Academic literature on the topic 'Photographie – Langage'
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Journal articles on the topic "Photographie – Langage"
Dewerpe, Alain. "Miroirs d'usines : photographies industrielle et organisation du travail a l'Ansaldo (1900-1920)." Annales. Histoire, Sciences Sociales 42, no. 5 (October 1987): 1079–114. http://dx.doi.org/10.3406/ahess.1987.283437.
Full textFerraris-Besso, Caroline. "La Preuve par l'image: l'usage de la photographie dans La Moustache d'Emmanuel Carrère." Nottingham French Studies 60, no. 1 (March 2021): 98–113. http://dx.doi.org/10.3366/nfs.2021.0307.
Full textAlba Pagán, Ester, and Aneta Vasileva Ivanova. "Du côté de chez la nomade. La femme gitane : mythe, photographie et auto(re)présentation." HYBRIDA, no. 1 (December 3, 2020): 129. http://dx.doi.org/10.7203/hybrida.1.16871.
Full textMononen, Kaarina, and Hanna Lappalainen. "Taidetta ja tutkimusta näyttelyssä." AFinLA-e: Soveltavan kielitieteen tutkimuksia, no. 12 (April 16, 2020): 1–31. http://dx.doi.org/10.30660/afinla.84523.
Full textLangmann, Sten, and Paul Gardner. "The intersemiotic affordances of photography and poetry." Semiotica 2020, no. 236-237 (December 16, 2020): 85–102. http://dx.doi.org/10.1515/sem-2018-0050.
Full textParejo, Nekane. "Transcripción cinematográfica de la mirada erótica del fotógrafo Bellocq en Pretty Baby de Louis Malle." Çédille 12 (April 1, 2016): 338. http://dx.doi.org/10.21071/ced.v12i.5628.
Full textZuhdan Aziz. "Dramatization of Visual Communication Messages In Macro Photographic Genre." IICACS : International and Interdisciplinary Conference on Arts Creation and Studies 3 (April 7, 2020): 154–73. http://dx.doi.org/10.33153/iicacs.v3i1.30.
Full textWakelin, Daniel. "A New Age of Photography: ‘DIY Digitization’ in Manuscript Studies." Anglia 139, no. 1 (March 4, 2021): 71–93. http://dx.doi.org/10.1515/ang-2021-0005.
Full textWelch, Edward. "La Carte et le territoire: Mapping, Photography and the Visualization of Contemporary France." Nottingham French Studies 53, no. 2 (July 2014): 186–200. http://dx.doi.org/10.3366/nfs.2014.0085.
Full textPierce, Kathleen. "Photograph as Skin, Skin as Wax: Indexicality and the Visualisation of Syphilis in Fin-de-Siècle France The William Bynum Prize Essay." Medical History 64, no. 1 (December 19, 2019): 116–41. http://dx.doi.org/10.1017/mdh.2019.79.
Full textDissertations / Theses on the topic "Photographie – Langage"
Séguy, François. "Le sens et l'origine du vocabulaire technique en photographie dans les ouvrages techniques de langue française traitant de photographie, publiés entre 1840 et 1922." Toulouse 2, 1998. http://www.theses.fr/1998TOU20034.
Full textThe aim of this thesis is to compile the first French semantic dictionary of the technical vocabulary of photography, based on the most significant works published during that period. The first part of the thesis is a recapitulation of all information necessary to assess the position of photography at the time: its history, its evolution up to 1922, its function in the graphic and photomechanical industry, its contribution to science, art and communication. A section is devoted to the 19th-century knowledge of physics, optics and chromatics. The analysis examines how this vocabulary borrowed from and contributed to the grammar and language of other techniques and professions. The second part, comprising 5,992 entries, is the actual dictionary, in which are defined all expressions, words and terms used in the publications. Our aim has been to characterize in detail all words and expressions beginning to assume a specific meaning in an evolving professional vocabulary. As the entries are essentially studied in their context, the complete quotes and their dated sources are included. In each case, the word in the references, given in the alphabetical order, was used in the common language or in a specifically photographic sense. The entries have been composed with the objective of observing, defining or establishing - the words or groups of words in the technical vocabulary and the newly created terminology which have assumed a specific meaning, sometimes in an originally polysemic situation; - the technical or cultural origin of the words or groups of words in the technical vocabulary, the way they were invented or devised through a twisting of the sense; - the use of new roots and the formation of new terminological groups; - the emergence, evolution, establishing or disappearance of words or groups of words in the terminology of photography
Gibert, Bertrand. "Nature morte et publicité : la photographie publicitaire d'objets seuls en France : 1980-1990." Bordeaux 3, 1993. http://www.theses.fr/1993BOR30036.
Full textThis thesis is an approach of representations of inanimate objects in advertising pictures in the french press of the 'nineteen-eighties, in relation to classical still life. The first part deals with selection and symbolism of objects and their internal lay out in traditionnal oil painting. The second part, which includes figures and diagramm, focuses on inter-relationships between images within the sphere of publicity and beyond. The aim of the final section of this study is to point out references to past representations and highlight what objects epitomize, through analyses of a selection of significant publicity images
Romedenne, Jean. "Nouvelles techniques iconiques et publicité." Paris 7, 1995. http://www.theses.fr/1995PA070027.
Full textNew iconic technics present techno-esthetic polymorphism, stylistic diversity; bulimic thematics, multi-functionality, and reveal new precision and interactivity
Boutella, Safia. "Regard algérien : histoire d'une culture visuelle : approche médiologique et sémiologique de la photo de presse." Bordeaux 3, 2000. http://www.theses.fr/2000BOR30039.
Full textLe, Maître Barbara. "L'ensemble visuel et l'idée de manque : un essai sur la relation entre film et photo." Paris 3, 1999. http://www.theses.fr/1999PA030108.
Full textMuller, Catherine. "Paroles sur images : Les interactions orales déclenchées par des photographies d'auteur en classe de français, langue étrangère." Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030107.
Full textThe study lies in the field of foreign language education, but it also refers to verbal interaction analysis, foreign language classroom research, anthropology, and sociology. It rests onthe capacity of visual images to trigger verbal expression. Photography is here considered as ameans to induce oral interaction, thus enabling students to communicate in language courses. Wehave implemented a task in lessons of French taught as a foreign language in a pluricultural contextin Paris, learners’ levels ranging from A1 to B2. In this group project, students were invited tocomment on fine art and documentary photographs. We had no predetermined language objectivesand we did not seek to pass on information about the images, which were intentionally enigmatic.Our research question deals with the nature of the verbal interactions triggered by the photographs.In part 2, the analysis of the corpus highlights how learners interact. They implement strategies to communicate and to learn. The interactions are highly cooperative, which encourages students tolearn from their peers by using collective scaffolding. In part 3, we analyse the verbal reactions of the students when they comment on the photographs. These learners describe the images, they buildnarratives, they seek solutions, messages or interpretations, they evaluate the pictures esthetically,and they immerse themselves in the fiction of the photographs. They also find analogies with other images, which reveals the importance of intericonicity in visual perception and encourages learners to engage into intercultural exchanges
Hilles, Juhayna. "Le langage visuel de Gyorgy Kepes, une éducation de l’œil (1937-1973)." Thesis, Sorbonne université, 2020. http://www.theses.fr/2020SORUL114.
Full textThis study examines the theory of visual language of Gyorgy Kepes. Painter, photographer, designer, pedagogue, and an art theorist, his complex work transcends the frontiers between plastic mediums. Born in 1906 in Selyp in Hungary, he studied painting at the Royal Academy of Fine Arts of Budapest, under the tutelage of the impressionist painter István Csók. Politically engaged since his early youth, he joins the Munka circle of Lajos Kassák, and leaves Hungary in 1930 in order to join László Moholy-Nagy in Berlin, and then in London, before moving permanently to the United States of America. In 1946 he is appointed Professor of visual design at the School of Architecture and Urban Planning of Massachusetts Institute of Technology, his establishing of the Center for Advanced Visual Studies, mark the beginning of new civic and environmental orientations in his work. Looking to reconcile art and technology, he defends the sociopolitical role of art. The aim of the thesis is to analyze the development of the theory of visual language, examining its applications and adaptations along Kepes’ career (1937-1973). The confrontations between art and the military, scientific, and technological world will be examined through three principal axes, offering a comprehensive reading of the theory of visual language
Marini, Alexandra. "De la camera oscura à la "caméra visible" : éloge du plan-séquence dans l'oeuvre de Sam Szafran." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040096.
Full textBy exploring Sam Szafran’s work through film and photography, the aim of this thesis is twofold: - To highlight the largely sequential nature of his work: Szafran, who learnt to ‘see’ through the cinema, does not repeatedly create the same images - he creates ‘freeze frames’ in a global sequence; and photography, which by its nature is incidental and fragmentary, is an essential tool for achieving this. - To examine the notion of editing: from both the technical - Szafran is of course world famous for his virtuosic pastels - and cinematographic points of view. We will demonstrate that his images resemble sequence shots, as employed in the modern era by Orson Welles, in order to examine how things are seen, or, in other words, to make one aware of the camera’s presence. Hence, by highlighting Sam Szafran’s key influences, our study - which is the first in-depth university study of the artist - aims to analyse every aspect of the painter’s methodological and reflexive approach to his work. Based on completely new sources, relating to both the history of the 20th century and the artist’s personal life, the study’s main aim is to shed new light on the artist’s oeuvre, which is considered to be ‘one of the most mysterious and poetic of our time’ (Jean Clair). This study will be complemented by two volumes of annexes, comprising a large corpus of works and archive documents
Oliveira, Tatiana Pontes de. "Caminhar, fotografar, fabular: entre a cidade e a fotografia." Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/20214.
Full textMade available in DSpace on 2017-07-11T12:45:19Z (GMT). No. of bitstreams: 1 Tatiana Pontes de Oliveira.pdf: 8126533 bytes, checksum: 31a5e1d438a4986c78c5ed825a5da1b5 (MD5) Previous issue date: 2017-06-27
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
This research addresses the relationship between photography and the city, having as its object of study the contemporary photography produced by walking in the city. The starting point of the research is the question "How does the interaction between the city and the photography happen, considering walking as the procedure used by photographers as a strategy to establish communication with the city?". The main assumptions raised by this question are as follows: a) for having both documentary and fictional features, the photography is an ambivalent means of communication; b) The city is also characterized by ambivalence for being an environment in which interactive experiences and habits are governed by mediative order programs; c) The interaction between the ambivalences of the photographic language and the city enhances the creation of images that make visible the processes of the city and the photographer's imaginary affected by it. In order to verify the hypotheses present in this research, an extensive literature review was carried out to support the empirical analysis of the connections between the city, image and communication, as well as the nature of the photographic language and its ambivalence characterized by documentary and fictional traits. The theoretical foundation follows the goal in each chapter, therefore, in Chapter 01, the image is studied out of a network that connects three authors: Warburg, Benjamin and Flusser. The study of the image concept aims to support the following chapters, in which the relationship between photography and the city is addressed. In Chapter 02, the theoretical foundation links concepts for thinking on the city and its communicative mediative and interactive processes, as well as its dimensions of technosphere and psychosphere, as proposed respectively, by Ferrara and Santos. There is also an investigation on the ambivalence and the specificities of the photographic language taking into account the connections among works by Barthes, Dubois, Kossoy, Soulages and Fontcuberta. Finally, Chapter 03 analyzes the procedure of walking, used by photographers as a poetic strategy to put themselves in touch with the city and seize its manifestations. Having as object of study the photographic works by Daniel Ducci, Felipe Russo, Fernando Cohen and Wesley Barba, the focus of analysis is on how photographers "fable" about the city by creating new possibilities for understanding its impositions and spontaneity proposals, considering the experience of photographing and “fabling” as gestures of resistance
Esta pesquisa trata das relações entre a fotografia e a cidade, tendo como objeto de estudo a fotografia contemporânea produzida pelo caminhar na cidade. O ponto de partida da pesquisa é a pergunta “Como se dá a interação entre a cidade e a fotografia, tendo em vista o caminhar como procedimento usado pelos fotógrafos como estratégia para se colocarem em comunicação com a cidade?”. As principais hipóteses levantadas por essa questão se constituem do seguinte modo: a) Por ter simultaneamente um caráter documental e ficcional, a fotografia é meio comunicativo ambivalente; b) A cidade também se caracteriza pela ambivalência por ser um ambiente onde se processam vivências interativas e hábitos regidos por programas de ordem mediativa; c) A interação entre as ambivalências da linguagem fotográfica e as da cidade potencializa a criação de imagens que tornam visíveis os processos da cidade e o imaginário do fotógrafo afetado por ela. A fim de verificar as hipóteses da pesquisa, realizou-se ampla revisão bibliográfica para fundamentar a análise empírica das relações entre cidade, imagem e comunicação, além da natureza da linguagem fotográfica e sua ambivalência caracterizada por traços documentais e ficcionais. A fundamentação teórica acompanha o objetivo de cada capítulo, de modo que, no capítulo 01, a Imagem é estudada a partir de uma rede que conecta três autores: Warburg, Benjamin e Flusser. O estudo do conceito de imagem tem por objetivo fundamentar os capítulos seguintes, nos quais é tratada a relação entre a fotografia e a cidade. No capítulo 02 a fundamentação teórica relaciona conceitos para pensar a cidade e seus processos comunicativos mediativos e interativos, e suas dimensões de tecnosfera e psicosfera, como proposto, respectivamente, por Ferrara e Santos. Há também uma investigação sobre a ambivalência e as especificidades da linguagem fotográfica considerando as relações entre as obras de Barthes, Dubois, Kossoy, Soulages e Fontcuberta. Por fim, o capítulo 03 analisa o procedimento de caminhar, usado pelos fotógrafos como estratégia poética para se colocar em contato com a cidade e apreender suas manifestações. Tendo como objeto de estudo os trabalhos fotográficos de Daniel Ducci, Felipe Russo, Fernando Cohen e Weslei Barba, o foco de análise se colocou sobre o modo como os fotógrafos fabulam sobre a cidade criando novas possibilidades de entendimento das imposições e espontaneidades propostas por ela, considerando as experiências de fotografar e fabular como gestos de resistência
Wilder, Kelley E. "Ingenuity, wonder and profit : language and the invention of photography." Thesis, University of Oxford, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.397138.
Full textBooks on the topic "Photographie – Langage"
Haefs, Lisa, and Jeff Winter. Langlade County schools: A photographic history. 2nd ed. [Antigo, Wis.]: Langlade County Historical Society, 2004.
Find full textMarianne, Fulton, ed. Language of light: Masterworks from the collection. [Rochester, N.Y.]: George Eastman House, 1992.
Find full textHeidtmann, Frank. Bibliographie der Photographie: Deutschsprachige Publikationen der Jahre 1839-1984 : Technik, Theorie, Bild = Bibliography of German-language photographic publications, 1839-1984 : technology, theory, visual. 2nd ed. München: Saur, 1989.
Find full textDerek, Dudek, Shinohara Keiji 1955-, Price Robin, and Robin Price (Publisher), eds. Language of her body. [Middletown, Conn.?]: Robin Price, 2003.
Find full textNorac, Carl. Métropolitaines: Tentative de photographier avec le langage, métro de Paris, hiver 1999-2000. [France]: Escampette, 2003.
Find full textCreates, Marlene. Language and land use, Newfoundland 1994. Halifax, N.S: MSVU Art Gallery, 1998.
Find full textBook chapters on the topic "Photographie – Langage"
Roth, Nancy Ann. "Out of language." In The Routledge Companion to Photography Theory, 398–409. New York : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9781315727998-27.
Full textMeinhof, Ulrike Hanna, and Dariusz Galasiński. "Photography and the Discourses of Memory and Identification." In The Language of Belonging, 112–58. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230504301_5.
Full textAmi Podrebarac, Anamarija. "Introduction to Natural Language Processing." In Fragmentation of the Photographic Image in the Digital Age, 204–11. New York, NY: Routledge, 2020. | Series: [Routledge history of photography]: Routledge, 2019. http://dx.doi.org/10.4324/9781351027946-15.
Full textKeeling, David J. "Alternative Languages of Landscape Analysis: Visualizing Geography Through Photography." In Handbook of the Changing World Language Map, 1–15. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-73400-2_49-1.
Full textKeeling, David J. "Alternative Languages of Landscape Analysis: Visualizing Geography Through Photography." In Handbook of the Changing World Language Map, 3061–75. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-02438-3_49.
Full textSrihari, Rohini K. "Use of Captions and Other Collateral Text in Understanding Photographs." In Integration of Natural Language and Vision Processing, 245–66. Dordrecht: Springer Netherlands, 1995. http://dx.doi.org/10.1007/978-94-011-0273-5_14.
Full textSaggion, Horacio, Katerina Pastra, and Yorick Wilks. "Using Natural Language Processing for Semantic Indexing of Scene-of-Crime Photographs." In Computational Linguistics and Intelligent Text Processing, 526–36. Berlin, Heidelberg: Springer Berlin Heidelberg, 2003. http://dx.doi.org/10.1007/3-540-36456-0_56.
Full textWetherholt, William A., and Gregory S. Vandeberg. "Reading the Landscape in Antler, North Dakota: Repeat Photography in an Atrophying Northern Plains Town." In Handbook of the Changing World Language Map, 1–23. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-73400-2_178-1.
Full textWetherholt, William A., and Gregory S. Vandeberg. "Reading the Landscape in Antler, North Dakota: Repeat Photography in an Atrophying Northern Plains Town." In Handbook of the Changing World Language Map, 3185–207. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-02438-3_178.
Full textCharitonos, Koula, and Marina Charalampidi. "Designs for Heritage Language Learning: A Photography Project in the UK Supplementary Education." In Communications in Computer and Information Science, 198–216. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-25684-9_15.
Full textConference papers on the topic "Photographie – Langage"
Niu, Xue. "Discussion on Pictorial Photography and Pure Photography in the Development of Photographic Art." In 2016 3rd International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2016). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-16.2017.131.
Full textFuster pérez, Jaime. "La edición fotográfica en Ramón Masats." In I Congreso Internacional sobre Fotografia: Nuevas propuestas en Investigacion y Docencia de la Fotografia. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cifo17.2017.7055.
Full textDelplancq, Véronique, Ana Maria Costa, Cristina Amaro Costa, Emília Coutinho, Isabel Oliveira, José Pereira, Patricia Lopez Garcia, et al. "STORYTELLING AND DIGITAL ART AS A MEANS TO IMPROVE MULTILINGUAL SKILLS." In International Conference on Education and New Developments. inScience Press, 2021. http://dx.doi.org/10.36315/2021end073.
Full textYang, He. "Analysis of Avedon's Photographic Works." In 2016 3rd International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2016). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-16.2017.140.
Full textDoerjanto, Dody. "Creating Digital Photographic Painting Arts." In 2nd Social Sciences, Humanities and Education Conference: Establishing Identities through Language, Culture, and Education (SOSHEC 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/soshec-18.2018.12.
Full textYang, He. "Illusion of Portrait Photography." In 2015 2nd International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-15). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icelaic-15.2016.113.
Full textYanhua, Zhang, and Lin Jiaogang. "Research on the Expression of Photography Language under Digital Technology." In 2020 5th International Conference on Electromechanical Control Technology and Transportation (ICECTT). IEEE, 2020. http://dx.doi.org/10.1109/icectt50890.2020.00058.
Full textSuhr, Alane, Stephanie Zhou, Ally Zhang, Iris Zhang, Huajun Bai, and Yoav Artzi. "A Corpus for Reasoning about Natural Language Grounded in Photographs." In Proceedings of the 57th Annual Meeting of the Association for Computational Linguistics. Stroudsburg, PA, USA: Association for Computational Linguistics, 2019. http://dx.doi.org/10.18653/v1/p19-1644.
Full textMiletitch, Roman, Raphaël de Courville, Morgane Rébulard, Claire Danet, Patrick Doan, and Dominique Boutet. "Eliciting Writing-like Behaviour in Sign Language through Photographic Representation of Movement." In Electronic Visualisation and the Arts (EVA 2012). BCS Learning & Development, 2012. http://dx.doi.org/10.14236/ewic/eva2012.37.
Full textZhang, Zhenya. "Applied Study on the Reproduction of Visual Perception in Photographic Creation." In 2015 2nd International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-15). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icelaic-15.2016.84.
Full textReports on the topic "Photographie – Langage"
Armstrong, L. F., R. D. Knight, C. E. Logan, W. Parkinson, and D R Sharpe. Keyhole Markup Language Photo Index: an ArcGIS toolbox for packaging georeferenced field photographs and metadata. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2018. http://dx.doi.org/10.4095/306538.
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