd/2065.

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The purpose of the study was to explore the potential of resident employed photography as a context sensitive assessment tool in roadway design by identifying the key elements of resident employed photography and context sensitivity and then exploring the potential of the elements of resident employed photography that may contribute to context sensitivity in roadway design. State and federal transportation agencies have identified principles and potential outcomes with the intent to guide processes that are sensitive to the context of a project’s surroundings. The improved design of public roa
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Leichnig, Kildine. "La patrimonialisation des espaces fluviaux urbains et l'expérience des usagers, visiteurs et habitants. Une approche comparée Pau (France) et Saragosse (Espagne)." Thesis, Pau, 2015. http://www.theses.fr/2015PAUU1007/document.

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Cette thèse de géographie humaine porte sur l’expérience sensible qu’ont les usagers -visiteurs et habitants- d’espaces fluviaux en cours de patrimonialisation, dans deux villes du Sud-ouest de l’Europe : Pau et Saragosse. Soucieuses d’améliorer leur cadre de vie et de poursuivre leur développement économique et urbain, l’agglomération paloise et la ville de Saragosse tentent en effet de mieux intégrer leurs cours d’eau dans leur territoire en se lançant dans un processus de patrimonialisation. Toutefois, la place accordée au tourisme dans ces processus est pour le moins équivoque. L’offre tou
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Books on the topic "Photographic sensitiser"

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editor, Gennari Santori Flaminia, Novelli Alberto, and Galleria Corsini (Rome Italy), eds. Robert Mapplethorpe: L'obiettivo sensibile = the sensitive lens. Umberto Allemandi, 2019.

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Powell, Pamela C. Reflected Light. Chester County Historical Society, 1988. https://doi.org/10.5040/9798765198285.

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Photography began almost 150 years ago with the nearly simultaneous invention of two types of photographic processes, the daguerreotype and the Talbotype or calotype. On January 7, 1839, Louis Daguerre announced his discovery of a way to reproduce images on coated copper plate. Shortly thereafter, on January 31, William Talbot explained how shadows of objects could be chemically recorded on salted paper sensitized with silver nitrate. With the advent of photography, the people, architecture, and natural beauty of Chester County, Pennsylvania, made worthy subject matter for many professional an
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Light Sensitive: Contemporary Australian Photography from the Loti Smorgon Fund. National Gallery Of Victoria, 2007.

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The 2006-2011 World Outlook for Manufacturing Sensitized Film, Sensitized Paper, Sensitized Cloth, Sensitized Plates, and Toners for Photocopiers, Laser ... Toner Cartridges; and Photographic Chemicals. Icon Group International, Inc., 2005.

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Rotterdam Sensitive Times. Witte de with Publishers, 2012.

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Light Sensitive: The Photography of Kathy Harcom. Arem Publishing Ltd, 2004.

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The World Market for Sensitized, Unexposed Photographic Paper, Paperboard, and Textiles: A 2004 Global Trade Perspective. Icon Group International, Inc., 2005.

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Parker, Philip M. The World Market for Sensitized, Unexposed Photographic Paper, Paperboard, and Textiles: A 2007 Global Trade Perspective. ICON Group International, Inc., 2006.

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The 2006-2011 World Outlook for Silver Halide-Type Photographic Sensitized Film, Plates, Paper, and Cloth Excluding X-Ray Film. Icon Group International, Inc., 2005.

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The 2006-2011 World Outlook for Sensitized Photographic Film, Plates, Paper, Cloth, and X-Ray Film Excluding Silver Halide Type. Icon Group International, Inc., 2005.

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Book chapters on the topic "Photographic sensitiser"

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Takeda, Shimpei. "Trace-Cameraless Records of Radioactive Contamination." In Making the Geologic Now. punctum books, 2012. https://doi.org/10.21983/p3.0014.1.37.

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As an artist working with analog photographic techniques that are rapidly in decline, a native of Japan, and moreover being born in Fukushima prefecture, I took on a mission to create a physical record of the worst man-made nuclear accident in history. A photograph can be created by electromagnetic radiation other than light. Radiation and visible light are similar forms of energy, they just travel in different wavelengths. Using cameraless processes, I want to capture the current state of Japan directly, by exposing photo-sensitive material to traces of radiation emitted from contaminated par
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Mestrich, Qiana. "An Impossible Fecundity: Hernease Davis' Light-Sensitive Womb." In Decolonization and Diversity in Contemporary Photography. Routledge, 2025. https://doi.org/10.4324/9781315665658-41.

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Griffiths, Arlo. "Études du Corpus des inscriptions du Campā, XIII." In Documenter et décrire les langues d’Asie : histoire et épistémologie. Société d’histoire et d’épistémologie des sciences du langage, 2025. https://doi.org/10.4000/138ml.

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The Chamic languages, today represented only by small or very small minority communities of speakers on the Chinese island of Hainan, in Cambodia and in Vietnam, form a low-order branch of the Austronesian language family. One of the Chamic languages is Cham itself, with pockets of speakers (several 100,000 in total) in some provinces of Southern Vietnam as well as Cambodia, and a bifurcation between at least two clearly distinct dialects. It is the only Chamic language with a premodern writing tradition, but one that goes as far back as the 5th century ce. While Modern Cham has been documente
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Bokelman, Marina. "How to Look at the Photographs." In Going Up the Country. University Press of Mississippi, 2022. http://dx.doi.org/10.14325/mississippi/9781496841971.003.0003.

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This chapter discusses in detail the photographic methodology of co-author Marina Bokelman—how she worked with the limitations of the black and white film available at the time, and the resulting qualities of the photographs. She discusses her decision not to use flash photography and its ramifications, the problems of photographing indoors in low light conditions, and the challenges of photographing subjects with dark skin. She emphasizes the importance of using framing and loose cropping in order to document and illustrate cultural context. She also touches on the importance of gaining permi
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"Cyanonegative Photography." In Lo-Fi Photography. Royal Society of Chemistry, 2024. http://dx.doi.org/10.1039/bk9781839169311-00253.

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What we call cyanonegative photography uses paper sensitized with cyanotype as the detector in a homemade camera. A simple lens is used to focus the image; after a long exposure, the blue-tone paper negative that results is scanned to produce a digital positive. Suitable choices of paper and cyanotype sensitizer formulas are described. The wavelength response of cyanotype is reviewed in light of how a typical outdoor scene is imaged by this method. A technique is described for making a positive contact cyanotype print directly from a cyanotype negative.
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Tani, Tadaaki. "Spectral Sensitization." In Photographic Sensitivity. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195072402.003.0005.

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Abstract As described in Chapter 1, the ability to form color images is one of the most important properties of photosensitive materials. In order to form color images, photosensitive materials are required to be sensitive to the three primary colors, that is, blue, green, and red. As described in Chapter 3, silver halide itself absorbs ultraviolet and blue light, and is thus sensitive only to blue light in the visible region. Spectral sensitization was discovered by Vogel1 in 1873 and is now widely used to render silver halides sensitive to wavelengths longer than that of blue light, such as
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Kozol, Wendy. "Banality: Mapping the Asymptote." In The War In-Between. Fordham University Press, 2024. https://doi.org/10.5422/fordham/9781531507220.003.0002.

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This chapter introduces the book’s asymptotic approach through a study of banality as it appears in The Day Nobody Died (2008) by Adam Broomberg and Oliver Chanarin. Despite the enticing title and its promise of witnessing, the project asymptotically refuses the gratifications of wartime photojournalism in two disruptive postures. The first is a 23-minute video of a large box of light-sensitive photographic paper as it travelled from London to Helmand Province in Afghanistan and back. The second is an exhibition of large-scale, single frame, abstract photograms created by exposing the paper fr
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Ferrier, De. "Brookshire: Borderlands." In Seeing across Disciplines: The Book of Selected Readings 2022. International Visual Literacy Association, 2022. http://dx.doi.org/10.52917/ivlatbsr.2022.036.

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This body of work is informed by my own experience of constant migration. My lens based photographic practice is grounded in the images of my current ‘home’ where the iconic silos and rice dryers of Texas dominate the landscape. The actions of shooting, dissecting, cutting, folding and concealing these images mimics the vilification of migrants across the globe. Utilizing a hands-on meditative approach leads to a transformation of folded and constructed imagery that creates metaphors of hidden, unjust truths. My interest is in the materiality and physicality of the photograph, which becomes an
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Blatt, Ari J. "Picturing a Nation of Local Places in the Observatoire photographique du paysage and France(s) territoire liquide." In France in Flux. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781786941787.003.0011.

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The history of French photography has been marked by the preponderance of photographic ‘missions’, whereby a collective of artists charged with documenting the nation’s shared common spaces traverse the territory with cameras in tow. From the Mission héliographique (1851) to the Mission photographique de la DATAR (1983-89), these projects have much to tell us about the place that landscape occupies in the national imaginary. This chapter surveys two of the most recent and most compelling photographic missions that set out to render the contours of the nation intelligible. While the Observatoir
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"Pinhole Photography." In Lo-Fi Photography. Royal Society of Chemistry, 2024. http://dx.doi.org/10.1039/bk9781839169311-00284.

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Pinhole photography is described, with an emphasis on simple, homemade cameras and using developed-out, black-and-white silver gelatin enlarging paper as the detector. Some simple camera designs are considered. Strategies are reviewed for making a precise pinhole of the optimal size, and three methods are illustrated for measuring the size of a tiny pinhole—direct comparison with a pocket microscope, enlargement with a slide projector, and by projecting a laser pen through the pinhole and measuring the size of the resulting diffraction pattern. Basic darkroom procedures are outlined for develo
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Conference papers on the topic "Photographic sensitiser"

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Sun, Yuanyuan, and Rongguang Liang. "PHCam: built-your-own polar-spectral camera using photographic films to analyze polarization-sensitive biomedical samples." In Computational Optical Imaging and Artificial Intelligence in Biomedical Sciences II, edited by Liang Gao, Guoan Zheng, and Seung Ah Lee. SPIE, 2025. https://doi.org/10.1117/12.3039036.

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Mortensen Steagall, Marcos. "Reo Rua (Two Voices): a cross-cultural Māori-non-Māori creative collaboration." In LINK 2022. Tuwhera Open Access, 2022. http://dx.doi.org/10.24135/link2022.v3i1.184.

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In the last decades, there has been an emergence of an academic discourse called Indigenous knowledge internationally, creating a myriad of possibilities for research led by creative practice. In Aotearoa, New Zealand, Māori creative practice has enriched and shifted the conceptual boundaries around how research is conducted in the Western academy because they provide access to other ways of knowing and alternative approaches to leading and presenting knowledge. The contributions of Māori researchers to the Design field are evidenced through research projects that navigate across philosophical
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Wang, Albert, Patrick R. Gill, and Alyosha Molnar. "An angle-sensitive CMOS imager for single-sensor 3D photography." In 2011 IEEE International Solid- State Circuits Conference - (ISSCC). IEEE, 2011. http://dx.doi.org/10.1109/isscc.2011.5746375.

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Levin, Anat, Haggai Maron, and Michal Yarom. "Passive light and viewpoint sensitive display of 3D content." In 2016 IEEE International Conference on Computational Photography (ICCP). IEEE, 2016. http://dx.doi.org/10.1109/iccphot.2016.7492881.

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Li, Xiujian, Jiankun Yang, Juncai Yang, and Wenhua Hu. "Damage in sensitive BSO-based asymmetric spatial light modulator." In 27th International congress on High-Speed Photography and Photonics, edited by Xun Hou, Wei Zhao, and Baoli Yao. SPIE, 2007. http://dx.doi.org/10.1117/12.725949.

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Durrant, James R., Y. Tachibana, J. Moser, M. Grätzel, and D. R. Klug. "Femtosecond interfacial electron transfer in dye sensitised nanocrystalline TiO2 photovoltaic solar cells." In International Conference on Ultrafast Phenomena. Optica Publishing Group, 1996. http://dx.doi.org/10.1364/up.1996.tue.46.

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The sensitisation of wide band gap semiconductors to visible irradiation by the adsorption of dyes to their surface is of widespread technological importance. It is the basis of silver photography and electrophotography, and has for many years been studied as a means of solar energy conversion. Electrochemical PV solar cells employing dye sensitised nanocrystalline TiO2 thin films have already achieved >10 % energy conversion efficiencies [1] and are now in commercial production. However, the mechanism of the dye sensitisation remains poorly understood, and this missing information is imped
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Honour, Joseph. "Cinemax II: a UV sensitive image intensifier for combustion research." In 20th International Congress on High Speed Photography and Photonics, edited by John M. Dewey and Roberto G. Racca. SPIE, 1993. http://dx.doi.org/10.1117/12.145784.

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Chen, Guofu, Yanjun Zhu, Kaiduan Yue, Wei Hu, Xianhua Wang, and Xun Hou. "Single-shot phase-sensitive characterization of arbitrary ultrashort optical pulses with subfemtosecond temporal resolution." In High-Speed Photography and Photonics: 21st International Congress, edited by Ung Kim, Joon-Sung Chang, and Seung-Han Park. SPIE, 1995. http://dx.doi.org/10.1117/12.209645.

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Lebedev, Vitaly B., Vera M. Zhilkina, and Gregory G. Feldman. "Universal camera with a time-analyzing ICT sensitive to UV and hard x rays." In High-Speed Photography and Photonics: 21st International Congress, edited by Ung Kim, Joon-Sung Chang, and Seung-Han Park. SPIE, 1995. http://dx.doi.org/10.1117/12.209647.

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Held, Manfred. "Measurement of D ∞ of less sensitive HE-charges with very small charges." In 20th International Congress on High Speed Photography and Photonics, edited by John M. Dewey and Roberto G. Racca. SPIE, 1993. http://dx.doi.org/10.1117/12.145782.

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Reports on the topic "Photographic sensitiser"

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Toomey, Rickard, Vincent Santucci, Justin Tweet, Vincent Santucci, Rickard Toomey, and Justin Tweet. Mammoth Cave National Park: Paleontological resource inventory (sensitive version). National Park Service, 2024. http://dx.doi.org/10.36967/2306041.

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Mammoth Cave National Park (MACA) in south-central Kentucky protects one of the most famous and extensive cave systems in the world. Fossils, both in the bedrock of the cave system and as much more recent remains that date to the cave era, have been reported since at least the first half of the 19th century, but have rarely been a focus of investigation. In 2019, following a report of shark fossils in the wall of a cave passage, a team of MACA staff and volunteers, members of the National Park Service (NPS) Paleontology Program, and paleontological specialists from outside the NPS began a pale
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