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Dissertations / Theses on the topic 'Photographie de classes'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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1

Charpentier-Boude, Christine. "La photographie de groupe en classe comme palimpseste de l'institution scolaire : essai d'une approche sémiologique de ce document." Paris 10, 2006. http://www.theses.fr/2006PA100097.

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La photographie de groupe en classe constitue à force d'être répétée, et cela depuis le milieu du XIXe siècle, une partie de la mémoire de l'école et de la société qu'elle représente. Elle semble accompagner le deuil d'une multitude d'histoires scolaires et en même temps conjurer ces disparitions. Cette image particulière, mise en scène d'une réalité institutionnelle capturée par l'appareil photographique, répétée au cours d'un rituel codifié, conservée ou non par les usagers, loin d'être monolithique et univoque, paraît être porteuse d'un ensemble de significations institutionnelles et intime
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Charpentier-Boude, Christine. "La photo de classe : palimpseste contemporain de l'institution scolaire /." Paris : l'Harmattan, 2009. http://catalogue.bnf.fr/ark:/12148/cb41475727x.

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3

Crane, Emmanuelle. "La stratification sociale et raciale de la Nouvelle-Calédonie (1853-1914) vue à travers la photographie." Paris, EHESS, 2010. http://www.theses.fr/2010EHES0410.

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Le but de ma thèse est d'examiner comment la photographie a fixé l'expansion coloniale et ainsi à forger une image et à permettre de développer peu à peu une identité kanak. Les hommes du XIXème siècle arrivant en Nouvelle-calédonie, interprètent l'expansionnisme européen et la civilisation européenne comme une victoire sur la société kanak considérée comme primitive et arriérée. L'époque coloniale a été contestée par les discours postcoloniaux dénonçant ces croyances "Eurocentrique". Tout au long de ma thèse, je fais l'historique de l'évolution des techniques de la photographie, du 19ème sièc
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4

Chambefort, Karine. "Ecritures photographiques des identités collectives : classe, ethnicité, nation dans la photographie en Grande-Bretagne entre 1990 et 2010." Thesis, Paris Est, 2014. http://www.theses.fr/2014PEST0010/document.

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Cette thèse étudie un corpus de livres et d’expositions de photographies qui abordent les questions d’identité sociale, ethnique et nationale [en Grande-Bretagne]. Elle procède à une historicisation du champ photographique en s’intéressant au contexte social et politique de production et de diffusion des images, et en particulier aux politiques culturelles. Elle considère photographies et expositions comme des discours et pratiques qui contribuent à la formation des identités collectives. Le genre des photographies, et notamment le documentaire, est discuté au fil de l’étude, en lien avec la p
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Muller, Catherine. "Paroles sur images : Les interactions orales déclenchées par des photographies d'auteur en classe de français, langue étrangère." Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030107.

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Cette étude relève de la didactique des langues, mais elle s’appuie également sur l’analyse des interactions verbales et des interactions en classe de langue, ainsi que sur l’anthropologie et la sociologie. Elle repose sur la capacité de l’image à susciter des productions verbales. La photographie d’auteur est ici considérée comme un déclencheur d’interactions orales permettant de communiquer en classe de langue. Nous avons mis en oeuvre une technique didactique dans descours de français enseigné comme langue étrangère en contexte pluriculturel à Paris avec des apprenants de niveaux A1 à B2. L
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Schmollinger, Carlyle Delia. "Vestiges of Vulnerability: Helen Post's Photographs of 20th Century Navajo." BYU ScholarsArchive, 2016. https://scholarsarchive.byu.edu/etd/6077.

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Helen Post (1907-1978) was a twentieth century American photographer, whose images of the Navajo offer sensitive insight into the lives of individuals residing on the reservation from 1938-1942. An employee at the time for the Bureau of Indian Affairs, Post traveled to the West on numerous excursions, each time gaining perspective and understanding into the intricacies of Native life. Her ability to portray the Navajo in unguarded and intimate moments stands as a significant contribution to discourse on visual records of American Indians. Examining Post's work provides an opportunity to not on
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7

Brinsford, Julian. "Citizens of the secret machine : elements towards a Bakhtinian history of photographic representations of the British working classes in the twentieth century." Thesis, University of Sussex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.360577.

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8

Ackerman, Catherine. ""Because social issues should be addressed" /." Online version of thesis, 1991. http://hdl.handle.net/1850/10916.

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9

Whitten, Jordan. "The Boone Dam Project." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etd/3585.

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The photographer discusses his work in “The Boone Dam Project”, a Masters of Fine Art exhibit held at the Tipton Gallery, Johnson City, Tennessee from March 18 through March 29, 2019. The exhibition consists of a collection of 14 large color archival inkjet prints from a large body of work that surveys a lakeside community’s landscape and residents affected by lowered lake levels during a dam repair. A catalog of the exhibit is included at the end of this thesis. Whitten examines formal and conceptual influences through historical and contemporary photographers. Images included are works made
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10

Laurence-Allen, Antonia. "Class, consumption and currency : commercial photography in mid-Victorian Scotland." Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/3469.

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This thesis examines a thirty year span in the history of Scottish photography, focusing on the rise of the commercial studio from 1851 to assess how images were produced and consumed by the middle class in the mid-Victorian period. Using extensive archival material and a range of theoretical approaches, the research explores how photography was displayed, circulated, exploited and discussed in Scotland during its nascent years as a commodity. In doing so, it is unlike previous studies on Scottish photography that have not attended to the history of the medium as it is seen through exhibitions
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11

Ramos, Arnaldo de Oliveira. "Fotografia e trabalho: um roteiro para a reflex?o cr?tica sobre rela??es de classe." Universidade Federal Rural do Rio de Janeiro, 2016. https://tede.ufrrj.br/jspui/handle/jspui/2428.

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Submitted by Celso Magalhaes (celsomagalhaes@ufrrj.br) on 2018-09-12T12:53:25Z No. of bitstreams: 1 2016 - Arnaldo de Oliveira Ramos.pdf: 4685759 bytes, checksum: 9cdad93a9946395956e2a9a342da1865 (MD5)<br>Made available in DSpace on 2018-09-12T12:53:25Z (GMT). No. of bitstreams: 1 2016 - Arnaldo de Oliveira Ramos.pdf: 4685759 bytes, checksum: 9cdad93a9946395956e2a9a342da1865 (MD5) Previous issue date: 2016-09-29<br>The present dissertation will be elaborated from a pedagogical work focusing on the history of work in Brazil. The starting point will be the debate about photos produced by the s
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Brandtberg, Tomas. "Automatic individual tree-based analysis of high spatial resolution remotely sensed data /." Uppsala : Swedish Univ. of Agricultural Sciences (Sveriges lantbruksuniv.), 1999. http://epsilon.slu.se/avh/1999/91-576-5852-8.pdf.

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13

Hayes, S. "Building community : a sociology of theatre audiences." Thesis, University of Salford, 2006. http://usir.salford.ac.uk/2034/.

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This thesis is an ethnographic study of theatre audiences and the ways in which they experience community. It is positioned within current debates on the mediatization and globalization of society, and the ongoing discussion as to whether social change has an adverse effect on community experience. Methodologically it emphasizes the investigation of audience contexts and collaborative practices among actors and theatregoers and between researcher and respondents. Audiences’ own terminology is considered vital to understanding what community means to them. The thesis examines community experien
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Dame, Shannon. "Indigenismo in the Mexican Photographs of Tina Modotti: The Revolutionary and the Indigenista." BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/3102.

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During Tina Modotti's time in Mexico in the 1920s, much of her photography and political activities focused on and fought for the rights of those who had been previously overlooked and marginalized, namely the indigenous people of Mexico. Many government officials, artists and intellectuals at the time believed that it was through the indigenous culture that Mexico could redeem itself and create its own national identity. Indigenismo, the philosophy that supported this claim, was of interest to Modotti and was a recurring theme throughout her photography. Following the Mexican Revolution of 19
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15

Miao, Hui. "In-visibility : the sentimental in Chinese cinema since the 1990s." Thesis, University of Birmingham, 2012. http://etheses.bham.ac.uk//id/eprint/3256/.

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The greater visibility of Chinese films brought by the wider global access and circulation has not satisfied the culturally specific understanding of Chinese cinema. The subject/object power relations stemming from the legacy of colonial and postcolonial discourse hinders the arrival of a better-balanced cross-cultural reading. The visibility of cinema provides a visual spectacle, it also challenges the audience with a communication of the epistemic side of visibility which feeds the images meaning and imagination and facilitates a more balanced culturally specific understanding. However, the
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16

Shahriari, Mana. "Hierarchical scene categorization : exploiting fused local & global features and outdoor & indoor information." Doctoral thesis, Université Laval, 2020. http://hdl.handle.net/20.500.11794/67947.

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Récemment, le problème de la compréhension de l’image a été l’objet de beaucoup d’attentions dans la littérature. La catégorisation de scène peut être vue comme un sous-ensemble de la compréhension d’image utilisée pour donner un contexte à la compréhension d’image ainsi qu’à la reconnaissance d’objet afin de faciliter ces tâches. Dans cette thèse, nous revisitons les idées classiques de la catégorisation des scènes à la lumière des approches modernes. Le modèle proposé s’inspire considérablement de la façon dont le système visuel humain comprend et perçoit son environnement. À cet égard, je s
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17

Yehiya, Abdou. "Cartographie des couverts forestiers à partir des photographies aériennes et des données satellitaires dans une zone-test du Mali, forêt classée du Sousan, en vue de l'identification et du suivi des formations ligneuses." Grenoble 2 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb37610803t.

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18

Yehiya, Abdou. "Cartographie des couverts forestiers à partir des photographies aériennes et des données satellitaires LandSat et SPOT dans une zone test du Mali (forêt classée du Sousan) en vue de l'identification et du suivi des formations ligneuses." Montpellier 2, 1987. http://www.theses.fr/1987MON20132.

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La demande de plus en plus accrue en produits ligneux comme source d'energie en rapport avec l'explosion demographique de ces dernieres annees dans les pays du sahel en general et particulierement en republique du mali, necessite une meilleure connaissance (repartition geographique, superficie et production actuelle) des formations vegetales durement eprouvees par une secheresse persistante, pour la satisfaction des besoins de nos populations. La presente etude se situe dans cette optique et vise la cartographie des formations ligneuses de la foret classee du sousan a partir d'une interpretati
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19

Ponczoch, Joseph Anton. "P. Herc. 1570 Pieces 4, 5, 6a, 6b: [Philodemi] [De divitiis]." Diss., CLICK HERE for online access, 2004. http://contentdm.lib.byu.edu/ETD/image/etd590.pdf.

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20

Mazet, Zaccardelli Cédric. "De la composition classique au montage organique : éloge de l'attitude moderne." Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H315.

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Toute une théorie classique de l’art a défini la composition picturale en prenant ses concepts à la tradition rhétorique. Ainsi le travail du peintre rassemble-t-il à ses yeux, pour commencer, deux opérations dont Cicéron avait déjà en son temps donné les noms pour l'art du discours : l’invention, qui sélectionne au sein d’une sorte de réserve les éléments convenant au sujet à présenter, puis la disposition, qui se charge d’organiser avantageusement ces éléments selon les règles d’une économie. Sous le nom de «montage», une large part de la fabrique artistique contemporaine, qu’il s’agisse de
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21

Hsieh, Peifang, and 謝佩芳. "Photographic Classes Among Hills." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/24333880192246505339.

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碩士<br>國立臺灣藝術大學<br>應用媒體藝術研究所<br>99<br>Image is the important channel to communicate and broadcast in our century, it is also the replaceable material of creation of art. When the children in urban area enjoy multiple functions of cameras or mobiles, many children don’t even have a camera in remote country side. This documentary is based on the spirit of ‘experimental image’. It creates a new method to combine ‘Still Photography’ and ‘Cinematography’ and uses the camera as the medium to go in depth to the special remote elementary school, ‘Fushan Elementary School’. It aims to let pupils to sh
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22

Lee, Hyun Ju. "A new approach to using photographs and classroom response systems in middle school astronomy classes." 2012. https://scholarworks.umass.edu/dissertations/AAI3518254.

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This study reports middle school astronomy classes that implemented photographs and classroom response systems (CRSs) in a discussion-oriented pedagogy with a curriculum unit for the topics of day-night and cause of seasons. In the new pedagogy, a teacher presented conceptual questions with photographs, her 6th grade students responded using the CRSs, and the teacher facilitated classroom discussion based on the student responses. I collected various data: classroom observation with field-note taking and videotaping, student pre- and post-conception tests, student attitude survey and classroom
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23

Chang, Yung-Cheng, and 張永政. "A Study of Discussion on Serious Leisure Characteristics, Leisure Impediment, and the Degree of Leisure Satisfaction – Base on Photography Classes of Yuanlin Community College." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/3qarx3.

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碩士<br>亞洲大學<br>休閒與遊憩管理學系碩士在職專班<br>104<br>The purpose of this study was to comprehend the current status of serious leisure characteristics, leisure impediment, and the degree of leisure satisfaction base on photography class students of Yuanlin community college; and discuss that if there were significant difference among serious leisure characteristics, leisure constraints, and the degree of leisure satisfaction; the relationship between serious leisure characteristics and leisure impediment; and if serious leisure characteristics and leisure impediment could predict the degree of leisure sati
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24

Košatová, Barbora. "Parafráze klasického uměleckého díla - didaktická transformace a aplikace tématu do výuky výtvarné výchovy." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-342442.

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IN ENGLISH This thesis has the character of theoretical studies on the topic paraphrase a classic work of art and its subsequent didactic applications for that grade school. It solves the problems of paraphrasing in the visual arts. It characterizes the aspects related to the topic, such as analysis and structure of a work of art. It focuses on the theory of shape as the basic building blocks of artwork and associated topics, which are: quotes, interpretation, image transformations and alterations. Art work is a continuation of a previous bachelor thesis, which dealt with the issue of land. It
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25

Macháčková, Zuzana. "Obraz , fotografie v koncepcích základní školy." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-306047.

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Annotation: Macháčková, Z.: Image, photography as a concept in elementary school education [Diploma thesis] Brno 2012 - Charles University in Prague, Faculty of education, Department of Art, 114 p. Objectives: Based on both recommended and other literature, discuss the evolution of photography (analogue and digital photography, photographic types and genres) and hint at the specifics of photographic production in comparison with classical art media. Discuss the expressive possibilities of manipulated photography (PC photography editing, collage, photomontage, etc.), with attention to applicabi
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