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Journal articles on the topic 'Photographie de classes'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 February 2022

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1

L'Estoile, Benoît de. "Images des paradis perdus: mythe des « peuples premiers », photographie et anthropologie." Vibrant: Virtual Brazilian Anthropology 9, no. 2 (2012): 361–405. http://dx.doi.org/10.1590/s1809-43412012000200014.

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Cet article, s'appuyant notamment sur un vaste ensemble d'expositions en France et au Brésil, analyse les façons dont le mythe des « peuples premiers », fournissant aux classes moyennes urbaines l'image romantique de peuples indigènes hors de l'histoire, trouve une incarnation privilégiée dans les photographies des groupes indigènes d'Amazonie, souvent représentés de façon stéréotypée. Ces représentations romantiques présentes dans les médias, les univers artistiques, structurent aussi les catégories de perception et d'interprétation des visiteurs d'expositions, des spectateurs ou des lecteurs

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Schlenker, Alex. "Descolonizar con la minga visual: una placa de vidrio y un retrato de familia." CALLE14: revista de investigación en el campo del arte 11, no. 18 (2016): 30. http://dx.doi.org/10.14483/10.14483/udistrital.jour.c14.2016.1.a03.

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DESCOLONIZAR CON LA MINGA VISUAL: UNA PLACA DE VIDRIO Y UN RETRATO DE FAMILIARESUMENEste artículo recoge una serie de reflexiones en torno a las estrategias decoloniales que, desde las llamadas mingas visuales –prácticas artísticas centradas en (re)leer e intervenir imágenes de archivo– desarrollaron dos artistas ecuatorianas entre el 2012 y 2015 para (re)leer la representación fotográfica de género, clase y etnia inscrita en un retrato grupal titulado Retrato de familia, producido por el fotógrafo ecuatoriano Miguel Ángel Rosales en su estudio en la ciudad de Ibarra en la década de 1930.PALAB

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3

Muller, Catherine. "L’immersion fictionnelle, ou comment concilier art et émotion en cours de langue." Voix Plurielles 11, no. 1 (2014): 89–100. http://dx.doi.org/10.26522/vp.v11i1.920.

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Cet article porte sur l’expérience artistique en classe de langue sous l’angle des réactions verbales. Nous proposons d’analyser les interactions orales recueillies lors d’une activité de commentaire de photographies mise en œuvre en classe de français enseigné comme langue étrangère auprès d’apprenants adultes en contexte pluriculturel. Notre perspective est focalisée sur l’une des formes de réception des œuvres, l’immersion fictionnelle. Grâce à une analogie perçue entre l’univers fictionnel et le monde réel, les apprenants construisent de l’empathie envers l’un des personnages de la photogr

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Ryzova, Lucie. "Boys, Girls, and Kodaks." Middle East Journal of Culture and Communication 8, no. 2-3 (2015): 215–55. http://dx.doi.org/10.1163/18739865-00802005.

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This essay looks at a little studied genre of photographic albums—‘peer albums’—created by young Egyptian men and women through the middle decades of the twentieth century. These strongly gendered albums are characterized by the visual exclusion of social seniors, and were typically kept hidden from them. As photographic objects embedded in particular social relationships and contexts, these albums speak of how a classed and gendered self emerged in early- to mid-twentieth-century Egypt through a range of practices, of which photography-making (and album-making) was part. But photography also

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Kazakevych, Gennadii. "Memory Factories: Professional Photography in Kyiv, 1850-1918." Text and Image: Essential Problems in Art History, no. 1 (2020): 82–101. http://dx.doi.org/10.17721/2519-4801.2020.1.06.

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The article deals with the early history of photographic industry in Kyiv as a complex cultural phenomenon. Special attention is focused on the portrait photography as a ‘technology of memory’. It involves methods of social history of art, prosopography and visual anthropology. The study is based on the wide scope of archival documents, including the correspondence of publishing facilities inspector, who supervised the photographic activity in Kyiv from 1888 to 1909. By the early 20th century, making, collecting, displaying and exchanging the photographic portraits became an important memorial

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Erceg, Nataša, Ivica Aviani, and Vanes Mešić. "Using photographs to elicit student ideas about physics: The case of an unusual liquid-level phenomenon." Canadian Journal of Physics 92, no. 1 (2014): 9–17. http://dx.doi.org/10.1139/cjp-2013-0302.

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This work is aimed at exploring some pedagogical opportunities of using photographs in physics instruction. In our study, the photography has been used for eliciting and probing students’ ideas regarding the physics of fluids in noninertial frames of reference and under conditions of equilibrium. The study involved a heterogeneous sample of 235 secondary school students, 41 physics students, and 48 physics teachers. They were presented with a photograph of a wine glass filled with liquid whose surface appeared inclined. The students were asked to comment on the reality of the phenomenon captur

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Parkmann, Fedora. "« Photographie, arme de classe »." Marges, no. 28 (April 19, 2019): 142–43. http://dx.doi.org/10.4000/marges.1891.

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Blinn, Charles R., Al Lyons, and Edward R. Buckner. "Color Aerial Photography for Assessing the Need for Fertilizers in Loblolly Pine Plantations." Southern Journal of Applied Forestry 12, no. 4 (1988): 270–73. http://dx.doi.org/10.1093/sjaf/12.4.270.

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Abstract Color aerial photography was used to assess crown color classes in loblolly pine (Pinus taeda L.) plantations. Three distinct Munsell color classes were delineated on the resulting photographs. Foliar N levels and, to a lesser degree, foliar K levels were directly related to color. Significant relationships between color and site index and color and basal area were shown. Application of color aerial photography, combined with Munsell color coding, could expedite land classification and also make possible more efficient use of fertilizers. South J. Appl. For. 12(4):270-273.

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Souza, Eneida Maria De. "Assis Horta: fotógrafo de um Brasil moderno / Assis Horta: the photographer of a modern Brazil." O Eixo e a Roda: Revista de Literatura Brasileira 28, no. 4 (2019): 227. http://dx.doi.org/10.17851/2358-9787.28.4.227-246.

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Resumo: O fotógrafo profissional Assis Horta, natural de Diamantina, apresenta uma coleção de imagens de dimensão histórico-documental não só por ter registrado paisagens urbanas e humanas, mas por ter contribuído para a democratização do retrato no Brasil, adquirida por meio das leis trabalhistas. Reconhecida oficialmente em 1943 pela Consolidação das Leis do Trabalho no governo Vargas – com a aquisição da carteira de trabalho e Previdência Social –, a classe operária passa a ter seu registro em foto 3x4 (três por quatro) como prova de identidade. Com o fim da condição de invisibilidade socia

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Ayyildiz, Erdem, Enes Tan, Hakan Keklik, Zulfikar Demirtag, Ahmet Arif Celebi, and Matheus Melo Pithon. "Esthetic impact of gingival plastic surgery from the dentistry students’ perspective." European Journal of Dentistry 10, no. 03 (2016): 397–402. http://dx.doi.org/10.4103/1305-7456.184164.

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ABSTRACT Objective: The aim of the this study was to evaluate the perception of smile esthetics and alterations in cases of gingival plastic surgery for correction of a gummy smile, by means of alterations in smile photograph among dentistry degree students. Materials and Methods: A frontal smile photograph of a 40-year-old woman having normal occlusion was used with diverse compositions of gingival exposure level and crown length of maxillary teeth. The eight photographs were evaluated by 216 dentistry students in five class groups (1st, 2nd, 3rd, 4th and 5th classes). Results: The results re

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Albera, François. "Exposition : Photographie arme de classe." 1895, no. 86 (December 1, 2018): 177–79. http://dx.doi.org/10.4000/1895.7129.

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Fini, Fini widya fransiska. "Influnce of Using Photographs in Descriptive Writing to the Students of Nursing." ELT-Lectura 7, no. 1 (2020): 20–31. http://dx.doi.org/10.31849/elt-lectura.v7i1.3448.

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The objective of research was to know whether there was any influnces of using photographs in descriptive writing to the students of nursing. In fact, many nurse students still find difficulties in writing. They still find difficulties in expressing what they want to write and how to write. In overcoming those problems, in certain condition to interest them, teacher can use many media to help them producing good written. One of the media is the using of photograph in teaching learning writing. Photograph can make students find ideas in writing and it can help them to make descriptive text when

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Cadwallader, Alan H. "CIL6.16019 Rediscovered." Antichthon 52 (2018): 132–42. http://dx.doi.org/10.1017/ann.2018.5.

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AbstractThe inscriptionCIL6.16019 has remained substantially dependent on an 1881 publication that has provided the fullest description of the inscription and a relief on a separate panel reported as found with it. Even though more recent analyses have adopted different lines of interpretation, there has been no new encounter with the actual panels. No photograph has been published and the inscription and relief were thought to be lost. This article announces that the inscription and relief have been located (in July 2016) and have been able to be photographed.

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Grossmann, Rebekka. "Image Transfer and Visual Friction: Staging Palestine in the National Socialist Spectacle." Leo Baeck Institute Year Book 64, no. 1 (2019): 19–45. http://dx.doi.org/10.1093/leobaeck/yby022.

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Abstract This article highlights modes of image transfer between photographers in Palestine and photo agencies and editors in 1930s Europe. It argues that Jewish photographers—who had shaped the central European photographic and photojournalistic scene before 1933, and were now excluded from it—continued to influence the international news and press market through their works. Palestine, a place to which several of these journalists fled, had been known in the European spectacle as the timeless ‘Holy Land’; now, through political upheavals, it entered the news. The photographic documents of th

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Alizadeh. "‘Daring, Unusual Things’: Bertolt Brecht’s Photo-Epigrams as Poetic Inventions." Humanities 8, no. 2 (2019): 73. http://dx.doi.org/10.3390/h8020073.

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This essay explores the aesthetics of Bertolt Brecht’s compositions of poetry with photography in the so-called photo-epigrams of his 1955 book War Primer. The photo-epigrams have mostly been viewed and appreciated as interventions in photography; but in this essay I aim to show their novelty and efficacy as poetic inventions. To do so, I draw on Karl Marx’s and Walter Benjamin’s views apropos the decline of poetry under modern, industrial capitalism to argue that Brecht, in his photo-epigrams, is responding to—and attempting to counter—a specific problem at the heart of modern poetry: the cri

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Kłudkiewicz, Kamila. "NON-COLLECTIONS? OLD COLLECTIONS OF REPRODUCTIONS AND DOCUMENTING PHOTOGRAPHS IN MUSEUMS: SELECTED EXAMPLES." Muzealnictwo 62 (June 29, 2021): 153–62. http://dx.doi.org/10.5604/01.3001.0015.0032.

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Elizabeth Edwards, a British researcher into the relations among photography, history, and anthropology, used the term of non-collections to define numerous photographs of unidentified status which can be found in contemporary museums. They are not collector’s items, such as e.g., artistic photography or unique specimens of the first photography techniques. What she rather means are various items: prints, slides, photo-mechanic reproductions, postcards, namely objects once produced on a mass scale, with copies present in many institutions worldwide, thus being neither unique nor extraordinary.

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Egli, Mark, Beth Joseph, and Travis Thompson. "Transfer of Social Attributions in Stimulus Equivalence Classes by Preschool Children." Psychological Reports 80, no. 1 (1997): 3–21. http://dx.doi.org/10.2466/pr0.1997.80.1.3.

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The transfer of social attributions within stimulus-equivalence classes comprised of photographs of children was examined. Five children (mean age: 4 yr., 2 mo.) were taught conditional discriminations sufficient for the emergence of two 3-member equivalence classes (A1-B1-C1 and A2-B2-C2). Social attributions were established by using two photographs to identify fictional children who could facilitate (B1) or prevent (B2) the participant's reinforcement on a computer game. Transfer of attribution was assessed by asking the participants questions regarding predicted social behaviors by childre

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Margolis, Eric. "Representations of Race, Gender and Ability in School Photography." education policy analysis archives 8 (July 4, 2000): 31. http://dx.doi.org/10.14507/epaa.v8n31.2000.

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This article examines photographs taken of American public school classes between the 1880's and the 1940's. Most of the images were found in two virtual archives: The American Memory site at the Library of Congress and The National Archives and Record Center. These very large photograph collections were searched for representations of race, gender, and physical ability. The photographs were compared and contrasted and analyzed for elements of hidden curricula using techniques drawn from the social sciences and humanities. It was found that these large photo collections have significant gaps a

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Bukantaitė, Daiva, and Monika Kubiliūtė. "Factors Which Motivate Music Teachers’ Training in Their Working Environment." Applied Research In Health And Social Sciences: Interface And Interaction 12, no. 1 (2015): 24–32. http://dx.doi.org/10.1515/arhss-2015-0004.

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Abstract Aim of the study was to identify the factors that motivate teachers‘ learning in their work environment Participatory photography method is the kind of method where the participants of the research reply to the questions of the researcher by taking photographs. Later, the photographs are defined, explained and analyzed, while sharing the insights with the researcher. Every participant of the research was contacted prior to the research by telephone or e-mail. They were asked to take photographs of the factors that motivate them to study in their workplace; the time of the interview wa

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Hélou, Marwan EL, Adib Kassis, Robert Haddad, and Joseph Ghoubril. "Evaluation esthétique du profil cutané : une étude transversale." L'Orthodontie Française 87, no. 3 (2016): 341–46. http://dx.doi.org/10.1051/orthodfr/2016033.

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Introduction : L’objectif de cette étude est d’identifier le profil le plus attirant parmi sept photographies distribuées à trois groupes : orthodontistes, dentistes et profanes. Matériels et méthodes : Deux photographies de profil d’un garçon et d’une fille en classe I squelettique ont été modifiées de six façons différentes dans le sens antéro-postérieur au niveau du maxillaire et/ou de la mandibule à l’aide du logiciel Dolphin Imaging System®. Les participants, au nombre de 120, ont classé les photographies de chaque sexe du plus au moins attirant. Résultats : Le profil droit féminin et mas

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Elliott, Julie, and Matthew E. Pritchard. "Historic photographs of glaciers and glacial landforms from the Ralph Stockman Tarr collection at Cornell University." Earth System Science Data 12, no. 2 (2020): 771–87. http://dx.doi.org/10.5194/essd-12-771-2020.

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Abstract. Historic photographs are useful for documenting glacier, environmental, and landscape change, and we have digitized a collection of about 1949 images collected during an 1896 expedition to Greenland and trips to Alaska in 1905, 1906, 1909, and 1911, led by Ralph Stockman Tarr and his students at Cornell University. These images are openly available in the public domain through Cornell University Library (http://digital.library.cornell.edu/collections/tarr, last access: 15 March 2020; Tarr and Cornell University Library, 2014, https://doi.org/10.7298/X4M61H5R). The primary research ta

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Messing, Karen. "Comment développe-t-on une pratique féministe en santé au travail?" Notes de recherche 4, no. 2 (2005): 87–96. http://dx.doi.org/10.7202/057653ar.

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Un incident survenu pendant une étude en santé et en sécurité du travail a suscité une réflexion sur la relation entre la chercheuse féministe et les travailleuses étudiées. La chercheuse a étudié l'activité de travail des femmes qui lavent les toilettes dans les trains français. Afin de rendre compte du caractère pénible de ce travail, elle a voulu prendre des photographies du travail. Certaines femmes se sont opposées au fait d'être photographiées pendant le nettoyage. Malgré une hypothèse voulant que l'appartenance au même sexe puisse aider à rétablissement d'une collaboration entre cherche

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Muller, Catherine. "La photographie, un outil pour communiquer en classe de langue." Recherche et pratiques pédagogiques en langues de spécialité - Cahiers de l APLIUT, Vol. XXXI N° 1 (February 15, 2012): 10–27. http://dx.doi.org/10.4000/apliut.2224.

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Tifentale, Alise. "Introduction to José Oiticica Filho's “Setting the Record Straighter”." ARTMargins 8, no. 2 (2019): 105–15. http://dx.doi.org/10.1162/artm_a_00239.

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This text introduces article “Setting the Record Straighter” (1951) by Brazilian photographer and artist José Oiticica Filho (1906–1964). The core of Oiticica Filho's article is a discussion of the significance of photo-club exhibitions, based on the example of an ongoing rivalry between the members of São Paulo-based photo club Foto Cine Clube Bandeirante (FCCB) and Rio de Janeiro-based club Sociedade Fluminense de Fotografia. Oiticica Filho, as a member of the São Paulo-based club who resided in Rio, emerged as a mediator between the two groups—an impartial scientist who sought a solution in

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Filho, José Oiticica. "Setting The Record Straighter: Part II." ARTMargins 8, no. 2 (2019): 116–21. http://dx.doi.org/10.1162/artm_a_00240.

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This text introduces article “Setting the Record Straighter” (1951) by Brazilian photographer and artist José Oiticica Filho (1906–1964). The core of Oiticica Filho's article is a discussion of the significance of photo-club exhibitions, based on the example of an ongoing rivalry between the members of São Paulo-based photo club Foto Cine Clube Bandeirante (FCCB) and Rio de Janeiro-based club Sociedade Fluminense de Fotografia. Oiticica Filho, as a member of the São Paulo-based club who resided in Rio, emerged as a mediator between the two groups—an impartial scientist who sought a solution in

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Price, Cathy J., and Glyn W. Humphreys. "The Effects of Surface Detail on Object Categorization and Naming." Quarterly Journal of Experimental Psychology Section A 41, no. 4 (1989): 797–827. http://dx.doi.org/10.1080/14640748908402394.

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Three experiments are reported examining the effects of surface colour and brightness/texture gradients (photographic detail) on object classification and naming. Objects were drawn from classes with either structurally similar or structurally dissimilar exemplars. In Experiment 1a, object naming was facilitated by both congruent surface colour and photographic detail, with the effects of these two variables combining under-additively. In addition incongruent colour disrupted naming accuracy. These effects tended to be larger on objects from structurally similar classes than on objects from st

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matalon-degni, francine. "Trends in Food Photography: A Prop Stylist's View." Gastronomica 10, no. 3 (2010): 70–83. http://dx.doi.org/10.1525/gfc.2010.10.3.70.

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This article traces the evolution of food photography through the lens of its political context. The ways in which prop stylists and food stylists defined food photography trends was guided by more than their unique interpretation of assigned art direction. The political zeitgeist was also a guiding force. From the socially conservative leadership during the Reagan/Bush years to the promises of hope and change defining the Obama presidency——the tenor of each administration left its mark on food photography. During the Reagan/Bush years, legislation favored the moneyed classes; food photography

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Martin, Céline, Pierre Bouletreau, Paul Cresseaux, Renaud Lucas, and Sarah Gebeile-Chauty. "Latéromandibulie : détermination d’une mesure cutanée fiable." L'Orthodontie Française 89, no. 2 (2018): 199–212. http://dx.doi.org/10.1051/orthodfr/2018016.

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Introduction : Les mesures cliniques sur photographie de face sous-évaluent le décalage du menton dans les latéromandibulies. L’objectif de cette étude descriptive est de rechercher une méthode fiable de mesure du décalage du menton cutané, la téléradiographie de face servant de référence. Matériel et méthode : Soixante-dix patients présentant une latéromandibulie ayant consulté un chirurgien maxillo-facial ont été systématiquement inclus. L’âge, le genre, les caractéristiques céphalométriques, le motif de consultation des patients et le type de chirurgie ont été collectés. Deux méthodes cépha

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Collet, Philippe. "La photographie et l'archéologie : des chemins inverses." Bulletin de correspondance hellénique 120, no. 1 (1996): 325–44. http://dx.doi.org/10.3406/bch.1996.4601.

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Giboreau, Agnes, Camille Schwartz, David Morizet, and Herbert L. Meiselman. "Measuring Food Waste and Consumption by Children Using Photography." Nutrients 11, no. 10 (2019): 2410. http://dx.doi.org/10.3390/nu11102410.

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A photography method was used to measure waste on food trays in school lunch in France, using the 5-point quarter-waste scale. While food waste has been studied extensively in US school lunches, the structure of the French lunch meal is quite different, with multiple courses, and vegetables (raw and cooked) in more than one course. Vegetables were the most wasted food category as usually seen in school lunch research, especially cooked vegetables, which were wasted at rates of 66%–83%. Raw vegetables were still wasted more than main dishes, starchy products, dairy, fruit, and desserts. Vegetab

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Pell, E., L. E. Arend, and G. T. Timberlake. "Computerized Image Enhancement for Visually Impaired Persons: New Technology, New Possibilities." Journal of Visual Impairment & Blindness 80, no. 7 (1986): 849–54. http://dx.doi.org/10.1177/0145482x8608000709.

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Patients with age-related visual loss suffer reduced ability to recognize faces and other scenes in photographs and on television. Recently, progress has been made in image enhancement, using controlled distortion of digitally stored images that increases their usefulness in particular applications. Described are two approaches to image enhancement for the visually impaired. In one approach, the visual losses that characterize individual patients and disease classes are described using detailed measurements of visual degradation transfer functions, which are profiles of loss of image informati

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Hutin, Estelle, Yvan Simard, and Philippe Archambault. "Acoustic detection of a scallop bed from a single-beam echosounder in the St. Lawrence." ICES Journal of Marine Science 62, no. 5 (2005): 966–83. http://dx.doi.org/10.1016/j.icesjms.2005.03.007.

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Abstract Single-beam seabed echoes combined with epi-macrobenthos photographs were used to remotely detect a scallop bed and characterize the specific acoustic signal of Iceland scallop (Chlamys islandica). A dense scallop bed was surveyed in 2002, with a QTC VIEW Series IV acoustic ground-discrimination system (AGDS) connected to a 38 kHz, 7° split-beam SIMRAD EK60 scientific echosounder. In 2003, a 50 kHz, 42° single-beam SUZUKI ES-2025 echosounder was connected to a QTC VIEW Series V AGDS. The QTC VIEW data were analysed with QTC IMPACT following the standard procedures and classified into

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UNAL, GOZDE, GAURAV SHARMA, and REINER ESCHBACH. "EFFICIENT CLASSIFICATION OF SCANNED MEDIA USING SPATIAL STATISTICS." International Journal of Pattern Recognition and Artificial Intelligence 24, no. 06 (2010): 917–46. http://dx.doi.org/10.1142/s0218001410008263.

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Photography, lithography, xerography, and inkjet printing are the dominant technologies for color printing. Images produced on these "different media" are often scanned either for the purpose of copying or creating an electronic representation. For an improved color calibration during scanning, a media identification from the scanned image data is desirable. In this paper, we propose an efficient algorithm for automated classification of input media into four major classes corresponding to photographic, lithographic, xerographic and inkjet. Our technique exploits the strong correlation between

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Yang, Dong Li, and Si Yu Liu. "Enlightening Research on the Production of Boutique Open Video Classes." Applied Mechanics and Materials 347-350 (August 2013): 3143–47. http://dx.doi.org/10.4028/www.scientific.net/amm.347-350.3143.

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Paper illustrates the background of boutique open video class in China. According to the prepared works of the photographers and the subjects before we taped of the boutique open video classes in the teaching field of China, it researches the techniques which are used in recording video and later editing. It mainly discusses the problems, such as one third composition methods, cutting-body principle, lens push-pull shooting technologies and the photography technology problems and so on. It also studies the forming strategy of the online open classes initiated by foreign distinguished universit

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CM, Noor Latif. "EKSPLORASI VISUAL CERITA RAKYAT NUSANTARA DALAM FOTO BERKISAH." Jurnal Dimensi DKV Seni Rupa dan Desain 4, no. 2 (2019): 169. http://dx.doi.org/10.25105/jdd.v4i2.5889.

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Abstract<br />Indonesian Folklore Visual Exploration on Narative Photography. This research begins with the lack of awareness of Photography class students to work on local content in their duties. Students feel foreign and don’t care about the wealth of content they have. In some cases sending students abroad requires a portfolio that has a strong local identity. Our strength as a multicultural nation that is rich in a variety of cultures and<br />traditions is an attraction worth selling. These problems were not realized by students and teachers, especially photography classes. T

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Buyukkinaci, B., S. Onaygil, O. Guler, and MB Yurtseven. "Determining minimum visibility levels in different road lighting scenarios." Lighting Research & Technology 50, no. 7 (2017): 1045–56. http://dx.doi.org/10.1177/1477153517709868.

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This study investigates visibility levels for different road lighting scenarios. Four different road lighting classes (M2, M3, M4, M5), two different colour temperature luminaires (4000 K and 6000 K) and four different critical object reflectances (0.20, 0.30, 0.40, 0.50) were used to determine the effects of lighting classes and colour temperatures on the critical object detection. In total, 1920 photographs were taken on a test road and visibility levels were calculated for each case. From these 1920 visibility levels, photographs corresponding to 245 visibility level values ranging from 1 t

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Banfai, Daniel S., and David M. J. S. Bowman. "Dynamics of a savanna-forest mosaic in the Australian monsoon tropics inferred from stand structures and historical aerial photography." Australian Journal of Botany 53, no. 3 (2005): 185. http://dx.doi.org/10.1071/bt04141.

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Stratified ground-truthing was undertaken within an area of approximately 30 km2 of tropical savanna across an abrupt sandstone escarpment in the monsoon tropics of Australia. Comparison of aerial photographs from 1941 and 1994 had previously revealed a landscape-wide expansion of closed forest and contraction of grassland patches. Good congruence between field measurements and the vegetation classifications from the 1994 aerial photography supported the authenticity of the vegetation changes. The relative abundance of rainforest and non-rainforest tree species also concurred with mapped veget

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Pippard, Brian. "Sir Nevill Francis Mott, C. H. 30 September 1905–8 August 1996." Biographical Memoirs of Fellows of the Royal Society 44 (January 1998): 315–28. http://dx.doi.org/10.1098/rsbm.1998.0021.

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There is a long sequence of photographs in the Cavendish Laboratory showing the research students and staff every year from 1897; the 1902 photograph has J.J. Thomson in the middle, and includes Charles Francis Mott and Lilian Mary Reynolds, who were married in 1904 and whose son was Nevill Francis Mott. Charles was unlucky in his research project, which gave him no encouragement to continue, but he had a successful career, first as senior science master at Giggleswick, and then as Director of Education in the north–west of England, ultimately as Director for Liverpool. Miss Reynolds had been

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Petit-Aupert, Catherine. "Quelques réflexions sur l’urbanisme de l’antique Elusa d’après les photographies aériennes." Pallas, no. 82 (May 4, 2010): 77–102. http://dx.doi.org/10.4000/pallas.12062.

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Young, Kelly. "Exploring a Curricula of Visual and Poetic Aesthetics / Exploration de programmes d’esthétisme visuel et poétique." Canadian Review of Art Education / Revue canadienne d’éducation artistique 46, no. 1 (2019): 44–59. http://dx.doi.org/10.26443/crae.v46i1.49.

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Abstract: In this article, I explore the role of visual arts in shaping the future direction of the literary arts in my pre-service teacher education classroom. I outline a cross-curricular curriculum by exploring a theoretical and practical relationship between visual and poetic aesthetics. Drawing upon the imagination, we are able to become critical storytellers as we engage in ekphrastic poetics, that is—a poetic response to a form of art. Ultimately, we modify and expand on the practice to include responses to photography or works of art—that are themselves aesthetic responses. Key words:

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Olesen, Carsten Riis, and Henning Thing. "Guide to field classification by sex and age of the muskox." Canadian Journal of Zoology 67, no. 5 (1989): 1116–19. http://dx.doi.org/10.1139/z89-159.

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Reliable data on sex–age class composition of muskox (Ovibos moschatus) herds are necessary prerequisites to any successful management initiative. The classification requires some training to be exact; this paper presents a photographic record and description of field characteristics of a total of eight different sex–age classes, thus enabling the observer to perform a correct herd segregation. Differentiation of muskoxen relies primarily on horn development and secondarily on body and pelage.

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Parr, Lisa A., Tara Dove, and William D. Hopkins. "Why Faces May Be Special: Evidence of the Inversion Effect in Chimpanzees." Journal of Cognitive Neuroscience 10, no. 5 (1998): 615–22. http://dx.doi.org/10.1162/089892998563013.

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Five chimpanzees were tested on their ability to discriminate faces and automobiles presented in both their upright and inverted orientations. The face stimuli consisted of 30 black and white photographs, 10 each of unfamiliar chimpanzees (Pan troglodytes), brown capuchins (Cebus apella), and humans (Homo sapiens). Ten black and white photographs of automobiles were also used. The stimuli were presented in a sequential matching-to-sample (SMTS) format using a computerized joystick-testing apparatus. Subjects performed better on upright than inverted stimuli in all classes. Performance was sign

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Harp, Derald A., and Edward L. McWilliams. "Remote Sensing Imagery on the Web and Its Potential for Use in Horticulture Classes." HortScience 31, no. 4 (1996): 589a—589. http://dx.doi.org/10.21273/hortsci.31.4.589a.

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As the World Wide Web (WWW) expands, information is rapidly becoming more accessible. Using satellite data previously required high-end computers running complex imaging software, sophisticated downloading equipment, and high monetary support. Satellite data is now available on the internet for little or no cost and can be handled on standard desktop computers using common software programs. The purpose of our project was to determine the availability and cost of different types of data and how this data may benefit horticultural instruction. Satellite data currently is archived at NASA, NOAA,

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Conversani, Valéria Regina Martins, Marina Rito Brenha-Nunes, César Santificetur, Marcella Bockis Giaretta, Carolina Correia Siliprandi, and Carmen Lucia Del Bianco Rossi-Wongtschowski. "Atlas of marine bony fish otoliths (sagittae) of Southeastern-Southern Brazil Part VII: Atheriniformes, Beloniformes, Beryciformes, Zeiformes, Syngnathiformes, Scorpaeniformes and Tetraodontiformes." Brazilian Journal of Oceanography 65, no. 3 (2017): 400–447. http://dx.doi.org/10.1590/s1679-87592017134306503.

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Abstract In addition to the series of documents that we have been publishing on the "Atlas of Teleostei Otoliths for the Southeastern-Southern Brazilian region", in this volume we present the results of species of the orders Atheriniformes (1 species), Beloniformes (5), Beryciformes (2), Zeiformes (2), Syngnathiformes (2), Scorpaeniformes (9) and Tetraodontiformes (6). Features, measurements and indices were analyzed according to methodology used in anterior series. Three otoliths of each species have been illustrated and photographed whenever possible. The frequency of occurrence of each char

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Minnich, RA, and CJ Bahre. "Wildland Fire and Chaparral Succession Along the California Baja-California Boundary." International Journal of Wildland Fire 5, no. 1 (1995): 13. http://dx.doi.org/10.1071/wf9950013.

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The United States-Mexico international boundary from ElPaso, Texas to the Pacific Coast shows clear differences in plant communities that were homogeneous prior to being split by a continuous fence at the turn of the century. This study evaluates how disparate fire regimes in California (fire suppression) and northern Baja California (little or no fire control) have influenced succession in the chamise (Adenostoma fasciculatum) chaparral communities spanning the international boundary between the border towns of Jacume and Tecate. Fire history was reconstructed using U.S. Forest Service fire m

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Porwal, Mahesh C., and Parth S. Roy. "Attempted Understorey Characterization Using Aerial Photography in Kanha National Park, Madhya Pradesh, India." Environmental Conservation 18, no. 1 (1991): 45–50. http://dx.doi.org/10.1017/s0376892900021299.

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Remote sensing is being widely used in the fields of resource management, planning, and wildlife habitat evaluation. Canopy cover-type mapping has been done in most of the bioclimatic zones of India and widely abroad, using aerial photointerpretation techniques. In the present study an attempt has been made to develop a methodology for mapping understorey vegetation in part of Kanha National Park, using 1:10,000-scale black-and-white aerial photographs.The Park, one of the best for Tiger (Felis tigris) visibility and observation of other large carnivores and herbivores, has been mapped, with s

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Kalacska, Margaret, Oliver Lucanus, Leandro Sousa, Thiago Vieira, and Juan Arroyo-Mora. "Freshwater Fish Habitat Complexity Mapping Using Above and Underwater Structure-From-Motion Photogrammetry." Remote Sensing 10, no. 12 (2018): 1912. http://dx.doi.org/10.3390/rs10121912.

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Substrate complexity is strongly related to biodiversity in aquatic habitats. We illustrate a novel framework, based on Structure-from-Motion photogrammetry (SfM) and Multi-View Stereo (MVS) photogrammetry, to quantify habitat complexity in freshwater ecosystems from Unmanned Aerial Vehicle (UAV) and underwater photography. We analysed sites in the Xingu river basin, Brazil, to reconstruct the 3D structure of the substrate and identify and map habitat classes important for maintaining fish assemblage biodiversity. From the digital models we calculated habitat complexity metrics including rugos

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Wagnon, Sylvain. "La photographie de classe dans l’école française: une source sous-estimée de compréhension de l’histoire de l’école, interface entre sphères privée et publique (XIXe-XXIe)." Encounters in Theory and History of Education 17 (November 29, 2016): 27–47. http://dx.doi.org/10.24908/eoe-ese-rse.v17i0.6342.

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Représentation d’un groupe d’élèves, la photo de classe est devenue depuis le milieu du XIXe siècle un “rituel scolaire”, une tradition et un usage qui mérite d’être étudié. Point aveugle de la recherche, source à l’interface de l’institution scolaire, des enseignants, des élèves et des parents, nous avons fait l’hypothèse que la photo de classe n’était pas seulement un témoin culturel mais un outil pour la compréhension des usages et des pratiques scolaires.Notre objectif est, en nous basant sur le corpus abondant des photos de classe du XIXe siècle à nos jours, d’utiliser l’analyse historiqu

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Karimnia, Amin, and Fatemeh Mohammad Jafari. "A sociological analysis of moves in the formation of Iranian epitaphs." Semiotica 2019, no. 229 (2019): 25–39. http://dx.doi.org/10.1515/sem-2017-0105.

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AbstractThis study investigated various manifestations of gravestone inscriptions to find different types of moves in the formation of such inscriptions in two Iranian social classes. The sample of the study included forty epitaphs in two shrines in the north and west of Tehran. Each epitaph was then photographed for analysis. Swales’ genre move model was used to analyze the data. The moves involved word choice, content, graphics, socio-cultural values, and written communicative practices. Considering socio-cultural factors characterizing the social classes, the results revealed four moves in

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Megawati, Megawati, and Syarif Agussaid Alkadrie. "The Effectiveness of Using Photograph in Teaching Writing." JETL (Journal Of Education, Teaching and Learning) 2, no. 2 (2017): 138. http://dx.doi.org/10.26737/jetl.v2i2.277.

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<p>This research entitled: “The Effectiveness of Using Photograph in Teaching Writing” is intended to find out whether there is significantly different in writing ability between the experimental group and the control group.</p><p>This research employed experimental design. The participants of the study were the tenth-grade students at SMAN 1 Karau Kuala in the academic year 2013/2014. Two classes were used in this research. There were X-C as the Experimental group and X-D as the control group. The research instrument used was a writing test in the form of essay test. The dat

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