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Relevant bibliographies by topics / Photography and contemporary art / Dissertations / Theses

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Dissertations / Theses on the topic 'Photography and contemporary art'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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1

Parcollet, Remi. "La photographie de vue d'exposition." Thesis, Paris 4, 2009. http://www.theses.fr/2009PA040222.

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L'Exposition a fait l'objet de nombreuses analyses et pourtant son rapport à la photographie est rarement évoqué. Considérée comme un procédé, elle développe de nombreux liens avec celui de la Photographie. Toutes les deux consistent à "montrer". Au-delà de leurs analogies, la Photographie et l'Exposition sont interdépendantes. L'étude de l'Exposition passe désormais inévitablement par la photographie. Les artistes et les commissaires utilisent aujourd'hui la photographie non pas comme une finalité mais comme un outil permettant de penser la mise en espace. Une photographie de vue d'exposition

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Higgins, Josephine. "Seeing death : portraiture in contemporary postmortem photography." Master's thesis, University of Cape Town, 2013. http://hdl.handle.net/11427/14152.

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This thesis focuses on the aesthetics of the photographic representation of the actual dead body in Elizabeth Heyert's The Travelers (2004), Pieter Hugo's The Bereaved (2005) and Walter Schels and Beate Lakotta's Life Before Death: Portraits of the Dying (2004). The use of portraiture in each of these artist's series is crucial as it suggests an interest in the 'subjectness' of the corpse. Katarzyna Majak's (2011) theory of socialization as an attempt to lessen the scandal of the corpse through representation is central throughout this thesis. Majak argues that for the viewer the corpse is a s

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3

McCrea, Ronan. "Celluloid materiality : experimental film, photography and contemporary art." Thesis, University of Ulster, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.535137.

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4

Magagnoli, P. "Reclaiming the past : historical representation in contemporary photography and video art." Thesis, University College London (University of London), 2012. http://discovery.ucl.ac.uk/1355956/.

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Since the late 1990s a new tendency has emerged in contemporary art whereby artists deploy archival research to explore the mechanics of historical representation and evoke the past. This thesis examines the works of some of the most relevant practitioners of the new tendency who are working with video, photography and film and explores the reasons for the return of historical representation in art. In the introduction the study sets the tendency against the background of modernist, postmodernist theories and the historiographic debates of the last thirty years. The first chapter attempts a cr

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5

Ford, Ivey C. "Mythologies: Sarah Charlesworth’s Photography, 1977-1988." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1242859054.

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6

Baker, Sarah Lindsey, and Sarah Lindsey Baker. "Constructing the Contemporary Nostalgic Image." Thesis, The University of Arizona, 2016. http://hdl.handle.net/10150/621843.

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This thesis focuses on the intrinsic relationship between nostalgia and vernacular photography, with specific attention to the networked vernacular photograph. Through an examination of early Kodak advertising and current in-phone digital editing and smartphone photography-sharing apps, this paper demonstrates the role of constructed aesthetic nostalgia in contemporary vernacular photography. This research argues that contemporary vernacular photography is a product of contemporary nostalgia, as evidenced through photographs born digital and shared publicly via social media sites such as Insta

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7

Hujar, Brittany A. "Kozo Miyoshi: An Interpretation of Water Through Photography." Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1563967017677073.

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8

Yip, Wai-ka Olivia. "The ritual staging of the self comparing Post-1980s contemporary photography from China and the photographic imagery of Cindy Sherman /." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B43209877.

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9

Neutre, Lila. "Sculpter le soi : le corps social comme dispositif de résistance, l'apparence comme poétique de survie." Thesis, Aix-Marseille, 2017. http://www.theses.fr/2017AIXM0418.

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Dans nos sociétés occidentales contemporaines, esthétiques et spectaculaires, le corps est un objet de fétichisme social de même qu'un écran sur lequel il est possible de projeter une identité maniable et changeante. Considéré comme le support de l’individualité, il est l'objet de toutes les métamorphoses. De simple parti pris vestimentaire, le style peut parfois se faire l’expression d’un véritable mode de vie, d’une existence qui s'établit à l'encontre des normes imposées par une société. L’apparence devenant la manifestation ostentatoire (parfois caricaturale) d’une prise de position politi

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10

Ingham, Mark. "Afterimages : photographs as an external autobiographical memory system and a contemporary art practice." Thesis, Goldsmiths College (University of London), 2005. http://ualresearchonline.arts.ac.uk/7465/.

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My proposition developed in this thesis is that photographs have changed the way the past is conceived and therefore the way the past is remembered. Just as the inventions of the telescope and microscope radically changed our understanding of distance and space on a macro and micro level, the invention of the photograph has radically altered our concepts of the past, memory and time. My starting point is a collection of photographs taken by my grandfather, Albert Edward Ingham, which is used both in my studio work and as a basis for my theoretical writing. My concerns as an artist are with the

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11

Gordon, Rebecca Alison. "Rethinking material significance and authenticity in contemporary art." Thesis, University of Glasgow, 2011. http://theses.gla.ac.uk/3041/.

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The traditional notion of material authenticity as being the physical and aesthetic evidence of the artist’s hand in the ‘original’ materials is outmoded. With the changed nature of art must come a rethinking of the concept of authenticity. Authenticity was and is often discussed in relation to attribution, and is traditionally linked with the artwork’s material presence. This thesis questions that assumption, drawing on the literature of philosophy that describes authenticity as someone’s ‘true essence’ in order to propose the significance of the interrelation of the artwork’s multiple attrib

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12

Morris, Ryan L. "Hand/Face/Object." Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent155655052646378.

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13

De, Siqueira Daniella Géo. "Représenter la mort : le remploi d'images photographiques post mortem en art contemporain." Thesis, Paris 3, 2013. http://www.theses.fr/2013PA030013.

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Cette thèse porte sur l’examen du mode d’opération du remploi photographique en art contemporain, et en spécial celui d’images photographiques post mortem. Avec l’appui de différentes théories qui portent sur la photographie et l’observation de plusieurs oeuvres de remploi photographique, ce travail étudie,d’une part, les problématiques d’ordre génétique et théorique spécifiques à cette pratique contemporaine. De l’autre, ce travail traverse des perspectives historiques et aussi anthropologiques à propos de l’homme face au corps mort pour, en tenant en compte des différents aspects des transfo

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14

Ebner, Bonnie. "MANY TELLING MOMENTS:THE ESSENCE OF FRAGMENTED IMAGE CULTURE." Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3376.

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My purpose in entering the UCF MFA program was to further explore and develop my passion for photography. During my time in the program, I developed my methodology--from having the traditional photography paradigm ingrained in my mind (and wanting to fit into it) to accepting and valuing my own unique process. I construct installations using diverse imagery and non-traditional presentation. In my installations, one may witness a reflection of the contemporary pace of image perception--fragmented, complex, abundant, and disordered. Together, images and their arrangements are used to create a un

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15

Harmsen, Corlia. "Shape me into your idea of home : representations of longing in contemporary photography and video practice." Thesis, Stellenbosch : University of Stellenbosch, 2011. http://hdl.handle.net/10019.1/6578.

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Thesis (MA (Visual Arts))--University of Stellenbosch, 2011.<br>Includes bibliography.<br>ENGLISH ABSTRACT: This study is motivated by an interest in a host of idiosyncratically interrelated phenomena that can be understood, in my view, as symptomatic of a primary interest in representing experiences of affect, loss, alienation and objectification of an “other”, which in turn, necessitates a critical interrogation of the notion of self. These phenomena include notions of the body (animal and human), private and public spaces, voyeurism, transgression, desire, fetishization, sentimenta

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Gallagher, Meghan M. "Claiming Images: The Production and Preservation of Desire in Richard Prince's Re-Photography." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/679.

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This thesis explores the re-photography of contemporary artist, Richard Prince. Using Lacanian theories of the gaze and of the drive cycle, it attempts to establish desire as the central theme of Prince's work. It looks primarily at the Cowboys, Girlfriends, and New Portraits, in order to combat the dominant perception of Prince's work as critical commentary on contemporary consumer culture.

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Pabedinskas, Tomas. "Relationship between the image and the identity of a person in contemporary Lithuanian photography." Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2009. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2009~D_20091204_132210-08996.

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At the end of the 20th century, significant changes occurred in Lithuanian photography: a certain part of photography relinquished earlier traditions of Lithuanian photography and did not conform to the conventional criteria of artistry of photography altogether. Photographers and other artists abandoned expressive visual form and humanist content, which had dominated Lithuanian photography since 1960s, and came up with featureless photography suggesting a reflective approach towards a person and his or her environment. Such photography transcended relatively narrow boundaries of artistic phot

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18

Figliulo, Roberto. "Between public and private spaces: photographic visions in contemporary China." Doctoral thesis, Universitat Pompeu Fabra, 2016. http://hdl.handle.net/10803/398145.

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The aim of this dissertation is to present a particular point of view on the contemporary Chinese photographic production. We will analyze the photographic works that deal directly or indirectly with the representation of concrete spaces. We will give special attention to the representation of public and private spaces and to the problems related to them. We will analyze the period that coincides with the eighties until today, the time of particular development of photographic production in China. The methodology employed will be a multidisciplinary approach that allows to better understand

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19

Paz, Moscoso Valeria. "Roberto Valcárcel : renaming repression and rehearsing liberation in contemporary Bolivian art." Thesis, University of Essex, 2016. http://repository.essex.ac.uk/17659/.

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This study analyses the invisible forms of repression in the Bolivian art system by interpreting Roberto Valcárcel’s artwork in the light of Herbert Marcuse’s ideas on repression and liberation as expounded in Eros and Civilization. It considers, on the one hand, Valcárcel’s artwork in relation to the liberating role that Marcuse attributes to art (via phantasy, polymorphous eroticism, and Orphic paradigm). On the other hand, it explores the strategies devised by Valcárcel against repression, such as self-promotion, multiple texts, play, humour and unmasking certain repressive truths. The read

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Stire, James B. "Armchair Tourist." ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/2002.

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The contemporary experience is profoundly rooted in the processes of remembering and recalling, recording and playing back. My work employs image and installation to speak of memory, nostalgia, and the integration of media and representation into experience. The rapid advancement of media technologies provides new immersive opportunities for the armchair traveler. Viewers may now be effortlessly transported across distances of time and space.

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21

Huttunen, Hinni. "CAN YOU PLEASE LOOK AT THIS / VOITKO KATTOO : Master essay 2018 / Hinni Huttunen." Thesis, Kungl. Konsthögskolan, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kkh:diva-368.

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CAN YOU PLEASE LOOK AT THIS / VOITKO KATTOO is my master essay. It consists of 6 chapters in which I write about my artistic practise and my work around a series of works titled 52 WEEKS AND WORKS and my examination exhibition SELF-PORTRAITS / FOR FAT GIRLS / PORTRAITS.

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22

葉慧嘉 and Wai-ka Olivia Yip. "The ritual staging of the self: comparing Post-1980s contemporary photography from China and the photographicimagery of Cindy Sherman." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B43209877.

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Fries, Katherine. "Ariadne's thread - memory, interconnection and the poetic in contemporary art." Connect to full text, 2008. http://hdl.handle.net/2123/5709.

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Thesis (M.V.A.)--University of Sydney, 2009.<br>Title from title screen (viewed November 26, 2009) Submitted in fulfilment of the requirements for the degree of Master of Visual Arts to the Sydney College of the Arts, University of Sydney. Degree awarded 2009; thesis submitted 2008. Includes bibliographical references.

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Murphy, Alexandra Christina. "An exploration into the photo-transformation of the human form, through a research of its contemporary influential imagery and diversity within our culture." Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002212.

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The purpose of this study is to look at how the figure is imaged through the photographic medium today. Through this purpose I aim to explore the individual expression of the photographer in his photographic medium; the expression of the figure within the medium and the diverse practises of this medium in society - to build up an awareness and understanding of the diverse representations of the human form. The general aims of study are: 1 - to study how these three photographers choose to photograph the figure, through their technical, compositional and individual approach. 2 - to show how div

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Honigman, Ana Finel. "Stars in their eyes : contemporary artists' expressions of fandom and how fan identities influence art." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:091a5028-942a-44f5-a2fd-5374d81d1621.

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Fandom is, as scholars in relevant areas of Media Studies and Sociology attest, a vibrant aspect of contemporary culture and influential in individuals' expression and construction of their identities. This thesis examines and endeavours to challenge how fandom, defined as "emotionally involved consumption of a given popular narrative or text," is conceived and received in contemporary art. It addresses misconceptions about art by four artists who explicitly express their fan identities in their artwork and examines how a finer understanding of fandom can enrich contemporary art discourse and

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Khosravi, Mojgan. "Shirin Neshat: A Contemporary Orientalist." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/art_design_theses/73.

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This thesis analyzes Shirin Neshat’s Women of Allah photographs by exploring key socio-political events that have shaped Iranian history since the reign of Cyrus the Great, ca. 600 B.C. Since Neshat’s photographs have been largely intended for a Western audience, it is important to explore the concept of colonialism that has created East/West polarities and so greatly influenced our modern era. This paper intends to demonstrate that Neshat’s images perpetuate Edward Said’s concept of Orientalism, which allocates the Oriental to an inferior position vis-à-vis his Occidental counterpart. For a W

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Grimaldi, Maura Castanheira. "Esquinas: uma pesquisa sobre a cor na fotografia brasileira contemporânea." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-01032013-154212/.

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Para compreender a relação entre cor e fotografia, investiguei seus aspectos técnicos e poéticos. Aprofundando-me na pesquisa de importantes fotógrafos que trabalham com a cor, realizando uma série de entrevistas com os artistas estudados e especialistas na área e construindo uma prática artística pessoal, procuro mostrar nesta dissertação como a cor adquire autonomia, tornando-se elemento estrutural da obra.<br>To understand the relationship between color and photography, I investigated the technical and poetical aspects. Deepening in the researches about important photographers that work wit

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Iwataki, Ana A. "Mythic Narratives: The Chronicling of Conceptual Art." Scholarship @ Claremont, 2011. http://scholarship.claremont.edu/pitzer_theses/1.

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An exploration of the mythologized narratives that the work and lives of Conceptual artists Bas Jan Ader, Ana Mendieta, and Francis Alÿs have created and inspired. By virtue of their biographies, the fetishization of their personalities, and the ways in which this anecdotal information can be read in their work, mythologized narratives have been constructed, allowing for a prolonged interest existing within and without the confines of the art world. These mythologies come together as part of the oral tradition of the art world, a chronicling of narratives that incites continued interest for f

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Fitzpatrick, Andrea D. "Approaching the dying and the dead : an analysis of contemporary, lens-based artworks and the potential for ethical intersubjectivity." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85906.

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Photographic, film and video representations of dying and dead subjects bring to light delicate balancing acts of agency involving representational perspective. In this thesis, I examine contemporary, lens-based artworks by Sarah Charlesworth, Eric Fischl (whose sculptural medium is an exception), Alejandro Gonzalez Innaritu, Gillian Wearing, Andres Serrano, Nan Goldin, AA Bronson and Jorge Zontal, as well as works by photojournalists Richard Drew and Theresa Frare, to show how they effectively convey facets of identity to dying and dead subjects. The voice, visuality, touch and embodim

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Zorzal, Bruno. "Esthétique de l'exploitation photographique de photos déjà existantes." Thesis, Paris 8, 2016. http://www.theses.fr/2016PA080105/document.

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Au moment où les artistes revendiquent la totalité des objets composant la réalité comme source matérielle pour l’art, on se voit dans la nécessité de réfléchir sur les usages et appropriations créatives spécifiques d’images photographiques. En avançant ainsi d’un cadre général vers le particulier, on vise à instaurer une réflexion centrée sur l’utilisation de photos déjà existantes dans les pratiques artistiques visant la fabrication d’une œuvre photographique. Cependant, le fait de créer à partir d’un objet déjà créé qui ici est une photo, n’étant pas sans problèmes, qu’en est-il d’une forme

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Rosenthal, Dalia. "Do interno no tempo." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/283989.

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Orientador: Regina Helena Pereira Johas<br>Acompanha DVD - Videos: Travessia e Crepusculos Ato I,II e III<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-15T17:01:57Z (GMT). No. of bitstreams: 1 Rosenthal_Dalia_D.pdf: 4459973 bytes, checksum: 9a03f478bf348e7f49fa226471fd9565 (MD5) Previous issue date: 2010<br>Resumo: A Tese de doutoramento em Poéticas Visuais intitulada Do interno no tempo apresenta 8 conjuntos de trabalhos realizados entre os anos de 2007 e 2009. As séries Paisagem de Contagem, UM, Travessia, Horizontes, Bro

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Ai, Linda Ho-Yun. "Identity / the deployment of apple light in considering identity in contemporary portrait photography : this thesis is submitted to the Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Art and Design), 2004." Full thesis. Abstract, 2004.

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33

Mendes, Talita 1985. "Rosângela Rennó = fotografia, deslocamentos e desaparição na arte contemporânea brasileira = Rosângela Rennó: photography, displacements and disappearance in brazilian contemporary art." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285257.

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Orientador: Maria de Fátima Morethy Couto<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-24T11:13:41Z (GMT). No. of bitstreams: 1 Mendes_Talita_M.pdf: 6181643 bytes, checksum: 13de2f327820836fe396de02355bc780 (MD5) Previous issue date: 2014<br>Resumo: Esta pesquisa tem por objeto a análise de três instalações realizadas pela artista brasileira Rosângela Rennó ¿ a saber: Imemorial (1994-1995), In Oblivionem (1994-1995) e Hipocampo (1995) ¿ com o propósito de compreender as investigações da artista em torno da imagem fot

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Boito, Sofia Rodrigues. "O ato fotográfico como ação performática." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-28022014-135629/.

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A presente pesquisa tem como principal objetivo estudar a tendência de obras de fotografia contemporânea em apresentar formas híbridas entre a linguagem fotográfica e performática. Para tanto, por meio de uma pesquisa bibliográfica, investigou-se o percurso histórico da fotografia e da performance art para verificar quando essas duas linguagens se encontraram, a fim de definir a noção de fotógrafo-performer. Em seguida, analisa-se a obra Suíte Vénitienne da artista francesa Sophie Calle, para que se possa detalhar os procedimentos de criação, construção e registro do trabalho de um fotógrafo-

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Law, Amber. "Elsewhere." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etd/3067.

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The photographer discusses the work in Elsewhere, her Master of Fine Arts exhibition held at East Tennessee State University in the Reece Museum, located in Johnson City, Tennessee. The exhibition is displayed from March 1 through March 31, 2016 and consists of 17 color photographs and 3 videos representing a body of work that visually communicates the photographer’s interest in transient lifestyles. The influence and research regarding the concept is communicated by a focus on artists, literature and art historical knowledge that pertain to Law’s work. The artists included are Rineke Dijkstra

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Soukhakian, Fazilat. "The Private Revealed: A Search for a New Modernity Through the Lens of the Shah and Contemporary Photographers in Iran." University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1522057558134736.

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Quadros, Flavia Campos de. "A suspeita ronda a fotografia : jogos e ambigüidades na arte contemporânea." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2007. http://hdl.handle.net/10183/12227.

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Este trabalho se constitui em uma investigação sobre a presença da suspeita na fotografia contemporânea como estratégia de enfrentamento dos conceitos estabelecidos sobre o meio no período moderno e de criação de novas possibilidades de linguagem. Com a análise de obras de artistas brasileiros que se utilizam da fotografia, pretende-se evidenciar como o instante de captura da imagem deixa de ser o elemento central da expressividade. Através da manipulação, nos momentos anteriores e posteriores ao ato fotográfico, os artistas incluídos nesta pesquisa exploram as ambigüidades da imagem e questio

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Gainer, Katelyn Yvonne. "Self-Representation and the Contemporary Female Artist: Challenging the Narrative Through the Work of Renee Cox." Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent155654142406468.

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Bach, Caroline. "Quand l’art contemporain s’intéresse à l’économie : espaces de travail et formes économiques en question." Thesis, Montpellier 3, 2019. http://www.theses.fr/2019MON30088.

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Dans un ouvrage intitulé Art et économie, Jean-Marc Huitorel indiquait, dans son introduction, que « l’artiste fournit des outils pour lire le monde ». Pour les artistes dont la pratique est tournée vers l’extérieur et consiste, entre autres, à fournir des outils pour lire le monde (Allan Sekula ou Alfredo Jarr, par exemple), un travail avec l’économie est inévitable, sans pour autant qu’ils en deviennent nécessairement des spécialistes. Que ce soit à travers des cartographies des flux ou des dispositifs explorant, à grande échelle, la mondialisation des échanges, ou que cela soit à une autre

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Gonçalez, Tereza Cristina Bertoncini. "A imagem indecidivel : um vies sobre o papel da fotografia na arte contemporanea." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285004.

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Orientador: Roberto Berton de Angelo<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-10T07:35:43Z (GMT). No. of bitstreams: 1 Goncalez_TerezaCristinaBertoncini_D.pdf: 10355619 bytes, checksum: a9ada583725c5f6e7ad591e830354767 (MD5) Previous issue date: 2006<br>Resumo: O objetivo central desta pesquisa está voltado para a observação da fotografia no campo da arte contemporânea sob o viés da indecidibilidade. A partir da reflexão sobre o phármakon, um dos indecidíveis pensados por Jacques Derrida, é que o caminho para esta anál

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Pereira, Maria de Fátima Junqueira. "Verdades inventadas - Pinturas de cenas." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-21092009-112410/.

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Esta dissertação tem como objeto de estudo a minha produção de pintura entre os anos de 2006 e 2008 e as relações que esta estabelece com as séries produzidas anteriormente durante minha permanência na Alemanha. O vínculo entre estes trabalhos dá-se principalmente através do uso da fotografia - da sua manipulação e posterior releitura através da pintura - que tem como tema as relações com o cotidiano tanto através da Internet como do contato direto com pessoas e coisas. A montagem destas pinturas no espaço é outro elemento importante dentro do processo de trabalho que enfatiza as relações com

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Holloway, Amanda. "Photographic memory : performativity, identity and the anxieties of aftermath in contemporary photographic art from Northern Ireland." Thesis, Ulster University, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.625475.

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This study hinges on photography's intrinsic dialogue with memory to explore recent developments within photographic art practice in Northern Ireland. I argue that it is possible to trace in artworks which interrogate the contested past, a formulation of cultural identity in which memory plays a key role. Furthermore, I suggest that they frame an analytical understanding of this identity as operating performatively. Familiar perceptions of the conflict open up problematic territory, often betraying an over-simplified understanding of polarised communities which is based on crude binaries. This

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Barnett, Maura. "The contemporary response to British art before Ruskin's "Modern painters" : an examination of exhibition reviews published in the British periodical press and the journalist art critics who penned them : from the late eighteenth century to 1843." Thesis, University of Warwick, 1993. http://wrap.warwick.ac.uk/34732/.

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A particular literary genre, the exhibition review, forms the subject of this dissertation. It represents one facet of a discourse which began to develop in Britain during the latter years of the eighteenth century. Art historians have become increasingly interested in such criticism, but have usually treated it, not as an historical phenomenon which in itself deserves a full investigation, but as a pool of evidence from which to draw remarks concerning individual artists or works of art It is argued that such a one-dimensional approach is unsatisfactory, but that in attempting to go beyond it

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Cajiao, Nieto Ana Isabel. "El lugar de lo siniestro en la fotografía contemporánea. Realidad y ficción, identidad y muerte." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/404219.

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Esta tesis se plantea el estudio de la estrecha concomitancia que existe entre la fotografía contemporánea y la manifestación de lo siniestro. A partir del ensayo de Freud de 1919, Das Unheimliche, y la constatación del rol protagónico que asume hoy en día la fotografía en los procesos de construcción de realidad, se analizan los motivos que hacen de la imagen fotográfica un campo propiciatorio para la experimentación de lo ominoso. El análisis se desarrolla por medio de una serie de ejemplos fotográficos, producidos a partir de la década de los 80’s, por artistas activos en Europa y Estados

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Bowie, Markus. "The Longest Journey." Thesis, Kungl. Konsthögskolan, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kkh:diva-255.

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The Longest Journey is an experimental Master essay which consists of 27 images with accompanying texts. Part of the images are digital photographs and part of them are images created through a special process involving different software tools – mainly Adobe Photoshop and Google Earth. The texts comment on how the images themselves were created and how one might understand what they are and how they function as aesthetic objects and as potential catalysts for thought.<br><p>The essay was published as part of a Master of Fine Art Degree exhibition with the same title. For an English translatio

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Shapiro, Carla Rose. "From mimesis to metaphor : images of the Holocaust in contemporary photographic and installation art." Thesis, University of Sussex, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.250005.

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Jonaitis, Dalius. "Tikrovės ir imitacijos problema fotografijoje pagal Jean‘ą Baudrillard‘ą. Fotografijų ciklas „Pajūrio peizažas“." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100907_094937-20934.

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Darbe nagrinėjama tikrovės ir imitacijos problema fotografijoje pagal Jean‘ą Baurillard‘ą, menamos ir realios tikrovių koegzistavimo bei sąveikos problema. Darbe keliamas tikslas – imituotas peizažas: nagrinėjama imitacijos tendencija šiuolaikinėje kūrybinėje fotografijoje, kai išryškinami realybės neatitikimai, t.y. kur „imituotas peizažas“ prasilenkia su menamu realiu peizažu. Darbo objektas yra „imituoto peizažo“, kaip šiuolaikinio meno objekto, vaizdavimas, konstravimas. Klausimai, susiję su tokiu peizažu, yra nagrinėjami, vadovaujantis simuliakrų teorija. Šio tikslo siekiama analizuojant

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Kuźnik, Sylwia. "Феномен присутствия / отсутствия в искусстве конца ХХ века и начале XXI века. (фотография, живопись)". Master's thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2014~D_20140714_145602-66944.

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Современное искусство, фотография, живопись.<br>Daugiausia dėmesio skirdama XX ir XXI amžiaus fotografijai ir tapybai, pasirinkau buvimo/nebuvimo temą. Mane domina vieneto buvimo santykis visuomenės kontekste. Ieškau skirtumų, panašumų, išraiškos bei priklausomumo priemonių tarp aukščiau pateiktų meno sričių. Fotografiją reprezentuoja Toddo Hido (Houses), Cindy Sherman (Untitled Film Still, History Portraits) ir Andrzejo Kramarzo (Things, Home – bendradarbiaujant su Weronika Łodzińska) pasirinkti kūriniai. Tapybos atveju nurodau į kūrinius: Franciso Bacono (Head I-IV, Study of Pope Innocent X

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Piffero, Luiza de Menezes. "Paisagem como passagem : usos da fotografia em Alberto Bitar, Nick Rands e Todd Hido." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2014. http://hdl.handle.net/10183/122554.

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A presente pesquisa problematiza a noção de paisagem na arte contemporânea a partir da fotografia. Para tanto, analisa trabalhos fotográficos de três artistas: Efêmera Paisagem, do paraense Alberto Bitar, West Solent Coastline Rhythm, do inglês radicado no Brasil Nick Rands, e A Road Divided, do americano Todd Hido. Nas obras em questão, o deslocamento é interpretado como parte fundamental do processo criativo e modo particular de vivenciar a paisagem, contribuindo para a elaboração de uma noção de paisagem como “passagem”, a partir de Nelson Brissac e Walter Benjamin.<br>The present research

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Fries, Katherine. "Ariadne’s Thread - memory, interconnection and the poetic in contemporary art." University of Sydney, 2008. http://hdl.handle.net/2123/5709.

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Master of Visual Arts<br>This Dissertation explores the metaphor of Ariadne’s thread in terms of interconnection, when an element from the everyday is used as a locus linking broader concepts of time and space. Such experiences and associations are reflected in the work of Louise Bourgeois, Eva Hesse, Doris Salcedo, Lucio Fontana, Richard Tuttle, Mona Hatoum, Simone Mangos, Anya Gallaccio and Yoshihiro Suda. In relation to my own work, the metaphor of interconnecting thread allows a sense of freedom and journey of discovery. My studio and related research are closely aligned in developing my u

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